Doncaster Modernism – Revisited Again.

The third time by the banks of the Don – first time around in May 2019, subsequently in October 2020.

So much can change in so short a time, post-pandemic and every town is doing its level best to build back better.

The vision includes:

  • Ensuring the centre is a focus for business and enterprise.
  • Building on the success of the current markets and raising the aspirations and functions of the markets.
  • Recognising the city core as the heart of the economy and the borough and the place where the image of Doncaster is most clearly reflected. 
  • Enhancing green spaces and waterways to create a better setting for visitors, investments and city heritage.
  • Developing the civic and cultural quarter and reinforcing the retail and leisure core through better links and public space improvements.
  • Developing city-scale functions and assets, to become a stronger draw for business, workers, visitors and inward investment.
  • Developing and bidding for new city-wide cultural venues, a University and Research and Development facilities.
  • Rebranding Doncaster as a location of choice for regional businesses.

Masterplan

Arriving by train and ascending into the light – here’s the station lights.

The railway station has sharpened up its apron and facade.

We have transformed the station forecourt. It has become a quality gateway which delivers a great first impression for visitors arriving in Doncaster by train. This will help stimulate interest from investors and developers, helping to attract new investment and create jobs for the borough and wider region.

Doncaster.gov

Celebrating engineering, speed and connectivity and stretching forty metres in length the public art at Doncaster Station consists of forty seven monoliths which are a nod to Doncaster’s past, present and future. With a fountain and three impressive water walls, the art takes centre stage in the new public space as you step out of the train station and head into the town centre.

The concept was devised by Doncaster Council and further developed by Chris Brammall.

CB Arts manufactured and installed the piece

Typically the high and low streets of Britain’s industrial towns and cities, are an amalgam of architectural style and fashion, spanning at least two or three centuries.

Faience fronted interwar developments abound.

Neo-classical speculative shopping arcades.

Revamped Victorian pub facades.

Behind the buff faience frontage is a lovely, small two-room pub with a well preserved interior created under plans of 1934. It was remodelled by the Grimsby brewers Hewitt Brothers Ltd who were Doncaster’s biggest pub owners for many years.

Pub Heritage

Originally a Gent’s Outfitters, this deco-gem was topped off with the Nags Head Hotel.

This grade II listed pub is now in retail use, though Vision Value, are it seems, on the move.

Lost pubs project.

Of course, every town had a Burton’s – the tailor of taste.

This post war infill has that distinctive Festival of Britain feel, original metal window frames, Portland stone and blueish slate like panels.

The revamped Frenchgate Shopping Centre, officially opened on October 4th 1968, has in places an upper tier, resistant to zinc over cladding.

The centre has been the heart of the city for over 40 years and was originally called the Arndale Centre because it was built, owned and managed by the Arndale Group. It was renamed in 1988 after a change of ownership, with the new name reflecting the name of the street which passes to the east of the centre and which is one of Doncaster’s main shopping streets.

The sale of the centre came just a year after Frenchgate had undergone a £200 million facelift to transform it into the country’s first shopping centre with integrated public transport and retail interchange.

Wikipedia

There are plans to rework the shopping centre.

We propose this is fundamentally transformed though the addition of apartments that wrap along the back of the first-floor retail with a further 2.5 new storeys placed on top. We also feel additional height -up to seven or eight storeys, is justifiable to the corner of Frenchgate and Trafford Way.

TODD Architects

The Lovers were once located in the Arndale, removed to a local garden, unloved – then later reinstated in the Waterdale Centre, where we will embrace them a little later.

Turn right to take in the 1920s mosaic remake remodel of the Grade II listed Blue Building.

The Blue Building which used to be the Doncaster Design Centre and Tourist Information Centre was originally the home of John Whitaker, a wine merchant, and son of James Whitaker who was Mayor of Doncaster in 1758.

In 1925 the complete building was demolished apart from the facade which was retained and given a facing of decorative blue tiles. The intention was to build a shopping arcade from High Street to Printing Office Street. Only part of the arcade, known as the  Westminster Arcade was built. It had a number of shops, the largest being that of Woodhouse & Co Furnishers.

Doncaster Heritage Trail

Two adjacent 60s extensions – to the right a redundant post office to the left an almost redundant telephone exchange, with the earlier brick built exchange in smack dab the middle.

Turn another corner and it’s all at the Co-op now – the Grade II listed Danum Co-operativeBuilding, department store and offices: 1938-40 designed by T H Johnson & Son for the Doncaster Co-operative Society Ltd. 

Over the road a zig-zag Halifax Building Society branch, tightly contorted by its corner footprint.

To the right of the Danum, this former Boyes store, having relocated to the Wilko site, the building is ripe for residential conversion.

To the left the Colonnades Shopping Centre a fierce angular glass and brick bunker of mixed office and retail space – the sole occupant seeming to be Home Bargains.

A £3.3m makeover of the Colonnades shopping mall in Doncaster town centre was completed in 2019.

The scheme of works was co-ordinated by Doncaster Council and funded by the Sheffield City Region Local Growth Fund.

Built in the 1980s, the brick built building received a major overhaul. The investment saw the visual appearance enhanced inside and out. The five floors were transformed into the prime office space needed in the town centre and the enhancements to the retail area were also finished.

The shift in the town’s axis to the Frenchgate and Market areas, seems to have taken the wind out of its sails.

The former flicks now a redundant pale brick behemoth – no more and ABC.

Architects: C Jack Foster and Alan Morgan

Doncaster’s new £250,000 ABC cinema, part of the Golden Acres development near the town centre, was opened on May 18th 1967.

Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the three screens for 477, 201 and 135.

The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film Doctor Zhivago.

Cinema Treasures

The Golden Acres development seemed to have morphed into the Waterdale Centre.

It is currently being reshaped to provide a line of desire twixt the Civic and Cultural areas, from the town centre. There are still the remnants of homes, shops and a pub amongst the demolition – almost inevitably there is new paving.

Waterdale is a well-known part of Doncaster’s town centre. During its heyday it was a bustling area with people flocking to shops and the like – it was a place you had to visit while you were in town. However, it had suffered a steady decline which continued when the southern bus station closed – Frenchgate Interchange opening, and Doncaster College moved to the Hub at the Waterfront. With limited public transport entering the area and no student population on its doorstep, less people had reason to pass through.

Demolition of the College.

The Civic and Cultural Quarter is transforming Waterdale reconnecting it to the town centre. The quality and content of the plans is raising the profile of this part of town to new levels. The carefully thought out layout and consistent building design is giving the area a clear identity. It is already becoming a big attraction that draws people in and encourages redevelopment in the neighbouring areas.

Doncaster Gov

The relocated Lovers are still in love.

The weary walker is diverted toward the Civic Quarter Car Park.

The former Civic Offices are to be demolished.

Demolition of the Central Library is well under way.

Facing the former library we find the CAST Theatre, Civic Buildings and Savoy Cinema, grouped around Sir Nigel Gresley Square.

Within the square is a frieze, salvaged from the former Gaumont Cinema, the work of sculptor Newbury Abbot Trent.

The Gaumont Palace Theatre in Hall Gate at the corner of Thorne Road, Doncaster opened on 3rd September 1934 with Jesse Matthews in Evergreen.

It was designed by architects WE Trent and W Sydney Trent.

In 1949 WH Price the Borough Surveyor produced an outline plan for the area, with a green space at its heart, it was never realised. In 1955 Frederick Gibberd produced his plan to include a ten storey Town Hall, Art School, Technical College and Civic Theatre, revised and reduced in 1963 – eventually his Police Station and Law Courts were completed in 1969.

The former NHS Clinic at the ‘T Junction’ is transformed into a day care service.

The former Museum and Art Gallery now an archive and local studies centre.

The building was designed in the office of the Doncaster Borough Architect’s Department in a team led by borough architect Mr LJ Tucker. 

The ceramic designs were a later addition when it was discovered that the large open areas of glass overheated almost everything inside, the work was undertaken by LJ Tucker and family.

The sculptural work by Franta Belsky, now has a skip for company.

As a footnote the work by Fabio Barraclough reveals a murky past.

Barraclough was born in Madrid in 1923, to a Spanish mother and Yorkshire father who founded Madrid’s Chamber of Commerce. He moved to London with his family in the 1930s as a refugee from Francoist Spain. He taught fine art and sculpture at Rugby School, where colleagues considered him “highly entertaining, a most unorthodox and highly gifted” teacher. He established himself during the 1960s and early 1970s as an authority on sculpture, publishing in academic journals and becoming a member of the Royal British Society of Sculptors.

In 2000, it was revealed that Barraclough, while outwardly living the life of anti-apartheid activist since the 1970s, had been a paid informant of the South African state security police. The media was used to promote his image as a “brilliant, liberal artist with apparently impeccable credentials” in order to gain public trust, while he was funnelling money from anti-apartheid groups to the police. He died on 6th January 2019.

Wikipedia

Over the way faros the green sward is St Peter in Chains RC – A large and striking design by JH Langtry-Langton, incorporating important furnishings by J F Bentley from the predecessor church, along with good furnishings of the 1970s. The churches houses the modern successor to the medieval shrine of Our Lady of Doncaster.

Figurative stained glass by Patrick Feeny for Hardman in 1973 and abstract glass fitted in 2000 as part of reordering and revival of the shrine.

Further information on Taking Stock.

A special mention for the Danum Cultural Hub

Designed by architects Bond Bryan and built by main contractor Willmott Dixon, the new cultural and learning hub has been created following the restoration of four existing buildings. 

A key focal point of the scheme is the restored frontage of the Edwardian former Doncaster High School for Girls, which has been framed by Senior’s slimline SF52 aluminium curtain wall and showcased within a new steel-frame building. The glazed facade, which was fabricated and installed by Senior’s supply chain partner Chemplas, also features Senior’s aluminium commercial doors.

RIBA Journal

Where I was delighted to see Sir Nigel Gresley’s hat.

Doncaster Modernism – Revisited

Having taken a tour around town last year, we are now revisiting Doncaster on a socially distanced Manchester Modernist walk.

Arriving by train at 8.30, just in time to check out the new lighting scheme in the station foyer.

Replacing the previous lighting.

Which in turn replaced the original Thirties lighting.

The forecourt redevelopment is a work nearing completion.

I was on my way to Intake by bus so it’s off on the 66 from the Frenchgate Inetrchange.

An urban environment so anonymous, that it can only just recognise itself. I was helpfully informed by two radio controlled security guards that photography was illegal.

More Interzone than Interchange.

Here are my transgressive snaps, I made my excuses and left – on the next available 66.

Decanting from the single decker I made my way across the way to All Saints, a George Pace church of 1956.

Built on the foundations of an unrealised Neo-Romanesque church of 1940, but reorientated east/west.

I legged it back to catch the bus back, the returning 66, much to the surprise of the surprised driver, making his return journey.

Jumping the 41A to Scawsby, displaying my risible home-printed map to the driver, requesting a shout when we arrived at the indicated destination, which he was unable to discern, and which I had failed illustrate.

I had contrived to arrive at the end of the line, a bit part player in a non-existent Béla Tarr film.

The heavy rain continued to fall.

I followed the bus route back to the Church of St Leonard and St Jude on Barnsley Road.

Following a thorough tour inside and out, I returned promptly to the town centre, on the limited stop express X19.

And hotfooted it to the Waterdale Centre, a work in progress, the CGI figures being as yet, a mere figment of the development officer’s fevered dreams.

Doncaster Council documents from the planning application for the demolition say, that while the exact project is not yet fully in place, discussions are taking place with the council on the project and grant funding is being sought to help the future regeneration scheme. But the council has said it supports schemes that would revitalise the Waterdale Centre area for retail, leisure, and tourism uses.

The centre is now owned by the Doncaster-based property firm Lazarus Properties, who bought it from the Birmingham firm St Modwen.

Lazarus director Glyn Smith said his firm had faith in the local economy of Doncaster town centre, even though larger multinationals seemed to be shying away.

Doncaster Free Press

The former ABC/Cannon Cinema

The ABC was built by Associated British Cinemas(ABC) as a replacement for their Picture House Cinema which had opened in 1914. It opened on 18th May 1967 with Omar Sharif in Doctor Zhivago presented in 70mm. Designed with 1,277 seats arranged in a stadium plan by the architectural firm Morgan & Branch, with input by architects C. ‘Jack’ Foster & Alan Morgan. It was decorated in a modern 1960’s style.

Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the 3-screens.

The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film “Doctor Zhivago”.

The building has stood empty and unused since then, but in 2007, it was bought by Movie World for just £150,000. It is reputedly being re-modeled with extra screens added, however by 2009, only a clean-up of the interior has been achieved. The building sits empty and unused in 2020.

Cinema Treasures

The delayed opening of the new Savoy Complex will no doubt inform the future of the Cannon.

It’s a familiar tale of the local authority, developers, leisure and retail outlets chasing dreams, cash and hopefully pulling in the live now pay later public.

It’s all part of the Doncaster Urban Centre Masterplan which will transform the way Doncaster looks and the way residents and businesses use the city core.

The area is a pivotal point, I sincerely hope that the Waterdale Centre is revived, along with the adjacent Civic Quarter car park.

Refurbished in 2011 by Potter Church and Holmes since closed.

I noted the restrained Modernism of the National Spiritualist Church.

The service begins with a short prayer. The congregation sings three songs during the service using music that most people would recognise. There is usually a short reading or lesson on something to do with spiritualism or events in the world. There is also a talk by the guest medium who use their inspiration or intuition to compose an uplifting address.

Then the business of contacting the spirit world begins.

Along with its curious relief panels.

Back around to the back of the Waterdale and the surviving former bank fascia, civic offices and library.

Back through the Waterdale to discover the saddest of retail archeology.

The long lost tiled café wall and a mysterious porch.

A gloomy end to a very wet day.

Church of St Leonard and St Jude – Doncaster

Barnsley Road Doncaster DN5 8QE

Constructed 1957 – 1963

Another church by architect George Pace – along with William Temple Wythenshawe, St Saviours Bradford, St Marks Broomhill and the Church of St Mark Chadderton.

They are all built in his distinctive manner, brick and concrete, steel, wood and glass. Often working within tight budgets, respectful of the Christian Church’s early heritage, expressing mass and volume with simple geometry.

The exterior skin pierced by multiple rectangular windows, the interior revealing an elegant calm space with attendant simple decorative elements and fittings.

The body of the church has two asymmetric orthogonal outriders and a tall bell tower.

The transept chapel

The chancel and apse has a raised roof with a glazed face.

Let’s literally take an anti-clockwise look around the outside.

I was warmly welcomed by The Revd David D’Silva, Curate-in-Charge and kindly given free access to the church’s interior.

The wooden framed roof supported by huge parabolic arches of laminated timber.

There are retrieved pews, temporarily reordered to accommodate Covid requirements.

Pugin statuary.

Pace’s own detailed design work in the altar screen and crucifix.

A Mediaeval font.

Light enters from several sources on three elevations.

And through the glazed area of the raised gable.

A delightful morning’s work visiting this well used and cared for church.

Minerva Café – Doncaster

A Doncaster town centre cafe, once used by former pop star Louis Tomlinson to film a pop video, has closed after trading for more nearly 50 years near the market. The Minerva Cafe has closed down after trading sine the 1970s offering breakfasts and lunches to shoppers.

The shutters are now down on the shop, which has not now been used for two weeks, say neighbouring businesses. Minerva was well known for its big breakfasts which often earned rave reviews on the internet. It also had a celebrity link, having been used by the former One Direction star Louis Tomlinson for the shooting of his Back to You video, last year. Doncaster Council town center bosses confirmed they understood the cafe had closed down, but did not know the reason. Long serving Doncaster market trader Nigel Berrysaid he had seen no sign of activity at the cafe for two weeks. He said: It has been here in the market for such a long time. It’s been there since I first started on the market in 1971. People have commented to me it feels like it has been there forever. 

“It is a shame to see it closed. It has been a bit of an institution round here.”

Doncaster Free Press

I came here on the 8th of February 2016, hungry but no alone – unaware of the Minerva’s popular cultural significance.

I just wanted a pie.

It came with chips peas and gravy – proper chips, proper tinned peas and an authentic plate pie pastry top and bottom, meaty minced meat filling.

My partner in crime had the full breakfast

We drank hot tea, chatted sporadically and ate the lot.

Table 16 aka table 22 – was more than satisfied.

The table was more than satisfactory a pale leatherette seated booth, with erratic homespun wood grain effects.

This was a place with hidden depths receding back from the entrance into deeper and deeper space.

And a proper regard for tea service etiquette – with no room for poor pouring stainless steel pragmatism.

But where are we now?

I returned on February 9th 2019 and the M was missing the Minerva was missing the shutters were down – ain’t nobody home.

No more pie, peas, chips and gravy no more full up upon full breakfasts.

No more Minerva, no more.

Doncaster – Police Station and Law Courts

I’ll try anything twice or more – including a trip to Doncaster.

Once in the rain two years ago, more recently in broken cloud and sunshine.

In search of the work of Frederick Gibberd .

Son of Coventry – architect, author and leading post-war planner.

From 1949 onwards plans were afoot to develop the Waterdale area of Doncaster – civic buildings, courts, educational provision and the like WH Price the Borough Surveyor at the helm. In 1955 Gibberd was appointed to oversee the site, though many of his designs were unrealised, his Police Station and Law Courts opened in 1969.

The area was also home to the Technical College and Coal – later Council House, both now demolished.

Information Doncaster Civic Trust.

The Courts and Police Station now nestle behind the much newer civic developments, part of much wider regeneration scheme.

So let’s go back in time to a wet day in 2016 – when first I chanced upon these municipal concrete bunkers of law and order – where Brutalism is embodied in the buildings content and purpose, as well as its style.

This is an architecture that instructs you to avoid wrongdoing at all costs – or suffer the inevitable consequences.

Come and have a go if you think you’re hard enough.

2019 and I’m back again – architecturally little or nothing has changed, still standing – stolid solid pillars of justice. The day is brighter ever so slightly softening the harsh precast panels against a bluer spring sky.

St Peter in Chains – Doncaster

A church shrouded in history and mystery – and on the day of my visit:

Torrential rain.

How appropriate as:

On the eve of the Reformation came a reputed miracle for Robert Leche and his family who were saved from drowning after invocation of Our Lady of Doncaster.

Its location on the Great North Road seems to have placed it through the years at the centre myth and magic.

On 30 November 1350, licence was granted for alienation in mortmain by, John son of Henry Nicbrothere de Eyoun and Richard le Ewere of Doncastre to the Carmelite Friars who are coming there to dwell in the town of Doncastre, of a messuage and six acres of land there, to build thereon a church in honour of St Mary and houses to dwell in.

A shrine was established to Our Lady of Doncaster.

Time and the Reformation were not kind to the shrine and Our Lady.

She and the church of St Peter came and went over the years until:

A new church was opened by Cardinal Heenan on Palm Sunday 1973, octagonal in shape. John Bentley’s Tabernacle Door, the four reredos panels and the altar designed for the old church are incorporated in the Blessed Sacrament Chapel of the new church.

The statue of Our Lady of Doncaster now stands in a circular shrine chapel on the north side of the church. Phyffers’ statue stands in an oak reredos with modern stained glass windows depicting St Joseph, the Annunciation, the Nativity and the Assumption.

A large and striking design by J. H. Langtry-Langton, incorporating important furnishings by J. F. Bentley from the predecessor church, along with good furnishings of the 1970s. The churches houses the modern successor to the medieval shrine of Our Lady of Doncaster.

Ambitious in scale, dotted with vertical detail, the main body of the church has an integrated meeting hall and clerical house. I remain however, more than somewhat unconvinced by its brick monumentality.

On September 23, 1974, the budding Liverpool star married his childhood sweetheart, Jean, at St Peters in Chains Roman Catholic Church in his hometown of Doncaster. 

There was no fanfare, no fans, no celebrity guests and certainly no Hello! style deal. Kevin was just 24, his bride a year younger. 

Watching them with a tear in their eyes were his proud parents, Joe, a miner, and Doris.

Screen Shot 2016-02-12 at 10.52.09

Kevin says: ‘Jean and I hadn’t planned to get married for months, but I had a five-week ban for fighting with Billy Bremner and, as they say, every cloud has a silver lining, so we decided to use the time to get married quietly.’ 

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