Pallot and Collins Murals – Bexhill on Sea

Could there be a more moderne town?

Bexhill on Sea, blessed with the delightful De La Warr Pavillion.

Plus the Pallot and Collins murals inset into the wall of their local branch of Sainsbury’s.

The third such public sculpture I have had the pleasure to visit following trips to Newcastle and the now defunct BHS in my hometown of Stockport.

Henry William Collins and Joyce Millicent Pallot have a very special place in my heart, their lives’ work together gracing the Festival of Britain, GPO Tower and Expo 70, along with other retail outlets in Southampton, Gloucester, and Colchester. A distinctive style of bas relief in impressed concrete, ceramic terrazzo and simple modern motifs, drawn from local history and imagery.

Take a look around.

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Great to see that the murals have been restored recently by Bexhill Heritage.

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Stopford House Again – Stockport

Do you come here often?

Well actually I do!

Here’s my account of my previous visits to Stopford House.

The large open public space that has almost everything except the public.

On the many occasions I have walked its concrete piazza, not once have I encountered another purposed soul – save the odd passing civic employee.

Unusually unchallenged by the diffident G4S or like as I snap away.

So come/go here, take a look – municipal concrete in the raw, softened by the controlled ingress of flowers and greenery.

Oh and not forgetting the recent addition of some curious coloured lines.

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Subway – Scarborough

When is a subway not a sandwich?

When it’s a doughnut!

Hard by the seafront linking Foreshore, Cleveland Way and Valley Road sits a neat little tight little island, giving pedestrian access to almost everywhere – and a car park.

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As with every other torus worth calling a torus, at its very centre sits the presence of absence, darkened concrete subterranean causeways, linking everything to nothing.

There’s a world going on underground.

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Paddling Pool – Whitby

High atop West Cliff Whitby is a pale blue imitation of the deep blue North Sea below.

A TG Green Cornishware blue and cream striped pot, reimagined on the distant Yorkshire coast, in paddling pool form.

Scarborough Borough Council has resurfaced the paddling pool, re-concreted and repainted the bottom and the sides. The railings adjacent to the footpaths at Whitby Pavilion have been repaired and re-painted and seating next to the crazy golf has also been improved.

 Martin Pedley, Scarborough Borough Council’s asset and risk manager said:
The council has, in conjunction with the voluntary sector, invested both time and money in continuing to revitalise the West Cliff area in preparation for the summer season and the influx of visitors to Whitby.
1033839943West Cliff councillor Joe Plant added:

The improvement works that have been done both last year and this year is most welcome. Not only the visitors will benefit, but local people also and it again shows working in partnership with the voluntary sector does make a difference.

The Big Society in action, replacing railings improving lives.

I arrived in late April the pool as yet sans d’eau, more of a pedalling pool than paddling pool as the BMX bandits invaded the space, in direct contravention of the rules and regulations.

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The water when present is some twelve inches deep, clearly better suited to larking, splashing and cavorting rather than performing The Twister, a  bewildering blur of twists and turns two and a half back-somersaults with two and a half twists during the 1.5 seconds between launching and entering the water at 40mph.

The pool is flanked to the north by a sweeping Lubetkin style, flat roofed pavilion complete with fully functioning toilet facilities.

Turn your back on the Abbey, go wild – take a wet walk on the West Cliff side.

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Salford Shopping City

The construction of the shopping centre and surrounding areas continued and on 21 May 1970 the new Salford Market officially opened. From 1971 onwards new shops inside the precinct itself began to open.

However, due to a lack of funds and a political scandal which saw chairman Albert Jones jailed for eight months construction of Salford Precinct was halted. The site had only 95 shop units compared to the proposed 260, the hotel and two storey car park were never built.

In 1991 the building was refurbished at a cost of £4 million, this included the installation of roofs across various walkways, making large swathes of the centre undercover. The shopping centre which at the time was known as Salford Precinct was renamed Salford Shopping City.

On 9 August 1994 the Manchester Evening News reported that Salford City Council was planning on selling off Salford Shopping City to raise money for local housing repairs, these plans split the ruling Labour Party council, one councillor telling the press that it would be like selling off the family silver.

In 2000 Salford Shopping City was eventually sold to a private company for £10 million in an effort to cut the council’s deficit. It was then later sold in March 2010 to Praxis Holdings for £40 million, the company stated that it wanted to invest in the precinct and link it to the new food superstore.

This is a tale of our times – 60s and 70s redevelopment designed and built in the rampant spirit of free enterprise and uber-buoyant consumerism, falling foul of an economic downturn, subsequent unemployment and shrinking retail spending. Property is ping-ponged between local authority and speculative developers.

Following the riots of 2011 pledges were made regarding the future of the site, plans are still afoot, as yet to be rendered corporeal. Although the area has benefitted from an influx of students and a refurbishment of housing stock, there is pressure on the prosperity of the precinct from thriving retail developments in nearby Manchester and the Trafford Centre.

The architectural core of the site has been retained, including the 23 storey Briar Court residential tower, though diluted by more recent additions, misguided post modern detailing that threatens the integrity of full many a post war development.

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Minut Men Totems – Salford

The three concrete totem sculptures of 1966 by William Mitchell, which stand in the courtyard of the Allerton Building, University of Salford, are recommended for designation at Grade II for the following principal reasons: * Historic Interest: as a good representative example of the commissioning of public artwork as an integral element of the design of new higher education colleges and universities in the post-war period, here succeeding in imbuing a distinct identity and image on an otherwise relatively plain complex.

So it seemed appropriate to cycle to Salford early one sunny Saturday morning, in an otherwise relatively plain manner in order to see the three totems.

William Mitchell was a leading public artist in the post-war period who designed many pieces of art in the public realm, working to a high artistic quality in various materials but most notably concrete, a material in which he was highly skilled, using innovative and unusual casting techniques, as seen in this sculptural group. He has a number of listed pieces to his name, both individual designs and components of larger architectural commissions by leading architects of the day.

Historic England says so, they loved them so much they listed them Grade II.

I loved them so much I listed them lovely, especially in lowish spring light, set against a clear blue sky and framed by the surrounding academic buildings.

Further info here on Skyliner

Go take a look.

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Seven Sisters – Return to Rochdale

I’ve passed this way before, they’re hard to miss, seven substantial tower blocks towering over the town on College Bank.

But what goes up, may come down.

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Construction in 1963

Demolition in 2017 is one suggestion – following years of poor maintenance, problems of heating and ingress, plus a whole host of other reasons outlined here.

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The housing trust in consultation with residents, have produced a tentative plan.

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This may or may not include the demolition of one or more blocks. On the day of my visit, the tenants I spoke with understood that the blocks faced an uncertain future, and were rightly concerned by the rumours and conjecture. The majority would prefer to stay put, having lived there for several years, raising families and building  homes.

Whatever the outcome I hope that the wishes of the residents are not overwhelmed by political expedience, or the will of the developer.

Take a look for yourself.

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Lower Falinge – Rochdale

Walking between College Bank flats and St Patrick’s church you and I will almost inevitably pass through Lower Falinge.

In April 1967 Rochdale Council’s Estates Committee considered a proposal to build 750 dwellings in four-storey deck access flats in the Falinge area. By November the £1,810,000 scheme for the area bounded by Spotland Road, Hudson Street and Toad Lane was given the thumbs up.

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The four-storey development was to provide 527 dwellings with deck access, ramps and overheard walkways. It was planned so people could walk from any point in the area to another without having to return to ground level. Work began in early 1968 and was completed in three stages. More recently they have been up-graded and now have pitched roofs. Freehold Flats were built in the early 1970s. Eleven of the eventual 19 blocks were occupied by August 1971. 

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Built at a time when full employment was a tangible reality rather than a fondly recounted folk memory, the area was buoyant and relatively prosperous.

Time, the free market, and casualised labour has not been kind to Lower Falinge and many other post-industrial estates. The Thatcherite press conveniently badges the residents as scum, scroungers and frauds, a carefully conceived sleight of hand, transferring responsibility onto those careless enough to become the victims of an uncaring economic system.

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Demonising and dividing working people regardless of ethnicity, ability, sexuality or ability – the equal opportunities abuser.

A few years ago there was even a national news story about a Falinge café serving fry-ups with a can of Stella for £2.50, this was untrue.

So Lower Falinge and its like become the convenient exemplar for the inconvenience of Broken Britain, a PR device to whitewash the very dirty hands that authored its very dirty demise. Those very dirty hands that have no viable solution to a very real problem, of resolving poor peoples’ uncertain futures.

Meanwhile the journalists form a disorderly queue to file the next in line, online assessment of an awful situation devoid of resolution, short of revolution.

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Transferred from local authority control to charitable trust, forever shape shifting its hard lines to a softer, home made, fluffier image as limited resources, chase limited opportunities, all around the deck access landings.

Life goes on, we live in hope or Lower Falinge.

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The estate is now post-post modern, acquiring another veneer of refurbishment over the now tarnished green of the cover all, all purpose un-repurposed steel railings.

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Balfron Tower London

The Balfron Tower Conservation Area was designated in October 1998 around the two residential blocks designed by Ernö Goldfinger for the London County Council in the 1960s. The Conservation Area boundary protects the listed Balfron Tower and Carradale House, and other buildings in the ‘Brownfield Estate’, including Glenkerry House, a community centre, shops and associated low-rise housing development.

The 27-storey Balfron Tower is Goldfinger’s first public housing project, and a precursor to his better known Trellick Tower in North Kensington. The neighbouring Carradale House and Glenkerry House sit within the landscaped areas developed at the same time. The Brownfield Estate, also known as the East India Estate, is now recognised as a fine example of planned 1960s social housing. Considered to be exemplary examples of the post-war housing schemes, Balfron Tower and Carradale House were listed in 1998 for their cultural & architectural merit.

This was my first visit, to a key building in the short history of modernist post war housing, currently something of a sleeping giant, awaiting Prince Charming’s kiss.

What will it awake to?

Tower Hamlets are mid consultation, as evidenced in this here document.

On an overcast and ever darkening afternoon, the rain cutting in on a chill wind, set against a slate grey sky, its surfaces and volumes were ever so slightly forlorn.

There is much to be done by way of regeneration, with the attendant issues of heritage, funding, gentrification and inevitably who lives where and why?

Everything you may care to almost know is here.

I walked around the area and took these pictures.

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Concord Suite – Droylsden

There is little or no reference to this fine building on the whole world wide web – the wise people of Wikipedia tell us –

The Concord Suite was built in the early 1970’s to house Droylsden Council. The word Concord comes from the town’s motto Concordia, meaning harmony.

Today’s visit reveals the hard facts!

Architects: Bernard Engle & Partners – who are also responsible for Merseyway in Stockport.

I’ve passed by for almost all of its life, marvelling at its white modular space age panels. The wide paved piazza frontage affords the lucky viewer a full appreciation of its futuristic whole, a giddy mix of brick, glass and concrete optimism. Civic architecture has never seemed so sunny.

The interior lighting is straight out of 2001, white organic and fully functioning – the upstairs function room is available for functions at the junction of Market Street and Ashton New Road.

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I saw The Fall there for the first time in 1978, suitably shambolic and suitably feisty.

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Renamed the Droylsden Centre on one side, it houses the regulation issue of charity shops and empty units. The main building is home to the Greater Manchester Pension Fund, soon to relocate to a new build across the road. The Concord will then provide a home for the workers leaving the now demolished Tameside Council Offices in Ashton.

The tram stops here.

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The Mancunian Way

The burnt out carcasses of cars are now hastily improvised cloches, following the annual cataclysmic courgette shortage.

Almost everything is made of Graphene, and a robot has taken your job.

The lucky ones are comfortably ensconced in custom built eco-pods, watching implanted Tarkovsky flicks around the clock and eating tasteless gloop.

Or Ultra-HD projections from the past.

Turn on.

Tune in.

Drop off.

Walk the Mancunian way – history buffs and tech heads can take a look here.

Photographs from the Manchester Image Archive

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Rochdale – Seven Sisters Flats

Arriving in Rochdale in search of something else entirely, it was impossible to ignore seven prominent, as yet unclad tower blocks, high upon a hill. I was informed by a local resident that they were known locally as the Seven Sisters, though variously identified as Falinge B, College Bank, and Holland Street flats.

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The area was formerly home to Victorian workers’ dwellings, known as The Paddock – the post-war policy of slum clearance saw them swept away, in readiness for municipal modernity.

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Photographs Rochdale Image Archives

Hey presto 1963 and there appears four 21 storey blocks containing 476 dwellings; three 17 storey blocks containing 286 dwellings.

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Photograph Mancunian 101

Building contractors were Wimpey and the flats were designed by Rochdale’s Borough Surveyor, Mr W H G Mercer and Mr D. Broadbent along with Mr E V Collins, chief architect to contractors George Wimpey and Company.

Many thanks to the Tower Block project for the facts.

On Friday October 1 1965 the Minister of Housing and Local Government, Richard Crossman, officially opened the first of the College Bank flats – Underwood.

So go take a look ride the rail or tram, get on your bike, walk a while and abide, take a frenzied dance around with the Seven Sisters.

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Wigan – Civic Centre

Some time ago, over a year ago or so I went to Wigan.

I found a pub,  a launderette, several interesting groups of housing and –

A large concrete Civic Centre, built in the early 1970s under the auspices of the Mayor JT Farrimond, the foundation stone laid by Alderman Ernest Ball on 22nd April 1970 – a man who seems to have collected letters after his name just for fun.

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A tight grid structure is broken up with chamfered  window fames and a mix of concrete finishes, surfaces and textures, slipping neatly into the inclined topography.

A rather distinguished cantilevered canopy or two sit centrally over the entrance porch.

The building no longer offers public access, services having been transferred to the nearby Life Centre.

The Manchester Modernists have highlighted the centre in its new Top Ten Twentieth Century Buildings project.

Why not bob along, see what you think and remember – vote, vote, vote!

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Coventry – Upper Precinct

Here we are again wandering the pedestrianised precincts of Coventry  – having previously travelled by picture postcard and archival image.

Back to the future.

Today much of the original footprint and well-built brick, stone, glass and concrete structure prevails, with more recent retro fitted additions.

The Gordon Cullen mural has been renovated and re-sited.

Commissioned in 1957 on the recommendation of Arthur Ling – it was made by Carter’s Tiles of Poole.

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Sadly only one of the neon sculptures, remains illuminated – they may have been listed by Historic England, they have certainly given them a coat of looking at. I myself was approached whilst working away by a crack squad of precinct management, questioning my methods and motives. I reassured them I was a serious student of post-war architecture and they allowed happily to go about my business – assuring me that I was following in the footsteps of HE.

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The elevated café, pierced screenwork, mosaics on the former Locarno, now Library and town clock are still every much in situ, Lady Godiva dutifully appearing on the hour, every hour with an ever attendant Peeping Tom for company.

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The area is well-used bustling busy, with a smattering of empty units which are sadly typical of most provincial town competing for custom and prosperity on the high street.

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Coventry – Precinct

Coventry city centre is a city centre, comprised of several interlocking post- war facets, realised over a thirty year period. This later addition The Bull Yard, the work of Arthur Ling and Terence Gregory, city architects and planning officers 1963-69.

It incorporates pedestrian walkways, retail, civic and car parking facilities with a crowded unease and grace. Much of the original detail survives, though not unusually, some more recent additions detract from the integrity of the scheme.

The site is graced by two major works by William Mitchell – the concrete facade and interior of the former Three Tuns public house.

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And the sculpted panels on Hertford Street.

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So we are left with a series of spaces that now seem slightly adrift, particularly the City Arcade, as both the earlier and more recent developments in the city compete for clients and customers.

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To explore is to discover a work continually in progress, or regression, as the forces of heritage, commercial development, and civic planning pull each other this way and that.

There is an initiative for redevelopment for the area yet to find a satisfactory resolution.

Take a look.

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Up on high we find Sir Guy and the Dun Cow by Alma Ramsey 1952.

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Coventry Point architects: John Madin Design Group 1969/75

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The Peeping Tom head and shoulders sculpture is currently located in Hertford Street, mounted high up over the entrance to the covered walkway. It was originally a public house sign. It is not known who made it. It was displayed sitting in the top corner window of the Peeping Tom Public house which was on the corner of Hertford Street and Bull Yard, not far from where it is now. It was moved when the road was being redeveloped in the late 1960’s and early 70’s.

Coventry Society

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Coventry – Indoor Market

A market hall built in 1957 to designs by Douglas Beaton, Ralph Iredale and Ian Crawford of Coventry City Architect’s Department.

 Various designs were considered, but eventually a circular design was chosen to encourage circulation and to offer a number of entrances. It was given a flat roof in order to create a car park (with a heated ramp to prevent icing, now no longer there), and was to become the central focus for a complex scheme of linked roof car parks in Coventry.

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 The market consists of a series of concrete arches joined by a ring beam, all left exposed, with brick infilling and a concrete roof, laid out as a car park, with a central circular roof light. It has a circular plan, just over 84m in diameter and 4 ½ m high, is laid out with 160 island stalls, arranged in groups of two or four units in concentric rings, with 40 `shop stalls’ set into the perimeter wall.

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Inside, the circular space is characterised by the tall V-shaped concrete `columns’ that hold the roof. Some of the original shop and stall signs have survived. Natural light enters via the clerestory windows along the top perimeter of the building and through the clerestory lighting and oculi in the central dome. The space under this dome, designed as an area for shoppers to rest, is lined with seats and has a terrazzo mosaic floor designed by David Embling, with a central sun motif, a gift from the Coventry Branch of the Association of Building Technicians.

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Above the current market office is an impressive painted mural by art students from Dresden commissioned especially for the market in the 1950s in a Socialist Realist manner, depicting farming and industrial scenes. 

Thanks to Historic England

I visited the market on a busy bustling day and was made to feel more than welcome, a wide range of heavily laden stalls was trading briskly. The Market Office kindly gave me a copy of the book Coventry Market in a Roundabout Way.

It’s a splendid structure, now listed, that functions six days a week.

Get down take a look around.

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Coventry – The Precinct

Prior to the 1930s Coventry was a shining example of a well-preserved medieval city, but the damage it sustained during the war meant it had to be extensively rebuilt. Donald Gibson was appointed Coventry’s first City Architect and Planning Officer in 1938 at the tender age of 29. His plan involved completely rethinking the city centre in a radical design.

Local people took some convincing, but Gibson’s ideas were greatly admired by the architectural community. His plan wasn’t entirely realised, however, partly due to a lack of funding. This avoided the complete extinction of Coventry’s remaining medieval features, but it also meant some of his best designs were compromised. By the 1960s, Coventry was a model of modern, brutalist architecture – quite removed from its pre-war image.

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Central to those plans was a pedestrianised shopping precinct, new, expansive carefree and mercifully car-free.

Split levels deck access, the pride of Modern Britain.

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The future must be built, so it was.

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Whilst researching the visual history of the precinct, it became clear that it was one of the most celebrated modern architectural subjects for the post-war postcard market.

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They are a pure delight, the celebration of all that was new and good.

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The Locarno at the centre of the image was to later become the Central Library.

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Central to the new development was a rotunda café, pie in the sky.

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So a precinct well used, and loved, designed and realised with an integrity, a clean modern aesthetic and lively functionality – Coventry Precincts and the gentle folk of Godiva’s fair city – I salute you!

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BHS Murals – Stockport

At the side of the BHS store in Merseyway are five concrete panels depicting local people, events and symbols. Commissioned by BHS in 1978 – To fill space on the blank wall at the side of the shop.

They are the work of Joyce Pallot 1912-2004 and Henry Collins, 1910-1994 – two artist/designers, who along with John Nash, established the Colchester Art Society, during the 1930s.

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Their work was featured in the Festival of Britain, GPO Tower and Expo 70, along with other retail outlets in Southampton, Newcastle, Gloucester, Bexhill and Colchester.

Festival of Britain – their mural is to the left of the pavilion

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Colchester

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Gloucester

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Southampton

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Bexhill on Sea

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The Murals, BHS Stockport and Merseyway have an uncertain future, SHMBC applied for listing, this was refused. On the other sites illustrated, restoration and preservation has been undertaken.

I do hope that these works of national and international importance are not placed under threat. We have already lost too much post-war public art – we all deserve better.

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William Mitchell – Liverpool

To wander the streets with a broad smile, open heart and eyes, is to enter into an unwritten contract with the unexpected and inexplicable.

Chance encounters with old, new or familiar friends.

Imagine my surprise, when for the first time ever I unexpectedly came upon these William Mitchell reliefs on Hope Street, whilst walking aimlessly away from Lime Street.

That sense of surprise has never diminished, my spirits lift and my smile broadens to a cheeky grin, my pace quickens in ever so eager anticipation as I approach.

Wrapped tightly around the low, low waist of the former Federation House – big, bossy and very, very beautiful – though at times obscured by more recent architectural intrusions.

Public Sculpture of Liverpool – Terry Cavanagh 1997

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The original raw concrete is now awash with washes of off-magnolia exterior emulsion.

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Hughes and Willet were seemingly less amazed or amused, the opinion of the Aztecs, or for that matter the Neo-Aztecs, is sadly not a matter of record.

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I remain impressed by the impressed concrete relief, a convincing addition to a sharp functional modern office block, all of which have not dated disastrously as soon as the fashion supporting it has collapsed.

Treat yourself take a walk, surprise yourself once in a while.

Aztec bars were withdrawn shortly after their launch in 1967.

The Aztec race was all but wiped out following their disastrous encounter in 1519 with the Conquistadors.

The William Mitchell reliefs prevail to this this day, as of last Sunday.

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Kirklees College – Huddersfield

Kirklees College started life as Huddersfield Infirmary in 1831 up until 1967 when the Ramsden Technical College moved in, they paid £105,000 for the site. 

In September 1968 the first students began lectures and the first new building on the site opened in 1969. The main new block was built in 1971 – the year the college became Huddersfield Technical College. In 2008 Huddersfield Technical College merged with Dewsbury College to form Kirklees College and relocated in 2013.

The campus incorporates 10 buildings over a 6.1 Acre site ranging from the old hospital complex to modern blocks of classrooms. 

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Some of the buildings have been used for the filming of the dramas Black Work, Remember Me where they changed some areas to be a care home, a hospital and a police station and the film Extremis. 

The site is owned by Wiggett Construction Group, who have now confirmed they want to demolish the 1970s college buildings to make way for a Lidl supermarket.

Thanks to Derelict Places – they went inside, I didn’t, I don’t do that sort of thing.

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I walked the lengthy perimeter, bobbing in and out of nooks and crannies in search of nothing in particular. Chatted to a Kirklees employee who had worked at the site, he regretted its closure and passing.

“This building had character, it was great to work here – now it’s going to be a supermarket.”

A curious amalgam of municipal classicism and hard edged 70s modernity, presided over by a sombre, care worn and  patinated Edward VII.

“Worth a few bob, a bugger to shift.”

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