Semi Detached – Warrington

I was walking back from St Stephen’s Church recently, when I chanced upon a small group of two storey, flat roofed, semi detached social houses.

They were blessed with that post war functionalist brick and concrete chic.

Part of a larger development of homes in the Longford area of the town.

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An area which is one of the most socially deprived in the country, with more than its fair share of problems, crack and weed would once have been pressing matters for the Borough Highways Department – these days they are more likely to attract the attention of the boys and girls in blue.

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And to cap it all the area is prone to frequent flooding.

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There are signs of hope as the housing association and council embark on a multi million pound refurbishment of the estate including:

Replacing fencing around bungalows.

On the day of my visit the chill January streets seemed quiet and ordered, and I was enchanted by the mismatched pairs of semis that I encountered.

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Transporter Bridge – Warrington

I set out one morning with a clear intent, to travel.

To travel to see the Warrington Transporter Bridge – of which I had only just become aware. Ignorance in this instance is not bliss, expectation and fulfilment is.

Guided by the detailed instructions on the Transporter Bridge Website I made my way from Bank Quay Station, mildly imperilled yet not impeded by caged walkways, tunnels, bridges, muddy paths and Giant Hogweed!

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Finally catching a glimpse of:

Warrington Transporter Bridge, also known as Bank Quay Transporter Bridge or Crosfield’s Transporter Bridge, across the River Mersey is a structural steel transporter bridge with a span of 200 feet. It is 30 feet wide, and 76 feet above high water level, with an overall length of 339 feet. It was built in 1915 and, although it has been out of use since about 1964, it is still standing. It was designed by William Henry Hunter and built by William Arrol and Co.

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The bridge in use 1951.

It is till standing today, and was built to despatch finished product from the cement plant that had been built on the peninsula. It was originally used to carry rail vehicles up to 18 tons in weight, and was converted for road vehicles in 1940. In 1953 it was modified to carry loads of up to 30 tons.

The bridge is designated by English Heritage as a Grade II* listed building, and because of its poor condition it is on their Heritage at Risk Register. The bridge is protected as a Scheduled Ancient Monument.

My thanks to the Friends of the Warrington Transporter Bridge for the historical information and archive image.

Here are my photographs expectations more than fully fulfilled an epic structure and a triumph of engineering, go take a look real soon.

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Modern Housing – Warrington

As I walked out one morning, up and down the A49 out of Warrington town centre, on the way somewhere else entirely, the sun and I chanced to fall on a tight group of streets and courtyards, constraining and containing an intriguing collection of modern homes.

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Competitively priced, well below national averages – the area looks to be getting along.

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Incidence of crime is low to almost non existent.

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So an illuminated set of buildings with little by way of further illumination, I presume them to be corporation built, late Seventies? A visually exciting set of varied, interlocking geometric volumes – a formalist model that seems to function. On a chill day most residents were hopefully tucked up safe and warm somewhere or other, public spaces rested, bereft of life. The window spaces are pinched and mean, not only of the elevation facing the adjacent main road, but also on the inward faces. An economy of means and a resultant paucity of light.

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Rochdale – Seven Sisters Flats

Arriving in Rochdale in search of something else entirely, it was impossible to ignore seven prominent, as yet unclad tower blocks, high upon a hill. I was informed by a local resident that they were known locally as the Seven Sisters, though variously identified as Falinge B, College Bank, and Holland Street flats.

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The area was formerly home to Victorian workers’ dwellings, known as The Paddock – the post-war policy of slum clearance saw them swept away, in readiness for municipal modernity.

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Photographs Rochdale Image Archives

Hey presto 1963 and there appears four 21 storey blocks containing 476 dwellings; three 17 storey blocks containing 286 dwellings.

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Photograph Mancunian 101

Building contractors were Wimpey and the flats were designed by Rochdale’s Borough Surveyor, Mr W H G Mercer and Mr D. Broadbent along with Mr E V Collins, chief architect to contractors George Wimpey and Company.

Many thanks to the Tower Block project for the facts.

On Friday October 1 1965 the Minister of Housing and Local Government, Richard Crossman, officially opened the first of the College Bank flats – Underwood.

So go take a look ride the rail or tram, get on your bike, walk a while and abide, take a frenzied dance around with the Seven Sisters.

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St Catherine of Sienna – Sheffield

Sir Basil Spence 1958-62. . Brown brick. Roof not visible. Slate cladding to entrance block of parish hall. Rectangular nave sweeping around into a semicircular apsed sanctuary .

EXTERIOR: entrance to liturgical south-west and parish hall to liturgical west with vestry. Carved words “The Church of St Catherine” to left of recessed entrance. Tower linked to liturgical south-east, and comprising two convex slabs forming a sacristy at ground level and linked by concrete beams above. Patinated bronze sculptural group with crucified Christ affixed to its east side.

INTERIOR: aisleless with vertical slit windows to north and south walls and roof sloping upwards towards chancel, on laminated timbers beams, so that roof deck is separated from the walls by a narrow glazed strip. Light is thrown onto the east wall by a concealed window at the east end of the nave. Sanctuary is raised two shallow steps, and altar was originally raised on two further steps against the east wall. It has now been moved forward. Altar is a black painted metal framed table with a varnished timber top. Font of polished limestone with fossils is in the original position to liturgical south side of sanctuary. Timber lid with schematic metal dove. Large timber cross behind altar, comprising two pairs of overlapping beams, penetrated symbolically by large nails. Timber sedilia on metal supports. Laminated timber pews. Organ above entrance to sacristy . A strongly sculptural design with a powerful presence.

British Listed Buildings.

St Catherine Sienna is a fine church, sited impressively and standing imperiously on the Sheffield outer ring road, high above the city. Brick curves, a tall detached tower and open for business, serving the outlying post war housing estate of Woodthorpe with regular services and a firm foundation of community activity.

Lit delicately from side slatted windows and higher apertures, the main body is calm and assured, the scale and proportion in harmony with the simple Spence seating and slightly raised altar. The detail of the wooden roof grid perfectly balancing the warm austerity of the walls.

My thanks to Father Phillip for his time and a fine cup of tea.

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St Paul – Ecclesfield/Sheffield

High above the city on Wordsworth Avenue, Eccleshall, built to serve the large Parson Cross post-war social housing estate, stands St Paul.

On the day of my visit, more than somewhat windswept and sleet lashed, almost imperious, the church stood steadfast set against the elements.

It is however registered as at risk by Historic England.

Designed by Sir Basil Spence and built by Charles Price of Doncaster Ltd. the church was completed in 1959 and consecrated on24th January 1959.

A large open brick steel and concrete structure, glassed and open at each end, a curved roof with vaulted detail, a detached tower is connected by a concrete cloister. There is an elegant simplicity to the body of the church, which is elevated by the staggered supporting walls.

A plain altar is complemented with ornaments, the gift of Spence, decorated by a frontal designed by Anthony Blee and an embroidered panel by Beryl Dean. A plain slatted wooden screen masks the window to the rear.

The pews – also the work of Spence were not costed in the original proposal, additional funds were found and they remain in use as an integral part of the scheme and worship.

The organ, sited in the gallery, is a later addition of 1962, puchased for £100 from Mount Tabor Church, Holland – integrated into the overall design using slatted wood.

My thanks to John Roch, church organist and lifelong member of the congregation, having attended Sunday School at St Paul on the first day of its opening, for his time and erudite instruction.

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Coventry – Upper Precinct

Here we are again wandering the pedestrianised precincts of Coventry  – having previously travelled by picture postcard and archival image.

Back to the future.

Today much of the original footprint and well-built brick, stone, glass and concrete structure prevails, with more recent retro fitted additions.

The Gordon Cullen mural has been renovated and re-sited.

Commissioned in 1957 on the recommendation of Arthur Ling – it was made by Carter’s Tiles of Poole.

Coventry Society

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Sadly only one of the neon sculptures, remains illuminated – they may have been listed by Historic England, they have certainly given them a coat of looking at. I myself was approached whilst working away by a crack squad of precinct management, questioning my methods and motives. I reassured them I was a serious student of post-war architecture and they allowed happily to go about my business – assuring me that I was following in the footsteps of HE.

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The elevated café, pierced screenwork, mosaics on the former Locarno, now Library and town clock are still every much in situ, Lady Godiva dutifully appearing on the hour, every hour with an ever attendant Peeping Tom for company.

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The area is well-used bustling busy, with a smattering of empty units which are sadly typical of most provincial town competing for custom and prosperity on the high street.

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Coventry – Indoor Market

A market hall built in 1957 to designs by Douglas Beaton, Ralph Iredale and Ian Crawford of Coventry City Architect’s Department.

 Various designs were considered, but eventually a circular design was chosen to encourage circulation and to offer a number of entrances. It was given a flat roof in order to create a car park (with a heated ramp to prevent icing, now no longer there), and was to become the central focus for a complex scheme of linked roof car parks in Coventry.

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 The market consists of a series of concrete arches joined by a ring beam, all left exposed, with brick infilling and a concrete roof, laid out as a car park, with a central circular roof light. It has a circular plan, just over 84m in diameter and 4 ½ m high, is laid out with 160 island stalls, arranged in groups of two or four units in concentric rings, with 40 `shop stalls’ set into the perimeter wall.

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Inside, the circular space is characterised by the tall V-shaped concrete `columns’ that hold the roof. Some of the original shop and stall signs have survived. Natural light enters via the clerestory windows along the top perimeter of the building and through the clerestory lighting and oculi in the central dome. The space under this dome, designed as an area for shoppers to rest, is lined with seats and has a terrazzo mosaic floor designed by David Embling, with a central sun motif, a gift from the Coventry Branch of the Association of Building Technicians.

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Above the current market office is an impressive painted mural by art students from Dresden commissioned especially for the market in the 1950s in a Socialist Realist manner, depicting farming and industrial scenes. 

Thanks to Historic England

I visited the market on a busy bustling day and was made to feel more than welcome, a wide range of heavily laden stalls was trading briskly. The Market Office kindly gave me a copy of the book Coventry Market in a Roundabout Way.

It’s a splendid structure, now listed, that functions six days a week.

Get down take a look around.

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Coventry – Central Co-op

 

Built between 1955-56 and opened November 1956 the central Co-operative Society store in Coventry is a clean, clear example of post-war design and redevelopment, epitomised by the city’s plan and realisation.

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Picture – Natalie Bradbury

Sadly it finally closed its doors in 2015, along with many other of the Society’s larger stores, as they moved their focus to smaller food outlets.

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Happily it has been listed, saved from the indignity of the wrecking ball and the building of further student flats. Coventry, along with other UK cities, has begun to rely on the expansion of higher education, in the face of industrial and retail decline. The future use of the site, is as yet uncertain. Sadly I am now informed that the listing did not go through, make of that what you will.

While such measures are not an ultimate protection from bulldozers or drastic renovation, it is considered the building helps tell the tale of the city centre’s contemporaneously vaunted but since controversial rebuilding after the Coventry Blitz.

One of the city’s largest and oldest stores was closed last year as a victim of flagging city centre trade in an internet era, and EDG Property bought the site.

No planning applications have been received, although the council says ‘prospective buyers’ have stated an intention to demolish the building to erect two 12-storey towers of student accommodation.

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So it stands empty, the late summer foliage obscuring its splendid signage.

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Still in clear view the stone relief work of John Skelton November 1956. Three of the eight column have incised Hornston stone works, depicting the activities of the CWS.

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BHS Murals – Stockport

At the side of the BHS store in Merseyway are five concrete panels depicting local people, events and symbols. Commissioned by BHS in 1978 – To fill space on the blank wall at the side of the shop.

They are the work of Joyce Pallot 1912-2004 and Henry Collins, 1910-1994 – two artist/designers, who along with John Nash, established the Colchester Art Society, during the 1930s.

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Their work was featured in the Festival of Britain, GPO Tower and Expo 70, along with other retail outlets in Southampton, Newcastle, Gloucester, Bexhill and Colchester.

Festival of Britain – their mural is to the left of the pavilion

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Gloucester

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Bexhill on Sea

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The Murals, BHS Stockport and Merseyway have an uncertain future, SHMBC applied for listing, this was refused. On the other sites illustrated, restoration and preservation has been undertaken.

I do hope that these works of national and international importance are not placed under threat. We have already lost too much post-war public art – we all deserve better.

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Penrhyn Bay – Ranch House Style

There is some far-flung corner for Wales, that is forever California.

As the clippers and steamers left the Mersey Estuary for the New World, cram packed with emigres some centuries ago, would they expect on their return, some centuries later, to find this architectural cultural exchange, located sedately on Penrhyn Bay?

This is a typology with a limited vocabulary, but spoken in a lilt, with an ever so slight, polite Mid-Atlantic drawl.

Lightly clad, stone-faced, light and almost expansive the seaside bungalow.

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Coventry – Railway Station

Steven Parissien, director of Compton Verney Museum in Warwickshire, says:

“Coventry is a great station. Its predecessor was pummelled to bits but it really wasn’t particularly marvellous anyway.

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“The new station really came into its own. Built in the same month as the cathedral, in a way it was just as emblematic as the cathedral, though not quite so famous.

“It’s a light and airy place with a nice design. You do come out and have the ring road right in front of you which pedestrians have to guess where to go but that’s not really the fault of the station developers.”

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The original station was built in 1838 as part of the London and Birmingham Railway and could be entered from Warwick Road, where two flights of stairs took the passengers down to the platform. Within two years it had been replaced, with a new larger station, a few hundred feet nearer to Rugby, this time, accessed via Eaton road. In the late 19th century the Coventry tram network extended to the station at Eaton Road. The original station remained in service as the station masters offices, until the station was redeveloped in the early 1960s by the London Midland Region of British Railways.

Architects Derrick Shorten worked with John Collins, Mike Edwards and Keith Rawson.

Sent to Coventry, under an imperative to explore the post-war redevelopment of a great city, I arrived by train, more than somewhat unsurprisingly at the station.

A fine building of 1962 light and airy, warm wooden ceilings, gently interlocking aluminium, glass and steel volumes, original signage and a lively feeling of calm controlled hustle and bustle.

The ideal way to start the day – take a look.

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William Mitchell – Liverpool

To wander the streets with a broad smile, open heart and eyes, is to enter into an unwritten contract with the unexpected and inexplicable.

Chance encounters with old, new or familiar friends.

Imagine my surprise, when for the first time ever I unexpectedly came upon these William Mitchell reliefs on Hope Street, whilst walking aimlessly away from Lime Street.

That sense of surprise has never diminished, my spirits lift and my smile broadens to a cheeky grin, my pace quickens in ever so eager anticipation as I approach.

Wrapped tightly around the low, low waist of the former Federation House – big, bossy and very, very beautiful – though at times obscured by more recent architectural intrusions.

Public Sculpture of Liverpool – Terry Cavanagh 1997

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The original raw concrete is now awash with washes of off-magnolia exterior emulsion.

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Hughes and Willet were seemingly less amazed or amused, the opinion of the Aztecs, or for that matter the Neo-Aztecs, is sadly not a matter of record.

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I remain impressed by the impressed concrete relief, a convincing addition to a sharp functional modern office block, all of which have not dated disastrously as soon as the fashion supporting it has collapsed.

Treat yourself take a walk, surprise yourself once in a while.

Aztec bars were withdrawn shortly after their launch in 1967.

The Aztec race was all but wiped out following their disastrous encounter in 1519 with the Conquistadors.

The William Mitchell reliefs prevail to this this day, as of last Sunday.

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Myrtle Gardens – Liverpool

Once again I wandered the warm and welcoming streets of Liverpool in search of houses.

Once again I found older housing, dressed up as newer housing with a new roof, windows and clientele, a stone’s throw from my former encounter in St Andrew’s Gardens.

Myrtle Gardens in Edge Hill was part of the larger project of Liverpool’s inter-war rehousing programme – a tale very well told by Municipal Dreams.

An area with a whole heap of history

And a whole heap more on this fine site The Liverpool Picture Book from whence these images were taken:

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There is also a  comprehensive visual history here in this clip:

Containing the poignant lost faces of the estate:

A familiar tale of bomb damage, decline and sale to private developers and here we are today, a mix of short student lets, newcomers and a handful of long term residents.

Eddie the porter – named Eddie Porter, a clear case of nominative determinism, proved the perfect host, I introduced myself as the man from the Manchester Modernists, doors opened and the conversation flowed like fine wine.

Tales of lads illicitly playing football in the roof voids, families leaving concrete structures in order to huddle in corrugated iron Anderson Shelters, A Hitler’s time in the ‘Pool and his resolve  save the Liver Building, bombs that did fall on the now missing blocks of flats, a family celebrating the return of their son killed in an air raid.

We parted and I strolled amongst the elevated homes some 300 flats, over 80 years old and continuing to provide shelter and succour for the many, though sadly no longer under the sheltering wing of the Municipal Housing Department and their team of engineers, architects and builders.

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Wavertree Liverpool – Pathfinder

How does the modern world treat the past?

With a disdain bordering on a sociopathic destructive indifference it appears.

New Labour with an eye to rehouse the housed, tinned up hundreds of homes prior to demolition and redevelopment. They were and still are solid late Victorian terraces possibly in need of improvement – during the 1990’s, period housing stock was refurbished with central government funding, through a system of easily obtained grants. Improving the living conditions of many, maintaining the structures, and  supporting the local self-employed building trade.

So several years down the line, I visited the streets of Wavertree discussed in Owen Hatherley’s article of 2013.

Little or nothing has changed there are some tenanted houses, interspersed between the blanked out windows in sadly deserted streets, save the two camera shy free runners, who had lived and played in the area for some seven years.

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When one door closes another door closes.

If working-class areas are to defend themselves, they need confidence, both in themselves and in the places they live, otherwise the whole grim process will go on, with councils making the same mistakes and the same lives being destroyed, without interruption.

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Kirklees College – Huddersfield

Kirklees College started life as Huddersfield Infirmary in 1831 up until 1967 when the Ramsden Technical College moved in, they paid £105,000 for the site. 

In September 1968 the first students began lectures and the first new building on the site opened in 1969. The main new block was built in 1971 – the year the college became Huddersfield Technical College. In 2008 Huddersfield Technical College merged with Dewsbury College to form Kirklees College and relocated in 2013.

The campus incorporates 10 buildings over a 6.1 Acre site ranging from the old hospital complex to modern blocks of classrooms. 

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Some of the buildings have been used for the filming of the dramas Black Work, Remember Me where they changed some areas to be a care home, a hospital and a police station and the film Extremis. 

The site is owned by Wiggett Construction Group, who have now confirmed they want to demolish the 1970s college buildings to make way for a Lidl supermarket.

Thanks to Derelict Places – they went inside, I didn’t, I don’t do that sort of thing.

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I walked the lengthy perimeter, bobbing in and out of nooks and crannies in search of nothing in particular. Chatted to a Kirklees employee who had worked at the site, he regretted its closure and passing.

“This building had character, it was great to work here – now it’s going to be a supermarket.”

A curious amalgam of municipal classicism and hard edged 70s modernity, presided over by a sombre, care worn and  patinated Edward VII.

“Worth a few bob, a bugger to shift.”

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Bus Station – Huddersfield

Huddersfield bus station serves the town of Huddersfield, West Yorkshire, England.

Which seems both serendipitous and heartwarmingly convenient.

The bus station was opened on Sunday 1 December 1974 and is owned and managed by Metro. It is now the busiest bus station in West Yorkshire. The bus station is situated in Huddersfield town centre, underneath the Multi-storey car park. It is bordered by the Ring Road – Castlegate A62 and can be accessed from High Street, Upperhead Row and Henry Street.

There are 25 pick-up and three alighting only stands at the bus station.

Forever in the shadow of its Red Rose almost neighbour in Preston.

Some forty five miles and a fifteen and a half hour walk to the west.

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Yet still a thing of beauty and a joy forever  – given the recent repairs to the membrane covering of its multi-storey car park.

On the day of my visit it was clean, compact, cheerfully bustling and well used, passengers busy going about their business, of busily going about their business of going.

Light classics played soothingly upon the Tannoy, punters popped in and out of Ladbrokes, the kiosk plied its trade, the café was full and an air of calm, clear functionality reigned.

I walked quietly away.

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Caledonian Café – Huddersfield

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I often visit Huddersfield, and I often discover something new, exciting and different.

The Caledonian Café is everything that it isn’t, it’s the slow accretion of time, personal taste and accoutrements. Not frozen but slowly evolving, warm and welcoming. Owners Tony and Claire were more than happy to offer their company, tea and sympathy.

“The students come in to do their projects, sometimes they just ask to photograph the salt pots.”

I was more than happy to oblige and comply.

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The prices are more than reasonable, and Tony goes out of his way to accommodate his customers.

” The families don’t always have a lot, so I give them two plates and split the burger and chips for the two kiddies.”

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It was still early for me so I settled on a large tea, but I’ll be back before long for a bite to eat.

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So best foot forward, get yourself down to the Caledonian, you won’t be disappointed.

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Ashton Moss – Expo 2025

Why are we here?

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A heady cocktail of capital, coal, cotton, cultivation, commerce and cricket created you.

The end of the age of celery heralded the construction of a new landscape of consumption.

Spoil and soil from the cuttings of the M60, added to by Etihad detritus created an elevated mound some hundred feet in height, across an area of seventeen hectares.

Where are we going?

Playing golf has been permanently postponed, the proposed light industrial units were knocked back by local authority planning officers, and residents’ objections.

So let’s get off to the Expo!

I took myself off there, take a look around, get a feel for the place. Currently the province of rebel dog walkers and guerrilla gardeners, I was informed that the rights of way are regularly blocked by an employee of Cordingley’s Estate Agents, who closes the gaps in the perimeter fencing, subsequently photographing his wiry handiwork. The gaps are then promptly reopened and walkways reestablished.

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Short eared owls have been spotted.

I was told of the legend concerning Peg’s lantern – fearing for the well being of her son, Peg wanders the dark lanes in search of the errant offspring, later found drunk in a ditch.

This area is a locus of deep, deep energies and histories, monkey with it at your peril.

These are observations from a hill:

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Ashton Moss – Leisure and Light Industry

Absolute disgrace the food was disgusting and we’re we was sat it stunk of urine.

Never again will I go.

Welcome to the modern world, once home to the world’s finest celery, now home to the world’s worst online reviews.

The area, under cultivation for over a hundred years was bulldozed to one side, and left in a heap. The M60 arrived wiped its feet on the greensward  and awaited the expected redevelopment.

Welcome to the brand new shiny nowhere, the dual carriageway expanse of Robert Sheldon Way carries you away to a strikingly inevitable array of chains, human bondage has never appeared so  clean and bright.

Muse developments:

Good design is required as a key aspect of pursuing sustainable development indivisible from good planning. Good design involves seeking positive improvements in the quality of our built, natural and historic environment, addressing the connections between people and places.

 

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