Kendals is of course long gone – absorbed by House of Fraser.
The store had previously been known during its operation as Kendal Milne, Kendal Milne & Co, Kendal Milne & Faulkner, Harrods or Watts.
The store was designed by Harrods’ in-house architect Louis David Blanc, with input from a local architect JohnS Beaumont, in 1938 and completed in 1939 – it is a Grade II listed building.
Great location but narrow roadway between floors. Pay in advance so you need to know how long you’re staying for.
£20.40 for four hours is expensive but you are minutes from Deansgate shops.
Only given one star because there wasn’t an option for zero.
Not secure, car broken into theft of personal effects, pedestrian gate was un locked, no CCTV that I could see anywhere. Cost me over £25 to park for six hrs and lost over £200 of personal effects, complained to council, no response. Wouldn’t park here ever again.
Get there whilst ye may.
The pedestrian in a car park presses on!
Manchester City Council is set to hand over a multi-storey car park and close a row of shops, including a Greggs and a barbers, in the hope of driving huge development in Deansgate. The multi-storey car park on King Street West, behind the iconic Kendals building, is set to be demolished if plans are passed by the council’s executive committee, with proposals to turn it into an office block.
The demolition of this car park and ground floor retailers would facilitate the redevelopment of the site, according to a report by the council’s strategic director, and will pave the way for the refurbishment of the adjacent grade II listed Kendals building, which currently has House of Fraser occupying it. Engagement with the retailers has been ongoing for some time, according to this report, with guidance being offered to them as to their next steps.
Plans were approved last year to transform the Kendals building into ‘high end’ offices with the car park to be turned into a 14-storey office block, along with improvements to the public realm. For this to go ahead the council will need to surrender the lease of the car park building, according to the report.
Maple gave architects Aedas RHWL the freedom to express themselves on a prominent multi-storey car park development in Salford. Their imaginative design created a great concept – the nine storey New Bailey car park appearing to be wrapped in ribbons that echo the lattice patterns and intersections in the ironwork of nearby Victorian bridges.
The pedestrian in a car park is happy to shine its tiny light on Salford’s regeneration – and has lead a Modernist Mooch around the area named Salford Nouveau!
English Cities Fund and National Car Parks have officially launched the new 615 space, nine storey car park at New Bailey, which is due to open in early December.
The £12 million car park, which was designed by architect Renton Howard Wood Levin Architects and constructed by Morgan Sindall has been forward funded by Legal and General and let to NCP on a 35 year lease.
This purpose built flagship multi-storey car park features a number of benefits for customers. These include state of the art larger and quicker lifts, energy efficient LED lighting and automatic number plate recognition. The online booking service includes pre booking facilities and level monitoring communicates to drivers which levels have available parking spaces. There are also direct links to the NCP customer contact centre via a number of help points throughout the car park, as well as 27 CCTV cameras for increased safety and six charging spaces for electric cars.
The car park is also conveniently located adjacent to Salford Central train station.
A good, clean and modern car park, easy to navigate and sensibly sized spaces.
The only downsides are that it’s not cheap and getting into it from Trinity way is hard, as the traffic blocks the junction meaning it takes may cycles of the traffic lights to get across the junction.
Secure and easy to find while driving, struggled to get back in through side door, had to walk up the ramp.
Expensive.
Stairwell stinks like piss and I’ve seen homeless people sitting in there, doesn’t feel safe.
Great car park, security is great, right in the city centre, above the bus station that goes Scotland to Cornwall, Wales to Norwich and many more, Manchester city centre literally, with Piccadilly Gardens, around the corner.
We have been snapping here afore in the guise of Mr Estate Pubs – checking out the Thompsons Arms.
For this is a car park with coach station and boozer attached.
The pedestrian in a car park approaches cautiously – along the ramp.
Retreating the better to circumnavigate the site.
I was quickly losing light – so I called it a day.
Fielden Clegg Bradley were concept architects while Leach Rhodes Walker were delivery architects.
A series of four × two-storey-deep lattice girders and a single one-storey girder, all measuring up to 27m-long, span over the zone where the underground pipes are located. In these parts, the car park has no first-floor level as the local water board needed a 5m ground-to-ceiling clearance in case they had to undertake any maintenance works. Consequently, the first floor is only a partial level and is set within the depth of the larger lattice girders, as is the second floor, while the third level is supported on top of these members.
Supporting a hotel would be challenging enough, however the design has also had to incorporate large bridging elements as there are two subterranean 600mm-diameter water pipes crossing the site. “It’s a very unusual design and one that was originally designed as a concrete-framed structure,” says James Killelea Senior Structural Engineer Charlie Twist. “However, the bridging parts would have proven to be too difficult to build and consequently a steel-framed solution was chosen for the car park, which in turn supports a precast concrete hotel.”
This car park is one of the cleanest and most well maintained in Manchester.
What a refreshing change for the pedestrian in a car park!
As a coda my hero Bob Mould late of Hüsker Dü posted this pic this week!
I assume that he was staying in the Premier Inn which sits atop the car park.
Good location but the access to the shopping centre is dirty. Lifts dirty – discarded soiled underwear, urine, spit and rubbish in the lifts, car park also full of litter.
The most unnecessarily complicated ticketing system I have ever seen for a car park. Designed to fail so that the system can fine you. Beware, better avoided for overseas visitors.
The pedestrian in the car park presses on – encountering structural engineers along the way, who have given the concrete construction a clean bill of health.
On the day of my visit building surveyors were measuring up the upper tier for resurfacing – the stairwells were unclean, and an air of dank neglect permeated my hesitant ascent.
Immerse yourself in the eclectic vibe of the Northern Quarter, the heartbeat of art, culture, and urban lifestyle. Whether you’re heading to its vintage shops, art studios, or chic cafes, finding the cheapest, best parking is paramount.
Stairs smell of stale urine and cannabis.
The pedestrian in the car park carries on regardless!
The sculpture is called Big Boys Toys – the work of artist Peter Freeman.
JHA Pulmannwere commissioned via network rail to deliver an extension to, and the re-cladding of an existing 1970’s concrete frame carpark, outside of Manchester Piccadilly station.
The carpark is fine but as a lone female arriving off the train in the early hours of the morning, I felt quite vulnerable getting back there. It’s in a very quiet dark place accessed by going through a tunnel going under a bridge.
Easy to find, plenty of spaces and only a short walk to Piccadilly station – great!
The pedestrian in a car park ventures beyond the train station, across a bridge and through a portal to another dimension.
Where once the dank dark grey mists descended, we now see only light.
Q-Park First Street is a multi-storey car park within the up and coming First Street development. The safe and secure facility is a short walk away from HOME Theatre, Innside by Melia, Bridgewater Hall and the Manchester Central Convention Complex.
VIP spaces are available to book online.
Achieving Park Mark Plus demonstrates that this Q-Park car park has achieved the highest parking facility standards with exceptional customer services and ambience. Only good management can ensure that measures are in place to reduce crime and the fear of crime, enforce disabled parking for the benefit of those that need accessible bays and care for the environment at the same time.
The pedestrian in a car park ventures forth into a part of town rarely visited, discovering a clean and modern environment, affording extensive views over an ever expanding city.
As part of the redevelopment of the Gaythorn Gas Works site, First Street has successfully managed to create a new thriving neighbourhood in Manchester. The development continues to seamlessly integrate cultural spaces with commercial offices, retail spaces, a hotel and multi-storey car park.
Cundall has provided multidisciplinary engineering services spanning several years and multiple buildings including, Q-Park MSCP.
Illustrating a wide range of building types in and around Sheffield sheltering beneath the broad umbrella of Modernism.
By way of context the photographs are all Topographic in nature – in which a landscape subject is photographed, devoid of people, framed orthogonally and lacking artifice or effect.
Practiced most famously by the 1970s New Topographics photographers, including Robert Adams, Lewis Baltz, Nicholas Nixon, and Bernd and Hilla Becher.
A shocking paroxysm of a building, an explosion in reinforced concrete, a bunker built with an aesthete’s attention to detail, a building which is genuinely Brutalist in both senses of the term.
With a hyper parabolic roof a doubly-curved surface that resembles the shape of a saddle, that is, it has a convex form along one axis, and a concave form on along the other.
Featured in the video for the Arctic Monkeys’ 2006 number one hit – When the Sun Goes Down at 1.21.
5 Park Hill – 1957 and 1961 Jack Lynn and Ivor Smith under the supervision of JL Womersley,
Grace Owen Nursery – with two Wicksteed climbing frames
The Play Ground should not be put in a corner behind railings, but in a conspicuous and beautiful part of a Park, free to all, where people can enjoy the play and charming scenery at the same time; where mothers can sit, while they are looking on and caring for their children.
The Sheffield Blitz in December 1940 killed almost 700 and damaged some 82,000 homes, over half the city’s housing stock. As the city looked to rebuilding, its 1952 Development Plan estimated the need to replace 20,000 unfit homes and build a further 15,000 to cater for the natural increase of population.
Supreme, but often overlooked, achievement … is the Gleadless Valley Estate which combined urban housing types and the natural landscape so effectively that it still looks stunning, especially on a bright winter’s day.
7 Hallam Tower Hotel 1965 Nelson Foley of Trust House Architectural Department
It opened officially on 24th March 1965 and was the first luxury hotel to be built in the north of England since the Second World War. The exterior was designed to complement Sheffield’s post-war modernist developments; the interior by Colefax and Fowler of Mayfair offered warm, gay colours to contrast with the black and grey tones of the city.
The plant started its first full year of production in 1929
The plant was located at Hope, because it is at the edge of where carboniferous limestone of the Monsal Dale Group, meets Edale Shale, the two main components of finished cement.
Since 1951, when the Peak District National Park was created, most of the outbound traffic from the plant has been exported by rail.
Colleagues in the team included Bill Varley, Ron Bridle, Sri Sriskandan and FA Joe Sims. The team was responsible for the introduction of a great deal of new computing technology into bridge design, as well as for some of the most imaginative bridge engineering going on anywhere in the country. Their design efforts were supported by close involvement in research and testing work, for example, on half-joints and concrete hinges. All the above named engineers went on to considerable seniority, some in the Department of Transport, and Sims and Bridle in particular have published various papers and contributed to books on the history of Britain’s motorway development.
Tontine car park, the 255-space multi-storey car park in Exchange Street, St Helens, has been closed since February this year for a revamp.
This has seen a new lighting system, new signage and re-lined parking spaces installed throughout following an investment by St Helens Borough Council.
In a statement, the local authority said:
Old and failing pay on foot equipment has also been replaced with brand new pay and display machines which take cash.
St Helens Star 2020
Well that there Bauhaus has a whole heap to answer for – with its curves and its concrete.
Influencing the sweeps and swoops of the car ramps and pedestrian walkways.
I have walked around the exterior on more than one occasion.
This concrete enclosed, collection of transformers and switchgear.
Electricity substation. 1968 to designs by consulting architects Jefferson, Sheard and Partners, Sheffield, led by Bryan Jefferson, in association with the Regional Civil Engineers’ Department of the CEGB North East Region. Contractors, Longden & Sons Ltd, Sheffield. Reinforced concrete frame with board-marked finish with formwork bolt marks, construction and daywork joints emphasised, concrete floor slabs, blue engineering facing bricks, cladding panels of Cornish granite aggregate.
The good folk at Sensoria and The Black Dog staged My Brutal Life inside the building – using the void created by the non-expansion of expanded demand for electricity.
The exhibition features work byBill Stephenson, Mick Jones, Mandy Payne, Martin Dust, Scott Amoeba, Richard Davis, Jen Orpin, Alun Cocks, Human Studio, Sean Madner, Helen Angell and The Black Dog.
One man who saw the wisdom of building a road infrastructure to deal with high volumes of traffic passing through Halifax and to provide convenient links to the M62.
That man was prominent town councillor John Burdock.
Burdock Way, the modern flyover system, was opened in 1973 to take the A58 and A629 traffic over the River Hebble.
Faced with the problem of very high volumes of through traffic in its town centre, and with the impending construction of the M62 too far to the south to provide relief for the town, Halifax needed a bypass. The steep sided valley that the town centre inhabits prevented a conventional road from being built around the town, and so in the early 1970’s construction began on Burdock Way – one of the most adventurous relief road schemes built in Britain, certainly by a town the size of Halifax.
Only one phase of the futuristic road was ever built, but what exists is a partially grade-separated dual carriageway that runs through deep trenches and over tall viaducts close to the heart of the town. At its eastern end is a truly byzantine piece of traffic engineering that stretches the definition of a roundabout to its limit.
In October 1971 the official celebrations went anything but according to plan. It had been decided to give the people of Halifax a half day holiday so they could attend the opening, but there were not enough police on duty to control the sightseers. It was impossible to get complete silence for the speeches and arrangements to tell the artillery guns at Southowram Road when to fire broke down. They were fired prematurely while an archdeacon was offering prayers. The Mayor, HC McCrae, finally managed to announce that the bridge was officially open and he scurried back to the town hall where he hosted a banquet.
Burdock Way has never been fully completed as it is missing certain sections envisaged in the early 1960s plans. There are a number of reasons for this, but it is mainly owing to West Yorkshire County Council’s cost cutting in the 1970s.
Yorkshire Post
This is the Valley of the Gwangi in the West Riding – minus the dinosaurs.
An urban chasm, the gulf between everything and nothing.
North Bridge is a Victorian iron and stone bridge crossing the valley of the River Hebble, connecting the town to roads to Bradford and Leeds. Replacing an earlier six arch stone bridge it was raised to allow the subsequent construction of the Halifax High Level Railway beneath it, along with an adjoining station.
Opened in 1871 amid chaotic crowd scenes it carried increasingly heavy traffic until it was by-passed by the Burdock Way in 1973.
I’m overwhelmed by the underpass, where the passage of time is both slowed and hurried.
A feeling of unease will hasten your pace, a strange sense of transcendence allows you to linger longer.
There’s a world going on underground.
Rattle big black bones in the danger zone There’s a rumblin’ groan down below There’s a big dark town, it’s a place I’ve found There’s a world going on underground
Hyde Road was a football stadium in West Gorton, Manchester, England.
It was home to Manchester City FC and their predecessors, from its construction in 1887 until 1923, when the club moved to Maine Road.
Billy Gillespie on the ball.
Before its use as a football ground, the site was an area of waste ground, and in its early days the ground had only rudimentary facilities. The first stand was built in 1888, but the ground had no changing facilities until 1896; players had to change in a nearby public house, the Hyde Road Hotel.
As a Chester’s house, a condition of the club’s official link to the pub was that supporters and club officials and players would sup Chesters ales, and in return Stephen Chesters Thompson of the brewery helped finance stadium improvements.
The move of MCFC to Maine Road in 1923 following a fire at the Hyde Road ground, didn’t adversely affect the Hyde Road Hotel and it continued to serve the West Gorton community and the once-bustling Hyde Road thoroughfare.
As late as the 1980s, renamed the City Gates, it was a popular watering hole before the match for supporters travelling in from East Manchester. It was kitted out in all sorts of MCFC memorabilia and was run by George Heslop, City legend of the 1960s, after he’d had the Royal George in town.
Sadly, as the community around it was decimated, the pub struggled and its last hurrah was as the City Gates theme pub. The business failed in 1989 and the pub sat empty and rotting for twelve years until it was demolished, despite a half-hearted fans campaign to save it. Two keystones from the Hyde Road Hotel reside in the MCFC memorial garden and are all that remain of this significant Manchester pub.
By 1904 the ground had developed into a 40,000-capacity venue, hosting an FA Cup semi-final between Newcastle United and Sheffield Wednesday the following year.
The stands and terraces were arranged in a haphazard manner due to space constraints, and by 1920 the club had outgrown the cramped venue. A decision to seek an alternative venue was hastened in November 1920, when the Main Stand was destroyed by fire. Manchester City moved to the 80,000-capacity Maine Road in 1923, and Hyde Road was demolished shortly afterward. One structure from the ground is still in use in the 21st century, a section of roofing which was sold for use at The Shay, a stadium in Halifax.
Maine Road – which in turn closed on May 11th 2003, City losing 1-0 to Southampton
City are now at home at the Etihad – formerly the Commonwealth Games Stadium.
I had always known the area as the Olympic Freight Depot – seen from the passing train.
I cycled by the other day and the containers are long gone – the site is being cleansed to a depth of two metres.
Loitering by the gates, I asked if I may take some snaps .
Please y’self – so I did.
So what’s next on the cards, for this little corner of local history – set twixt Bennett Street and Hyde Road?
New homes is on the cards – and on the hoardings.
Plans have been revealed for a 337-home development on the Olympic Freight depot in West Gorton.
Brought forward by Sheffield-based Ascena Developments, the planning application to Manchester City Council outlines proposals for 191 houses and 146 apartments, split across two blocks.
Alongside the homes, the development would include a 3,000 sq ft circular community centre and café, shop, and a unit which is earmarked for a chip shop.
Kellen Homes has been granted planning consent to redevelop the thirteen-acre Olympic Freight depot on Bennett Street in Manchester into 272 homes.
The developer, owned by Renaker founder Daren Whitaker, lodged plans for the West Gorton scheme last year following the withdrawal of an earlier and larger scheme drawn up by Sheffield-based Ascena Developments.
In 1987 the demolition of this three-tier housing estate of the township was undertaken by the Architects’ Department of the Metropolitan Borough of North Tyneside.
Photo: Philip Wolmuth
Once the wrecking ball arrives new town can begin to look like any old town.
Following Euan Lynn’s suggestion – I went to take a look around.
From the window of the 52 bus, I saw an enchanting Telephone Exchange.
Derby’s Eagle Market, which has been open for nearly 50 years, is set to close for good in around six months from now. The indoor market is expected to shut down in March, traders were told in a memo late last month.
The long-standing city centre market has undergone major changes since opening in 1975. Over the past 46 years, dozens of traders have come and gone, from fruit and veg sellers to fine clothes retailers, pottery makers.
The nut stall that is greatly missed by nut fans.
Singer Frankie Vaughan opens Jack’s Rainwear at the market in 1976.
When it first opened, the venue was a maze of hexagonal stalls, which gave it a futuristic look, but it was a confusing layout and it was difficult to navigate and find the stall you wanted. The hexagons came down in 1990 in favour of a more traditional, open layout which made the market easier to escape in the event of a fire.
The Modernist modular structure replaced by a higher High-Tech roofing solution.
Petes Heel bar will be missed, along with his missing apostrophe.
The redevelopment masterplan includes new homes and commercial uses with new public spaces and walkable streets that will integrate the site with the rest of the City Centre and improve new connections to the river. There is scope to introduce some tall buildings to make better use of the site with new food and beverage, leisure and other activity at ground floor level. The proposals will contribute towards the Council’s vision in a way that responds positively to the site context including surrounding character areas.
Curiously brick-ish, for work largely concerning concrete.
Did they not know the Madcap Syd wrote See Emily Play down the road at the now demolished Leeds College of Technology?
A fact I discovered whilst researching my Leeds Walk.
Myself I would have gone with – Borrow Somebody’s Dreams ’til Tomorrow.
For here we have an exposition of the architecture of three Universities, exploring the possibilities of a new age.
An age typified by the expansion of minds and opportunities in higher education, rendered corporeal in glass, steel and concrete – with some concession to the use of brick.
I was minded of the political context to these campuses, radicalised by the events of the late Sixties and early Seventies.
Myself a student at Portsmouth Polytechnic during these heady days, where several Maoist, Marxist-Leninist, Stalinist and Trotskyite factions played out ideological debate and display, against these Modernist backdrops.
On the day of my visit to the Leeds campus, I saw three students stood behind a hardboard paste table, selling the Socialist Worker.
Along with staff building support for the following day’s UCU strike.
So to the exhibition – Another Brick In The Wall at the Stan and Audrey Burton Gallery until Saturday 25th March.
Photographer Simon Phipps shines a contemporary light on the innovative designs of this period. He has produced new work of a variety of campuses, including the University of Leeds, exclusively for the exhibition.
Alongside these contemporary photographs, the exhibition displays archival material from the Universities of Leeds, Sussex and East Anglia.
Rarely seen material from the Arup archive is also exhibited.
Let’s take a look at a topic from a bygone age that seems to come of age – there’s never been a better time to be Brutal!
Go and take a look, we really do need education – and exhibitions.
Wolverhampton High Level Station was built in 1852 and lay on what used to be known as the Stour Valley Line. The modern day Wolverhampton Station now occupies the site and there is little left of what my father photographed as the station suffered a major phase of modernisation in the mid 1960’s.
The present Wolverhampton station dates from 1964 to 1967 when the High Level station was completely rebuilt by the architect Ray Moorcroft as part of the modernisation programme which saw the West Coast Main Line electrified.
More recently in 2004, a new through platform – platform 4, was constructed on the site of infrequently-used sidings. This has greatly enhanced the capacity of the station. A new footbridge was also constructed, to allow access to the new platform but also to improve access to the existing ones.
Members of the public are now able to access the second half of the new Wolverhampton railway station, following the completion of main construction on Phase 2 in March 2021.
The new station forms part of a significant local transformation being carried out, as part of the city’s £150m Interchange scheme. Within the city scheme, there are improvements planned for bus, Metro, cycle and train connectivity.
This was my first visit to Wolverhampton, arriving at 8.42 on a crowded Bournemouth bound Cross Country train, which was destined to terminate at Reading.
The last structure that Ove Arup designed himself was the award-winning reinforced concrete Kingsgate Footbridge in Durham, England.
Completed in 1963, Arup considered this bridge his finest work. He planned every detail, including the unusual way it was constructed. The need for scaffolding on the river was eliminated by casting the bridge in two halves, one for each bank. The halves were then swivelled out from the banks to meet.
The two halves pivoted on revolving cones, their meeting point marked by an understated bronze expansion joint. Bearings were designed at the base of each part to allow rotation, robust but cheap enough to be used only once.
This elegant example of simple mechanical engineering provided tense moments for the team while the spans were turned and connected.
John Martin, project manager for the bridge, said:
“Ove never seemed to worry that anything might go wrong. That was fine, it just meant that one felt fully responsible for seeing that it didn’t. But he got quite cross when the contractor took a few, to Ove’s view unnecessary, steps to make doubly sure that construction went smoothly. I think that to him it was a question of spoiling the elegance of the idea”.
I’m ever so fond of concrete footbridges, in fact I have written about our local exemplar.
And have taken great pleasure in teaching and preaching whilst atop such.
So it was with some degree of excited anticipation, that I strode eagerly toward Ove’s bridge – a bridge guaranteed to raise a smile, enchanted by its elegance and audacity.
Over we go headlong and fancy free into this black and white concrete world.
Crossing over into colourful off-white world of university life.
Dunelm House was designed by Richard Raines and Michael Powers of the Architects Co-Partnership, and completed in 1966 under the supervision of architect Sir Ove Arup, whose adjacent Kingsgate Bridge opened two years earlier. Built into the steeply sloping bank of the River Wear, Dunelm House is notable internally for the fact that the main staircase linking all five levels of the building runs in an entirely straight line. This was intended by the building’s architects to create the feeling of an interior street.
Modern Mooch 