Greg Street Reddish – Industry

Manchester Guardian Printing Works owned by Taylor Garnett & Evans & Co. Ltd- a view of factory dated 1902.

Lithographic Printing Dept 1902. 

CWS Printing Works – formerly the Guardian Print Works showing a view from the road dated 1972.

CWS Printing Works showing a rear view with canal in the foreground.

The Stockport Branch Canal was a five mile branch of the Ashton Canal from Clayton to Stockport.

An important cargo was the supply of grain to William Nelstrop & Company’s Albion Corn Mill at Stockport Basin.

In its early days there was passenger carrying on the Ashton Canal and one of the routes was between Manchester and Stockport.

Commercial carrying ceased in the 1930s but it lingered on into the 1950s’ as a barely navigable waterway. At one stage in the 1950s it was dredged but this improvement did not attract any traffic. Stockport Basin was the first section to be filled in but it was not until 1962 that the canal was officially abandoned by the British Transport Commission, who had been responsible for it since 1948.

It took many years to fill in and this was a disagreeable procedure for people living along its length.

Wikipedia

Archive Photographs – Stockport Image Archive.

From a very lavish production, printed of course by the CWS’s own Printing Works at Reddish, is a description of the new flagship department store for the Crawley Co-operative Society that was opened in 1959. The elevations and facade are very much of their day, quite ‘Festival of Britain in style, and the store was a prominent feature of the planned New Town’s centre. 

Mike Ashworth

Printed in Reddish.

The wide variety of printed material which the CWS required, created a need that could not be met locally by a single source, another large print works was required in Longsight.

Craven Brothers Works 2008

1900 – Further growth prompted the construction of the Vauxhall Works at Reddish, near Stockport. The company kept the works at Osborne Street, Rochdale Road, with about 500 employees, open until 1920. The 1915 O.S. map shows Vauxhall Engineering Works with its south-east corner on Osborne Street, Collyhurst, and bounded on the north by streets of terraced houses and to the south by the L&YR Manchester-Normanton line. 

The Developement of Reddish – quite a number of Manchester firms are prospecting the neighbourhood of Reddish, writes a correspondent, while Messrs. Heywood are about to erect electrical engineering works in Sandfold-lane, and Messrs. Rowley and Co, boiler-makers, are fitting works in the neighbourhood. Messrs. Craven Brothers, engineers, of Salford, have purchased 14-acres of land near the Reddish Station, on the estate of Mr. H. P. Greg, on which they intend to erect large engineering works.

The first sod was cut on Thursday afternoon by Mr. William Craven, in the presence of his brother directors in 1900.

Closed in 1970

Graces Guide

ARC began in 1995 at Greek Street, Stockport under the name of MAPS and moved to the Vauxhall Industrial Estate Craven Works building in early 1997. Arts for Recovery in the Community or ‘Arc’ was then launched in 2005. The Arc Centre in its current form, including gallery servung refreshments and public programme has been running since 2016.

Of course, we are sad to say goodbye to the old Craven Brothers factory and the Reddish community as our base. We are so grateful to the local residents and businesses who have supported us for so long. Please, don’t be strangers! We made the building our own over the years and take with us many, many great memories. 

Looking to the future at Wellington Mill, we will have exclusive use of several rooms on the floor accessed via the A6 and Hat Works Museum shop. This will include a large art studio, ceramics studio, offices and storage spaces. We will also share the large cafe, events and retail space with the Hat Works museums team and work together to build a bigger audience for both organisations and hopefully a Stockport town centre creative arts hub.

ARC

Demolished 2020.

And lo, it came to pass, from the onset of the Industrial Revolution to today, a whole world of work is dismantled. A transport infrastructure is literally filled in, and the former homes of industry demolished.

The CWS is no longer the global behemoth it once was, and print technology has changed beyond recognition.

With it goes a whole series of social relationships and identities bound up in shared occupations.

Our excavations at Vauxhall Industrial Estate, undertaken in advance of the redevelopment of the site by RECOM Solutions and  Vauxhall Industrial Estate Ltd, revealed a number of features associated with the Craven Brothers’ Works. Two excavation areas were opened, targeted on features shown on historic mapping but no longer surviving: Area 1 in the north, targeting a small chimney and outbuildings adjacent to the machine shops; and Area 2 in the south targeting a chimney and part of the footprint of Building 3. In Area 1, the archaeological remains had been heavily truncated by the installation of chemical vats in the late 20th century after Craven Brothers closed; however, the foundations of the targeted outbuildings and the chimney were uncovered, as well as the remains of a railway track running alongside the machine shops, represented by in situ sleepers.

Archeological Research Services

What do he have now?

Vauxhall Trading Estate, formerly Vauxhall Industrial Estate, was a collection of dilapidated old industrial buildings, which have been demolished and new modern industrial units provided. RECOM provided project management services to demolish all previous buildings and prepare the site for the main contractor, achieve planning consent, enter a BAPA with Network Rail, tender and appoint the successful main contractor and then provide the Employer’s Agent service throughout the construction phase.

We worked with the design team to produce project specific Employer’s Requirements, ensuring that the client’s brief to provide high quality industrial units was delivered. We ensured the client’s interests were maintained throughout the project, making
objective decisions that aligned with the client’s goals. In order to de-risk the project prior to entering into the main contract, we advised the client on what site investigations, enabling works and surveys needed to be undertaken. As the Employer’s Agent,
we ensured that the conditions of the contract were adhered to, managing claims from the contractor,ensuring that the client’s position was protected.

Project Cost £16.1m

Recom Solutions

Partners C4 Projects Architects, SATPLAN Planning Consultant, Sixteen/DTRE Letting Agents.

Demolition works and embodied carbon created through construction works, is being offset against the sustainable energy created post occupation including: mix of air-source heat pumps and gas-fired radiant tube heating for heating and cooling, and photovoltaic solar panels installed on rooftops to generate green electricity for occupiers.

Hargreaves Contracting

West Heatons Part Four – Stockport Housing

Following on from my essay on Suburbia and Part One of West Heatons Housing, here’s Part Two and Part Three

Taking in Mauldeth Road, Pinewood Close and Leegate Gardens

Mauldeth Road is lined with larger houses, Victorian and interwar villas, bijou apartments and the odd Modernist interloper.

Through the avenues and alleyways, home to those ever so tidy inter and postwar enclaves.

Where a mans gotta work out which side he’s on
Any way he chooses
Chances are he loses
No one gets to live too long

Though in my experience the converse is true, this is a mature community gently maturing, on the inside of everything.

Hiding what may possibly be hidden behind the hedge, though the privacy of privet is in retreat, replaced by bay, birch, holly and the extremely hardy laurel.

The left hand house has purposefully retained the original Crittall Windows.

West Heatons Part Three – Cul de Sacs

High above the streets of Stockport – zooming in to a cluster of cul de sacs branching out from Tithe Barn Road.

Cul de sac translates as bottom of the bag, the French do not use the term, preferring voie sans issue, literally a dead end.

In the slums of New York City, on the East River just below the Queensboro Bridge, wealthy people live in opulent and luxurious apartments because of the picturesque views of the river, while the destitute and poor live nearby in crowded, cockroach-infested tenements.

Wikipedia

I assume that countless civic meetings and Estate Agents’ offices eschew the terminal term – dead end, in favour of the assumed elegance of the cu de sac.

Polanski’s second English-language feature, it follows two injured gangsters who take refuge in the remote island castle of a young British couple in the North of England, spurring a series of mind games and violent altercations.

Wikipedia

I was informed by a local resident that the streets and houses had been used by film crews, firstly for ease of access, the location being closed off, and secondly as the period architecture aligns perfectly with the current penchant for mid-century styling.

The End of the F***ing World 2017 – location unknown

Within the typology there area number of variants, bungalow, dormer bungalow, link detached, semi-detached and detached.

Very very few of the homes have retained their original features, the imperative of our age is to extend and improve.

There is a covenant in the deeds which prevents the building of border fencing – therefore the development retains its small-scale suburban American ambience.

The home below seems to have benefited from retrofitted green credentials.

Here is my first day’s findings in the West Heatons – followed by the next day in the West Heatons, and the next.

And my startling evocation of Suburbia.

Coincidentally, I wrote about Tithe Barn School some years ago.

Night on Earth – Stockport

I have always admired feature films shot at night – particularly Jules Dassin’s Night and the City

Along with Jim Jarmusch’s Night On Earth – so I stole the title and graphics for my photographs.

They were all taken within walking distance of my home in Norris Bank in September 2014.

Subsequently shown at Room at the Top in Stockport at the behest of John Cox.

I set out as the sun began to set, equipped with a tripod and a Nikon D70.

The town was largely unpopulated – save for this lone figure sat sitting on a bench outside Greggs.

Gregg’s has subsequently doubled in size, consuming Baps, Gabbotts Farm has become Sterling Foods.

Along with these two lads sat on the Plaza Steps.

And finally, this ghostly figure – who stood before me during the long exposure required, enquiring about what I was up to.

A chance encounter beneath the Asda car park ramp.

Once I had satiated her nascent curiosity, I continued unabashed with my nocturnal snapping.

This is where I went and that which I snapped.

Stockport Viaduct is still extant, Heaton Lane Car Park is no longer.

The car park at Stopford House.

One of the ninety eight bus shelters on the 192 route.

Merseyway Shopping Centre

Beneath Heron House.

My local The Magnet – I am proud to say that a copy of this photo hangs in the pub’s Vault.

My vast favourite concrete footbridge.

Covent Garden Flats are no more, social housing replaced by owner occupiers.

The Bus Station has since become a Transport Interchange.

And finally, as local lad Mike Yarwood was wont to say – This is me.

Impersonating myself in the manner of Flann O’Brien’s literary creation De Selby

Water Tower – York

Exploring the University of York campus the first point of interest which we encountered was the Water Tower.

Siward’s Howe, sometimes written Siwards How and also known as Heslington Hill or Bunny Hill is a terminal moraine located to the south-east of the city of York.

The howe is situated north west of the Morrell Library building of the University of York. The southern side of the howe is part of Alcuin College of the University of York.

Its imposing water tower is visible from many parts of the nearby suburbs of Tang Hall and Osbaldwick.

Siward’s Howe is named for Siward, Earl of Northumbria, the 11th century Danish warrior.

Siward died at York during 1055 and is rumoured to have been buried beneath the tumuli at the wooded summit.

Wikipedia

The Death of Earl Siward 1861 by James Smetham

Built in 1955 the water tower contained one million gallons of water – the largest in England at the time.

It’s still operational, and provides water to Dunnington and Elvington.

The shape of the tank and supporting structure on plan takes the form of a large central square portion, each corner of which is eclipsed by an octagonal tower seven faces of which are revealed.

The central tank is fifteen feet deep and is eighty three feet and six inches square.

Structural Engineer.

Wikipedia

The University Chemistry Department water tower was constructed in 1965 and demolished in 2002 due to deterioration in its concrete construction.

Cconstruction in March 1965. Photo: © Borthwick Institute for Archives

The Tower comprised of an inverted twenty one metre diameter conical tank which was made up of thirty two pre cast concrete petals each weighing eight and a half tonnes. The Overall Height of the Tower was approximately twenty eight metres, the central core stem being two point three metres diameter .

Photo Steve Collins 2011

Photo RIBA pix

The landmark, built in 1965 to hold fifty thousand gallons of water for the chemistry department, is crumbling away due to carbonation and has been covered in a protective net to stop pieces hitting passers-by.

Bill Burns, building maintenance surveyor for the university, said many concrete structures of the 1960s and 1970s were suffering the same fate as the speed of building often meant salt got into the aggregate used in the concrete mix.

York Press

There was a degree of uncertainty surrounding the demolition of the pre-cast structure of the Tower as it had been subject to deterioration since erection. At Tender stage, the thirty two petals forming the bowl of the water tank were described as each individually being restrained by wire ropes to the central core. Upon opening up the works, it was found that the stated thirty two restraining Ropes had only been used during the construction of the bowl and had been removed, therefore the petals of the tank were gaining support from the ring beams.

Connell Brothers

University of York – Fred Millett Reliefs

Having previously posted a history of the University of York’s Modernist architecture – here’s further information regarding Fred Millett’s concrete reliefs.

Fred Millett 1920–1980 was an English muralist, poster artist, and teacher at the Polytechnic of Central London. A number of his surviving works were commissioned by large British institutions including London Transport, London County Council and National Westminster Bank. The University of York commissioned Millett to create over 20 concrete relief panels that were to be integrated within the modular architecture of the Derwent and Langwith Colleges.

Millett’s panels created a cohesive group of works while also being distinctly different from one another due to the use of a variety of textures, geometric shapes and negative space. Larger, more detailed works follow the main covered walkways through Derwent College leading to Heslington Hall.

Under construction in November 1964. Photo: © Borthwick Institute for Archives:

Smaller, less detailed works were placed near accommodation blocks and laundry rooms which suggest that they were intended for the individual enjoyment of the students who live within the College rather than a university-wide viewing experience.

In a 1973 interview, Sir Andrew Derbyshire, who was the first project architect for the university, lamented that the project could not afford better finishes for the CLASP panels – such as adding white marble aggregate – but he did appreciate their appearance in bright sunlight or when they “glisten[ed] in the pouring rain.” Asked about the integration of the Millett sculptures to enliven the panels, he stated: “Yes. Well, that was an attempt. I would have liked it to have gone a bit further than that.” 

Written by Molly Bunter

This was my first visit to the campus, and having discovered the first of the reliefs, I cantered around from block to block, like a giddy one penny child in a seaside arcade – wondering where to look next.

Modern Mooch is saturated with set concrete here is a link to untold riches.

Harold Gosney – York Art Gallery

On Wednesday 4th January, I visited York Art Gallery.

I took a look at the pots and the paintings, ending with a stroll around the sculptures of Howard Gosney.

Having previously encountered his work at the Abbey Walk car park Grimsby in 2019.

Visiting again in 2025 prior to demolition.

Photo BBC

The Grimsby, Cleethorpes and District Civic Society has been campaigning to save the Harold Gosney reliefs on the 1960s Abbey Walk car park, which closed in May 2024 after North East Lincolnshire Council said it discovered structural defects. 

The authority has already taken 3D scans of the art and in an update said plans were in place to try and save one of each of the four designs, which are repeated on the building’s columns.

If they can be saved, the artwork would be put into storage until a new home is found, the council added.

January 2026

There are also works by Harold by the entrance to the Grimsby Central Library

And the Grim and Havelok themed copper relief on the side of Wilko store in Old Market Place.

All these works were first encountered on my Grimsby Walk for the modernist.

I was delighted to find that Harold himself was visiting the gallery with friends.

I stopped to chat and take a snap – thanking him for all his wonderful work and congratulating him on his excellent show.

Here is what I done seen.

Harold Gosney: Materials and Making
15 November 2025 – 28 June 2026
Included in general admission | Book now

Titled ‘Materials and Making’, this exhibition is a celebration of the work of renowned Yorkshire sculptor and artist, Harold Gosney – born 1937, who has spent over 65 years creating mixed media art pieces. 

The exhibition explores Gosney’s expert experimentation with various types of wood and metal throughout his career andconsiders the importance of drawing to his artistic practice. Materials and Making looks at how Gosney draws inspiration from his immediate environment and lived experiences, with horses, the human figure and music emerging as particularly influential subjects.

Featuring over 45 works, highlights include his striking ‘Four Horsemen of the Apocalypse’, crafted from copper and Perspex, the emotive ‘Father and Son, Bam’, his ‘Jazzman’, expertly carved from a single block of sycamore wood, and a trio of drawings depicting views of the nearby York Museum Gardens.

University of York – History

Though plans for a university in York first appeared as early as 1617, it would be over three centuries before they came to fruition. In 1960, permission was finally granted for the University of York to be built, marking the beginning of our journey.

Before the Second World War, Heslington was a quiet rural retreat with a local aristocracy, and a working agricultural village.

Fresh, young, forward-looking and enthusiastic, the University of York was known for its friendly atmosphere before it even opened its doors.

Planning and building the University happened with astonishing speed. In April 1960 the Government approved the establishment and less than three years, on 9 October 1963, the first students walked through the gates of Heslington Hall.

In the 1970s, college social life began to blossom.

Central Hall was the venue for The Who, The Kinks, Fairport Convention, John Martyn, Ian Dury and the Blockheads, Hot Chocolate, Humphrey Littleton, Acker Bilk, Paul Tortelier, Julian Bream, John Williams and others.

Paul and Linda McCartney appeared one day out of the blue with their new band Wings and performed a concert in Goodricke College Dining Room.

The beginning of the 1980s came with significant challenges for the University. 

The decade saw the start of cuts across higher education. Staff were exhorted to make economies including turning down their thermostats, recycling, and making telephone calls as short as possible. There was also a fire in the Department of Chemistry. 

In 1990, the Vice-Chancellor, Berrick Saul, recounted to court that York had been described by a senior member of the Universities Funding Council as “a well-run university with a relatively low profile.”

What a difference a decade makes.

By the end of the 1990s, York was dominating national league tables for research and teaching and was receiving international press coverage for achievement across the disciplines.

University Chancellor Dame Janet Baker at the opening of the University’s Baby Unit, October 1994 – York Digital Library

The 90s was characterised by advancement and recognition. York remained a popular choice among prospective students growing from 4,300 to 8,500 students without compromising its high entry standards. As the Sunday Times pointed out, “elitism does not appear to be the price of excellence at York”. York was one of only very few universities whose entry from state schools and colleges (around 80 per cent) was the same as the proportion of A-level students in the state system.

The introduction of official quality assessments and the proliferation of newspaper league tables saw the University’s stock rocket. After years of academic advancement, York began to get the recognition it deserved. National recognition attracted additional funding and investment. Research grants rose to over £20m per annum, and the University enjoyed one of the highest incomes per researcher in the higher education sector.

The Sir Jack Lyons Music Research Centre is opened by Roger Wright, controller of BBC Radio 3, 2004

The planning for Heslington East began in earnest in 2002 with the arrival of Brian Cantor as Vice-Chancellor. It took years of master-planning, liaison with interest groups, negotiations with land-owners and local communities, an 8-hour city planning meeting and a Public Inquiry to achieve the purchase of land and complex planning permissions for a site equal to the size of the original Heslington West campus. In 2009, the new Goodricke College opened as the first building on Heslington East.

At the time of the 40th anniversary in 2003, we wrote about Heslington East:

It will be everything that the designers of the original campus hoped for – integrated, landscaped and traffic-free, with a large expanse of water, and a very eager populace.

On 25th November 2010, we were named “University of the Year” at the Times Higher Education Awards, achieving praise from the judges for our “success in combining academic excellence with social inclusion, as well as its record in scientific discovery”.

The development of Campus East continued throughout the decade, with four new sites to accommodate academic departments and a variety of support and social buildings, including the Ron Cooke Hub and York Sports Village.

Campus West also saw much expansion and redevelopment during the 2010s, with the opening of the £13.8m Spring Lane Learning and Teaching Building and £16m Biology teaching and laboratory facility in 2016.

York History

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Founded in 1956 by architects Robert Matthew and Stirrat Johnson-Marshall, RMJM’s first offices were based in London and Edinburgh.

RMJM is now one of the largest architecture and design networks in the world. Services include architecture, development management, engineering, interior design, landscape design, lead consultancy, master planning, product design, specialist advisory services, and urban design

Wikipedia

Langwith College 1965 – photo Reginald Hugo de Burgh Galwey

Constructed using the Consortium of Local Authorities Special Programme – CLASP system, formed in 1957 by Local Authorities in England to develop a shared prefabricated system for the construction of school buildings. The resulting CLASP building system was initially developed by Charles Herbert Aslin, the county architect for Hertfordshire.

CLASP’s popularity in coal mining areas was in part because the system permitted fairly straightforward replacement of subsidence-damaged sections of building, and the lightness of the structures. The system was also later used for the construction of railway stations, offices, university buildings, and churches until the late 1970s.

Today, 3000 examples are still in use.

Photo – Keith Gibson 1965

The system utilised prefabricated light gauge steel frames which could be built economically up to a maximum of four storeys. The frames were finished in a variety of claddings and their modular nature could be employed to produce architecturally satisfying buildings. Initially developed solely for schools, the system was also used to provide offices and housing.

The cynics’ definition of the CLASP acronym, circulating in the 1970s, was:

collection of loosely assembled steel parts.

CLASP buildings fell out of favour in the late 1970s. Budgetary advances and changing architectural tastes made the scheme obsolete.

Wikipedia

Upper Level reading rooms Langwith College.

Walkway Derwent College with concrete relief by Fred Millett 1965

Photos 1965 Bill Toomey

Fred Millett 1920–1980 was a muralist and poster artist who exhibited at the Festival of Britain and was commissioned by London Transport, National Westminster Bank, University of York and the General Post Office. He also taught Perception and Communication at the Polytechnic of Central London.

Fred Millett – Sculpted Wall Raglan Estate Camden 1965


Originally part of the children’s playground, the work is a feature of a post war estate designed by Frank Scarlett in Kentish Town

Modernism in Metroland

Fred Millett – London Transport 1968

Covered walkway Derwent College.

Photo 1965 Reginald Hugo de Burgh Galwey

JB Morrell Library seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright.

Austin Wright 1911-1997 is a significant post-war sculptor whose personal and professional lives were deeply intertwined with the city of York. 

He was born on 4th June 1911 in Chester but spent his childhood in Cardiff. Though a largely self-taught artist, Austin took evening classes at Cardiff Art School. Austin attended New College, University of Oxford for his degree in Modern Languages before he started his teacher training. His first job as a teacher started in 1934 at The Downs, Malvern in Worcestershire. The school attracted artistic people. W.H. Auden taught English for example, and the art master organised a Dada exhibition one year. Here, Austin taught painting and sculpture as well as French and German.

York Civic Trust

Photo 1968 Keith Gibson

Library central stairway and lift shaft.

Covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Central Hall

Colloquially known as The Spaceship designed by John Speight, constructed in 1966–1968. The hall is seen as a tour de force of the university, appearing on merchandise and often used as a background for university publicity.

Wikipedia

It is Grade II listed.

Central lecture and recreation hall to the University of York, 1966-1968 by Robert Matthew, Johnson-Marshall & Partners with Stirrat Johnson-Marshall and Andrew Derbyshire as partners in charge, and John Speight as job architect.

* it forms part of a wave of seven new universities that improved access to higher education and marked the high point of publicly-funded architecture in post-war Britain;

* it is a physical manifestation of the University of York Development Plan, which was heralded as the beginning of contemporary university planning in Britain; 

* it continues a historic tradition established by late-C19/early-C20 ‘red brick’ universities of featuring a great hall for special events.

* it has an imaginative and bold design with a striking architectural form and massing that is the focus of the most dramatic views across the campus lake;

Photo 1968 Keith Gibson

Photo University of York

Concrete Linkbridge.

David Brown Laboratories the fluestack and water tower rising above the laboratory blocks.

Fluestack – extant.

Water Tower – demolished


Archive photographs RIBA pix.

Further information can be found here.