Peterlee Town Centre

Once more to Peterlee having posted posts on the Apollo Pavillion, housing and housing history.

Plans for the new town centre started to be developed in 1960 by Chief Architect Roy Gazzard. The process would go through eight sets of revisions before they were finally approved in 1968. Yoden Way was then pedestrianised, and the small row of shops built in 1950’s was incorporated into the new shopping precinct, forming the north western end of Yoden Way. Like many other town centres across Britain undergoing modernisation, the high-street was split onto two levels, with ramps providing access to raised walkways.

The construction of Lee House – named after Peter Lee, started in 1974. Once completed, the Development Corporation moved its Headquarters from Old Shotton Hall to Lee House in 1976, occupying the building until it was sold in 1984 and remaining staff relocated to Newton Aycliffe.

Enhancing the built environment, Peterlee Town Centre was furnished with play equipment, an ornamental pond, open air escalators, and a sculpture by John Pasmore – son of Victor.

These features were later removed after the town centre was sold to Teesdale Investments – Peterlee Limited in 1985.

Peterlee History

Access ramp at the bottom end of Yoden Way, prior to the construction of Lee House in 1973.

It’s 2021 and I arrive at the Bus Station.

Immediately adjacent is Ridgemount House. – once home to the Job Centre.

Firefighters were called to the disused Ridgemount House on Bede Way in Peterlee on Wednesday August 16th 2023 at about 8.20pm after reports of a blaze.

Crews found a fire had broken out in the first floor of the building, which was found to be the home of thousands of pounds worth of cannabis plants back in 2020, after a man converted two floors for use as a drug farm.

Tarlochan Singh, owner of Ridgemount House, has been prosecuted following the discovery of several serious fire safety breaches at the property.

Northern Echo

To the right is the Eden Bar and Vibe.

Readers have voted Peterlee nightspot Vibe as the ‘most tragic hometown club’ in the North East

Formerly known as The Dance Factory, Vibe, in Peterlee town centre, is a place famous for it’s almost impossible to get off ‘tramp stamp’ and next door neighbour The Lodge, where many locals will go for pre-drinks and some karaoke before heading to the club.

Chronicle Live

The bar which once boasted a bijou rotunda with an exclusive upper terrace, has now closed.

Back in 1973 the hotel was badged as the Norseman.

The giants of Sporting Lisbon faced Sunderland in the European Cup Winners Cup and they spent the build-up to the tie in the Norseman Hotel. They met local children, took a walk in the dene, signed autographs and even tried riding a Chopper bike. The side lost 2-1 at Roker Park to a talented Sunderland team before overcoming the Black Cats 2-0 back in Portugal.

Sunderland Echo

The rear rotunda is now a derelict shell.

Back in 2021 Sambuca was the other town centre bar – badged with Olde English type.

Formerly the Red Lion a Cameron’s estate pub.

April 20th 2014 – Happy Easter everyone.
We are open today all the way to 10pm – £2 bottles VHFs, house spirits only £3 double, buckets £4, Corona £2.50 selected shots 50p, cider cans £1 + £2 
Karaoke – from now on everyone who sings gets a free shot
Then we have the best in all your favourite dance ‘n’ house tunes to take you into Monday.

Onward to the Shopping Centre.

Yoden Way looking towards Lee House in 1977.

Photographs: JR James

The 1950’s shops are still in situ.

Though some of the original architectural detailing and features are no more.

Lee House is still standing but vacant.

Lee House was once home to charity and community groups, but in 2015 the building owners ordered them to vacate the property. Even the building’s clock has stopped working and has been stuck on the same ten-past-two reading.

However, Durham County Council has now confirmed the building is in new hands. Economic development manager Graham Wood said: “We have worked with the previous owner to try to ensure the building is secured while we await proposals for its long-term future. 

Sunderland Echo

© Lynda Golightly / Art UK

Four fire engines rushed to Lee House on Upper Yoden Way in Peterlee on Friday afternoon September 19th 2025 after a fire broke out on the first floor of the seven floor building.

Northern Echo

Clean-up campaigner Tidy Ted and Peterlee Mayor Councillor John Dickinson were helping youngsters to tidy up in the Peterlee Dene area in 1989.

Where are they now – when we need them most?

Peterlee Housing – 2021

An express bus ride away from Newcastle City Centre – arriving in Peterlee, with a clear intent to wander around and look at housing.

There have been many alterations and amendments made, in the short time since the inception of the Masterplan. Flat roofs have largely been and gone, timber replaced by uPVC, what remains is an interesting array of building types set in an attractive rolling landscape.

In addition here’s my recent appraisal of the town’s housing history.

Plus a visit to the Apollo Pavilion.

Peterlee Housing History

The case for founding Peterlee was put forward in Farewell Squalor by Easington Rural District Council Surveyor CW Clarke, who also proposed that the town be named after celebrated Durham miners’ leader Peter Lee.  A deputation, consisting mostly of working miners, met the Minister of Town and Country Planning to put the case for a new town in the district. The minister, Lewis Silkin, responded by offering a half-size new town of 30,000 residents. The subsequent new residents came largely from surrounding villages in the District of Easington.

Peterlee Development Corporation was founded in 1948, first under Dr Monica Felton, then under AV Williams. The original master plan for tower blocks of flats by Berthold Lubetkin was rejected as unsuitable for the area’s geology, which had been weakened by mining works, and Lubetkin resigned in 1950. George Grenfell Baines’ plan was accepted, and construction quickly began, but it was of poor quality. Williams invited artist Victor Pasmore to head the landscaping design team.

Wikipedia

Berthold Lubetkin chats with miners of the east Durham coalfield.

RIBA pix 1948

The backs of terraced miners’ housing – RIBA pix 1943

Sunny Blunts

The long and narrow site intersected by a sloped ravine necessitated a new design approach for the layout of the road system and housing in Sunny Blunts. Rather than imposing a grid system as before, the roads follow the natural contours of the landscape so become curvilinear. The housing is then arranged in asymmetric patterns – a deconstructed grid system is one way of describing it.

One of the oddities of Sunny Blunts is the way the houses are rotated 180 degrees in relation to the conventional streetscape where enclosed gardens are normally at the rear of the houses. At Sunny Blunts the front door opens into the garden, while the backdoor opens out onto public realm space, often directly onto grassed areas, which because of how the houses are arranged forms small communal gardens isolated from road traffic for safe places to play. Peterlee at this time had a very high percentage of young families.

Sunny Blunts is also where the now infamous Crudens houses were introduced – along with the Howletch area. Crudens owned the British rights to the Skarne building system, where prefabricated concrete walls and floors are bolted together to form the frame of the house. The system reduced building costs by 10% per house unit, though at Sunny Blunts this saving was then absorbed by the costs of remedial work required to make many of the houses habitable for residents to move in. This still didn’t fully resolve issues with water ingress in some cases.

After the completion of Sunny and Howletch the Development Corporation reverted back to using more traditional building methods.

Peterlee History

The Peterlee Development Corporation initially employed the Russian modernist architect Berthold Lubetkin to design the new town. Appointing a renowned Modernist architect such as Lubetkin demonstrated the importance that was placed on innovative design. Lubetkin initially planned to build a modern town of high-rise towers and walkways in the sky. However, his plan was rejected because towers of such height could not be built on land that had been mined. 

After Lubetkin’s resignation in 1950 a new architect, Grenfell Baines, was employed to work on the development of Peterlee. After further dissatisfaction with the plans, Victor Pasmore was invited to collaborate on a new scheme for the south west area of the town in 1955. Pasmore’s role was to work alongside the architects to add imagination to a project that could potentially get weighed down with the restrictions of building regulations. That Pasmore – one of the most influential abstract artists in Britain at the time – was given such a vital role in the development of Peterlee demonstrates the central role art played in urban design after the war.

Kingsley Chapman Blog

Chapel Hill

As well as appearing in the Chapel Hill area, this house style was also introduced in parts of Acre Rigg, along Manor Way, and in the early phases of the South West Area. These were designed and built in the early 1960’s when Roy Gazzard was Chief Architect. The three story blocks of flats with their distinctive butterfly roof design that were introduced in the same areas of the new town can also be credited to Gazzard.

Roy Gazzard left Peterlee Development Corporation in June 1962 and went on to become Chief Architect at Killingworth in North Tyneside.

The footpath running between a group of two-bedroom houses.

RIBA pix

Acre Rigg

Essington Way is the main spine road running north from the town centre to Thorpe Road which connects Easington Village and Colliery, with Horden and Sunderland Road. East of Essington Way is the North East Quadrant . West is Acre Rigg which was built in five phases from 1956-1966. The early phases of Acre Rigg share a similar character to that of the earlier North East Quadrant. The later phases built in the 1960s contrast sharply, drawing on the design approached developed in the South West Area under the guidance of artist Victor Pasmore.

Howltech

The contract to build the Howletch area was awarded to Crudens, who owned the British franchise for the Swedish designed Skarne building system.

The Crudens houses were constructed using prefabricated concrete sections bolted together to form the frame of the building. The gable end walls were then rendered with brick, with non-loadbearing glass, wood, and rendered panel sections forming the front and rear elevations of the houses.

In the foreground of this aerial photo is Old Shotton Hall, which at this time was the headquarters of Peterlee Development Corporation after it was refurbished in 1948 by Architect Planner Berthold Lubetkin. In 1976 the Development Corporation moved its headquarters to Lee House in the town centre. It is now the offices of Peterlee Town Council.

North East Quadrant

After the departure of Berthold Lubetkin, Grenfell Bains was drafted in as Architect Planner to develop the new Master Plan and oversee development of the North East Quadrant. Bains at the time filled the position at Newton Aycliffe, another of the first wave new towns located 20 miles south west of Peterlee.

1956

As the dates of these aerial photographs testify, building work was already well underway in the North East Quadrant by the time the Peterlee Master Plan was published in September 1952. Indeed, as surviving residency agreements and rent books also testify, houses in this part of Peterlee were already occupied, such were the pressures on the Development Corporation to have something tangible to show for their efforts.

Thorntree Gill

Thorntree Gill was the first phase of residential development completed in Peterlee. It was home to the towns first residents, who began moving in in 1951. The road layout is that designed by Architect Planner Berthold Lubetkin for his ‘Hundred Houses’ scheme , though the houses eventually built differed dramatically from what Lubetkin had envisaged.

South West I and II


In the first phase of the South West Area, Victor Pasmore – Consulting Director of Urban Design, Frank Dixon – Building Architect and Peter Daniels – Landscape Architect, settled upon an orthogonal layout system – roads and houses set at right angles to form a grid pattern.

Three bedroom semi-detached cantilever house on Avon Road.

Screen partition on Thames Road.

Dart Road

A stub block of single-bedroom flats over garages.

RIBA pix

South West III and IV

The road and housing layouts in the South West III and IV areas extend the orthogonal grid pattern introduced in the South West I and II areas.

The presence of existing mature trees is a feature of South West III which helps give the area an identity that is distinctive from South West I and II. This distinctiveness is further enhanced by the choice of building material.

The South West III and IV areas were built with cured lime brick, with black dye added to a material that is naturally white, creating symbolic reference to a coal face. The visual effect was then sharpened with white panelling. When the dye added to the bricks began fading to a pale grey colour through exposure to the elements, the intended symbolism uncannily started to mirror the fate of the coal industry across the east Durham area.

Welland Close seen from Passfield Way

South West V

The South West V Area is approximately twice the size of Sunny Blunts. This final phase of development therefore provided Victor Pasmore with the opportunity to expand the new layout system without the constraints presented by the Sunny Blunts site.

Though the basic cubic house unit is retained in South West V, the detailing in the house elevations is much simpler and closer in feel to the South West III and IV Areas.

This is an an abridged version of the material to be found on Peterlee History – intended as an accessible guide to visitors wishing to explore the town.

Additional photographs can be found on RIBA pix.

Apollo Pavillion – Peterlee 2025

Apollo Pavilion Oakerside Drive Peterlee County Durham

Second time around for the Victor Pasmore Pavilion – having been here in 2021.

Children sitting on the Apollo Pavilion 1973 © The Pasmore Estate

The idea for the Apollo Pavilion was the culmination of Victor Pasmore’s involvement with the planning and design of the new town of Peterlee in County Durham which began in 1954 with his appointment by AV Williams, the General Manager, as a consultant architectural designer to the Corporation. The brief was to inject a new initiative into the new town’s design, which had been limited by practical and financial constraints. The early departure of Berthold Lubetkin from the original design team, and the limitations imposed by building on land subject to underground mining, had led to a deterioration in the quality of the architecture being produced at Peterlee.

Peterlee Gov

Victor Pasmore in front of the grafitti-covered Apollo Pavilion © Durham Record Office

The Apollo Pavilion, created by Victor Pasmore in 1969, is designated at Grade II* for the following principal reasons: Architectural interest: the structure is of very high architectural quality, forming the centrepiece of a registered landscape Artistic quality: the only truly three-dimensional work by the internationally known artist Victor Pasmore, the Pavilion is an abstract work of art, a demonstration of Constructivist ideas on a large scale and an expression of brutalist architecture Setting: the setting of the structure is the centrepiece of the registered Pavilion Landscape and as such survives intact.

Historic England

Saturday 20th September was a day of persistent rain, we arrived by bus and walked undeterred to the site – here’s what we saw.

Many thanks to Euan Lynn for leading this Modernist walk.

Stafford Station Multi Storey Car Park

Stafford Station – Multi-Storey Car Park Station Road ST16 2AA

Arriving by train one Saturday morning at the Stafford Station, with time on my hands, I thought to take a look at the adjacent multi-storey car park.

As a pedestrian I found it to be first rate, clean and well signed and designed, easy access by both stairways and lifts, affording panoramic views of the town.

The motorists however have mixed opinions.

Parkopedia

British Ceramics Biennial 2025

Visit the 2025 British Ceramics Biennial at Spode Works 124 Church Street ST4 1BU.

British Ceramics Biennial – BCB, is an arts organisation based in Stoke-on-Trent with a vision of making change through clay.

BCB develops, sustains and expands innovative ceramics practice and improves lives together with artists and creative communities. This is done by delivering an engaging year-round programme of artist commissions, learning and community projects. All of which feed into a contemporary ceramics biennial that takes place in Stoke-on-Trent.

British Ceramics Biennial is proud to be an Arts Council National Portfolio Organisation and has support from Stoke-on-Trent City Council and the University of Staffordshire.

BCB HOME

The show is housed in the former Spode Works, expansive post-industrial spaces which allow the exhibits to breath.

I urge you jump aboard a tram, train, bus or bike and make your way there.

My personal selection is far from all encompassing, my apologies to those whom I have arbitrarily excluded.

Let’s take a look:

Mella Shaw: Rare Earth Rising

Kyra Cane: Challenging Terrain

Susan Halls: Arkitypes

Jo Taylor: [Not] Guilty Pleasures

Daniel Silver:

Fernando Casasempere: Sedimentary Selves

Jane Perryman: Meadow

Alison Rees: LOOP: Postcards from the Green Belt

University of Staffordshire

Lily Collins

Jenny Thomas

Slip Tales

The Chimney Princess

Hanna Fastrich

Tim Fluck with Caroline Grey beyond.

Ceri Shaw

Olga Siruk

Johnny Vegas and Emma Rodgers: Just Be There

Catalin Filip foreground

If you feel like a stroll around town following your visit treat yourself to a Stoke Walk – courtesy of me the Modern Mooch.

The Gateway Housing Manchester

I have been here before recording the history of Manchester City FC on this site.

A football stadium surrounds by railways, roads, homes and industry.

The area is now much changed, though the railways and roads remain, the homes are in a state of flux.

Local Image Collection: Bennett Street with Heywood House 1972 – photo Anne Jackson.

Local Image Collection: Wenlock Way flats taken from Bennett Street – Photo Ben Garth 1972

Local Image Collection: Matthews Street from Bennett Street 1964 – Photo Thomas Brooks

The Gateway to the Simple Life is here.

Situated in Ardwick, one mile outside of Manchester’s vibrant city centre, The Gateway is a distinctive development offering a collection of homes and apartments to rent.

Enjoy living in the prime location of Manchester’s bustling city centre, where there is a vast range of employment opportunities, cafes, bars and restaurants. All year round, you can benefit from various fun days out with events and activities available on your doorstep.

Right Move

In addition to the apartments there is a mixed development of terraced, detached and semi-detached homes.

We pride ourselves on building places you can call your forever home, knowing it won’t be sold from beneath your feet. We offer renters a whole new experience which brings together the best of both worlds – all the perks of a private rental with the added excitement for customers at the start of a development to choose their own plot and watch it being built.

With home ownership becoming unaffordable for some and an unappealing lifestyle choice for others, we meet the need for a high quality home which still feels secure in the long term.

Lovetorent

Stafford Walk

To begin at the beginning – we arrive at Stafford Railway Station.

The current station was built in 1962, by the architect William Robert Headley, as part of the modernisation programme which saw the electrification of the West Coast Main Line.

Illustration: John Greene

On leaving the station there is an as yet partially un-let Sixties office block to let – Victoria Park House.

Onward to the County Technical College 1937 Grade II Listed – interior completed 1946.

The shell of the building was completed in 1937, after which it was used as an American army hospital during the war, then completed afterwards. 

Heavily loaded with Art Deco details.

The new £28m three-storey Skills & Innovation Centre at Stafford College, completed in August 2023, was one of the first further education college schemes to be delivered under the DfE framework and a pathfinder scheme for delivery in accordance with the Further Education Output Specification. The new Centre is equipped with cutting-edge equipment and state-of-the-art facilities for construction, engineering and hybrid / electric vehicle maintenance facilities, as well as IT rich seminar suites and open learning break-out spaces along with a 4-court sports hall, a fully-equipped gym and a flexible 300-seat auditorium.

Ellis Williams

A 1970’s block was demolished to make way for the new development.

Almost everywhere we go we find a PoMo Crown Courts 1991 – architects: Associated Architects of Birmingham, cost of £10.4 million.

The war memorial of 1922 is by Joseph James Whitehead.

Sneaking through the alley to and before the McDonalds – one many more recent buildings with jetted lead clad bays.

Keeping the town Tudor one bay at a time..

Further along a Sixties Boots.

The Classical stone frontage of the Guildhall Shopping Centre.

Working with Mercia Real Estate, Glancy Nicholls Architects have designed a contextual mixed-use scheme in the heart of Stafford Town Centre, within the footprint of a disused shopping centre. This includes the regeneration of the 1930’s Guildhall building that serves as the main entrance to the shopping centre and the listed Market Square building. 

Glancy Nicholls

On the corner a Santander Bank

Across the way an understated Burton’s.

Around the corner a somewhat neglected retail development.

And a long lost Wilko.

Amidst it all the curious time warp that is Trinity Church 1988.

It is used by Methodist and United Reformed Church congregations.

Tucked away in a minor maze of retail a piece of figurative commemorative public art by Glynis Owen Jones, entitled Stafford Faces.

Around the corner a big B&M.

Further along a brick FoB Telephone Exchange of 1959.

Adjoined by the County Records building.

Pringle Richards Sharratt Architects have been appointed by Staffordshire County Council to create a new History Centre for Staffordshire and Stoke on Trent.

The new £4m centre will be located on Eastgate Street in Stafford and will hold historical records and collections up to 1,000 years old.

The scheme will help to provide a rejuvenated service combining the existing Records Office building and William Salt Library, in Stafford and provide a welcoming destination for all of those with an interest in local history. This will include bringing on to the Stafford site the Lichfield Records Office and aspects of the County museum.

Further FoB in the Civic Building.

Close by the Staffordshire Place a civic and retail mixed use development.

Our scheme delivers 135,000 ft2 of high quality contemporary office space across two buildings linked by a new town square. The ground floor incorporates a mix of retail and leisure uses around
a sequence of smaller public spaces to maximise the amount of visible active frontage and create a natural extension to the town centre.

Sustainability issues fundamentally informed the design approach, from mitigating energy consumption to ‘future proofing’ the finished building. The building achieves a BREEAM ‘Excellent’ rating and a European Energy Performance of Buildings Directive Rating ‘A’.

3D Reid

Surprise surprise another retail development Riverside.

£70m riverside town centre retail and leisure development in the heart of Stafford. The 230,000 sq. ft. scheme anchored by M&S will deliver 18 retail units arranged over ground and first floors, five leisure units and a six-screen cinema to complement and strengthen the town centre economy and create new businesses and jobs.

Harris Partnership

Stafford’s £100 million Riverside development was officially launching today with two high street chains open for business on August 4th 2016.

None of this can detract from the monolithic complex Telephone Exchange.

Onwards across the main road past the Asda and up the road to Pennycrofts Court.

Featuring a split level garage facility.

The just around the corner this little corner of Vienna in Stafford – Corporation Street Flats.

Coniston, Windemere and Rydal were among the first council homes to be built in Stafford, between 1951-52, under the direction of County Architect CM Coombes.

The flats were built as a result of The Housing – Financial and Miscellaneous Provisions Act 1946, which gave subsidies to local authorities to provide social housing. The expansion of the Borough Council’s civic duties included the employment of County Architects, in this case CM Coombes FRIBA, to whom these flats are attributed. 

54 flats were built in total, to a distinctly Modernist design, and their appearance and setting are very well preserved.

Let’s head back into the town centre – to the Grade II Listed Picture House 1914

Architectural alterations made by: Captain Fred Campbell in 1930.

The Picture House was closed on 30th March 1995 after a three week run of Disclosure starring Michael Douglas, there were seventy eight attending the final performance.

Cinema Treasures.

Close by the former Odeon

Architects: Roland Satchwell 1936

It was disposed of by the Rank Organisation in July 1981 and was taken over by the Hutchinson Leisure Group who re-named it Astra Cinema. In December 1981 it was tripled with 435 seats in the former stalls and two mini cinemas in the former circle seating 170 and 168.

In 1988 it was taken over by Apollo Cinemas and re-named Apollo Cinema. The downstairs cinema was closed and became a bingo club for a couple of years, during which time the two mini cinemas in the former circle remained open. The bingo operation gave way to films again in 1990 and all three screens were again open, with seating for 305, 170 and 164. In January 2014 it was taken over by the Curzon Cinemas chain and renamed Stafford Cinema.

It was closed on 18th December 2017 with Star Wars:The Last Jedi.

Cinema Treasures

Onwards but backwards to the Civic Centre.

Tiled mural by Brian Lambert 1979

Finally arriving at this lively aggregate gable.

St Mary’s Church Interior

Broadfield Drive Leyland Lancashire PR25 1PD

May I first thanks Parish Administrator Catherine, for taking the time to open the church for our visiting group of Modernists this Saturday – and providing us with the warmest of welcomes, along with a brew and a biscuit or two.

The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation stone in 1962  and the new church was completed ready for its consecration and dedication by Archbishop Beck in April 1964.

The church is a testament to the ambition, imagination and optimism of its age. Significantly, the building was the collaborative work of both immigrant and native architects, artists and designers.

This has been celebrated by Owen Hatherley’s recent book The Alienation Effect.

A folded slab roof of ninety five feet in diameter, its concrete cast on site, bearing the marks of the wooden shuttering, contrasting with the smooth surface of the pre-cast valley beams.

The Crucifix Rex frame is by Alan Roberts and the ceramic figure by Adam Kossowski.

The organ is designed by JW Walker & Son.

The candlesticks and metal furnishings in all the Chapels were fashioned in the foundry of Messrs Bagnall of Kirkby to the design of Robin McGhie.

The curved benches are of Ghana mahogany and were made by the Robert Thompson Craftsmen of Kilburn, the steel work by GS Graham of Stokesley. The distinctive Mouseman mouse can be found on several of the bench ends.

Dalle de Verre stained glass by Patrick Reyntiens, thirty-six panels abstract totalling two hundred and thirty three feet in length.

The theme for the windows is taken from the first nine verses of Genesis, and the passage of Proverbs c. vii. Amorphous undifferentiated matter with the beginnings of definition and pattern, with here and there the promise of order and system.

The Stations of the Cross are the work of Liverpool sculptor Arthur Dooley.

The Chapel of the Blessed Sacrament is designed to seat one hundred and twenty.

The lettering on the green marble frieze is by George Thomas.

The tabernacle, crystal lamp and altar furniture were designed by Robin McGhie.

The tapestry, designed by architect Jerzy Faczynski and woven by the Edinburgh Tapestry Company, under H Jefferson Barnes and Anthony Brennan.

The etched glass panels are also by Jerzy Faczynski.

This is a church whose design and integral interior order and design, sits alongside both Coventry Cathedral and Liverpool Cathedral of Christ the King.

The finest materials and skills, working in harmony to produce a majestic whole.

Take a look outside too!

St Mary’s Church Exterior.

Broadfield Drive Leyland Lancashire PR25 1PD

I was first here in 2019 – it was raining, so snapping the exterior was a soggy task.

Returning in 2025 on a sunny day was a blessing.

This is a suburban church with the ambition of a Modernist cathedral – a radical construction in concrete, brick, stone and glass.

It more than deserves its Grade II Listing.

The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century.  The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation  stone  in  1962  and  the  new  church  was  completed  ready  for  its consecration and dedication by Archbishop Beck in April 1964.

Dalle de Verre stained glass by Patrick Reyntiens.

Large polychrome ceramic mural representing the Last Judgment by Adam Kossowski occupies the width of the porch above the two double-doored entrances.

Let’s take a turn around this stunning building – the etched glass on the Chapel of the Blessed Sacrament is by Jerzy Faczynski.

Take a look inside too!

Kendall & Gent – Victoria Works

Bounded on three sides by Williams Road, Williams Street and Sunny Brow Lane.

Here’s the Victoria Works, formerly home to machine tool makers Kendall & Gent of Gorton Manchester.

Kendall and Gent were machine tool makers, originally of Victoria Works, Springfield, Salford.

Founded by William Kendall and George Gent in 1847.

Latterly of Victoria Works, Belle Vue/Gorton from the 1890’s, acquired by Staveley Industries in 1966.

Graces Guide

This was a world of heavy and light engineering, which reached in a broad swathe across Greater Manchester, from Stockport to Cheetham Hill and beyond.

This is the Gorton Works – illustrations taken from Graces Guide.

This was a world of terraced houses and corner shops, side by side with the local works.

Photographs: Tommy BrooksLocal Image Collection

This is that corner of Williams Street and Sunny Brow Road today.

Victoria Works Sunny Brow Road.

Victoria Works Williams Street

Victoria Works Williams Road

Manchester’s engineering industry has subsequently been seriously diminished.

The building became a base for toilet paper manufacturing and distribution.

But the metal beat goes on in both Wolverhampton and Florida.

Originally formed in 1847, Kendall and Gent enjoyed many years as one of the biggest machine tool manufacturers in the UK, producing many large machines which are still in production today. Many of the tangential threading machines are still used in pipe, bolt and stud threading.

Kendall and Gent

Also of interest Richard Peacock Gorton industrialist .

Lower Falinge – Rochdale 2025

I came along to take a look around in 2017 – at this point all of the homes are occupied.

Fast forward to 2025 and the estate looks very different, a minority of the blocks have been refurbished.

The remainder have been, or are to be demolished.

Rochdale’s 2021 planning statement for Lower Falinge is beguiling in its talk of ‘a better quality and mix’ of housing, better public space and better links with surrounding areas. It goes on to say that the ‘the delivery of market housing within this area is required to deliver this diversification and to ensure the sustainability of retained affordable housing in the area’ – a sentence containing the claim that a tenure mix of public and owner-occupied housing is a good in itself, whilst also acknowledging contradictorily that affordable housing (how affordable?) is only possible by cross-subsidy from market sales’ 

Some 560 new homes were proposed in Lower Falinge. The plans as a whole proposed the loss of 720 primarily social rent homes and their replacement by 560 new homes of indeterminate tenure.

Municipal Dreams 

The tenants in the refurbished blocks with whom I chatted were convinced that demolition was not the answer, further renewal could take place, Rochdale Boroughwide Housing, despite a well prepared save our homes campaign thought not.

In March, we told you that we planned to demolish the six empty maisonette blocks – Ollerton, Newstead, Romsey, Quinton, Ullesthorpe, and Vaynor, in Lower Falinge, as well as the former RSPCA buildings and the former car wash on High Street, within the next 12 months. This will make way for the development of new family homes across a larger site that we will work with the community on designing.

Rochdale Boroughwide Housing July 2025

Our beautiful mature greenery here on Lower Falinge is showcased in this wonderful video. We are proud of living here surrounded by all this nature – it really is like living in a park.

Unfortunately our urban oasis of calm is at risk of being destroyed if RBH demolish 128 homes and eventually build on the land.

Facebook/Lower Falinge

These homes are destined to be demolished.

Whilst this adjoining block has been refurbished.

Along with this block of shops.

Once home to the Highland Laddie pub which closed in 2010.

The remainder of the estate remains in limbo.

Next door the new homes have been built.

A major housing regeneration scheme which includes the construction of 30 energy efficient, affordable homes is breathing new life into the Lower Falinge neighbourhood in Rochdale.

The project is being carried out for Rochdale Boroughwide Housing by Rochdale-based main contractor The Casey Group with OMI Architects. This is the largest of 3 schemes that Casey has carried out for RBH.

Construction News

Rochdale Homes