Greg Street Reddish – Industry

Manchester Guardian Printing Works owned by Taylor Garnett & Evans & Co. Ltd- a view of factory dated 1902.

Lithographic Printing Dept 1902. 

CWS Printing Works – formerly the Guardian Print Works showing a view from the road dated 1972.

CWS Printing Works showing a rear view with canal in the foreground.

The Stockport Branch Canal was a five mile branch of the Ashton Canal from Clayton to Stockport.

An important cargo was the supply of grain to William Nelstrop & Company’s Albion Corn Mill at Stockport Basin.

In its early days there was passenger carrying on the Ashton Canal and one of the routes was between Manchester and Stockport.

Commercial carrying ceased in the 1930s but it lingered on into the 1950s’ as a barely navigable waterway. At one stage in the 1950s it was dredged but this improvement did not attract any traffic. Stockport Basin was the first section to be filled in but it was not until 1962 that the canal was officially abandoned by the British Transport Commission, who had been responsible for it since 1948.

It took many years to fill in and this was a disagreeable procedure for people living along its length.

Wikipedia

Archive Photographs – Stockport Image Archive.

From a very lavish production, printed of course by the CWS’s own Printing Works at Reddish, is a description of the new flagship department store for the Crawley Co-operative Society that was opened in 1959. The elevations and facade are very much of their day, quite ‘Festival of Britain in style, and the store was a prominent feature of the planned New Town’s centre. 

Mike Ashworth

Printed in Reddish.

The wide variety of printed material which the CWS required, created a need that could not be met locally by a single source, another large print works was required in Longsight.

Craven Brothers Works 2008

1900 – Further growth prompted the construction of the Vauxhall Works at Reddish, near Stockport. The company kept the works at Osborne Street, Rochdale Road, with about 500 employees, open until 1920. The 1915 O.S. map shows Vauxhall Engineering Works with its south-east corner on Osborne Street, Collyhurst, and bounded on the north by streets of terraced houses and to the south by the L&YR Manchester-Normanton line. 

The Developement of Reddish – quite a number of Manchester firms are prospecting the neighbourhood of Reddish, writes a correspondent, while Messrs. Heywood are about to erect electrical engineering works in Sandfold-lane, and Messrs. Rowley and Co, boiler-makers, are fitting works in the neighbourhood. Messrs. Craven Brothers, engineers, of Salford, have purchased 14-acres of land near the Reddish Station, on the estate of Mr. H. P. Greg, on which they intend to erect large engineering works.

The first sod was cut on Thursday afternoon by Mr. William Craven, in the presence of his brother directors in 1900.

Closed in 1970

Graces Guide

ARC began in 1995 at Greek Street, Stockport under the name of MAPS and moved to the Vauxhall Industrial Estate Craven Works building in early 1997. Arts for Recovery in the Community or ‘Arc’ was then launched in 2005. The Arc Centre in its current form, including gallery servung refreshments and public programme has been running since 2016.

Of course, we are sad to say goodbye to the old Craven Brothers factory and the Reddish community as our base. We are so grateful to the local residents and businesses who have supported us for so long. Please, don’t be strangers! We made the building our own over the years and take with us many, many great memories. 

Looking to the future at Wellington Mill, we will have exclusive use of several rooms on the floor accessed via the A6 and Hat Works Museum shop. This will include a large art studio, ceramics studio, offices and storage spaces. We will also share the large cafe, events and retail space with the Hat Works museums team and work together to build a bigger audience for both organisations and hopefully a Stockport town centre creative arts hub.

ARC

Demolished 2020.

And lo, it came to pass, from the onset of the Industrial Revolution to today, a whole world of work is dismantled. A transport infrastructure is literally filled in, and the former homes of industry demolished.

The CWS is no longer the global behemoth it once was, and print technology has changed beyond recognition.

With it goes a whole series of social relationships and identities bound up in shared occupations.

Our excavations at Vauxhall Industrial Estate, undertaken in advance of the redevelopment of the site by RECOM Solutions and  Vauxhall Industrial Estate Ltd, revealed a number of features associated with the Craven Brothers’ Works. Two excavation areas were opened, targeted on features shown on historic mapping but no longer surviving: Area 1 in the north, targeting a small chimney and outbuildings adjacent to the machine shops; and Area 2 in the south targeting a chimney and part of the footprint of Building 3. In Area 1, the archaeological remains had been heavily truncated by the installation of chemical vats in the late 20th century after Craven Brothers closed; however, the foundations of the targeted outbuildings and the chimney were uncovered, as well as the remains of a railway track running alongside the machine shops, represented by in situ sleepers.

Archeological Research Services

What do he have now?

Vauxhall Trading Estate, formerly Vauxhall Industrial Estate, was a collection of dilapidated old industrial buildings, which have been demolished and new modern industrial units provided. RECOM provided project management services to demolish all previous buildings and prepare the site for the main contractor, achieve planning consent, enter a BAPA with Network Rail, tender and appoint the successful main contractor and then provide the Employer’s Agent service throughout the construction phase.

We worked with the design team to produce project specific Employer’s Requirements, ensuring that the client’s brief to provide high quality industrial units was delivered. We ensured the client’s interests were maintained throughout the project, making
objective decisions that aligned with the client’s goals. In order to de-risk the project prior to entering into the main contract, we advised the client on what site investigations, enabling works and surveys needed to be undertaken. As the Employer’s Agent,
we ensured that the conditions of the contract were adhered to, managing claims from the contractor,ensuring that the client’s position was protected.

Project Cost £16.1m

Recom Solutions

Partners C4 Projects Architects, SATPLAN Planning Consultant, Sixteen/DTRE Letting Agents.

Demolition works and embodied carbon created through construction works, is being offset against the sustainable energy created post occupation including: mix of air-source heat pumps and gas-fired radiant tube heating for heating and cooling, and photovoltaic solar panels installed on rooftops to generate green electricity for occupiers.

Hargreaves Contracting

Night on Earth – Stockport

I have always admired feature films shot at night – particularly Jules Dassin’s Night and the City

Along with Jim Jarmusch’s Night On Earth – so I stole the title and graphics for my photographs.

They were all taken within walking distance of my home in Norris Bank in September 2014.

Subsequently shown at Room at the Top in Stockport at the behest of John Cox.

I set out as the sun began to set, equipped with a tripod and a Nikon D70.

The town was largely unpopulated – save for this lone figure sat sitting on a bench outside Greggs.

Gregg’s has subsequently doubled in size, consuming Baps, Gabbotts Farm has become Sterling Foods.

Along with these two lads sat on the Plaza Steps.

And finally, this ghostly figure – who stood before me during the long exposure required, enquiring about what I was up to.

A chance encounter beneath the Asda car park ramp.

Once I had satiated her nascent curiosity, I continued unabashed with my nocturnal snapping.

This is where I went and that which I snapped.

Stockport Viaduct is still extant, Heaton Lane Car Park is no longer.

The car park at Stopford House.

One of the ninety eight bus shelters on the 192 route.

Merseyway Shopping Centre

Beneath Heron House.

My local The Magnet – I am proud to say that a copy of this photo hangs in the pub’s Vault.

My vast favourite concrete footbridge.

Covent Garden Flats are no more, social housing replaced by owner occupiers.

The Bus Station has since become a Transport Interchange.

And finally, as local lad Mike Yarwood was wont to say – This is me.

Impersonating myself in the manner of Flann O’Brien’s literary creation De Selby

Water Tower – York

Exploring the University of York campus the first point of interest which we encountered was the Water Tower.

Siward’s Howe, sometimes written Siwards How and also known as Heslington Hill or Bunny Hill is a terminal moraine located to the south-east of the city of York.

The howe is situated north west of the Morrell Library building of the University of York. The southern side of the howe is part of Alcuin College of the University of York.

Its imposing water tower is visible from many parts of the nearby suburbs of Tang Hall and Osbaldwick.

Siward’s Howe is named for Siward, Earl of Northumbria, the 11th century Danish warrior.

Siward died at York during 1055 and is rumoured to have been buried beneath the tumuli at the wooded summit.

Wikipedia

The Death of Earl Siward 1861 by James Smetham

Built in 1955 the water tower contained one million gallons of water – the largest in England at the time.

It’s still operational, and provides water to Dunnington and Elvington.

The shape of the tank and supporting structure on plan takes the form of a large central square portion, each corner of which is eclipsed by an octagonal tower seven faces of which are revealed.

The central tank is fifteen feet deep and is eighty three feet and six inches square.

Structural Engineer.

Wikipedia

The University Chemistry Department water tower was constructed in 1965 and demolished in 2002 due to deterioration in its concrete construction.

Cconstruction in March 1965. Photo: © Borthwick Institute for Archives

The Tower comprised of an inverted twenty one metre diameter conical tank which was made up of thirty two pre cast concrete petals each weighing eight and a half tonnes. The Overall Height of the Tower was approximately twenty eight metres, the central core stem being two point three metres diameter .

Photo Steve Collins 2011

Photo RIBA pix

The landmark, built in 1965 to hold fifty thousand gallons of water for the chemistry department, is crumbling away due to carbonation and has been covered in a protective net to stop pieces hitting passers-by.

Bill Burns, building maintenance surveyor for the university, said many concrete structures of the 1960s and 1970s were suffering the same fate as the speed of building often meant salt got into the aggregate used in the concrete mix.

York Press

There was a degree of uncertainty surrounding the demolition of the pre-cast structure of the Tower as it had been subject to deterioration since erection. At Tender stage, the thirty two petals forming the bowl of the water tank were described as each individually being restrained by wire ropes to the central core. Upon opening up the works, it was found that the stated thirty two restraining Ropes had only been used during the construction of the bowl and had been removed, therefore the petals of the tank were gaining support from the ring beams.

Connell Brothers

Kingston Bridge – Glasgow

The bridge on the River Clyde – and access to the city’s motorway system.

The Kingston Bridge is a balanced cantilever dual-span ten lane road bridge made of triple-cell segmented prestressed concrete box girders crossing the River Clyde.

Carrying the M8 motorway through the city centre, the Kingston Bridge is one of the busiest bridges in Europe, carrying around 150,000 vehicles every day.

The bridge was first proposed in 1945 as part of the Glasgow Inner Ring Road scheme. After feasibility studies were carried out, William Fairhurst was appointed consulting engineer for the design of the bridge and its approaches and on 15 May 1967 construction began; this was a joint venture between Duncan Logan Construction Ltd and Marples Ridgway.

The eventual cost was £2.4m excluding the approach viaducts or around £11m in total.

On 26 June 1970 Kingston Bridge was opened by Queen Elizabeth the Queen Mother.

Wikipedia

I was lodging nearby and spent an hour one morning in March 2023 taking a look around.

The Kingston Bridge was listed in 2020 by Historic Environment Scotland.

Co-operative House was the former headquarters of the Scottish Co-operative Wholesale Society and today is a mixed residential and commercial development.

There is a dubious urban myth that the fourth man in the Williamwood bank robbery, Archie McGeachy, is buried in the pillars of the bridge.

It features in the music video for the Simple Minds single – Speed Your Love to Me.

Heaton Lane Car Park Stockport – 2025

Having visited when you were extant – it’s only right that I should mark your passing.

You once were my local multi-storey car park, in so far as a pedestrian can have a local multi-storey car park, within which to wander.

2021

The site was no stranger to demolition having once been home to the Tram latterly Bus Depot.

1960

24th March 1978

9th May 1978

Photos: H LeesStockport Image Archive

Heaton Lane car park is closed while demolition works take place.

Plans to demolish the car park were submitted by Stockport Council in September this year.

The plans propose removing the multi-storey car park down to ‘slab level’

The work itself will be carried out by removing floor slabs one by one from the parking bays, from the ground upwards. Contractor PP O’Connor has said it will take noise and dust into consideration when completing the works.

Dust suppression systems will be in place to minimise pollution.

Noise levels are not considered likely to be a nuisance, however the site manager will be able to review the demolition process if it’s deemed too high.

Stockport Nub News

DMW Drone Photography

There car park is almost at the heart – on the edge of plans to regenerate the town centre.

The Strategic Regeneration Framework for Stockport Town Centre West set out how up to 4,000 new homes and 1m sq. ft of new employment floorspace and 5,300 new jobs could be delivered across Town Centre West by 2035.

In order to assess the overall economic benefit of an expanded Mayoral development area Stockport Council have developed an SRF for Stockport Town Centre East. This SRF sets out an illustrative masterplan to guide the creation of Stockport’s new neighbourhoods and achieve comprehensive urban regeneration by 2040. Together the SRFs for Town Centre West and Town Centre East will guide the development of a total of 8,000 new homes alongside services and amenities. The development set out in the SRFs will drive a transformational impact on the Stockport economy.

The Corporation is expected to be established in early 2026.   It will provide a single, focused body for local decision-making; engagement with stakeholders including government departments, public agencies; private sector landowners, and developers; and to drive investment across the public and private sectors to realise the shared vision for the regeneration of the Area.

Greater Manchester Gov

Shirehall Shrewsbury 2025

Abbey Foregate Shrewsbury SY2 6LY

The foundation stone for the new building was laid by Sir Offley Wakeman, a former chairman of the county council, on 25 July 1964. It was designed by Ralph Crowe, the County Architect, in the Modernist style, built at a cost of £1.8 million and was completed in April 1966.

Having visited and snapped way back in June 2024, I returned in October 2025.

I had been asked to speak to the Shrewsbury Civic Society, regarding the history of Modernism in support of their campaign to save Shirehall.

The previous County Council were disposed toward demolition, the current administration are a little more circumspect.


Shropshire Council is considering a return to its former headquarters, less than a year after it moved out. The authority moved from 1960s-built Shirehall in Shrewsbury to the Guildhall in Frankwell, and said doing so would save up to £600,000 per year.

At a meeting on Wednesday, cabinet member for finance Roger Evans said the Liberal Democrats, who lead the council, had paused the demolition and sale of the land, and may retain parts of the building – but only if it could afford to do so.

“We would like to retain the council chamber and some of the associated buildings, but we do need to take account for the cost both in cash terms and in net zero terms,” he said. “What we have done is paused this decision and asked experts to look at it again, look at the whole site, do a reappraisal. The results are just now being recieved.

“I want to keep it as much as we can afford, both environmentally and cash-wise. Whether we can or not will depend, the council is strapped for cash.”

BBC – 19 November 2025

We can only hope that this remarkable building is saved – minimising cost and ecological impact.

So take a look around on what was a very wet Autumn day.

Here is a previous post illustrating the building’s interior.

Arndale Car Park – Manchester

Here we are again at the Arndale Car Park – because repetition is the sincerest form of flattery.

One of the twelve car parks on the Twelve Car Parks walk.

Designed by Wilson & Wormersley opened in 1979 as part of the Arndale Centre shopping complex.

Much of the city’s Victorian core was removed to make way for the shopping complex.

1970

1975

Manchester Local Image Collection

Parkopedia

Me myself and I and others quite like it, but we would wouldn’t we?

Rainbow Bridge A55 North Wales

The iconic Rainbow Bridge on the A55 has been lit up to say thank you to NHS, social care staff and other key workers.

This well-known landmark lived up to its name on Tuesday night when it was bathed in rainbow colours alongside a thank you message projected onto the nearby cliffside. 

This one-off tribute to staff from the health and care sectors and other key workers who are working tirelessly during the Covid-19 pandemic, was arranged by the North and Mid Wales Trunk Road Agent.

The walkway over the A55, colloquially known as Rainbow Bridge, is situated on the strategic road network which NMWTRA is responsible for maintaining and managing on behalf of the Welsh Government.

Gov. Wales

The A55 partly follows the alignment of the Roman road from Chester to Caernarfon, particularly from Junction 31 to 30 and Junction 13 to 12. Between Chester and Holywell the alignment of this road is uncertain and between St. Asaph and Abergwyngregyn, the Roman road followed an inland route, via Canovium Roman Fort at Caerhun, avoiding the difficulties of the crossing of the Conwy estuary and the cliffs at Penmaenbach and Pen-y-Clip.

On 1 April 1937, the route, as it was then, was classed to form the Chester–Bangor trunk road. By 2015, the Welsh Governmentwas also classifying part of the road as part of the London–Holyhead trunk road.

Wikipedia

So much for modern motoring – I was walking from Rhyl to Colwyn Bay, so decided to walk back and forth across the bridge, before going along my merry way.

Steep and stepped, it certainly would not be described as accessible.

Other Concrete Footbridges are available – here in Durham and closer to home in Stockport.

Old Colwyn just short of the original Colwyn Bay station. In 1929 a pleasure boat is about to depart. Penmaen Head is still in one piece with its quarry jetty. The path can be seen leading directly from the beach to the platform and to the underpass which is still in use today.

NWRail

Northern Quarter Car Park – Manchester

Here we am again two years on, following my previous visit.

It seems that you are not long for this world – destined for an ultra elevated multi-storey heaven.

An eyesore Northern Quarter car park is to be demolished to make way for a new development. Four new public squares will be built, the council has announced.

MEN

Glenbrook’s proposal for the 1.5-acre site, designed by Tim Groom Architects, will feature 20% affordable provision, in line with the city council’s aspirations.

The new neighbourhood will also feature four public squares and green spaces, a flexible community and gallery space, and commercial units for local independent businesses and food and beverage outlets.

“The Church St site represents a unique opportunity in the heart of the Northern Quarter, a neighbourhood and community that is alive with energy and creativity, and Glenbrook is delighted to play an important role in its future growth,” said Ian Sherry, director at Glenbrook.

Place North West

In this bang up to the minute computer generated image, it seems that the art work Big Boys Toy will be preserved.

Taken down from its top spot above the Tib Street stairs and service tower.

The remainder, one assumes, descends to the ultra modern land of land fill.

Here’s one that someone made earlier.

Ta-ra my aromatic and neglected old pal.

Other Manchester car parks are available.

Merseyside Food Products Ltd – Liverpool

Merseyside Food Products Ltd of Marsh Lane, later 185 Regent Road.

Edible oil producers.

1939 Producing Pier Head brand margarine.

The Regent Road premises had originally been the marine engineering North Works of H&C Grayson. It appears that the southern block was converted to a warehouse at some point before being occupied by Merseyside Food Products in the 1950s. 

The Regent Road factory closed in 1984.

Graces Guide.

Having a casual afternoon stroll along the road, I espied a narrow gap in the railings, whilst I could never be considered a devotee of urbex, who can resist a narrow gap in the railings?

There are those who have been here before – the 28 Days Later folk take a much deeper peep.

Uncovering some of the left behind plant.

And attracting a comment from a former employee:

I was company microbiologist at this site, The sets of broken windows at the front of the building on the first floor were the laboratories. 

The main photograph shows the chemistry laboratory, my microbiology laboratory was next door. 
The larger windows to the left provided light to a large open plan reception and office area. Within the factory, the main area had various packing machines for margarines, from 250g paper wrapped packets to 2 Kg catering packs.

A second packing area contained a machine that produced tinned margarine for the Ministry of Defence, who supplied it to the Army overseas.

Cratedigger

urbanchemist – 18th

Whilst feeling that familiar frisson of mild trepidation, whilst walking through the debris, dirt and decay, it’s important to recall those who have walked and worked in these now derelict premises.

With that in mind here’s what I saw whilst feeling that familiar frisson of mild trepidation, whilst walking through the debris, dirt and decay,

Haley Hill Halifax – Yet Again

When in Halifax it’s imperative to visit Haley Hill flats, as we did in May 2025.

It’s a labour of love ascending the granite setts to the side of Dean Clough.

Walking in the footsteps of photographer Bill Brandt.

A Snicket in Halifax: Bill Brandt 1937

A Snicket in Halifax: Steve Marland 2025

Postcard c. 1970

So it’s October 2025 and today Matthew I am mainly Bill Brandt.

Walking in the footsteps of giants.

Print quality is a variable thing depending on the purpose of the image. I would expect a pure record photograph to have a full range of tone, with both shadow and highlight gradation. Against this, pictorial or art based imagery requires the range of tones best suited to making the statement. The classic case is the soot and whitewash printing of Bill Brandt. So we have a situation that carries a contradiction; blocked up shadows in applied work is not acceptable but blocked up blacks in pictorial work is often perfectly acceptable, if that lost information is not relative to the image. Burnt out highlights are more dangerous, but again Bill Brandt did it with great effect.

Bill Wisden

So, the record print would have an even tonality thus:

Whilst the pictorial artist may favour the higher contrast.

So eschewing the Düsseldorf School

Here we go, soot and whitewash away!

Newcastle Walkways

These are the streets in the sky passing between the Central Motorway, Saville Place and Oxford Street.

Streets constrained by infrastructure, a University and doomed leisure provision.

Welcome to Newbridge Hotel Newcastle upon Tyne – a charming oasis located in the heart of the vibrant city, just a short stroll from the renowned Theatre Royal and beautiful St James’ Park. Whether you’re visiting for business or leisure, the location ensures that you have easy access to the best of Newcastle, including fantastic shopping at Eldon Square and local attractions like the Metro Radio Arena.

Discover the essence of Newcastle from Newbridge Hotel, where every stay becomes a unique experience tailored to your needs.

Two sets of protestors gathered outside the New Bridge Hotel in Newcastle, as “Newcastle Welcomes Refugees” stood up to “Send Them Back” protesters who want an end to migrants being housed in the hotel.

Northern Echo

I have been here before and posted upon the subject of Newcastle Underpasses.

This is an inland island of anonymity, home to pigeons, shake can shakers and the terminally curious.

It always rains on Saturdays.

Happily, the sun always shines on Sunday.

Hidden within and upon the walls of the walkways are these two cast concrete panels – the work of guerrilla artist Euan Lynn.

North east property group Gainford has unveiled its revised plan for a £170m residential and hotel project to transform Newcastle’s skyline.

It plans to redevelop a former Premier Inn site on New Bridge Street, with a 29-storey tower of 185 flats, alongside a separate 150-bedroom hotel, and bars, restaurants, and leisure space.

Construction Enquirer

Peterlee Housing History

The case for founding Peterlee was put forward in Farewell Squalor by Easington Rural District Council Surveyor CW Clarke, who also proposed that the town be named after celebrated Durham miners’ leader Peter Lee.  A deputation, consisting mostly of working miners, met the Minister of Town and Country Planning to put the case for a new town in the district. The minister, Lewis Silkin, responded by offering a half-size new town of 30,000 residents. The subsequent new residents came largely from surrounding villages in the District of Easington.

Peterlee Development Corporation was founded in 1948, first under Dr Monica Felton, then under AV Williams. The original master plan for tower blocks of flats by Berthold Lubetkin was rejected as unsuitable for the area’s geology, which had been weakened by mining works, and Lubetkin resigned in 1950. George Grenfell Baines’ plan was accepted, and construction quickly began, but it was of poor quality. Williams invited artist Victor Pasmore to head the landscaping design team.

Wikipedia

Berthold Lubetkin chats with miners of the east Durham coalfield.

RIBA pix 1948

The backs of terraced miners’ housing – RIBA pix 1943

Sunny Blunts

The long and narrow site intersected by a sloped ravine necessitated a new design approach for the layout of the road system and housing in Sunny Blunts. Rather than imposing a grid system as before, the roads follow the natural contours of the landscape so become curvilinear. The housing is then arranged in asymmetric patterns – a deconstructed grid system is one way of describing it.

One of the oddities of Sunny Blunts is the way the houses are rotated 180 degrees in relation to the conventional streetscape where enclosed gardens are normally at the rear of the houses. At Sunny Blunts the front door opens into the garden, while the backdoor opens out onto public realm space, often directly onto grassed areas, which because of how the houses are arranged forms small communal gardens isolated from road traffic for safe places to play. Peterlee at this time had a very high percentage of young families.

Sunny Blunts is also where the now infamous Crudens houses were introduced – along with the Howletch area. Crudens owned the British rights to the Skarne building system, where prefabricated concrete walls and floors are bolted together to form the frame of the house. The system reduced building costs by 10% per house unit, though at Sunny Blunts this saving was then absorbed by the costs of remedial work required to make many of the houses habitable for residents to move in. This still didn’t fully resolve issues with water ingress in some cases.

After the completion of Sunny and Howletch the Development Corporation reverted back to using more traditional building methods.

Peterlee History

The Peterlee Development Corporation initially employed the Russian modernist architect Berthold Lubetkin to design the new town. Appointing a renowned Modernist architect such as Lubetkin demonstrated the importance that was placed on innovative design. Lubetkin initially planned to build a modern town of high-rise towers and walkways in the sky. However, his plan was rejected because towers of such height could not be built on land that had been mined. 

After Lubetkin’s resignation in 1950 a new architect, Grenfell Baines, was employed to work on the development of Peterlee. After further dissatisfaction with the plans, Victor Pasmore was invited to collaborate on a new scheme for the south west area of the town in 1955. Pasmore’s role was to work alongside the architects to add imagination to a project that could potentially get weighed down with the restrictions of building regulations. That Pasmore – one of the most influential abstract artists in Britain at the time – was given such a vital role in the development of Peterlee demonstrates the central role art played in urban design after the war.

Kingsley Chapman Blog

Chapel Hill

As well as appearing in the Chapel Hill area, this house style was also introduced in parts of Acre Rigg, along Manor Way, and in the early phases of the South West Area. These were designed and built in the early 1960’s when Roy Gazzard was Chief Architect. The three story blocks of flats with their distinctive butterfly roof design that were introduced in the same areas of the new town can also be credited to Gazzard.

Roy Gazzard left Peterlee Development Corporation in June 1962 and went on to become Chief Architect at Killingworth in North Tyneside.

The footpath running between a group of two-bedroom houses.

RIBA pix

Acre Rigg

Essington Way is the main spine road running north from the town centre to Thorpe Road which connects Easington Village and Colliery, with Horden and Sunderland Road. East of Essington Way is the North East Quadrant . West is Acre Rigg which was built in five phases from 1956-1966. The early phases of Acre Rigg share a similar character to that of the earlier North East Quadrant. The later phases built in the 1960s contrast sharply, drawing on the design approached developed in the South West Area under the guidance of artist Victor Pasmore.

Howltech

The contract to build the Howletch area was awarded to Crudens, who owned the British franchise for the Swedish designed Skarne building system.

The Crudens houses were constructed using prefabricated concrete sections bolted together to form the frame of the building. The gable end walls were then rendered with brick, with non-loadbearing glass, wood, and rendered panel sections forming the front and rear elevations of the houses.

In the foreground of this aerial photo is Old Shotton Hall, which at this time was the headquarters of Peterlee Development Corporation after it was refurbished in 1948 by Architect Planner Berthold Lubetkin. In 1976 the Development Corporation moved its headquarters to Lee House in the town centre. It is now the offices of Peterlee Town Council.

North East Quadrant

After the departure of Berthold Lubetkin, Grenfell Bains was drafted in as Architect Planner to develop the new Master Plan and oversee development of the North East Quadrant. Bains at the time filled the position at Newton Aycliffe, another of the first wave new towns located 20 miles south west of Peterlee.

1956

As the dates of these aerial photographs testify, building work was already well underway in the North East Quadrant by the time the Peterlee Master Plan was published in September 1952. Indeed, as surviving residency agreements and rent books also testify, houses in this part of Peterlee were already occupied, such were the pressures on the Development Corporation to have something tangible to show for their efforts.

Thorntree Gill

Thorntree Gill was the first phase of residential development completed in Peterlee. It was home to the towns first residents, who began moving in in 1951. The road layout is that designed by Architect Planner Berthold Lubetkin for his ‘Hundred Houses’ scheme , though the houses eventually built differed dramatically from what Lubetkin had envisaged.

South West I and II


In the first phase of the South West Area, Victor Pasmore – Consulting Director of Urban Design, Frank Dixon – Building Architect and Peter Daniels – Landscape Architect, settled upon an orthogonal layout system – roads and houses set at right angles to form a grid pattern.

Three bedroom semi-detached cantilever house on Avon Road.

Screen partition on Thames Road.

Dart Road

A stub block of single-bedroom flats over garages.

RIBA pix

South West III and IV

The road and housing layouts in the South West III and IV areas extend the orthogonal grid pattern introduced in the South West I and II areas.

The presence of existing mature trees is a feature of South West III which helps give the area an identity that is distinctive from South West I and II. This distinctiveness is further enhanced by the choice of building material.

The South West III and IV areas were built with cured lime brick, with black dye added to a material that is naturally white, creating symbolic reference to a coal face. The visual effect was then sharpened with white panelling. When the dye added to the bricks began fading to a pale grey colour through exposure to the elements, the intended symbolism uncannily started to mirror the fate of the coal industry across the east Durham area.

Welland Close seen from Passfield Way

South West V

The South West V Area is approximately twice the size of Sunny Blunts. This final phase of development therefore provided Victor Pasmore with the opportunity to expand the new layout system without the constraints presented by the Sunny Blunts site.

Though the basic cubic house unit is retained in South West V, the detailing in the house elevations is much simpler and closer in feel to the South West III and IV Areas.

This is an an abridged version of the material to be found on Peterlee History – intended as an accessible guide to visitors wishing to explore the town.

Additional photographs can be found on RIBA pix.

Apollo Pavilion – Peterlee 2025

Apollo Pavilion Oakerside Drive Peterlee County Durham

Second time around for the Victor Pasmore Pavilion – having been here in 2021.

Children sitting on the Apollo Pavilion 1973 © The Pasmore Estate

The idea for the Apollo Pavilion was the culmination of Victor Pasmore’s involvement with the planning and design of the new town of Peterlee in County Durham which began in 1954 with his appointment by AV Williams, the General Manager, as a consultant architectural designer to the Corporation. The brief was to inject a new initiative into the new town’s design, which had been limited by practical and financial constraints. The early departure of Berthold Lubetkin from the original design team, and the limitations imposed by building on land subject to underground mining, had led to a deterioration in the quality of the architecture being produced at Peterlee.

Peterlee Gov

Victor Pasmore in front of the grafitti-covered Apollo Pavilion © Durham Record Office

The Apollo Pavilion, created by Victor Pasmore in 1969, is designated at Grade II* for the following principal reasons: Architectural interest: the structure is of very high architectural quality, forming the centrepiece of a registered landscape Artistic quality: the only truly three-dimensional work by the internationally known artist Victor Pasmore, the Pavilion is an abstract work of art, a demonstration of Constructivist ideas on a large scale and an expression of brutalist architecture Setting: the setting of the structure is the centrepiece of the registered Pavilion Landscape and as such survives intact.

Historic England

Saturday 20th September was a day of persistent rain, we arrived by bus and walked undeterred to the site – here’s what we saw.

Many thanks to Euan Lynn for leading this Modernist walk.

Stafford Station Multi Storey Car Park

Stafford Station – Multi-Storey Car Park Station Road ST16 2AA

Arriving by train one Saturday morning at the Stafford Station, with time on my hands, I thought to take a look at the adjacent multi-storey car park.

As a pedestrian I found it to be first rate, clean and well signed and designed, easy access by both stairways and lifts, affording panoramic views of the town.

The motorists however have mixed opinions.

Parkopedia

St Mary’s Church Interior

Broadfield Drive Leyland Lancashire PR25 1PD

May I first thanks Parish Administrator Catherine, for taking the time to open the church for our visiting group of Modernists this Saturday – and providing us with the warmest of welcomes, along with a brew and a biscuit or two.

The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation stone in 1962  and the new church was completed ready for its consecration and dedication by Archbishop Beck in April 1964.

The church is a testament to the ambition, imagination and optimism of its age. Significantly, the building was the collaborative work of both immigrant and native architects, artists and designers.

This has been celebrated by Owen Hatherley’s recent book The Alienation Effect.

A folded slab roof of ninety five feet in diameter, its concrete cast on site, bearing the marks of the wooden shuttering, contrasting with the smooth surface of the pre-cast valley beams.

The Crucifix Rex frame is by Alan Roberts and the ceramic figure by Adam Kossowski.

The organ is designed by JW Walker & Son.

The candlesticks and metal furnishings in all the Chapels were fashioned in the foundry of Messrs Bagnall of Kirkby to the design of Robin McGhie.

The curved benches are of Ghana mahogany and were made by the Robert Thompson Craftsmen of Kilburn, the steel work by GS Graham of Stokesley. The distinctive Mouseman mouse can be found on several of the bench ends.

Dalle de Verre stained glass by Patrick Reyntiens, thirty-six panels abstract totalling two hundred and thirty three feet in length.

The theme for the windows is taken from the first nine verses of Genesis, and the passage of Proverbs c. vii. Amorphous undifferentiated matter with the beginnings of definition and pattern, with here and there the promise of order and system.

The Stations of the Cross are the work of Liverpool sculptor Arthur Dooley.

The Chapel of the Blessed Sacrament is designed to seat one hundred and twenty.

The lettering on the green marble frieze is by George Thomas.

The tabernacle, crystal lamp and altar furniture were designed by Robin McGhie.

The tapestry, designed by architect Jerzy Faczynski and woven by the Edinburgh Tapestry Company, under H Jefferson Barnes and Anthony Brennan.

The etched glass panels are also by Jerzy Faczynski.

This is a church whose design and integral interior order and design, sits alongside both Coventry Cathedral and Liverpool Cathedral of Christ the King.

The finest materials and skills, working in harmony to produce a majestic whole.

Take a look outside too!

St Mary’s Church Exterior.

Broadfield Drive Leyland Lancashire PR25 1PD

I was first here in 2019 – it was raining, so snapping the exterior was a soggy task.

Returning in 2025 on a sunny day was a blessing.

This is a suburban church with the ambition of a Modernist cathedral – a radical construction in concrete, brick, stone and glass.

It more than deserves its Grade II Listing.

The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century.  The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation  stone  in  1962  and  the  new  church  was  completed  ready  for  its consecration and dedication by Archbishop Beck in April 1964.

Dalle de Verre stained glass by Patrick Reyntiens.

Large polychrome ceramic mural representing the Last Judgment by Adam Kossowski occupies the width of the porch above the two double-doored entrances.

Let’s take a turn around this stunning building – the etched glass on the Chapel of the Blessed Sacrament is by Jerzy Faczynski.

Take a look inside too!

Stafford Railway Station

Having passed through here on more than one occasion, it only seemed polite to stop and take a look around.

It is the second busiest interchange in the county, after Stoke-on-Trent. It serves the market and county town, as well as surrounding villages. The station lies on the junction of the Trent Valley line, the Rugby–Birmingham–Stafford line and the West Coast Main Line; it was also the terminus for the former Stafford–Uttoxeter and Stafford–Shrewsbury lines.

The current station was built in 1962, by the architect William Robert Headley, as part of the modernisation programme which saw the electrification of the West Coast Main Line.

Wikipedia

Headley was also responsible for the design of East Didsbury, Manchester Oxford Road and Coventry stations.

Archive photos: British Rail Architecture 1948-97

Illustration: John Greene

The station is light and airy, composed of a series of vertical and horizontal volumes.

Glazed walkways and bridges, concrete and timber cladding.

The station is not listed, and over time the signage, seating and entrance have all been compromised.

Industry Around Cornbrook

In 1870 the street pattern has yet to be established, between the South Junction railway and Chester Road. The area is occupied by a Nursery. Pomona Gardens sits beside the river, and the Corn Brook is clearly visible. To the right are the Hulme Barracks, closed and demolished in 1914.

Corn Brook Textile Street 1947

In 1884 there is new housing to the right of Chester Road.

In 1904 the Pomona Docks have been established and the are around Hadfield Street fully developed.

Pomona Docks 1923

This is an aerial view from 1930, there area is now a dense network of streets to the north of Chester Road, transport infrastructure, housing and industry sit side by side.

2025 the street pattern is still extant – but what has survived?

The Empress Brewery as seen on the previous Chester Road post.

The Empress Brewing Company was established by Charles Dawes in c. 1880, the brewery closed in 1955.

The building was converted into offices in 1992 as part of the development of the Empress Business Centre, which saw new office and business units built to form a courtyard.

24 Design Ltd Hadfield Street – an exhibition design and build practice, working extensively within the museum and heritage sector.

Glancy Fawcett Lund Street, A project-based, luxury lifestyle supplier delivering exquisite homeware for superyachts, residences and private jets.

Concept Life Sciences Hadfield Street, your trusted partner from concept to clinic. We are your integrated drug discovery and development partner for complex challenges, renowned scientific knowledge, and strategic execution across all modalities from small molecule and biologics to cell and gene therapies.

They seem to have left the building.

J Parker‘s Ltd Hadfield Street, Dutch bulb importers – competitive prices across all our garden plant and bulb ranges, huge range, unbeatable prices, established 1933.

Empress Mill latterly Orchid Point Empress Street.

Built between 1903 and 1909, it echoes the industrial character of the larger industrial buildings on Chester Road and Empress Street. The property is listed as a smallware factory in the occupation of Woolf & Higham manufacturers of small wares, upholsterers’ trimmings, worsted bindings, woven venetian ladder tapes, cotton and linen venetian blind webs, spindle bandings, window blind cords, carpet bindings, bed laces. The works is shown on the Ordnance Survey of 1955 as an Engineering Works – Printing Machinery.

Local Heritage List

In 2011, FreshStart Living purchased the building, alongside others nearby, as part of a £9 million development ‘breathing new life’ into this corner of Old Trafford with 116 one and two-bedroom apartments. But, on the inside, leaking roofs, mould, exposed electrical wires and a dodgy gas connection paint a completely different picture.

Not long after purchasing it, we discovered the entire building was being powered by a generator.

MEN

Three bedroom apartment to rent Orchid Point – when buy to let goes wrong.

Empress Mill was turned into an apartment block as part of a development called Orchid Point. It is understood some residents were allowed to move in twelve years ago, but these residents were asked to move out after a number of years due to safety issues.

On February 20th 2023, the Empress Mill was one of a number of buildings described as unsafe and unsecure by Trafford Council.

The emergency services were called to Empress Mill at 5.15am on Friday. Ten appliances from across the region, including specialist appliances called a stinger and a scorpion, attended the abandoned mill turned apartment block off Chester Road and firefighters battled the blaze into the afternoon.

Messenger Newspapers

Officers from Trafford Council have taken firm action to put a stop to anti-social behaviour at a vacant block of flats in the Old Trafford area.

Drug addicts and thieves have descended on Aura Court since much of it was closed in August 2020 by Greater Manchester Fire Service due to a decaying non-compliant fire escape.

About Manchester

The site along with Venos and Progress House is up for sale.

A rare development opportunity in Central Manchester with excellent access to Manchester City Centre 
Close to Salford Quays, Old Trafford Football and Cricket Grounds along with White City Retail Park 
The total site covers an area of approximately 2.10 Acres, historic planning consents granted on the site for in excess of 200 flats plus additional commercial accommodation.

Rear of the Venos site.

Magenta Property has acquired Trafford Press and Empress Mill off Chester Road, the site of a 200 home residential scheme that stalled in 2016.

Headed up by Rohit and Parminder Lakhanpaul, Magenta bought the Old Trafford buildings for £1.5m, according to Land Registry. 

Place North West

Duckworths Essence Distillery built in 1896 to a design by the architectural practice of Briggs and Wolstenholme, it is Grade II Listed in June 2018.

Duckworth’s specialised in the manufacture of concentrated soluble essences, essential oils and colours supplied to the aerated water trade – local ‘pop’ men. They were leaders in the field, supplying flavours and essences around the world and developing products tailored to specific markets. 

Duckworth & Co was acquired by Cargill Flavor Systems Ltd in 2003, the company vacated the Chester Road premises in 2006.

After buying the building in 2007 for a reported £3.6m, the Church of Scientology planned to re-open the building by either 2010 or 2011.

Leaders of the religious group have submitted a new application to carry out external and internal works. A design and access statement written on behalf of the church by NJSR Chartered Architects proposes a comprehensive revamp of the building.

The overall aim of the project is the refurbishment and conversion of the Duckworth Essences Building into a place of religious study and worship.

Messenger 2024

The building is currently enclosed in scaffolding.

Next door is the National Works originally home to H, G & O Lewtas, lamp manufacturers, in Slater’s trade directory for 191 and later Crimpy Crisps.

Currently home to homes.

Ford more facts and snaps please see Chester Road and Tram Trip to Altrincham.

All archive photographs Local Image Collection.

Burnley Central Railway Station

Burnley Central railway station is a stop on the East Lancashire Line, it is managed by Northern Trains, which also provides its passenger service.

Architect: RL Moorcroft of British Rail 1964-1966

Described by Claire Hartwell in the Buildings of England Lancashire: North as – of blue brick, bleak.

The station was opened by the East Lancashire Railway in 1848, as part of its route from Bury and Blackburn to Colne; here, an end-on junction was made with the Leeds and Bradford Extension Railway line from Skipton that had been completed several months earlier. The service from Colne through the station to Manchester Victoria, via Accrington and Bury, was well used from the outset by the owners of the local cotton mills, who travelled from their homes in the area to make their purchases of raw cotton at the Royal Exchange several times each week. It was also possible to travel from the station by direct train to Blackpool, Liverpool and Skipton and even through to London Euston, via Blackburn, Manchester Victoria and Stockport.

1964 Red Rose Collections.

However, the cutbacks of the 1960s affected the station badly, with through trains to Manchester via Bury ending in 1964 (two years before the withdrawal of the Accrington to Bury service) and those to Liverpool in 1969 whilst the line to Skipton was closed to all traffic in 1970. This left the station on a 10.5 km long dead-end branch line from Rose Grove to Colne.

The station was rebuilt in 1965, its ground floor is at street level and the first floor at platform level.

Wikipedia

1985

On the day of my visit the hourly service to Colne was almost due, there were two passengers on the platform.

A single track to a dead end town, the booking office and waiting room locked.