Antony Holloway – Huyton Wall

Antony Holloway – artist born March 8th 1928 he died on August 9th 2000.

Dorset was where he was born and grew up and the Dorset landscape was always there deep within him. He was educated at Poole grammar school between 1939 and 1945. After national service in the Royal Air Force in Dorset and Germany from 1948 to 1953 he studied at Bournemouth College of Art. Then came the RCA.

Tony began work as a stained glass and mural designer and jumped, with astonishing confidence, into working as a consultant designer with the architects’ division of the London County Council. He learned how to deal with architects and builders, and became adept at getting as much out of the money available – never enough – for his projects.

In 1963 he was introduced to the Manchester architect, Harry Fairhurst. Eight years later, after they had worked together on commissions in Cheshire and Liverpool, Fairhurst sought Tony’s advice about a plan for five large stained-glass windows in Manchester Cathedral.

Tony asked to design and make the first window, the St George in the inner south-west aisle. It was completed in 1973. Further windows followed in 1976 and 1980 and the final window, Revelation was installed in 1995.

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His Sculptural Wall on London Road Manchester – an integral part of Fairhurst’s UMIST scheme, is Grade II listed.

His concrete panels clad two opposing sides of the Faraday Tower which can also be seen on the UMIST site.

I discovered further reference to his work in an old copy of Studio International – serendipitously purchased from a local charity shop.

So I bided my time, awaiting the day I could take the train to Huyton, walk along Bluebell Lane, across the busy dual carriageway to Primrose Drive.

My patience was rewarded – 7,000 square feet of cast concrete retaining wall, surrounding the tower blocks, built on a site raised above the roads.

In 1987 the wall was open to public access – one of the three tower blocks has been subsequently demolished.

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Partially covered with greenery and now securely contained within spiked railings, I circumnavigated the site catching and snapping the structure where I could – here are those very snaps.

Golden Lane Estate – London

Something of an iconic, totemic, pin-up poster boy/girl for the Modernists, I bumped into you one rainy day, on the way from here to there. Initially attracted by an unexpectedly bright slab of primrose yellow and white.

Golden Lane was developed in the early 1950s to create local housing for essential workers in the City of London, following the devastation of the Blitz. At the time only around 500 people actually lived in the City of London so the estate was deliberately designed with small units to house single people and couples comprised of the broad social and professional mix needed to support the local community. 554 units were built of which 359 were studios and one bedroomed flats; the remainder were maisonettes and early tenants included caretakers, clergymen, doctors, police offices, cleaners and secretaries. Today there are approximately 1,500 people living on the estate in 559 flats and maisonettes. 

Golden Lane was commissioned from architects Chamberlin, Powell and Bon by the City of London Corporation (which still manages it) and built on bombed sites previously occupied by small businesses and industries. Some of the basement areas of the former buildings were retained as sunken areas of landscaping. Building took place over a 10-year period between 1952 and 1962 when Crescent House on Goswell Road was completed. Golden Lane was listed Grade II in 1997 (Crescent House is Grade II*). When built, Great Arthur House was the tallest residential building in London and its Le Corbusier inspired design included a resident’s roof garden. The estate also included a leisure centre with a swimming pool and tennis courts. It is now run by a private operator and is open to both residents and the general public.

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I stuck around too take a look, struck by the variety of scale, detail and space within a relatively tight integrated development. Mature greenery abounds along with a delightful water feature.

It would appear that following the 70s right to buy the estate is a 50/50 mix of social and private ownership, relatively trouble free and well maintained, something of an anomaly in our go-ahead, left behind land.

Go take a look for yourself see what you think.

Woodward Court Woodward Street – Ancoats Manchester

“What’s going on?”

As Marvin Gaye so succinctly asked.

Why is there just one remaining tower block dancing unclad around Ancoats?

Let’s go back in time and see if we can find out – it seems that back in 1807 there wasn’t a Woodward Street to be found, the ever expanding industrial might of Manchester had not yet reached these particular green fields of Ancoats.

By 1824 it shows a fresh face to the world christened Woodworth Street, sparsely dotted with new development.

Almost fully formed in 1836 and renamed as Woodward Street, the area begins to accumulate the familiar domestic and industrial clutter of a burgeoning Victorian City.

By 1860 the street is fully formed and open for business.

Workers finding homes in austere and functional brick back to backs, typical of the period’s housing.

Fast forward to the early Sixties and the street is showing signs of age – the century old industries are already in decline, steady jobs, mills and factories gone west and east, well-worn housing looking terminally tired and in need of a little care and attention.

But wait what’s this coming around the bend?

The first wave of urban regeneration, post war optimism incarnate, a bright new shiny future – out with the old and in with the new, as Municipal Modernism stamps its big broad architectural feet all over Woodward Street.

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Our story is far from over, this optimism is short-lived the homes, houses and industry are swept away yet again, replaced with two story modern terraced housing and an all too obvious absence of regular employment – yet the tower blocks prevailed.

Former streets were over written and remain as poignant vestigial marks in the landscape.

Grand plans are made for their revival.

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Though their future was built on more than somewhat shifting and uncertain sands.

A tower block has been left lying empty for a whopping 18 years. The 13-storey building at Saltford Court in Ancoats has been unoccupied since Manchester council closed it in the 1990s. It was bought by top developers Urban Splash six years ago but residents have now hit out about it still being empty. Neighbours of Saltford Court say it has become an ‘eyesore’ and magnet for vermin since the firm bought it.

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A large group of blocks stood tinned up and unloved, yet owned, for a number of years, victims one supposes of land-bankers, developers speculating on an even better return, as the warm waves of gentrification washed slowly over them, from nearby New Islington.

All but one was refurbished, clad and re-let.

Woodward Court was spared – set aside for the homeless.

A period piece surrounded by Post Modern and Revivalist pretenders.

Why not go take a look.

William Mitchell – Newton Heath

On meeting an old friend in Manchester – following previous encounters in Coventry, Salford and Liverpool

Following a lead from Neil Simpson I cycled along Clayton Vale and emerged on Amos Avenue where the flats came into view.

I was in search of an an averaged sized totemic concrete municipal public art pillar – similar to the example to be found in Eastford Square.

It belongs to a time when Municipal Modernism was very much in vogue – the provision of social housing along with the commissioning of murals, sculptures, mosaics and tiled reliefs.

There has been some discussion regarding its authorship – it may or may not be the work of William Mitchell – both Skyliner and The Shrieking Violets have tried to find an answer.

Inevitably my only concern is art over authenticity – does it move you?

Let’s just take a little look.



Birley Street Tower Blocks – Blackburn

One fine day – whilst walking back to and/or from happiness, in the general direction of Blackburn town centre, I happened to chance upon three towers.

Whilst not in any sense Tolkienesque – for me they held a certain mystique, wandering unclad amongst swathes of trees and grass.

Trinity, St Alban and St Michaels Courts – three thirteen storey towers each containing sixty one dwellings.

Three thirteen-storey slab blocks built as public housing using the Sectra industrialised building system. The blocks contain 183 dwellings in total, consisting of 72 one-bedroom flats and 111 two-bedroom flats. The blocks are of storiform construction clad with precast concrete panels. The panels are faced with exposed white Cornish aggregate. Spandrel panels set with black Shap granite aggregate are used under the gable kitchen windows. The blocks were designed by the Borough architect in association with Sydney Greenwood. Construction was approved by committee in 1966.

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Built on Birley Street following extensive 1960’s slum clearance.

Providing an excellent backdrop for the passing parade.

Each entrance porch with a delightful concrete relief on the outer face.

On the reverse a tiled relief – sadly painted over.

They are well proportioned slabs set in ample open landscape dotted with mature trees – maintained to a high standard.

The Barbican Estate – London

Bouncing betwixt and between Bonnard and Bill Viola from Tate Modern to the Royal Academy I took a detour to The Barbican – in search of the Dorothy Annan tiled mural.

Having failed conspicuously to find it, following an extensive and discursive wander, I did the wise thing and asked.

My thanks to the helpful resident and his young son.

Redirected and on course for our deferred engagement, Dorothy and I met at last on an underpass.

I also recently discovered a Barbican Manchester mash up – Gerrards of Swinton fulfilled their largest ever single order for the site – my thanks to David Roughley for the information and illustration.

Here are the snaps that I took along the way.

Heaton Norris Park – Stockport

Heaton Norris Park’s elevated position gives stunning views of the Stockport town centre skyline and of the Cheshire plain. The central position of the Park means that it is a green retreat for shoppers and local residents. Also it is within easy reach of the Stockport town centre. The land for this park was acquired by public subscription and as a gift from Lord Egerton. Work on laying out the site as a public park began in May 1873, and it was formally opened on June 5th 1875. Since then it has undergone a number of changes. The construction of the M60 has shaved several acres off the park’s size.

The park is predated by the nearby Drabble Ash Pleasure Gardens – entrance strictly by token only, as commemorated on the BHS Murals in Merseyway.

5 November 1905 – Edward VII declares his eldest daughter The Princess Louise, Duchess of Fife, the Princess Royal.

He also orders that the daughters of Princess Louise, Lady Alexandra Duff and Lady Maud Duff are to be styled as Princesses of the United Kingdom of Great Britain and Ireland with the style Highness.

So they built a big bonfire on bonfire night at Heaton Norris Park – sometimes they still do.

Picture courtesy of ©Phil Rowbotham

In 1935 the area seems to be little more than windswept cinders and thin forlorn grass, traversed by broad uneven paths – overlooking the dark industrial mire below.

Into the 1960s and although now there is the provision of a children’s play area, the park is still in need of a little more care and attention, the immediate surroundings a dense dark warren of industrial activity and terraced housing.

In 1968 the construction of two twelve storey Stockport County Borough Council residential blocks begins, alongside the recreation grounds, Heaton and Norris Towers, creating 136 new homes.

The 1970s sees the banked gardens bedded out with summer flowers and a crazy golf course on the edge of the bowling area. Both of these features are now a thing of the past, the future financing, care and maintenance of our parks is always precarious, especially during times of central government funding cuts and enforced austerity.

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The park now has a Friends group to support it, along with I Love Heaton Norris. The area is cared for and used by all ages and interests children’s play, bowls, tennis, conservation area, football, picnic and floral areas – somewhere and something to be very proud of, social spaces for sociable people.

And much beloved of Natalie Bradbury the SS Norris concrete boat.

Take a walk over the concrete bridge or along Love Lane and treat yourself to a day in the park

Archive photographs Stockport Local Image Archive

Mitzi Cunliffe – Owen’s Park Manchester

Mitzi Solomon Cunliffe January 1st 1918  December 30th 2006

American born, resident of Didsbury Manchester, sculptor and designer, responsible for, amongst other things, the BAFTA mask.

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Her first large scale commission was two pieces for the Festival of Britain in 1951. One, known as Root Bodied Forth, shows figures emerging from a tree, and was displayed at the entrance of the Festival. The second, a pair of bronze handles in the form of hands, adorned the Regatta Restaurant. She created a similar piece, in the form of knots, in 1952 which remains at the School of Civic Design at Liverpool University, along with The Quickening in the rear courtyard.

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Cunliffe developed a technique for mass-producing abstract designs in relief in concrete, as architectural decoration, which she described as sculpture by the yard. She used the technique to decorate buildings throughout the UK, but particularly in and around Manchester.

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Particularly this example of four modular panels named Cosmos, set in the wall of the student halls of residence in Owens Park, Fallowfield, Manchester.

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Brambell Building – Bangor University

Sited on Deiniol Road Bangor, the 1970’s laboratory building of the University is often cited as the ugliest building in Britain.

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Erchyllbeth y flwyddyn posits Mr Madge.

It was never going to win that many friends in a city of Victorian brick and stone.

The University along with the GPO have dragged Bangor kicking and screaming into the Twentieth Century, dotting the landscape with post war architecture – though try as a I might no record can be found of the Brambell Building’s history or authorship.

Suffice to say that it has survived the slings and arrows of cultural and local vocal criticism and continues to function as a scientific research centre of some standing.

Still standing.

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And as an addendum the adjacent and equally surviving Chemistry Tower seems to have weathered the winters of discontent.

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Covent Garden – Stockport

Last time I was here it was there:

Covent Garden Flats Middle Hillgate in Stockport.

A small but important group of post-war council houses – very much in an inter-war European manner, homes to a settled community of cheerful, chatty residents.

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The local authority tinned them up some year ago, ahead of a series of redevelopment proposals – last week that redevelopment reached its logical conclusion.

Demolition.

Whilst accepting the necessity for change, I also recognise the need to preserve what is best of the past, rather than replacing it with the present day architecture of cautiously consensual pastiche.

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nuvu living for the nouveau be-tartaned riche:

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So heavyhearted I circumnavigated the perimeter fence, recording forever that which was no longer there – their there replacing our there.

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ICL Tower – Gorton Manchester

Designed by architects Cruickshank and Seward in the Sixties, to house the cutting-edge computing power of the time, the ICT later ICL Tower, towered over Wenlock Way, Gorton in East Manchester.

A landmark for many from bus, train, car, Shanks’s pony or low flying VC10.

A place of work for thousands.

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At a time when modern technology looked a little like this:

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Sadly ending like this:

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Two weeks into the demolition process the east elevation is no more, revealing a concrete honeycomb of torn steel and fresh air.

A few weeks time and it will be little more than so much dust and memories.

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Preston Indoor Market

Built in 1973 scheduled to be closed and demolished in ten days time.

The future is not so red rosey for yet another traditional local market.

A typically boxy arrangement of steel, concrete, asbestos glass and brick, the complex of trading units, stalls and parking is not without charm. Though as with many other developments of its type, it seems to be without friends, then inevitably without customers and traders.

Following a template originated at London’s Borough Market, developers and councils seem to favour the modern artisan over the proletarian . This concept when meshed with the multi-plex and chain restaurant/bar amalgam, provides a shiny new future, for the shiny new shape of all our retail and leisure needs.

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So ta-ta to another world of hats and socks, fruit and veg, workwear for workers.

You’ve just about time to pop in for a brew.

Two sugars, stirred not shaken.

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Sam’s Bar – Wigan

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Sam’s Bar – Orchard St, Wigan WN1 3SW.

Once there was The Ball and Boot – oval or round, no dubbin required.

A Tetley Walker pub on the edge of the then new Scholes Estate – seen here in 1987.

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Photograph Tower Block

This is the one and only photograph of its former black and white self.

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Though an internet search revealed a rich heritage of pool, football, fancy dress and trips to Lloret De Mar, for the lads and lasses of Lower Scholes.

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The pub now named Sam’s Bar, has retained its jolly jumble of modernist volumes and angles – though having lost the harlequin panels and off licence. Mid-morning the lights were on and the pub was surrounded by cars taking advantage of the £1.90 a day parking.

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The online reviews seem to divide opinion as to the quality of the current provision.

This pub is not a nice place to visit. If your not a regular you get leered at all night, the people and staff are absolutly terrible. You will wait at the bar all night waiting to get served, whilst all the regulars get their drinks. Then and only then will you get yours. You will see a fight at least once a night. Karaoke is only for those of us who are blessed with the ability to sing – they wont let you up again if not. This pub needs knocking down it’s a menace to society, out of 10 a big fat 0.

Solid, dependable and well-run. Friendly bar staff and regulars, local and national newspapers, rugby league memorabilia, jukebox, pool table, and very fair prices. Has been my local for years, ever since I got tired of the landlord turnover at the Cherries. I’ve never seen anyone refused a go at karaoke, including me, and I can’t sing, and rarely pick a song anyone likes. So you carry on spouting tripe, and I’ll carry on drinking at Sam’s Bar Scholes.

Beer in the evening.

You’ll have to swing by and judge for y’self – my own karaoke tune of choice as ever:

In The Ghetto.

 

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Mottram Street Flats – Stockport

A post-war northern town, facing the problems of bomb damage, poor quality housing, and the pressing need for new homes.

In 1963 there seemed to be space and the will to build, the site at the centre of the image flanked by ageing Victorian terraces and industry.

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Soon to become the Mottram Street Development.

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Back in 1965 these were the highest housing tower blocks in Greater Manchester.

The work of borough architects John Rank and Clifford Fernley.

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1960’s Photographs from the Stockport Image Archive

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1980’s photographs from The Tower Block

Typically they incorporated concrete street furniture, sculptural and decorative detail, in keeping with the age.

Like many other developments of the period they have subsequently been clad, fenced, painted and secured beyond recognition.

There was a raised concrete play area, of which nothing has survived.

A little of their original character however has prevailed – a William Mitchellesque fallen obelisk, along with some panelling and planters.

The monolith was designed by Peter Shuttleworth, a newly qualified architect at Stockport Council

Curious to see public art behind bars

– would that they were removed.

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Bromley Street Manchester

Bromley Street – its northern tip joining with Dantzic Street in the valley of the River Irk, so far so very bucolic, so very, very nice, the street that was going places, tucked cosily beneath the shade of the old L&Y bridge.

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The south bank of the Irk is here very steep and between fifteen and thirty feet high. On this declivitous hillside there are planted three rows of houses, of which the lowest rise directly out of the river, while the front walls of the highest stand on the crest of the hill in Long Millgate. Among them are mills on the river, in short, the method of construction is as crowded and disorderly here as in the lower part of Long Millgate. Right and left a multitude of covered passages lead from the main street into numerous courts, and he who turns in thither gets into a filth and disgusting grime, the equal of which is not to be found – especially in the courts which lead down to the Irk, and which contain unqualifiedly the most horrible dwellings which I have yet beheld. Below it on the river there are several tanneries which fill the whole neighbourhood with the stench of animal putrefaction. The view from Ducie Bridge, mercifully concealed from mortals of small stature by a parapet as high as a man, is characteristic for the whole district. At the bottom flows, or rather stagnates, the Irk, a narrow, coal-black, foul-smelling stream, full of debris and refuse, which it deposits on the shallower right bank.

So said Mr Friedrich Engels.

“Not only the blackest but the most sluggish of all rivers” – was surrounded by road, rail, dwelling and factory, high density industrialisation through most of the last century.

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Then all of sudden along came a series of events, that saw a shift away from inner-city manufacturing, the outsourcing of all sorts and the demolition of homes. The area and the city became a pale shadow of its former self. Help however was at hand, the boom in buy to let, overseas investment and an ever expanding professional middle class, eagerly  paddled up the murky Irk, emulating the massed forces of 7th Cavalry and the Lone Ranger combined – hurrah!

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If you earn a minimum of £300,000 a year, have a net worth in excess of £3m and want an exceptional mortgage service that is designed to suit your individual needs, get in touch.

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What have you got to lose?

It’s the gravy train as thick, dark and rewarding as the very inky Irk itself!

The stylishly designed living areas and carefully considered external finishes within the new buildings, have been designed to compliment the rich industrial architectural style of the area.

A development that even Mr Friedrich Engels himself would be proud of.

But wait, all is not rosy in the digitally constructed flower box garden, that you may see before you, in our online presentation and brochures.

Pinnacle Alliance plans to build 344 luxury apartments on a site near Dantzic Street, as part of the ‘Northern Gateway’. Dozens of investors have paid up to £350,000 for the off-plan apartments in the proposed scheme. But two years since many first paid out for their home, no work has actually begun on the £30m scheme.

The dispute has led to a demonstration in Hong Kong, where around 50 buyers took to the streets over Christmas urging local authorities to take up their concerns. And in an unusual twist, protestors even recorded their own campaign song – to the tune of Jingle Bells – criticising Pinnacle.

On the day of my visit the site was home to several jackdaws, the charred husk of a burnt out car, hastily discarded childrens’ toys, the most curious of plywood constructs and a sense of anything and everything, ceasing to make any sense whatsoever.

This stunning development will be an original and inspiring place to live.

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Tudor House – Wakefield

You wouldn’t ever want a bad case of the cladding, the triumph of the expedient over the purist aesthetic. We all may wish to be warm, dry and free from unwanted ingress, whilst exercising a degree of discernment and restraint, regarding the manner in which we are clad.

In Wakefield and in local authorities throughout this fair land there seems to have been a distinct lack of discernment and restraint, regarding the manner in which modern tower blocks are clad.

Cloaking concrete in coloured surfaces better suited to Toytown than our town.

Four twelve-storey H-plan tower blocks built as public housing as part of the central area development of lower Kirkgate. The blocks rise out of other low-rise development. Each block contains 44 one and two-bedroom flats, providing 176 dwellings in total. The consulting architects for the development were Richard Seifert & Partners. Construction is of concrete frame with brick infill panels. The blocks were approved by committee in 1964.

Tudor House aka Lower Kirkgate Comprehensive Development area as was:

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Photographs Tower Block

Ain’t it funny how time and integrity slips away?

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Photographs Alan White Design

Gone the bold flat roofed, cuboid contrasting concrete and brick towers, whilst confusingly the ground floor retail development remains untouched.

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Back to Bideford Drive – Baguley

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Here we are again – having previously travelled back to the inception of the estate in the 1970s.

Structurally little has changed, politically and economically things have shifted.

Tectonically:

The Conservative Party had committed itself to introducing a Right to Buy before Margaret Thatcher became Party leader. After the election of May 1979 a new Conservative government drafted legislation to provide a Right to Buy but, because this would not become law until October 1980, also revised the general consent to enable sales with higher discounts matching those proposed in the new legislation. The numbers of sales completed under this general consent exceeded previous levels. Between 1952 and 1980 over 370,000 public sector dwellings were sold in England and Wales. Almost a third of these were in 1979 and 1980 and it is evident that higher discounts generated and would have continued to generate higher sales without the Right to Buy being in place. 200,000 council houses were sold to their tenants in 1982, and by 1987, more than 1,000,000 council houses in Britain had been sold to their tenants.

The Right to Buy: History and Prospect

The post war policy of building and renting local authority housing was swamped by the phrase property owning democracy, on which the popular conservatism of the 20th century rested, and with it a vision of the good society, was coined by the Scottish Unionist Noel Skelton in a quartet of articles for the Spectator entitled Constructive Conservatism, written in the spring of 1923. The appeal of Popular Capitalism proved compelling, however the periods of de-industrialisation, and the subsequent lull in the building of new affordable homes, has created a myriad of obstacles for those simply seeking somewhere to live and work.

The estate illustrates this historic shift, replete with homeowners decorative amendments and addenda, managing agents and trusts and an end to the architectural integrity of the development.

One could become all Ian Nairn about this, swathed in Outrage.

I myself feel that despite the cosmetic surgery, this remains a homely enclave, residents going about their business in a relatively orderly and happy manner.

Take a look:

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Bideford Drive – Baguley

Baguley is derived from the Old English words Bagca, badger, and Leah, wood.

Historically in Cheshire, Baguley is mentioned in the Domesday Book of 1086, it was incorporated into Manchester in 1931.

It has a Brook though babble heard I none, it had a Station now long gone.

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I idled by on my bike to snap the homes around Bideford Drive, which I dutifully did. My curiosity suitably aroused I perused the Manchester Local Image Archive, in search of clues. Planned in 1969 complete in 1971 main contractor Laing architects the City Office.

A rich mix of scale and typology, two differentiated blocks, tower and slab, short rows of compact terraces, open spaces, shops, car parking and limited planting. The interlocking geometries, paths and walkways make it an intriguing and entertaining estate, full of small surprises and ideas – these pictures are of 1971.

There is a sharply attenuated and clean feel in the air, optimism on a largely overcast day, a totality – planned integration – homes and architecture of distinction.

 

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Stopford House Again – Stockport

Do you come here often?

Well actually I do!

Here’s my account of my previous visits to Stopford House.

The large open public space that has almost everything except the public.

On the many occasions I have walked its concrete piazza, not once have I encountered another purposed soul – save the odd passing civic employee.

Unusually unchallenged by the diffident G4S or like as I snap away.

So come/go here, take a look – municipal concrete in the raw, softened by the controlled ingress of flowers and greenery.

Oh and not forgetting the recent addition of some curious coloured lines.

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London Road aka Piccadilly Station – Manchester

The station was originally built as Store Street Station by the Manchester and Birmingham Railway in 1842, before being renamed London Road Station in 1847.  It was shared by the Sheffield, Ashton-under-Lyne & Manchester Railway and it has been rebuilt and added to a number of times, with two news spans added to the train shed roof in 1881 and island platforms added linking to Manchester Oxford Road in 1882 (replacing two old Manchester, South Junction and Altrincham Railway platforms which were built next to the station).

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An imposing classical façade with a substantial cast iron and glass train shed, the approach sloping up to the frontage, as of necessity the line entered the city on a raised trackbed.

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Initially the approach was lined with railway warehousing, subsequently demolished to make way for the redevelopments of the 1960s.

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Detailed plans are made to reshape the station concourse and entrance.

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Dreams are turned into reality, as near as makes no difference.

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The newly electrified lines opening up the city to a world of high speed intercity travel.

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The Krays it seems were deemed to be unwelcome visitors, everyone else came and went, met with equanimity and a bright new modernist vista.

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The brand new shiny buffet replaces the archaic dining rooms, as Brylcreemed, bow tied and moustachioed waiters are consigned to the scrapheap of history.

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Likewise the gloomy destination boards – out with the old!

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And in with the new.

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We have a fully integrated modern interior to deal with the modern passengers’ every need – including crystal clear signage, seating and bins.

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Stars of screen and stage are guided through with consummate ease, Margot Fonteyn and Rudolf Nureyev in his brand new baby seal skin coat arrive in 1968 to dance Swan Lake at the Palace.

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Esteemed footballer Eusebio on his travels during the 1966 World Cup.

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In 1969 Gateway House arrives, Richard Sieffert & Partners wavy hello and goodbye to  Manchester’s premier railway station.

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Piccadilly has now seen several revamps, the concourse an exercise in contemporary cluttered retail/airport chic, a 125mph Pendolino journey away from the carefully considered internal order of yesteryear.

Who knows what the future holds?

HS2 to name but one – sit back let the train take the strain.

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Archival images Manchester Local Image Collection