Of course we have been here afore – in 2020 and earlier in 2015, outlining a short history.
Sadly I have never had a view form the top.
Having an hour or two before the train back to Manchester, I went on a wander.
Inspired by Katsushika Hokusai’s One Hundred Views of Mount Fuji.
I encircled the Tower in a more than somewhat wayward spiral.
Looking every which way, but mostly up, for the towering and totemic lofty landmark.
The concrete and the clay beneath my feet
Begins to crumble
But love will never die
Doomed to face the demolition crew – the anti-social intrusions and falling masonry have enforced a fence, an impenetrable fence.
My requests for unforced entry were politely rebuffed by the hi-vis vest security guards.
A former police station could finally be demolished this autumn after closing six years ago when officers moved to new headquarters.
Blackpool Magistrates’ Court, which is part of the same complex, will also be bulldozed after crumbling concrete was discovered in the building in January.
In recent months, the empty Bonny Street police station has become a target for anti-social behaviour.
Clearance of the site will pave the way for investment in leisure facilities including hotels and indoor theme parks by developer Nikal.
So this is the last time around the concrete block for me – memories are made of this, my previous visit in 2022.
Yet the future still seems slightly uncertain.
It is unclear at this stage how the vision for the development has changed in the three-plus years since the outline plans were approved.
For those of you watching in colour – this is in black and white.
May be the last time, I don’t know
May be the last time, I don’t know
Lord, I don’t know
Denys Lasdun was chosen by a jury, which included actor Sir Lawrence Olivier, to design the building. In spite of Lasdun’s fine modernist credentials he was to many a surprising choice – he had never designed a theatre. Within the National Theatre are three separate and very distinct auditoriums. Symbolically and practically they are loosely modelled on theatre designs from the three greatest periods of western drama: the Olivier on classical Greek theatres, the Lyttelton on the proscenium-arch theatres of the past three centuries, and the Cottesloe on Tudor inn-yards. The building has become a national landmark in Great Britain and has been listed Grade II* since 1994.
I have several Brutalist badges, yet feel disinclined to badge myself a Brutalist, with or without a capital B.
Me, I’m a little more Polyarchitectural by nature.
Less seduced by Edmund Burke’s ideas of the sublime than others.
The passion caused by the great and sublime in nature, when those causes operate most powerfully is Astonishment, and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror … No passion so effectually robs the mind of all its powers of acting and reasoning as fear. For fear, being an apprehension of pain or death, operates in a manner that resembles actual pain. Whatever therefore is terrible, with regard to sight, is sublime too … Indeed terror is in all cases whatsoever, either more openly or latently, the ruling principle of the sublime.
Furthermore, whilst the exterior of the National Theatre may well induce fear, and in some loathing, the interior feels both human and secure. When I explored the ins and outs of the public spaces, the monumental seems to be held carefully in check, despite the challenging contrasts in mass and volume. The exposed concrete surfaces and angular forms are softened by sensitive lighting and the presence of people, in motion and at rest.
So at a loose end on a showery day on the Southbank I caught shelter and solace within.
Previously on Modern Mooch – we encounter Mr Lasdun in Leeds and Liverpool
Slater St Barrow-in-Furness LA14 1RU
Westmorland and Furness Council said Portland Walk car park will close from the start of July.
In a statement the council revealed the rooftop car park will permanently close from July 1 following a review which found said it had ‘very low usage’.
I turned a corner, then another corner and caught sight of a concrete car park ramp.
I thought, I think – therefore, I am going to walk up and down it.
British Telecom Telephone Exchange Abbey Road Barrow in Furness LA14 5QZ
I took a train in the rain to Barrow in Furness.
I alighted, bathed in bright sunlight.
I espied a telephone Exchange.
The original building was designed by MOPBW senior architect M Williams and job architect P Chilton around 1966-67. Senior architect RN Dixon – of modernist talk fame, and job architect P Joyce were involved with some detailing around 1968, before Dixon designed an extension in 1972.
Thanks to Lisa at Telephone_Exchange for the facts!
So I took some time to look around, I politely suggest that you should too.
Holme Rd Burnley BB12 0RT
Photo – Robert Wade
William Thompson was born at Richmond Yorkshire, the son of John and Catherine Thompson. William came to Burnley in 1908 and gained a place at Burnley Grammar school. Later he learned the trade of cotton weaving at his uncle’s shed. In time he was to become the managing director of this firm. William lived at Oak Bank Todmorden road, where in spite of his great wealth, he led a remarkably simple life. He had neither television nor radio, and his greatest pleasure appeared to be strolling in the nearby Towneley Park. About 1970, ill health forced William to move to his sister’s house at Ingleton Yorkshire. His illness became worse, and he was removed to a nursing home at Silverdale, near Lancaster, where after a prolonged infirmity he died on 18, August 1972. It was William and his sister, Sarah Witham who donated the £333,000 that was eventually used to build the Thompson Recreation Centre. William was never to see the gift he bestowed upon the town, for his death came just a few days before the official opening of the centre. It was his sister, Sarah who performed the opening, and she too was to die a short time afterwards on 8, December 1975. She was the last link in the Thompson family of Burnley.
Many thanks to local historian and author Jack Nadin
The Thompson Recreation Centre was decorated by a large concrete frieze by Scottish artist Charles Anderson.
Town Architects 1975
Formed from precast concrete panels against expanded polystyrene moulds – it stands 150ft long and 9ft high.
It was gifted from funds provided by the estate of local Cotton Manufacturer and major town benefactor, William Thompson. The building was a flagship symbol of progress for Burnley in 1973, it was demolished in 2006.
Fortunately, the frieze was carefully dismantled, stored and reinstated by Andrew Brown.
Mr Brown said:
This frieze has a massive place in our community. It gives me enormous pleasure to give this magnificent artwork a new home. It breathes new life into the legacy of William Thompson who did so much for Burnley.
It is now located at the Crow Wood Hotel & Spa Resort. walked from the to
Charles Anderson designed the sculpture over months at his studio in Paisley said:
I was a young man of 34 when I was approached by Burnley Council to design a frieze for the centre.
It’s one of my proudest pieces of work and definitely one of the most challenging. I was inspired by the sculptures of the Parthenon so perhaps this is Burnley’s own Elgin Marbles. It features the Three Graces from Greek mythology as well as sporting scenes such as wrestling, weightlifting, fencing, archery, football, tennis and cricket.
I walked from the town centre along Princess way in search of the work – it’s at the rear of the site, just turn right before you reach the hotel.
Abbey Foregate Shrewsbury SY2 6LY
Architect Ralph Vernon Crowe 1966
Having photographed the exterior of Shirehall – I am now sharing some images of the buildings remarkable interior.
These have images have been kindly provided by the Shrewsbury Civic Society – many thanks.
They have campaigned tirelessly to save the building which is under threat, the local authority wishing to demolish the site.
There has long been a split in Shropshire Council between councillors who want to keep Shirehall and this that want to demolish it and move to the town centre. Last December, the council agreed to dispose of the building in the next few years after work on Civic Hub in the town centre is completed. That Civic Hub is still in the ideas stage and there is no clear idea of where the money will come fund it. Unless the council sells the 3.5 hectare Shirehall site for housing boosting its capital reserves which were depleted by the £51m purchase of the shopping centres in Shrewsbury town centre.
The budget plans agreed two weeks ago days propose that Shirehall is sold before April 2025 to make a saving of £325,000 in 2024/25.
Here are the Civic Society photographs of the Courts, which are no longer in use.
These are archival images taken from RIBApix taken by Bill Toomey in 1967.
The University of Leeds has a long established collection of public art, this has now been formalised into an Art Trail around the campus. Each of the pieces on this largely accessible display, has a QR code with a supporting audio tour, along with an information panel.
Printed guides are also available from the Stanley & Audrey Burton Gallery, or online here.
Burton’s – The Tailor of Taste, have long been benefactors of the collection – here’s a little of the company’s history.
Sir Michael Sadler, University Vice Chancellor 1911-1923, was instrumental in developing an interest in Modernist art, through his own collection.
Sadler felt that a student’s education was greatly enhanced by a cultured and harmonious environment. He set about creating such an environment through the public display of pictures from his collection.
Take some time to wander around and consider the works in context, set against two centuries of architectural style and fashion, along with generous open and green spaces.
You can devise your own route around the trail, this is mine.
#7 Hermes – William Chattaway
#9 Meet Sit and Talk – Lorna Green
#17 Three Piece Reclining Figure – Henry Moore
#20 Masters of the Universe – Eduardo Paolozzi
#3 Sign For Art – Keith Wilson
#12 Untitled – Hubert Dalwood
#14 Dual Form – Barbara Hepworth
#16 Texta Texens – Sue Lawty with Dan Jones and Helen Mort
#6 Man Made Textiles – Mitzi Cunliffe
#19 Curtain – Juanjo Novella
#11 Greener Living Space – David Mayne
#10 Lenten Forms – Michael Lyons
#13 Celebration of Engineering Sciences – Allan Johnson
#18 The Worlds of IF – Sara Barker
#5 The Dreamer – Quentin Bell
#9 Limbo – Austin Wright
#4 Christ Driving The Moneylenders From the Temple – Eric Gill
The trustees operate within these two positions: we absolutely condemn Eric Gill’s abuse of his daughters with no attempt to hide, excuse, normalise or minimise, yet we also have a duty to protect, display and interpret the art work we hold in our collections.
#2 Walking Figure – William Chattaway
#1 A Spire – Simon Fujiwara
#15 Conversation Column – Liliane Lijn
Also if you fancy a little more Leeds – here’s my Modern Mooch Walk – have fun, stay safe.
Claremont St Shrewsbury SY1 1HQ
Courtesy: Mr Christopher Marsden
The Market Hall was considered to be a prime example of cutting edge modern architecture when it was officially opened amid a blaze of publicity and civic pageantry on September 16 1965.
It replaced a large Victorian market hall of similar proportions that was in a poor state of repair and was condemned as unhygienic, dingy and “no longer fit for purpose”.
Developed by the Second Covent Garden Property Company, the new Market Hall cost £1 million to build and was designed by a respected architect of his day, David du Rieu Aberdeen. Aberdeen designed major buildings in London and made his name when he won a national competition to design Congress House for the TUC in Bloomsbury. Today Congress House is described as a “modernist masterpiece”.
The Pevsner Architectural Guide pronounced the new Market Hall “a good example of modern architecture”, with “its clean lines and simple forms. But the town’s timber-framed tradition is also evoked. The upper storey is jettied out on a reinforced concrete structure and faced with vertical fins in an echo of close studding,” it stated. “The tall slender red brick clock tower mingles effectively in distant views with the town’s medieval steeples.”
Two sculptors Keith Ashford and Liz Turner of Sculpture Logic, recreated the 37′ tower finial to mark the 50th anniversary of the market in 2015.
On leaving the front of the railway station – we see the former Granada Cinema.
Architects: Cecil Aubrey Masey
Built and operated by Shrewsbury Empires Ltd, the Granada Theatre opened on 14th November 1934 with Jack Hulbert in The Camels Are Coming.
It closed as a cinema on 31st March 1973 with Charles Bronson in The Valachi Papers and Anatomy of a Pin-Up.
The Granada circuit was famous for its lavishly decorated interiors created by a Russian émigré called Theodore Komisarjevsky, the most famous examples of which are at Woolwich and Tooting – both now operate as bingo halls. The Shrewsbury Granada was by far the best cinema in the area, and in addition to Komisjarevsky, the scheme was designed by Cecil Massey, with some work being carried out by a local architect called Arthur Williams. The architecture of the Shrewsbury hall is often referred to as being a “standard” Granada, and the interior was very similar to the Granadas at Bedford now demolished and Maidstone which wasdestroyed by sub-division. There were less than 20 theatres built for the circuit, of which Shrewsbury was number five, although many existing cinemas were taken over and renamed, making the Granada Theatres an important group, although in numbers they were far behind Odeon and ABC.
On 17th November 1995, the Granada Theatre was designated a Grade II Listed building by English Heritage.
Many thanks to the staff of Buzz Bingo for allowing us access.
Next up is a Marks & Spencers store very much a shop of two halves – marrying post-war Brutalism with interwar Classicism, unified by a glazed ground floor.
Across the way, a 60s corner site development, with a dual-entry Greggs.
Formerly the site of the Post Office – demolished in 1959, and next to the Barclays bank the long gone Crown Hotel.
On the adjacent corner a curvaceous Barclays Bank, built in the post war Ministry of Works manner.
Next door is Crown House – refurbished but with it’s architectural type intact.
One of Marshall Structures’ biggest projects to date was the conversion of Crown House from a tired office block to a complex featuring 14 luxury apartments, providing a much-needed improvement to the site. The work involved in this project included large amounts of steel work and timber design.
The biggest challenge faced during the completion of this project was trying to fit an additional storey without loading quite an old existing structure. To do this, the new storey was designed out of a lightweight timber frame. By doing this, the client’s brief could be met while also ensuring that the existing 1950s building wasn’t overloaded in the process.
Directly across the road, this retail and office development.
Next up some tricky brickwork on the Wyle Cop Car Park.
Formerly Kennings latterly Signpost Motors Fiat dealer.
Very badly run carpark, one machine broken, other not taking cards or cash.
Great place with a lot of parking space.
Onwards onwards across the river toward Shirehall.
Architect: Ralph Vernon Crowe – 1966
Ribapix 1967
The foundation stone for the new building was laid by Sir Offley Wakeman, a former chairman of the county council, on 25 July 1964. It was designed by Ralph Crowe, the County Architect, in the Modernist style, built at a cost of £1.8 million and was completed in April 1966.
Pevsner described the building as – the major monument to post-war modernism in the county.
The Shrewsbury Civic Society is fighting hard to prevent the demolition.
There are archive photographs of the interior here.
Back into town to take a look at the Telephone Exchange.
Next to the Market Hall.
The Market Hall, which includes the town’s 240ft clock tower, an indoor market and a ground-floor shopping centre, was hailed the most modern building in Shropshire when it opened in September 1965.
Developed by the Second Covent Garden Property Company Ltd to replace an ailing Victorian market hall, it cost £1 million to build and was designed by award-winning architect David du Roi Aberdeen who also famously designed the Trade Union Congress headquarters, Congress House, in London, and the Swiss Centre in Leicester Square.
Today the Market Hall’s 1960’s architecture might not be to everyone’s taste, but its indoor market is thriving with over 70 small businesses ranging from popular contemporary cafes and gift retailers to artisan producers and traditional market stalls selling fresh produce.
More of the Market Hall here.
Bobbing toward the centre – a striking Lloyds Bank.
A conscious effort to reflect the nearby Tudor architecture of Ireland’s Mansion and Pride Hill. Lloyds Bank is considered a good example of Brutalist architecture, and proof that bold modern buildings can be successfully slotted into traditional historic streets.
Possibly Shrewsbury’s finest post-war building, but of course it has its detractors. It was well received by critics of the period including the assessors for the Civic Trust who bestowed an award in 1968. They noted the quandary that the architects faced of building in such a historic setting and terminating the vista along one of the town centre’s main streets. In their opinion the architects ‘faced the problem squarely and their building, brave in its conception and immaculate in its detail’ and that it was ‘uncompromisingly of today but beautifully sympathetic to the great buildings it rests with’. Pevsner’s original assessment of it being the ‘boldest modern response to the town’s half-timbering’ was not shared by the authors who revised the Shropshire edition and viewed it as an ‘aggressive display of exposed and textured concrete’.
It was also shortlisted for the European Cement Association awards, one of only two British buildings to make the grade. Opting to draw on the Tudor traditions of the town, partner W Marsden, working with project architect W Allan Clark and assistants Malcolm Lovibond and Keith Maplestone, used cantilevered floors, vertical structural and sub-structural members, oriel windows and a black and white tonal palette deploying anodized aluminium window frames against finely ribbed concrete panels. The standing seam zinc roof adopted the town’s norm of pitched roofs without gables in order to blend with the street scene. Concrete Quarterly referred to it as ‘a skilful bridging of the centuries in a way that would not offend a purist’ . The main contractor was Henry Willcock and Company Limited.
Nearby more modern infill sits alongside the historic half timbered heritage.
Next down Raven Meadows to the Raven Meadows Car Park, built by Truscon Ltd in 1969.
Which also houses the Bus Station.
Back now toward the station under the railway to the Royal Mail.
This video provides a refreshing and inspiring insight into the steel manufacturing industry and the people who make it happen.
The Iron and Steel Industry in Scunthorpe was established in the mid 19th century, following the discovery and exploitation of middle Lias ironstone east of Scunthorpe.
In 1967 three works became part of the nationalised British Steel Corporation.
Following privatisation in 1988, the company together with the rest of BSC became part of Corus in 1999, in 2007 becoming Tata Steel Europe. In 2016 the long products division of Tata Steel Europe was sold to Greybull Capital with Scunthorpe as the primary steel production site.
I took a brake van trip on the Appleby Frodingham Railway, touring the site’s network of working rail which encircles the works.
Very much in the spirit of Charles Sheeler’s Ford River Rouge Plant photographs, I was enthralled by the mass of massive buildings and their attendant infrastructure.
This is architecture on the grandest scale, the main furnace house being higher than St Pauls Cathedral.
This is what I saw:
The third time by the banks of the Don – first time around in May 2019, subsequently in October 2020.
So much can change in so short a time, post-pandemic and every town is doing its level best to build back better.
The vision includes:
Arriving by train and ascending into the light – here’s the station lights.
The railway station has sharpened up its apron and facade.
We have transformed the station forecourt. It has become a quality gateway which delivers a great first impression for visitors arriving in Doncaster by train. This will help stimulate interest from investors and developers, helping to attract new investment and create jobs for the borough and wider region.
Celebrating engineering, speed and connectivity and stretching forty metres in length the public art at Doncaster Station consists of forty seven monoliths which are a nod to Doncaster’s past, present and future. With a fountain and three impressive water walls, the art takes centre stage in the new public space as you step out of the train station and head into the town centre.
The concept was devised by Doncaster Council and further developed by Chris Brammall.
CB Arts manufactured and installed the piece
Typically the high and low streets of Britain’s industrial towns and cities, are an amalgam of architectural style and fashion, spanning at least two or three centuries.
Faience fronted interwar developments abound.
Neo-classical speculative shopping arcades.
Revamped Victorian pub facades.
Behind the buff faience frontage is a lovely, small two-room pub with a well preserved interior created under plans of 1934. It was remodelled by the Grimsby brewers Hewitt Brothers Ltd who were Doncaster’s biggest pub owners for many years.
Originally a Gent’s Outfitters, this deco-gem was topped off with the Nags Head Hotel.
This grade II listed pub is now in retail use, though Vision Value, are it seems, on the move.
Of course, every town had a Burton’s – the tailor of taste.
This post war infill has that distinctive Festival of Britain feel, original metal window frames, Portland stone and blueish slate like panels.
The revamped Frenchgate Shopping Centre, officially opened on October 4th 1968, has in places an upper tier, resistant to zinc over cladding.
The centre has been the heart of the city for over 40 years and was originally called the Arndale Centre because it was built, owned and managed by the Arndale Group. It was renamed in 1988 after a change of ownership, with the new name reflecting the name of the street which passes to the east of the centre and which is one of Doncaster’s main shopping streets.
The sale of the centre came just a year after Frenchgate had undergone a £200 million facelift to transform it into the country’s first shopping centre with integrated public transport and retail interchange.
There are plans to rework the shopping centre.
We propose this is fundamentally transformed though the addition of apartments that wrap along the back of the first-floor retail with a further 2.5 new storeys placed on top. We also feel additional height -up to seven or eight storeys, is justifiable to the corner of Frenchgate and Trafford Way.
The Lovers were once located in the Arndale, removed to a local garden, unloved – then later reinstated in the Waterdale Centre, where we will embrace them a little later.
Turn right to take in the 1920s mosaic remake remodel of the Grade II listed Blue Building.
The Blue Building which used to be the Doncaster Design Centre and Tourist Information Centre was originally the home of John Whitaker, a wine merchant, and son of James Whitaker who was Mayor of Doncaster in 1758.
In 1925 the complete building was demolished apart from the facade which was retained and given a facing of decorative blue tiles. The intention was to build a shopping arcade from High Street to Printing Office Street. Only part of the arcade, known as the Westminster Arcade was built. It had a number of shops, the largest being that of Woodhouse & Co Furnishers.
Two adjacent 60s extensions – to the right a redundant post office to the left an almost redundant telephone exchange, with the earlier brick built exchange in smack dab the middle.
Turn another corner and it’s all at the Co-op now – the Grade II listed Danum Co-operativeBuilding, department store and offices: 1938-40 designed by T H Johnson & Son for the Doncaster Co-operative Society Ltd.
Over the road a zig-zag Halifax Building Society branch, tightly contorted by its corner footprint.
To the right of the Danum, this former Boyes store, having relocated to the Wilko site, the building is ripe for residential conversion.
To the left the Colonnades Shopping Centre a fierce angular glass and brick bunker of mixed office and retail space – the sole occupant seeming to be Home Bargains.
A £3.3m makeover of the Colonnades shopping mall in Doncaster town centre was completed in 2019.
The scheme of works was co-ordinated by Doncaster Council and funded by the Sheffield City Region Local Growth Fund.
Built in the 1980s, the brick built building received a major overhaul. The investment saw the visual appearance enhanced inside and out. The five floors were transformed into the prime office space needed in the town centre and the enhancements to the retail area were also finished.
The shift in the town’s axis to the Frenchgate and Market areas, seems to have taken the wind out of its sails.
The former flicks now a redundant pale brick behemoth – no more and ABC.
Architects: C Jack Foster and Alan Morgan
Doncaster’s new £250,000 ABC cinema, part of the Golden Acres development near the town centre, was opened on May 18th 1967.
Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the three screens for 477, 201 and 135.
The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film Doctor Zhivago.
Cinema Treasures
The Golden Acres development seemed to have morphed into the Waterdale Centre.
It is currently being reshaped to provide a line of desire twixt the Civic and Cultural areas, from the town centre. There are still the remnants of homes, shops and a pub amongst the demolition – almost inevitably there is new paving.
Waterdale is a well-known part of Doncaster’s town centre. During its heyday it was a bustling area with people flocking to shops and the like – it was a place you had to visit while you were in town. However, it had suffered a steady decline which continued when the southern bus station closed – Frenchgate Interchange opening, and Doncaster College moved to the Hub at the Waterfront. With limited public transport entering the area and no student population on its doorstep, less people had reason to pass through.
Demolition of the College.
The Civic and Cultural Quarter is transforming Waterdale reconnecting it to the town centre. The quality and content of the plans is raising the profile of this part of town to new levels. The carefully thought out layout and consistent building design is giving the area a clear identity. It is already becoming a big attraction that draws people in and encourages redevelopment in the neighbouring areas.
The relocated Lovers are still in love.
The weary walker is diverted toward the Civic Quarter Car Park.
The former Civic Offices are to be demolished.
Demolition of the Central Library is well under way.
Facing the former library we find the CAST Theatre, Civic Buildings and Savoy Cinema, grouped around Sir Nigel Gresley Square.
Within the square is a frieze, salvaged from the former Gaumont Cinema, the work of sculptor Newbury Abbot Trent.
The Gaumont Palace Theatre in Hall Gate at the corner of Thorne Road, Doncaster opened on 3rd September 1934 with Jesse Matthews in Evergreen.
It was designed by architects WE Trent and W Sydney Trent.
In 1949 WH Price the Borough Surveyor produced an outline plan for the area, with a green space at its heart, it was never realised. In 1955 Frederick Gibberd produced his plan to include a ten storey Town Hall, Art School, Technical College and Civic Theatre, revised and reduced in 1963 – eventually his Police Station and Law Courts were completed in 1969.
The former NHS Clinic at the ‘T Junction’ is transformed into a day care service.
The former Museum and Art Gallery now an archive and local studies centre.
The building was designed in the office of the Doncaster Borough Architect’s Department in a team led by borough architect Mr LJ Tucker.
The ceramic designs were a later addition when it was discovered that the large open areas of glass overheated almost everything inside, the work was undertaken by LJ Tucker and family.
The sculptural work by Franta Belsky, now has a skip for company.
As a footnote the work by Fabio Barraclough reveals a murky past.
Barraclough was born in Madrid in 1923, to a Spanish mother and Yorkshire father who founded Madrid’s Chamber of Commerce. He moved to London with his family in the 1930s as a refugee from Francoist Spain. He taught fine art and sculpture at Rugby School, where colleagues considered him “highly entertaining, a most unorthodox and highly gifted” teacher. He established himself during the 1960s and early 1970s as an authority on sculpture, publishing in academic journals and becoming a member of the Royal British Society of Sculptors.
In 2000, it was revealed that Barraclough, while outwardly living the life of anti-apartheid activist since the 1970s, had been a paid informant of the South African state security police. The media was used to promote his image as a “brilliant, liberal artist with apparently impeccable credentials” in order to gain public trust, while he was funnelling money from anti-apartheid groups to the police. He died on 6th January 2019.
Over the way faros the green sward is St Peter in Chains RC – A large and striking design by JH Langtry-Langton, incorporating important furnishings by J F Bentley from the predecessor church, along with good furnishings of the 1970s. The churches houses the modern successor to the medieval shrine of Our Lady of Doncaster.
Figurative stained glass by Patrick Feeny for Hardman in 1973 and abstract glass fitted in 2000 as part of reordering and revival of the shrine.
Further information on Taking Stock.
A special mention for the Danum Cultural Hub
Designed by architects Bond Bryan and built by main contractor Willmott Dixon, the new cultural and learning hub has been created following the restoration of four existing buildings.
A key focal point of the scheme is the restored frontage of the Edwardian former Doncaster High School for Girls, which has been framed by Senior’s slimline SF52 aluminium curtain wall and showcased within a new steel-frame building. The glazed facade, which was fabricated and installed by Senior’s supply chain partner Chemplas, also features Senior’s aluminium commercial doors.
Where I was delighted to see Sir Nigel Gresley’s hat.
I wrote about the history of Civic in 2020.
Also visiting the multi-storey car park yesterday.
The work of Manchester City Architect Sydney George Besant-Roberts and his team.
Work began in the interwar years, and continued following the hiatus of 1939-45. The shopping centre named the Civic Centre was open in 1963, the actual Civic Centre containing a swimming pool, theatre, public hall and library in 1971.
Here I am again four years later, taking a look at how it looks today.
ASDA remains the anchor store, Wilko having left a Wilko sized hole in the precinct. On an overcast Friday morning there was sufficient footfall to sustain the wide variety of smaller shops and larger retail chains. As with many other towns within the central Manchester orbit, the easy proximity fills those busy trams and buses, which are leaving the area.
There are plans in place to regenerate the area, in the form of a Masterplan – which can be downloaded here.
Between 1991-2002 there have been some architectural changes, including new stores and office developments. Some of the interventions included significant adaptions which further increased retail into the existing buildings high street.
The interventions included significant adjustments to the multi-storey car park with the aim of reducing parking numbers whilst providing additional lettable space. Further Transport Hub Arrival commercial development was created to the north of the site with the construction of Etrop Court, despite there being significant commercial vacancy across other parts of the estate.
Whilst there has been significant incremental intervention, the character of the area has
not fundamentally changed from its founding concept. However the cumulative impact of the various changes have had a negative impact on the functionality and suitability of place, so much so that the centre is in many ways no longer fit- for purpose.
The site today is surrounded by surface car parks, with a total of around 2,500 car parking spaces, 1,700 of which are contained within the multi-storey car park. Many of the retail units, the upper floor office spaces along the Birtles and Hale Top, and buildings to the east are vacant.
Typically, the levels of vacancy are consistent with the changing demands of the high street, where typically modern and successful retail centres are now more diversified and focussed on creating a visitor or destination-based experience. In this sense, we anticipate a need to diversify the high street and to promote a smaller more concentrated retail core, whilst supplementing the offer with more meanwhile and permanent uses and activities based on culture, food and creative workplace.
The gateway to the Civic Centre on arrival from the Transport Interchange is very poor. Access to the high street isn’t obvious and the route through to the high street isn’t clear. Much of the site is surrounded by fencing, barrier and gates and whilst they are open during the day, they are locked at night to prevent vandalism. This barricaded aesthetic does nothing to promote an easily accessible and family friendly environment as well as preventing any opportunity to promote a much needed night- time economy.
Currently, the Civic Centre appears to only cater for those with a need to visit for a particular purpose, rather than capitalising on an opportunity to create a place to visit and dwell.
Multi Storey Car Park Rowlandsway Manchester M22 5RG
I’ve lost count of the countless times I have visited countless car parks.
I do have a fondness for ramps – particularly helical ramps, one of my most memorable early modernist encounters, was with Lubetkin’s penguin pool.
The cast concrete taking on a truly sculptural dimension.
There is also the Proustian recollection of a collection of geometry lessons and Helix instruments.
It has all left a lasting impression and I have subsequently taken every opportunity to waddle penguin like up and down several concrete car park ramps.
Here’s the most recent.
Upperhead Row Huddersfield HD1 2JN
I was informed by the seriously erudite Christopher Marsden that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.
Having visited and photographed the bus station in 2016 I thought that it was about time I went up in the world, to the top level of the car park.
Mixed opinions from Parkopedia reviewers – let’s take a look around.
There are plans for refurbishment outlined in 2022 in the Huddersfield Hub.
The bus station will undergo a major revamp both inside and out and the most striking feature will be a sweeping canopy with a living grass roof which will run right across the main frontage from Macaulay Square to Upperhead Row.
Also of note a project by Kate Matthews to seriously rethink the role and design of the space.
The starting point for this project was the Welcoming Water group scenario, involving the controlled flooding of areas of the town.
The new interchange includes facilities for cycling, walking, and public transit. The basin and marina on the new lake allow for an increased focus on water-based transport, including a new bus-boat. The main Transport Hub sits below an undulating roof and contains not only the bus bays and ticketing facilities, but also co-working and relaxation spaces. The curves of the roof, trying to confuse the binary of floor and ceiling, are just one example of the ambiguity throughout the scheme.
This project was nominated for the Architects for Health Student Design Award in 2021.
And finally:
North St Scarborough YO11 1LU
Last day of the holidays and we’re off to Balmoral!
No not that Balmoral the other Balmoral, the car park attached to the Balmoral Centre, built in 1974 – with little or no reference to the Highland baronial.
Though the old Balmoral Hotel had to be removed in 1973.
Scarborough is a beloved seaside resort and we’re pleased to have secured these well-known, popular parades, bringing them into our in-house portfolio.
We are committed to focusing our efforts on regional retail centres and neighbourhood parades where we can see there is incredible potential. The Balmoral Centre and Bar House provide us with significant opportunities to add significant value and we are already looking to identify how we can revitalise these centres further. We hope to make announcements on how we can achieve this over the next few months.
The staff at this car park are always friendly and really helpful.
You can tell they take pride in their car park.
We stay in this car park every time we come to Scarborough and stay in Britannia hotels, we find it safe and secure to park your car, the staff are very helpful and polite and keep the car park in tip top condition.
We will always park here great opening and closing times also five minute walk to Royal and Grand Hotel and shops.
It’s tucked in behind B&M
Don’t go up the ramp Steve, the entrance is around the corner.
Up in the lift to level six – to the East it was misty, whilst to the West it was not.
Down another level and still not a sign of any cars.
Back up to the top of the world.
St. Anns Road North in Heald Green is in the North West region of England. The postcode is within the Heald Green ward/electoral division, which is in the constituency of Cheadle.
It literally was all fields around here once – save for a Lunatic Asylum and a cottage or two.
There is still a Griffin Inn, in which to sup yourself insensible.
I often cycle along here on my way to who knows where – today I stoped to take some snaps.
Having an interest in suburban housing its vagaries and typologies – I have recored Penrhyn Bay several times, along with Woodford, Whitley Lodge Estate, Killingworth, and East Didsbury.
This area was once described to me as built by Cowboys for Indians – though statistically there are more Pakistani residents.
This is a dormitory suburb of Manchester and nearby Stockport and is oh so close to the airport, polite and professional well presented and aspirational.
Once this was a Modern paradigm.
Subsequently the plaything of the upwardly mobile – extending in all directions, adding period details way out of period, or embracing the current vogue for the refined and smoothly rendered grey-ification of their homes.
Welcome to the land of the performance vehicle, impressive impressed drive, carriage lamp and bay window, overlooking a well clipped lawn.
There have been three Redheugh Bridges spanning the River Tyne and currently carrying the A189 road.
The first Redheugh Bridge, built by Thomas Bouch, was opened in 1871 – it needed to be replaced because of structural faults.
The second bridge, built by Sir William Arrol & Co, was opened on 13th August 1901.
The third and current Redheugh Bridge was built by Edmund Nuttall Ltd and opened on 18th May 1983 by Princess Diana.
Work to replace the second crossing began in 1980.[The third bridge is very different from its two predecessors. It is a pre-stressed concrete structure with a central span of 160 m, 26 m above the river, and two side spans of 100 m each – including the approaches, it is a total of 897 m long and 15.8 m wide. It can carry abnormal loads of up to 400 tonnes, and has a life expectancy of 120 years.
It was constructed by Edmund Nuttall Ltd to a design by Mott, Hay and Anderson’s young engineer, Alan Yiu Lun Wan.
The two supporting concrete piers were fluted to create an impression of lightness and were designed to withstand the impact from a vessel of ten thousand tonnes travelling at a speed of five knots, although this is highly unlikely as large ships rarely come this far up the Tyne and the shipping lane has now effectively been blocked by the Gateshead Millennium Bridge. Due to the exposed location, strong winds can cause problems for high-sided vehicles. Early in the bridge’s life, a double-decker bus was nearly blown over the side.
The total cost of construction amounted to £15,350,000.
These are views of the bridge on the southern bank – walking toward Dunston.
302 Elder Gate Milton Keynes MK9 1LA
Milton Keynes Central railway station serves Milton Keynes and surrounding parts of Bedfordshire, Buckinghamshire and Northamptonshire. The station is located on the West Coast Main Line about 50 miles northwest of London. The station is served by Avanti West Coast intercity services, and by West Midlands Trains regional services.
A new station to delimit the western end of the new central business district of Milton Keynes was a key objective for Milton Keynes Development Corporation. In the cash-strapped circumstances of the 1960s and 1970s, British Rail was unenthusiastic but eventually came round after a deal was done in 1978 on cost sharing. In 1979, MKDC architect Stuart Mosscrop designed the station building and office blocks to either side, framing a new Station Square and the vista uphill along Midsummer Boulevard – and the midsummer sunrise.
The Station Square and Station Building were designed by MKDC, the Station fitting out including the platforms, was designed by British Rail Architects, one third of the costs met by BR and two thirds by MKDC. For MKDC, the scheme was designed by MKDC architects Stuart Mosscrop, Derek Walker and Christopher Woodward; project architect David Hartley, assisted by Barry Steadman and Christopher Moxham; structural engineers Felix J Samuely. British Rail was responsible for the station concourse, footbridge and platform structures, the team comprising Jim S Wyatt, BR regional architect, and project architect John H Kitcher, assisted by Colin Eades.
The station opened on 14 May 1982, with an official opening by Charles, then Prince of Wales, conducted three days later.
Mother of two Jo Francis leans in for a kiss.
Older people are remembering when he previously came to Milton Keynes:
Crowds stood around the forecourt of the Tickford Street factory to watch, cheer and wave flags. Then suddenly, a five year old boy called Matthew Turvey reached into his mum’s shopping basket, took out a tin of baked beans and held them out to the young Prince.
Would you like these for your lunch? – he asked.
Proposed designs for architecture and town planning of Milton Keynes: boulevard and railway station – 1970 Derek Walker Associates
1981 – Built using a high performance reflective solar control glass called Vari-Tran, creating a complete curtain wall to cover the whole construction.
I first visited in 2018
I returned on April 10th 2024 – this is what I saw.
Later that same day – on the way home.
Right away driver – he was dismayed that there had been another train let go along the line.
103 Bucknall New Rd Hanley Stoke-on-Trent ST1 2BG
It began in 2009, with a chance encounter whilst wandering around Wigan and the chance encounter with a Washeteria.
Followed by the publication in 2020 of my best selling book eight launderettes.
Subsequently there have been several more chance encounters with a wide variety of wash houses, in various towns – search this site.
Including one such encounter in Stoke.
Yesterday, Saturday 6th April I was leading a Modernist Mooch around Stoke and Hanley – I arrived five hours before the 1.00 start time and went off to explore nowhere in particular.
I found myself in the Northwood area of Hanley – ascending the long drag of Bucknall New Road, where I espied a launderette, imaginatively named The Launderette.
Early morning and short of the odd customer or two, I seized that moment in time to record this lonely public place – seeking that suspense picture with a surprise finish.
The solitary snapper went about their business.
Modern Mooch 