Central Drive Morecambe LA4 5DL
I have of course been here before, way back in 2016.
With time to spare before leading a Modernist Mooch at 12.00, I came to have another look around.
Always a pleasure to visit this gem – the work of County Architect Roger Booth and his team.
Many thanks to manager Andrew Till and the rest of the staff for their warm welcome and this display of Booth’s drawings.
Many thanks to all those merry moochers that came along too!
Red Lion Street Wolverhampton WV1 1SR
In the 19th century, telephones were mainly used by businesses and wealthy individuals. The first telephone exchange in Europe opened in August 1879, soon followed by another in Manchester, both operated by The Telephone Company Limited. Around the same time the Midland Telephone Company opened an exchange in Birmingham on the corner of New Street and Stephenson Place.
In July 1880 the company installed Wolverhampton’s first telephone exchange in a room in the Free Library in Garrick Street. Making a call was a long-winded affair. In order to connect the telephone to the exchange, a white button was pressed. The operator would ask if a telephone call was about to be made, and the user would tell the operator the name and number of the person to be contacted. After making the connection, the operator waited for the person at the other end to pick-up the earpiece, and then told the caller to proceed. When the telephone call had ended, the caller had to inform the operator, who would then remove the connection. Although this was time consuming, there were very few users, and so it worked adequately.
The first telephone line in Wolverhampton, about a mile long, was laid between Moses Ironmonger’s rope and twine factory at 272 Brickkiln Street, and the company’s office in High Street. Moses Ironmonger, the Chief Magistrate of Wolverhampton, and Mayor in 1857 to 58, and again in 1868 to 69, was also president of the Wolverhampton Chamber of Commerce in 1873 to 74, and a friend of Alexander Graham Bell, the telephone pioneer. The Ironmonger’s telephone line was tried out by some of the local councillors, who appear to have been impressed.
Before the end of July 1880 Monmore Green and Ettingshall were connected to the exchange. By October between fifty and sixty calls were made daily. Wolverhampton’s next exchange was set up in 1903 in a large house next to the Town Hall, where the Civic Centre is today. The house had previously been occupied by John Freer Proud, a surgeon. As the number of users increased, the old manual telephone exchanges could no longer cope and so automatic exchanges were developed.
Image – History Website
In Wolverhampton a large automatic exchange opened on the 29th September, 1932 in Red Lion Street, on the corner of Mitre Fold.
Image 1932 – BT Archive
We first encountered the exchange on our Wolverhampton Wander.
Architects: NHA Gallagher of the Ministry of Public Buildings and Works and Clifford Culpin & Partners job architect Leslie Parrett 1971.
Image 1965 – BT Archive
To begin at the beginning – to begin at the Telephone Exchange.
A plethora of surface textures and a purposely restrained palette, well suited to the architecture of infrastructure.
Around the corner the Royal Mail Sorting Office.
Next door the Telephone Exchange, drawings of the building are dated around 1937 and are simply signed by the Ministry of Works, Preston.
Across the way this former Barclays Bank with its 70s extension, originally a branch of the Kendal Bank, Bank of Liverpool and also Martins.
The building of 1900 is Grade II listed.
Onwards along Central Drive to the Library.
The work of County Architect Roger Booth and his team, opened in 1967.
With thanks to the Library Staff.
Seen here in its original form, before the alterations were made.
Image – Red Rose Collections
Off down to the former Odeon Cinema 1937 architects – W Calder Robson and Harry W Weedon
Like many of the original Odeon Theatres built by Oscar Deutsch, the site chosen was a little out of the main town centre – where land prices were cheaper, and the Odeon Morecambe is a good example of this. It is located at the corner of Euston Road and Thornton Road in this Lancashire seaside town. The Odeon was opened on 2nd September 1937 with Sandy Powell in “It’s a Grand Old World”. It had seating provided for 1,084 in the stalls and 476 in the circle.
Taken over by the Classic Cinemas chain in December 1967, it was re-named Classic Cinema, and was closed on 28th February 1976 with Kenneth Williams in “Carry On Behind”.
The stunning Moderne style exterior much of which including the projectionists walkway is now much deteriorated.
Next to the Police Station another Roger Booth building – recently seen on the small screen in The Bay.
Backtracking to take in the Crescent Café entrance.
Which became Hart’s Restaurant now trading as the Black Thai.
Into the town centre to look at the former Centenary House Co-op 1927.
Bought by the city council as part of the West-End Masterplan, the intention is to refurbish the building’s upper floors to provide affordable housing and accommodation for local arts businesses, retaining the Co-op late shop that occupies one-half of the ground floor.
Let’s take a look along the front – where we find a former Woolworths.
Along with other stores from the same period.
Alongside sits the former Littlewoods.
By 1939 there were 24 stores. A number of these were purpose-built for Littlewoods to designs by J S Quilter & Son. John Salmon Quilter – 1841-1907 was, in fact, long dead, but his architectural practice had been continued by his son Cecil Molyneux Quilter – 1879-1951. Quilter specialised in commercial architecture, notably public houses. He designed a new Blackpool store for Littlewoods, on the corner of Church Street and Corporation Street, which was faced in Empire stone. He also designed a store in Chester, and may have been responsible for the one in Morecambe. This faience-clad art deco building is the best surviving example of a pre-war Littlewoods store – indeed, it may be the best surviving Littlewoods of all time – even preserving diamond L motifs on the entrance lobby floors. These clearly copied Woolworth’s diamond W.
Next to Brucianni’s, a gem of a coastal café and ice cream parlour – Grade II listed.
Finally to the Midland Hotel 1932-3 by Oliver Hill
Concrete and rendered brickwork, painted white. Curved plan, with convex side facing west towards the sea. Three storeys. Windows are steel-framed casements with rendered surrounds. Above each storey are projecting horizontal bands. The entrance front has a rounded left-hand corner, and a convex central staircase projection rising above roof level. This projection has a tall window of steel casements above the doorway, divided into three by mullions, both of which are capped by sea horses, painted red, which were carved by Eric Gill. Projecting at the right is a single-storey cafe of circular plan, now known as the Ravilious Restaurant. The west side has a single-storey projecting sun lounge, which is an addition, its windows replaced in PVC-coated steel. Between the solid centre and ends of the facade the 1st and 2nd floors have their walls recessed to form balconies.
Interior: above the cantilevered circular open-well staircase is a ceiling panel carved in low relief by Eric Gill and painted by Denis Tegetmeier. They were also responsible for the pictorial map of north-west England in what was originally the children’s room at the south end of the building. Also in this room is Eric Gill’s Portland stone panel, originally in the lounge, carved in low relief with a representation of Odysseus and Nausicaa. It was moved to its present position when internal walls were demolished during the 1970s. The cafe walls were originally painted with frescoes by Eric Ravilious, representing morning and evening in an idyllic seascape setting. These deteriorated rapidly because the plaster and paint used were incompatible and were obliterated within 2 years of completion, but were repainted in the late 1980s using photographic evidence.
Eric Gill
Tirzah Garwood and Eric Ravilious
Sadly we are no longer able to see the long gone Super Swimming Stadium.
Architect: Kenneth MB Cross and Cecil Sutton
The Super Swimming Stadium at Morecambe, Lancashire, was one of the grandest of the 1930s modernist seaside lidos. This massive structure measuring 396ft. by 110ft. was said to be the largest outdoor pool in Europe when it opened in 1936, accommodating some 1200 bathers and 3000 spectators. Unusually for an inter-war lido, it was designed not in-house by a Borough Engineer but by two architects, Kenneth MB Cross and Cecil Sutton, who styled it to harmonise with the Streamline Moderne of Oliver Hill’s adjacent Midland Hotel.
The stadium was closed down in 1975 on grounds of structural problems and demolished just a year later.
Another year on, another day in Penrhyn Bay – fifth time around.
I have to admit that I’m fascinated by the manicured homes of this long sweep of road reaching from the base of the Little Orme.
It was fascination, I know
And it might have ended right then, at the start
Just a passing glance, just a brief romance
And I might have gone on my way, empty hearted
Once a scattered agglomeration of inter-war houses in the shadow of the limestone quarry.
On each visit one apprehends the ever so slowly evolving additions, carefully considered property improvements, another new car in the same old town.
Keeping it quietly personal.
176 Eyre Street Sheffield Yorkshire S1 4QZ
Opened in 1961, Martins Bank’s branch at Sheffield Moor is new and purpose built, occupying space left in the Sheffield Moor area by the bombing of the second world war. Time flies however, and more than fifty years on, the building is empty and awaiting the next chapter of its life.
Note the olivetti shop incorporated into the bank building.
Our New Branch at Sheffield Moor owes its existence to the extensive replanning of this area of Sheffield. Part of it was destroyed during the war and the remainder has been or is in course of being pulled down as the plan unfolds for the creation of a brand new shopping area.
It is really too far from the old commercial quarter to be effectively served by our branch at West Street and so the banks are moving in. It is a beautiful modern building with interior decor which responds to the full blaze of sunshine most cheerfully, or, on a dark day when the illuminated ceiling has to be switched on, creates an oasis of light, warmth and welcome which makes it a pleasure to step inside.
Today the building is, sadly, a shadow of its former self.
Other Sheffield banks are available- William Deacon’s, where refurbishment seems to be taking place.
We visited the Lancashire County Archive where we were shown this brochure from the Building Design Partnership – BDP archive, which is held there.
The archive is open to the public.
I have previously led walks there to view the Apollo sculptural relief by Mitzi Cunliffe.
I am assured that the relief will be re-sited within the new development.
The Student Village was opened in 1964.
Plans are in place for redevelopment of the site and the demolition of the tower block and adjacent housing.
The scheme, designed by Sheppard Robson, would see 3,300 new bedspaces brought forward, taking the total number of units at the complex to 5,400, a net increase of 950. This is an increase of around 1,000 new units compared to the previous iteration of the project, approved in 2015.
Available online here or call in the Modernist Shop on Port Street Manchester.
Tameside Moderne
By Steve Marland
A comprehensive guide to the Borough’s modern architecture.
Almost two years in the making.
Tameside east of Manchester – a volcanic explosion of concrete, glass, steel, brick and wood!
From sacred sites to suburban substations, a rollercoaster ride through provincial style.
Softcover, 84pages,
B&W
148 x 210xmm – landscape
£10 well spent – be quick these will fly!
Here we were in 2016 – the last gasp of businesses on the square.
A hangover from the optimism of a long lost decade.
Returning in 2018 to find the shops all shut
In 2019 the grass now fills up the cracks.
April 2023 and the shops and homes are being prepared for demolition.
The company responsible for the demolition also dropped the Robert Tinker, on nearby Dalton Street.
While it is not yet clear exactly what will replace the shopping parade, work has already started nearby on other projects within the scheme. The first phase of development in Collyhurst will see 274 new homes built in the area.
The council has pledged to reinstate the William Mitchell totem nearby.
However the weight of the concrete sculpture and its base have presented unforeseen challenges.
Siting a crane above the Victorian rail tunnel is an issue, as is the cost, a quote for £100,000 was deemed excessive. So stasis is the order the day – the immovable object awaits an unstoppable force.
The sculpture is one of four around Manchester – the Hulme exemplar is long gone.
The Newton Heath and Platt Court totems are both still intact.
Architects: Austin Smith Lord
We begin at the Railway Station – recently refurbished, overwriting its 60s iteration – completely rebuilt by the architect Ray Moorcroft as part of the modernisation programme which saw the West Coast Main Line electrified.
Across the way an enormous brick clad multi-storey car park – skirted by the lines for the tram, which travels to and from Birmingham.
Walk across the brand new pedestrian footbridge over the ring road.
Architectural glass artist Kate Maestri was commissioned to produce the artwork design which features glass with blue and green strips of colour running through it.
Architects: Austin Smith Lord
Linking the Rail Station with the brand new Bus Station.
The normal practice of the Wolverhampton Bus Service is to have dirty, smelly buses, that are cramped and extremely hot in the summer and freezing cold in winter. They offer no announcements apologizing for delays they know about and don’t appear to care how long passengers wait with no idea of how or when they’ll be getting a bus.
The best thing you can do is learn to drive as quickly as possible and get your own vehicle or car pool.
Architects: Austin Smith Lord
Onward now to the Express and Star Building – Grade II listed.
Architect: Marcus Brown 1934.
The building is faced in a reconstituted Hollington stone called Vinculum, produced by another local firm, Tarmac.
A plaque commemorates RJ Emerson, art teacher and sculptor who sculpted Mercury in 1932.
Wolverhampton History and Heritage Society
Midland News Association managing director Matt Ross confirmed the company is now looking at the building’s future.
For a number of years we have been exploring opportunities surrounding our historic Express & Star offices in the heart of Wolverhampton.
After removing the printing presses from the site and restructuring our departments we now have significant spare capacity available and so are looking at the various options available to us, be that redeveloping the current site or exiting the building altogether.
Extension is by architects: H Marcus Brown & Lewis 1965
With further work at the rear.
Along Princess Street this corner group, with an impressive clock tower – originally HQ for the South Staffordshire Building Society
Architects: George A Boswell of Glasgow 1932.
On to the Mander Centre – opened on 6th March 1968, refurbished 1987, 2003 and 2016-17.
The Mander Shopping Centre in the heart Wolverhampton is your one-stop shopping destination for all things fashion, home, beauty, food and technology.
Architects: James A Roberts principal architect Stanley Sellers.
Developed by Manders Holdings Plc, the paint, inks and property conglomerate, between 1968 and 1974. The site occupies four and a half acres comprising the old Georgian works and offices of the Mander family firm, founded in 1773, as well as the site of the former Queens Arcade.
The Wulfrun Shopping Centre is an adjacent companion to the Manders development.
The Wulfrun Centre was built as a result of a joint project between Wolverhampton Council and the Hammerson Group – open for business in October 1969.
Piazza postcard 1970.
Architects: T & PH Braddock and also Bernard Engle & Partners.
Along St Georges Parade, an abandoned Sainsbury’s church combo – store designed by J Sainsbury’s Architects Department opened 1988.
The church was built between 1828 and 1830 – architect: James Morgan, at a cost of £10,268. It was consecrated on Thursday 2 September 1830 by the Bishop of Lichfield, it was made redundant in 1978.
The site is currently under lease to Sainsbury’s for a further three years and will come forward on a phased basis subject to their lease concluding. The council is in active dialogue with prospective development partners on the redevelopment of this site and in wider consultation with Homes England.
Back tracking to the Combined Court Centre.
Architects: Norman and Dawbarn 1990
Notable cases included trial and conviction of four members of The Stone Roses, in October 1990, for criminal damage to the offices of their former record company.
Thence up Snow Hill to the former Citizens Advice former Barclays Bank currently empty.
Architects: John HD Madin & Partners 1969
Take time to have a look around the back.
Off to Church Street and Telecom House
Sold for £4.25 million to Empire Property in 2022.
It had previously been sold for more than £3m in July 2018, also for use for apartments, to Inspired Asset Management which later went into receivership.
Located on a popular apartment block on Church street in the Wolverhampton centre, this 1 bedroom property has been newly renovated throughout and compromises an entrance hallway, open plan lounge/kitchen with in built appliances, shower room and double bedroom.
£650 PCM – Connells
Next to this modern piazza New Market Square – Architects: Nicol Thomas from a concept by head of planning Costas Georghiou.
Formed from the former Market Square, a mix of flats and shops opened in 2004, in an Italianate version of the modish school of streaky bacon.
In 2021 the Coca-Cola Christmas Truck visit to the Midlands was cancelled.
It was meant to arrive at Market Square in Wolverhampton at 11am today but failed to show up.
One fan had waited since 7am this morning to see the Coca-Cola truck.
While schoolchildren were left gutted when the truck didn’t turn up – and one boy had been so excited his mother said he had been talking about the red truck all morning.
Retail Market – Late 1950s market hall and offices above.
Architects: Borough Surveyor.
Excellent example of the Festival of Britain style of architecture, won Civic Trust Award 1960.
Locally Listed March 2000.
demolished January 2017.
Photo: Roger Kidd
This development that wraps itself around Salop, Skinner and School Streets appears to be of a similar period to the Retail Market – and sports a Lady Wulfrun in relief.
There is access to its roof top car park.
And also an exit back to street level.
Where we find at street level the former Odeon Cinema, opened on 11th September 1937 with Conrad Veidt in Dark Journey.
Architects: PJ Price and Harry W Weedon.
In October 2000, the former Odeon was designated a Grade II Listed building by English Heritage.
RIBA pix
In recent years it was a Mecca Bingo Club, but this was closed in March 2007 In October 2009, it had been refurbished and re-opened as the Diamond Banqueting Suite. In April 2021 police raided the vacant building to discover an illegal cannabis farm operating in the building.
Four men were arrested.
Let’s take a turn around the corner to Victoria Street where we find the complex of Beatties Buildings.
Architects: Lavender, Twentyman and Percy 1920’s – 30’s
The C20 Beatties store is a multi-period site developed first in the 1920s-30s. A Burton’s men’s clothes shop was built on a curved corner site at Victoria St/Darlington St and Beatties themselves replaced their existing Victoria St store in the 1930s with a building by local architects Lavender, Twentyman and Percy. Beatties later acquired and incorporated the Burton’s shop into their store. These two buildings form the locally listed building to which were added a mid-C20 extension along Darlington St and a late-C20 development to the rear at Skinner St.
An imperious Portland stone clad mixed us block on Waterloo Road, with a delightful clock.
Formerly the Gas Showrooms then Sun Alliance & London Insurance offices – aka Clock Chambers
The showroom in Darlington Street was also the centre of a radio network that controlled a fleet of service vans. This enabled customers to receive service within minutes of making a telephone call. Demonstrations of cookery, washing and refrigeration were given by the Gas Board’s Home Service Advisers and a number of the company’s engineers, who specialised in designing gas equipment for industrial processes operated an advisory service for manufacturers.
Architects: Richard Twentyman 1939.
Nineteen Waterloo Road latterly First City House formerly home to Eagle Star Insurance 1970
8-10 Waterloo Road architects: Richard Twentyman 1959 extended 1966.
31 Waterloo Road – Waterloo Court architects: Kenneth Wakeford, Jerram & Harris 1972
Right turn to the Telephone Exchange
Architects: NHA Gallagher of the Ministry of Public Buildings and Works and Clifford Culpin & Partners job architect Leslie Parrett 1971.
Around the bend to The Halls – once the Civic Halls.
Architects: Lyons and Israel 1936-38
Refurbished 2003 by Penoyre & Presad with more alterations in 2021 by Jacobs consulting engineers.
RIBA pix – 1939
Over the road to the Civic Centre.
Architects: Clifford Culpin & Partners 1974-79.
We end our Wolverhampton wander at the College of Art and Design
Architects: Diamond Redfern and Partners with A Chapman Borough Architect 1969
Huge thanks to Tom Hicks aka Black Country Type for his invaluable assistance.
Plas Newton Ln Chester CH2 1SA
Architect: LAG Prichard – Son & Partners 1964/66
I caught the 51 Bus from the Bus Exchange – and the ever so helpful fellow passengers put me off at the right stop.
The church is set back from the road and sands in substantial grounds – visible through the surrounding houses.
A large site at the corner of Plas Newton Lane and Newhall Road was acquired, and a new church designed by the architects LAG Prichard, Son & Partners. The design embodied the ideals of Vatican II, with no seating more than fifty feet from the altar. It was designed for 675 people. The foundation stone was laid in September 1964 by Canon Murphy, and the 115 ft spire lowered into position in December 1964. The first Mass was on 19 December 1965, and the church was officially opened in 1966 by Bishop Grasar. St Columba was the third new Catholic church to be built in Chester after the Second World War.
The only glazing to survive from the original church scheme is small triangles of glazing on the sanctuary elevation and the dalle de verre-style baptistery window by Hans Unger & E Schulze.
Unger & Schulze ran a prominent mosaic and glass studio in London from 1960-74, and provided a large mosaic for another LAG Prichard church in 1965, St Jude’s in Worsley Mesnes – Wigan.
The coloured glazing depicting St Columba, Christ and the apostles was added in 1986.
It is such a striking and dynamic church – angular, very angular.
Let’s take a good look around and about.
Glan Y Don Abergele Road Colwyn Bay LL29 8AW
North Wales Police – Heddlu Gogledd Cymru is the territorial police force responsible for policing North Wales.
As of March 2020, the force has 1,510 police officers, 170 special constables, 182 police community support officers, 71 police support volunteers, and 984 staff.
Having cycled from Prestatyn, I popped into reception to ask permission to photograph the exterior of the HQ.
Following a short wait, I was granted permission.
The building is an imposing steel, concrete and glass system built structure of 1972, with brick outliers on a grassy site.
It has undergone adaptation to modern eco-standards.
The administration building for North Wales Police, located in Colwyn Bay, was typical of the breed: a 1970s leaky and draughty concrete-framed building with high solar gains, especially on the South and West facades. It consumed a lot of energy and delivered very poor comfort conditions.
The budget for the refurbishment was set at around £2.4 million. North Wales Police appointed Capita Symonds as the Project Manager with the design team comprising FSP Architects, Buro Happold, WS Atkins, and Faithful+Gould.
A system of brise-soleil solar shading was provided for the East, South and West facades. Combined with the reduced area of glazing, the brise soleil reduced the solar gains enough to avoid the need for mechanical cooling and for the natural ventilation strategy to be retained.
The building’s most striking features are the entrance porch and water feature – a gentle hint of Oscar Niemeyer.
There is also a distinctive modular cast concrete screen wall.
Along with a more prosaic California screen block.
Walking the accessible area it is clear that the hard surfaces are broken up with the extensive planting and sylvan setting.
My thanks to the kindly receptionist for assisting me in my work. – much appreciated.
Diolch yn fawr!
Richmond St Monkwearmouth Sunderland SR5 1BQ
Two swans in front of his eyes
Colored balls in front of his eyes
It’s number one for his Kelly’s eye
Treble-six right over his eye
Edward Thompson, the family printing business, was founded in Sunderland in 1867.
They identified a business opportunity when a local priest, Jeremiah O’Callaghan, ordered some bingo tickets for a parish fund-raising exercise.
From those humble beginnings, Edward Thompson mushroomed in size as Britain went bingo-mad in the 1960s, becoming first the UK’s and then the world’s biggest producer of bingo cards and tickets.
The company which has been printing for more than 155 years – has been hit hard by the crash in bingo hall use as Covid ripped through the leisure sector. CEO Paddy Cronin said he was ‘gutted’ but the business had finally had to face the inevitable as the cashflow dried up.
We were built on a bet but our luck has now run out – he told The Northern Echo.
Covid completely changed the market and as the halls went into decline it just became untenable so I had to break the news to the workers.
They were the pioneers of newspaper bingo, printing the first cards in 1975 and going on to work in places like Bolivia and Belgium and even printing the ballot papers for Nelson Mandela’s 1994 election in South Africa.
So their number is up the factory is tinned-up, house has been called for the very last time.
Yeah, yeah, industrial estate
Well you started here to earn your pay
Clean neck and ears on your first day
Well we tap one another as you walk in the gate
And we’d build a canteen but we haven’t got much space
13 Swinton Park Rd Salford M6 7WR
It was decided to build a new church in 1963, when the architects Burles, Newton & Partners were appointed and drew up a scheme for a church seating 470. Financial restraints delayed the start of building work until 1966. The contractors were William Thorpe and the foundation stone was laid by Bishop Burke in October 1967. The church was opened two years later in 1969. The church was built to reflect the emerging liturgical reforms of the Second Vatican Council, with a wide interior affording full views of the altar. The same architects designed a presbytery, added in 1974-5. A sanctuary reordering took place at some point when the Blessed Sacrament Chapel became the Lady Chapel and the tabernacle was placed behind the altar. The altar rails were removed, and the sanctuary carpeted. Perhaps at the same time the font was brought from the baptistery into the body of the church.
Description
All orientations given are liturgical. The church is a steel-framed structure with loadbearing gable walls built on a series of rafts to guard against mining subsidence. It was designed to ensure that the congregation would have unimpeded views of the sanctuary, and the architects described the layout as ‘in conformity with the Spirit of the new Constitution’. The plan is near rectangular, angled at the east end, with a striking roof swooping up at the east end and trios of sharply pointed gables on each side.
The building is entered on the northwest side via a low porch which gives to a narthex and a former baptistery lit by a pyramidal roof light, attached on the west side. Light pours in to the narthex from a screen with semi-abstract stained glass with the ox symbol of St Luke, an original fixture. The nave is an impressive and memorable space with the boarded roof forming dramatic shapes which frame the east end and sanctuary, where a pair of full-height slit windows are angled to cast light without creating glare and frame a Crucifix. The roof rises up on each side of the big triangular windows on the north and south sides. Those to the south have stained glass showing the Tree of Life the True Vine and the Cross of Faith designed by Roy Coomber of Pendle Stained Glass in 2002-3. There is a cantilevered west gallery with a pipe organ set into the wall above it and a southeast chapel, now a Lady Chapel, formerly of the Blessed Sacrament, with stained glass on sacramental themes. A Pietà in the chapel probably originated in the previous church. The tabernacle, of stainless steel with high relief abstract modelling, was repositioned behind the altar at the time of the reordering. This item and the sanctuary Crucifix with a gilded figure are by an unknown artist. Stations of the Cross are by Harold Riley, installed in circa 2003. They consist of triptychs executed in pencil and wash. Other works by Riley include a study of the Virgin dated 2003 and a print of his painting Our Lady of Manchester.
I had a very brief moment in time to photograph the interior in very low light.
But a little more time to wander around outside.
44 Holmeside Sunderland SR1 3JE
Architects: Frederick Evans, Edwin Sheridan Gray
Black’s Regal Theatre was built on the site of the Olympia Exhibition Hall and Pleasuredrome 1897-1910 and it was built for the northern independent Black’s circuit. It opened on 28th March 1932 with Jessie Matthews in Out of the Blue.
The theatre was equipped with a Compton three manual, nine ranks theatre organ which had an Art Deco style console on a lift.
This was opened by organist J Arnold Eagle. The policy of the theatre for many years was pictures and variety and it had a fifty seven feet wide proscenium, the stage was forty feet deep and there were ten dressing rooms. Other facilities included a cafe and roller rink.
In 1955 the Black’s circuit was taken over by the Rank Organisation and the Regal was re-named Odeon from 28th November 1955. It was divided into a three screen cinema in 1975 with 1,200 seats in the former circle and two 150 seat screens in the rear stalls.
On 28th March 1982 a special 50th Anniversary concert was given by Phil Kelsall on the Compton organ. Three months later, on 26th June 1982 the Odeon was closed with One Flew Over the Cuckoo’s Nest, Star Wars & The Empire Strikes Back, Mary Millington’s True Blue Confessions.
The building was boarded up and abandonded for a long period of time.
However it was to re-open as a Top Rank Bingo Club and remains in use today as a Mecca Bingo Club. The sub-division of the auditorium has been removed. In July 2009, it was announced that the building and the entire block had been the subject of a compulsory purchase order.
I happened by the other day – attracted by the distinctive Deco tower.
And the building’s amazing mass.
I walked around the corner to find the side entrance – as the original lobby is no longer in use.
I was ever so fortunate to happen upon a convivial cleaner, who kindly invited me inside the auditorium.
Much of the interior detail is intact though the balcony was no longer in use.
On exiting, I noticed the ghost of the Regal.
Though the exterior is a pale shadow of its former self, the building is still intact and in use.
A close neighbour is the what was the Ritz latterly ABC Cinema.
Architects: William Riddell Glen
Opened on 1st March 1937 with Fred Astaire & Ginger Rogers in Swing Time, the Ritz Cinema was built by the Union Cinemas chain. They were soon taken over by Associated British Cinemas – ABC. It was lavishly fitted with deep pile carpets and chandeliers.
In 1961 it was re-named ABC. It was converted into a two screen cinema from July/August 1974 when the former circle became a 534 seat screen and the front stalls a second screen seating 212. The rear stalls area was converted into a Painted Wagon pub. Sadly the conversion destroyed much of the original interior of the auditorium. It was later taken over by the Cannon Cinemas group, but later went back to the ABC name.
Sadly it closed on 29th April 1999, the last of Sunderland’s major cinemas.
It has recently reopened as The Point a nightclub which has four dance floors and has now completely lost all features of its cinematic past.
Get y’self pumped!
Construction of Killingworth, a new town, began in 1963. Intended for 20,000 people, it was a former mining community, formed on seven hundred and sixty acres of derelict colliery land near Killingworth Village. The building of Killingworth Township was undertaken by Northumberland County Council and was not formally a New Town sponsored by the Government.
Unlike that town, Killingworth’s planners adopted a radical approach to town centre design, resulting in relatively high-rise buildings in an avant-garde and brutalist style that won awards for architecture, dynamic industry and attractive environment.
This new town centre consisted of pre-cast concrete houses, with millions of small crustacean shells unusually embedded into their external walls, five to ten storey flats, offices, industrial units and service buildings, which often consisted of artistic non-functional characteristics, shops and residential multi-storey car parks, interconnected by ramps and walkways. These made up a deck system of access to shopping and other facilities, employing the Swedish Skarne method of construction.
Killingworth Towers were demolished in 1987
Originally named Killingworth Township, the latter part was quickly dropped through lack of colloquial use.
Killingworth is referred to as Killy by many residents of the town and surrounding areas.
Around 1964, during the reclamation of the derelict pit sites, a fifteen acre lake south of the town centre was created; spoil heaps were levelled, seeded and planted with semi-mature trees.
There were also groups of Calder Houses built, subsequently rendered neutral with render, their period characteristics erased.
All archive images RIBA pix
Once home to Thelma and Bob Ferris – whatever happened to the likely lads’ and lasses’ homes?
I had come in search of paradise on a 52 bus – too late was the cry, too late.
The winds of change had blown away the new coal dream, so I wandered lonely around the quiet streets.
The daffodils were past their best.
St David’s – 1 Penrhyn Beach East Penrhyn Bay Llandudno LL30 3NT
This church was built in 1963 to a design by Rosier and Whitestone of Cheltenham, to replace a wooden church of 1929.
I had previously cycled by on one of my tours of North Wales – stopping to snap the elegant exterior.
On this occasion I contacted the church to arrange access to the interior – the building is open from 10.00 – 12.00 most weekdays.
The church has been recommended for listing in this CADW report on post war architecture in Wales.
St David’s deserves listing, a distinctive building with a remote slate clad campanile.
The interior does not disappoint, a light and airy space with confident curved wooden roof struts and clear angled arched windows.
My thanks to the kindly parishioner Alan, who made me more than welcome on the day of my visit.
Sadly the bell is no longer seated – its shell cracked and the wooden support rotted away.
Let’s take a look inside.
The organ pipes are purely decorative – the current console being digital.
Thanks again all for your time and informative conversation.
We have previously taken a look at Deepdale Court.
I returned last week to look at the remaining blocks.
Cartmel, Rusland and Somerton are all social housing.
Kentmere and Whitebeck have been adapted for senior citizens managed by Northwards Housing.
Freshfields formerly Grisedale is owned by private developers LPC Living and converted into a block of one, two and three bedroom homes.
Now, they boast floor-to-ceiling windows in the living spaces, modern fitted kitchens, and light wood-effect floors. Some also come with balconies.
A penthouse apartment, sold for £135,000 in 2008, even has a wrap-around outdoor terrace.
The circular tiles within Grisedale’s entrance have been covered or removed.
Tower Block – 1987
Tunstall Court and Skelton Court have been demolished.
Let’s take a look back at the building of Victoria Avenue East – seen here in 1922.
The demands of an expanding industrial base and population created the need for new roads and housing.
There was subsequent development of inter-war semi-detached homes.
The urgent post-war need for temporary accommodation – was met by prefabricated structures.
Manchester City Council agreed to use the Phoenix model for their prefab estates.
A total of 43,206 Phoenix prefabs were built across the country, each one designed by the John Laing Group.
The Phoenix, designed by Laing and built by themselves as well as partners McAlpine and Henry Boot, looked much like an AIROH with a central front door. It was a two-bedroom in-situ preform design with steel frame, asbestos clad walls and an innovative roof of tubular steel poles with steel panels attached. Like all designs, it came pre-painted in magnolia, with green highlights on frames and skirting.
Phoenix prefabs cost £1,200 each constructed onsite, while the specially insulated version designed for use on the Isle of Lewis in the Hebrides cost £2,000.
The prefabs were eventually demolished and along came the tower blocks – Architect J Austen Bent, whose work we have seen on the Wythenshawe Walk
In the distance Chadderton Power Station – demolished in 1986.
Photographs – Local Image Collection
Here are the blocks prior to and during the current renovation programme.
Kentmere
Cartmel
Somerton
Rusland
Here are the group as of February 2023.
I was thrilled to find that each of the blocks had variants within the typology of handmade tiles.
Kentmere
Somerton
Cartmel
Rusland
There seems to be no record of attribution for these tiles – happily they are still extant.
Go and take a look.
Prifysgol Aberystwyth University – Penglais Campus SY23 3AH
Led by London Welshman Hugh Owen, a small group of patriots sought from the 1850s onwards to raise enough money by public and private subscription to establish a college of university status in Wales. A project of enormous ambition, the University opened its doors in 1872 initially with a handful of teachers and just twenty five students in what was then a half-finished hotel building – the Old College on the seafront.
The first decade presented many challenges for the University’s survival. The generosity of a few individual benefactors and organised appeals for support from the ordinary people of Wales kept the University in being, and, perhaps more importantly, deeply rooted it in the minds and the affection of the Welsh people. A matter of considerable pride is that the University has made a significant contribution to the education of women, being one of the first institutions to admit female students.
Since those early days, Aberystwyth University has gone from strength to strength and now has more than 6,000 students and 2,000 staff. As the institution grew, its main campus moved from Old College on the seafront to Penglais Hill. This finely landscaped site enjoys spectacular views over the historic market town of Aberystwyth and the Cardigan Bay coastline. New buildings, including major arts and science developments, halls of residence, a magnificent Arts Centre and sports facilities are located here.
1947 and the site is developing behind the National Library of Wales.
In 2023 we closely encounter – the Visualisation Centre Mathematics and Physics Department
Opened in 2007 – designed by Boyes Rees Architects.
Sadly a Welsh architecture practice which has ceased trading under the burden of late payments, leading to the loss of forty jobs.
Its near neighbour is the Cledwyn Building – Architect: Sir Percy Thomas 1883-1969.
It has recently been Grade II listed.
In 1935 Percy Thomas prepared a plan for the layout of a new campus, and was appointed as architect for the first three buildings to be constructed – Cledwyn, Pantycelyn and the swimming bath. This marked the beginning of the move away from the college by the sea to the college on the hill.
Built in a simple Georgian modern style, faced with Forest of Dean stonework, the building’s main entrance features a broad architrave adorned with low reliefs of agricultural scenes, and there are decorative circular stonework emblems in between the windows of the upper floor.
The carved stone work is by David Evans.
A Manchester-born sculptor who attended the Manchester School of Art, and won a scholarship to the Royal College of Art. After active service in the World War I, he resumed his studies at the Royal Academy, where he was instructed by Francis Derwent Wood. In 1922, he won the Landseer Prize and later went to work in the British School at Rome. He had been exhibiting at the Royal Academy since 1921. His works from the 1920’s are mainly highly stylised religious and mythological themes.
During his stay in the United States, he executed some significant work for public buildings in New York. The locations there included Rockefeller Center, Radio City, Brooklyn Post Office, a bank on Wall Street, St Thomas’s Church on Fifth Avenue.
Here are the four decorative panels placed higher on the building.
Next to the Llandinam Building
Seen here under construction in 1963
On completion in deep winter.
Tucked away at the back is this decorative concrete relief lacking attribution but gaining an ashtray.
Backtracking now to the Physical Sciences Building completed in 1962 and opened in 1963 – Sir Percy Thomas Partnership
August 1st 1962: Arthur Chater
Immortalised in this elegant educational stamp set – designed by Mr Nicholas Jenkins of the Royal College of Art
To the right of the entrance this striking mosaic – action is ossified in the manner of a semi-permanent Pollock.
Aberystwyth Arts Centre is one of a number of campus buildings designed by Dale Owen of Percy Thomas Partnership, and completed in 1970-1972.
Built to a strongly horizontal design using grey granite aggregrate, the facade is essentially an overhanging rectangle framing of glass with an off-centre overhang. The position of the building providing unobstructed panoramic views over the main piazza style concourse and the sea beyond.
Ribapix: Stewart Bale 1970
Let’s take a look inside the Arts Centre – to the right an exceptional collection of ceramics.
At its inception the reception area – an exemplary example of integrated interior design and architecture.
Ribapix: John Maltby 1970
David Tinker’s striking cast aluminium relief.
David began lecturing at Cardiff College of Art, later teaching and holding administrative posts at University College of Wales in Aberystwyth, retiring in 1988 as director of the department of visual art.
David Tinker was prominent in so many aspects of the visual arts in Wales throughout the second half of the 20th Century as a painter, sculptor, teacher, and stage designer.
Tinker is perhaps best known as one of three originators of the 56 Group with Eric Malthouse and Michael Edmonds, the new generation of young artists in Wales who were interested in modernism and keen to ally themselves to the international art world.
The 56 Group had no manifesto and for the most part they acted as an exhibiting co-operative; not all were abstract painters and their work was stylistically very different from one another, but all shared radical ideals. Their orderly revolt against the establishment was unique in the history of art in Wales.
They championed abstraction and allied themselves to European and American modernism, at a time when painters in Wales were being commended for recording the urban, rural and industrial face of Wales and its inhabitants.
As might be expected, the art establishment more readily accepted 56 Group avant garde works, and those artists who had been achieving some success as painters of the contemporary scene suddenly found themselves side-stepped, and labelled parochial.
The period 1966-1974 saw in his paintings a move toward hard-edged abstraction in which Tinker employed geometry-based structures, simple arithmetical problems, colour mixed from a restricted palette, and gentle tonal gradation.
Deepdale Court Northwold Drive Manchester M9 7HX
On the way betwixt somewhere and there I took time to come here.
A tower block on high ground on the edge of Blackley.
One of nine seventeen-storey blocks containing eight hundred and forty six dwellings.
Committee approval date: 1967
Building contractor: Direct Municipal Labour
The two blocks that were demolished were Tunstall Court and Skelton Court.
Freshfields as listed is the new name for Grisedale Court as was sold by council and now private flats.
There are 16 floors in each block, 15 on one side and 16 on the other side
This area is known as the Charlestown Towers.
1987 – Grisedale Court with circular tiles in the entrance.
Over time the balconies have been boxed in and more recently the glazing replaced.
I was particularly interested in the hand made tiles inside the entrance – very much in the style of William Mitchell.
Lathbury Road Harpurhey M9 5SY
Looks to me as though the pub was launched in the 1960’s along with the surrounding houses and shops.
In 1910 Lathbury Road looked like this.
In 1968 the area was part of the Manchester slum clearance programme.
Photo: Tommy Brooks
The real Ark Royal was built by Cammel Laird at Birkenhead, completed in November 1938.
Torpedoed and subsequently sunk on 10th November 1941.
The pub closed in 2007 – here it is in 1992.
Photo: Alan Winfield
Another great looking estate pub that was on the same estate as the Hipp which it was also fairly close to.
There was the usual two rooms inside, I had a drink in the bar room which was quite busy on my Friday afternoon visit, there was also a more comfortable lounge.
The pub was a Robinsons tied house, there were two real ales on, I had a drink of Robinsons Bitter which was a nice drink, there was also Robinsons Mild on.
Another pub that was was well pleased to do.
Never Ending Pub Crawl
Here its is in 2007.
Photo: Mikey
The pub currently trades as the Pathfinder Church.
We are committed to the growth and development of individual, our local and international communities. In the interim may I use this medium to invite you to be part of the move of God in our church, the Pathfinder.
The Lord bless your richly as you navigate through in Jesus name.
Modern Mooch 
