The George Hotel – Stockport

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15 Wellington Road North Stockport SK4 1AF.

Time changes everything except something within us which is always surprised by change.

A delightful interwar pub on the corner of Heaton Lane and Wellington Road North, I moved to Stockport some forty years ago and was mightily impressed by the restrained exterior Deco design, wrought and hewn from soft pale sandstone. Equally impressive was the wood panelled, open, spacious interior space.

The George was always something of an anomaly, being the only Greater Manchester pub owned by Higson’s Brewery, our almost next door Liverpool neighbour.

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Higsons was founded in 1780 – 1974 saw the brewery merge with James Mellor & Sons. In 1978, Higsons acquired the Bent’s Brewery, which was based next to its North Street head office. Boddingtons of Manchester acquired Higsons in 1985 but decided to abandon brewing in 1989 to focus on its pubs.

They have/had fine former offices on Dale Street

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Boddingtons’ brewing arm was sold to Whitbread in 1990 which then subsequently closed the Higsons Stanhope brewery and then reopened by new owners as the Cains Brewery in 1991. Higsons beer was brewed in Sheffield and Durham for a few years after closure before being discontinued. The beer brand was revived in the current century and reborn in 2017, now served in the swish Baltic Triangle based Higson’s Tap & Still with an interior order that leaps backwards head first, into an imagined future of raw brick, reclaimed wood and industrial flourishes.

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The George prospered – a town centre pub surrounded by workers in search of a wet and shoppers shirking their retail duties in favour of draught bitter or Cherry B.

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Its interior however did not fair so well, ripped out in the 80s – remade remodelled, in the deeply unattractive, anti-vernacular, sub-disco style de jour.

Renamed The Manhattan, riding the fun-pub wave, closed reopened as The George – there followed thirty year of uncertainty, struggling to find an identity throughout a time of ever-changing moods.

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It became a daytime haunt of the hardened, shattered glass, blood on the tracks class of drinker, its reputation in tatters along with yesterday’s fish and chip papers.

The last time I came by you were still open for business.

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I bided a wee while, without imbibing, all the better to record your disabused Art Deco details.

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I came by yesterday and you were all tinned-up with nowhere to go.

Premises To Let as of 13th May 2018 – on the 2nd April 2018 the licence has lapsed, so this will be a further barrier to it re-opening.

And so your faux nowheresville interior will pass into yet another of somebody’s history, along with your fine Deco detail and disco destruction.

This a tale of our age – of monopoly capitalism, stay at home Bargain Booze tipplers, demographic shifts, de-populated town centres, fashion fads and cheap cladding.

Time changes everything except something within us which is never surprised by change.

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Ford Lane Didsbury – Manchester

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This a tale of a lane, a shady lane in south Manchester.

This is a tale of several Manchesters, layer upon layer of history.

Shady history.

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Ford Bank House occupied much of what is now the Ford Bank Estate and prior to that it was believed to be farm land. Ford Bank House, probably the largest house erected in Didsbury was built in about 1823 by Joseph Birley a cotton manufacturer. The extended Birley family had a widespread influence on Manchester history even going back to the Peterloo massacre where one of the Birley ancestors led a contingent of the mounted soldiers who attacked what was a peaceful protest gathering. 

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A tale of emergent capital and political control, rendered corporeal in brick, stone, wood, glass and slate. A cotton-rich mercantile class seeking to suppress the democratic demands of a burgeoning proletariat.

Ford Bank House was sold to Thomas Ashton in 1858, when he died in 1898. In 1919 the remaining estate was sold to Dr Herbert Levinstien who worked on mustard gas research during the first world war. In 1934 the estate was sold to Ford Bank Estates Limited who developed and built what is now the Ford Bank Estate.

A tale of a growing and aspirational professional middle class, seeking inter-war semis in a leafy Didsbury glade – and the timely response of speculative builders.

Looking cheekily over the hedge in search of a monkey puzzle.

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The ford of Ford Lane crosses the nearby River Mersey – thought to be the route of retreating Royalists following the siege of Wythenshawe Hall in 1644.

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In 1901 a bridge was opened at the behest of local emigres engineer and social benefactor Henry Simon – a German born engineer who revolutionised Great Britain’s flour milling industry and in 1878 founded the engineering companies Henry Simon Ltd and Simon Carves.

He and his family were a serious reforming political force in the area – instrumental in the founding and development of the Halle Orchestra, Wythenshawe Park and housing estate.

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For many years this was my route to work – cycling from Stockport to Northenden, each and every day forever. Witnessing the rise and fall of the river and the vacillating  fortunes of Manchester’s economic regeneration.

This is south Manchester where the years of austerity, central government fiscal prudence and free-market economics, have had a far from adverse effect.

In stark contrast to the malaise of the north and east of the city, here we see a constant parade of skips and scaffold, free from the fickle trick of trickle down. As extensions and mortgages are extended at an alarming rate.

The round windowed gaze of the asymmetric homes, seem endlessly surprised at the good fortune that has befallen the residents of Ford Lane.

Owner occupiers preoccupied with owning.

Semi-detached.

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Farewell Grand Central – Stockport

O day and night, but this is wondrous strange!

And therefore as a stranger give it welcome.
There are more things in heaven and hell, Horatio,
Than are dreamt of in your philosophy.

We have seen things come and go in, on and around Stockport Station’s little acre.

From coal drops to tear drops.

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Archive photographs courtesy of John Eaton

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The post-industrial leisure complex has come almost full circle – overwritten by the complex needs of the modern day service-worker –  Holiday Inn, Espresso Bar and Mini-mart complement the hot-desked, twenty-four hour online access all areas open-plan office operative.

Gone now the Laser Quest, Super Bowl, Multiplex, Theme Pub days of old.

 

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Photographs from Stockport Image Archive

Time has been called on the post-modern film-set, cast and clad in plastic, brick, steel and concrete.

The future is here today and it means business.

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52 Wellington Road North – Stockport

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Commercial premises or showroom. Dated 1889. Red brick with stone dressings and terracotta decorative details, tiled roof. Rectangular building of 4 x 3 bays with canted corner entrance. Jacobean style. Single storey articulated by pilasters supporting a sculptured frieze. Doorway with arched head and fanlight. One, two and three-light mullion and transom windows to the Parsonage Street front. The Wellington Road front has two large plateglass windows divided by paired pilasters. The windows have removed two pilasters. Cornice, panelled parapet, aedicule with console supporters, swan – neck pediment and date over the doorway. Tall hipped roof. Very prominently sited and under restoration at the time of inspection.

Grade: II listed: 23rd March 1987 – Historic England

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Stockport Image Archive

This is a building of some substance, decorated with terracotta work of the highest order, a striking yet diminutive landmark to the north of the town. Situated on a once busy commercial site, where it would have been surrounded by a plethora of retail, industrial and residential property.

My research has shown that its earliest recorded use was under the ownership of JE Jones manufacturing agent for ropes and cords, allied to the local hatting and cotton trades in 1907. Subsequently the base of John Roberts in 1910 – leather merchant, manufacturing  belts, strapping and laces – the company also had premises nearby at 138 Heaton Lane.

It has latterly been in use as Topp’s Tiles, Gordon Ford and Little Amigos Discount Nursery Store – it is currently empty, shuttered and unloved on off at a rent of £1,833 per calendar month from Rightmove.

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As Stockport continues to invest in and develop its town centre, it remains a more than somewhat sorry beacon of decline, an indicator that all too often architecture of local and historic importance, seems to have little or no place, in this thrusting modern milieu.

If passing, pause and reflect on the sense of permanence that imbues this building, in an all too impermanent world.

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Motorway Footbridge – Stockport

A Moebius Band of motorway formerly known as the M63 wraps and warps itself around the city, ever so conveniently linking the traffic of Greater Manchester with itself.

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Ever so conveniently it passes through Stockport – only moments from my home.

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The view from Princes Street along Hatton Street – towards Heaton Norris Rec. 

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A boon to the modern day motorist, though happily the modern day pedestrian is also catered for in the form of the Hatton Street Footbridge – linking Great Egerton Street below, with Heaton Norris Recreation ground above.

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Images TS Parkinson –  Stockport Image Archive

For the past two years the footbridge has been inconveniently closed, during the development of the Redrock Leisure Facility, built on the site of the former car park, in the foreground of the image above. Thus prohibiting the passage from the Post Modern world of the big brash entertainment box, to the leafy cobbled street beyond.

The Hatton Street footbridge has two spans of in-situ u-section deck, is at ground level on the north side, but is reached by steps or ramp from Great Egerton Street on the south.

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I’m ever so pleased that access has been reinstated, from me it is both fully functional yet imbued with an elegant concrete sculptural grace, worthy of Niemeyer or Lasdun.

So take a walk on the slightly higher side, either way you win.

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Odeon Cinema – Brighton Road Rhyl

Architects

Robert Andrew Bullivant 1910-2001
Harry William Weedon    1887-1970

Robert Bullivant joined the Harry Weedon practice in 1935 and was responsible for the design of the Odeons at Chester, York, Burnley, Exeter and Rhyl. Taken over by Hutchinson in 1969, this cinema was renamed Astra. It was made into a triple screen in 1972 and the stalls were later converted for bingo. It was designated Grade II listed status in 1989. The cinemas closed in 1995 and the building reverted to a single auditorium for bingo.

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So much of our picture house heritage no longer exists, where once a town or city could support several cinemas of varying scale, architectural merit or style, few now remain intact. Happily the Rhyl Odeon has survived from Astra, Apollo to Gala to the stars and beyond.

Playing to perennially packed houses, the people’s palaces accommodated old and young.

Saturday morning matinees  for the boys and girls – making this Great Country of ours a better place to live in.

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If memory serves, in the Odeon auditorium to the left of the screen there was a suitably stylish, numberless clock of six-sided shape. In 1972 the Odeon, by then taken over and renamed Astra Cinema, underwent alterations to become the first three-screen complex in Wales: Astra 1, 2 and 3. By the mid 1980s the Odeon/Astra had been taken over by Apollo and was running as two cinemas plus bingo at first – and bingo only since the present Apollo Cinema Complex opened on the prom.
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Foyer and auditorium

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An original Odeon Theatre, built for the Oscar Deutsch Odeon Theatres Ltd. chain, opened on 30th October 1937 with Flora Robson in “Farewell Again”.

The corner entrance rotunda was lower than the rest of the building and was faced with cream faiance tiles, broken with windows. Behind this was a tower-like feature which contained the main foyer. Seating in the auditorium was provided for 862 in the stalls and 546 in the circle. On each side of the proscenium opening there were large panelled decorative grilles on the splay walls. Lighting in the auditorium was provided by concealed lighting in troughs across the ceiling.

From the 13th October 1969 it was taken over by the Hutchinson Leisure Group and re-named Astra Cinema. They triplexed the cinema from 24th April 1972 with seating for 750 in the former stalls and two mini screens seating 250 and 225 in the former circle. Later, the stalls screen was converted into a bingo club, whilst the two mini cinemas continued on film.

In the late-1980’s the building was taken over by Apollo Leisure UK Ltd. and it was re-named Apollo Cinema. The two mini cinemas were closed in October 1995 and the building was de-tripled into one space again, becoming the Apollo Bingo Club, which remains open today.

From 4th January 1989, the former Odeon Theatre was designated a Grade II Listed building.

Cinema Treasures

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Brambell Building – Bangor University

Sited on Deiniol Road Bangor, the 1970’s laboratory building of the University is often cited as the ugliest building in Britain.

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Erchyllbeth y flwyddyn posits Mr Madge.

It was never going to win that many friends in a city of Victorian brick and stone.

In 1962, architects Sir Percy Thomas and Son unveiled a masterplan for what the Daily Post described as a “space-age university college”, with the whole science campus rebuilt in several modern orthogonal blocks of five to ten storeys in height. Detailed planning of the Brambell Laboratory for the zoology department began in 1966, led by partner William Marsden, with Malcolm Lovibond and Keith Mainstone. It was officially opened by Lord Zuckerman, Chief Scientific Advisor to the UK Government, on 9 November 1971.

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The University along with the GPO have dragged Bangor kicking and screaming into the Twentieth Century, dotting the landscape with post war architecture.

Suffice to say that it has survived the slings and arrows of cultural and local vocal criticism and continues to function as a scientific research centre of some standing.

Still standing.

In 2025 the Brambell Laboratory – derided as ‘Eyesore of the year’ upon its completion – and the University’s New Arts building have become the latest post-war listings in Wales, designated Grade II and Grade I respectively.

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And as an addendum the adjacent and equally surviving Chemistry Tower seems to have weathered the winters of discontent.

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Bus Station – Stockport

From the early part of the Twentieth Century trams and then buses stopped and started in Mersey Square, affording limited succour, space or shelter for the weary traveller.

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View from the Fire Station Tower.

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View from the Plaza Steps.

The land where the bus station currently stands was then owned and used by North Western Buses – a rather large and uncultivated plot.

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Work began in April 1979 on a brand new bus station, the first stage finally opening on March 2nd 1982.

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Slowly emerging from the rough ground – a series of glass and steel boxes worthy of that master of minimalism Ludwig Mies van der Rohe, a Neue Nationalgalerie in miniature.

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Photographs from Stockport Image Archive

It has stood and withstood the winds of change and perfidious public transport policy, the privatisation of the service, snatched greedily from local authority control.

Passengers have met and parted, whilst buses of every hue and stripe have departed from these draughty boxes.

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Photograph from Victory Guy

There are now plans for imminent demolition and rebuilding – shaping a transport hub fit for the Twenty First Century – Space Age forms for a brave new world.

A new £42m transport interchange in Stockport town centre has taken a step forward after the local council agreed key measures to back the project.

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April 9th 2017 here is my photographic record of the Bus Station, I’ve been, gone and come back again countless times through the years.

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Shopping Precincts – UK

I was brought up with Sixties’ shopping precincts and centres, they are so very dear to my heart, I spent my teenage years here in AshtonStalybridge, and latterly in Stockport’s Merseyway.

I’ve visited Hanley, Preston, Salford, and Coventry in search of a certain something – that exciting sweeping swoop of concrete, brick, glass and steel. Underpasses with overarching designs and luxurious layouts of leisurely interlocking levels. Each one different in a different way yet essentially similar – embodying a sense of civic pride, a sense of the future realised.

1571 – The Royal Exchange, a trading market in the City of London, is officially opened by Elizabeth I. Above the open-air piazza where dealers buy and sell commodities, there is a two-storey shopping mall, with 100 different kiosks – making it Britain’s first shopping centre.

1964 – It was a monument to provincial pride in reinforced concrete and glass. When the Duke of Edinburgh opened the Birmingham Bull Ring in May 1964, it was the largest indoor shopping centre in Europe, with a total floor area of 23 acres. Inspired by American suburban malls, the Bull Ring promised coatless shopping in an air-conditioned, temperature-controlled hall maintained at late-spring level.

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2017 – Many are now no more, or redeveloped beyond recognition. The integrity of the architecture, street furniture, public art, space and usage a thing of folk memory.

So come with me now on a whirlwind picture postcard tour of this Nation’s saving grace – it’s modernist shopping spaces.

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Aberdeen

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Barlaston

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Bedford

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Brighton

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Burton on Trent

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Butts – Reading

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Chelmsford

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Corby

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Coventry

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Cowplain

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Crewe

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Croydon

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Cwmbran

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Dudley

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Elephant and Castle

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Great Yarmouth

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Hanley

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Harlow

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Hartlepool

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Hebburn

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Immingham

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Irvine

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Leamore

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Letchworth

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Leyland

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Liverpool

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Mexborough

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Milton Keynes

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Nantwich

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Norris Green

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Plymouth

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Runcorn

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Swanley

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Telford

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Wakefield

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Walton on Thames

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Westway – Frome

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Wolverhampton

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Worksop

 

Indoor Market Preston – Epilogue

I’ve been here, before recording the prelude to the epilogue, here at Preston’s Indoor Market.

So on my return this February, I find that the inevitable end, is indeed now past nigh.

Boarded and shuttered awaiting demolition – Waiting for The Light to shine:

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Preston City Council has granted planning permission to Muse Developments’ £50m cinema-led leisure scheme in the city centre.

Muse is working in partnership with the council on the plans, made up of an 11-screen cinema operated by The Light, seven family restaurants, a 593-space multi-storey car park and public realm improvements.

The project forms part of the wider regeneration of the Markets Quarter which includes the full refurbishment and redecoration of the grade two-listed market canopies and the construction of a glazed Market Hall.

Preston to their credit have become an exemplar for inward urban regeneration, and the work undertaken so far in the market area is bringing new life and trade to the area.

That said, it is always saddening to see the architecture of the Sixties swept aside.

So come take one last wander through the concrete warren of ramps, underpasses and tunnels of the unwanted indoor market.

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Covent Garden – Stockport

Last time I was here it was there:

Covent Garden Flats Middle Hillgate in Stockport.

A small but important group of post-war council houses – very much in an inter-war European manner, homes to a settled community of cheerful, chatty residents.

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The local authority tinned them up some year ago, ahead of a series of redevelopment proposals – last week that redevelopment reached its logical conclusion.

Demolition.

Whilst accepting the necessity for change, I also recognise the need to preserve what is best of the past, rather than replacing it with the present day architecture of cautiously consensual pastiche.

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nuvu living for the nouveau be-tartaned riche:

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So heavyhearted I circumnavigated the perimeter fence, recording forever that which was no longer there – their there replacing our there.

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London Road Fire Station – Manchester

London Road Fire Station is a former fire station in Manchester, England. It was opened in 1906, on a site bounded by London Road, Whitworth Street, Minshull Street South and Fairfield Street. Designed in the Edwardian Baroque style by Woodhouse, Willoughby and Langham in red brick and terracotta, it cost £142,000 to build and was built by J. Gerrard and Sons of Swinton. It has been a Grade II* listed building since 1974.

Wikipedia

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Despite its listing and prominence, opposite the rear corner of Piccadilly Station, this honeyed and red ochre delight has suffered nought but the indignity of abandonment since its closure in 1986, changing hands as quickly and venally as a worn deck of cards

The finest fire station in this round world stands empty.

 

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Humberston Fitties

Betwixt and between the two world wars, the shortage of housing for the homeless, hopeless and dispossessed lead to an acceleration in the building of an informal architecture – the so-called Plotlands.

One such area and precious survivor from the last century is the Humberston Fitties – situated to south of Cleethorpes, preserved in time by the happy homesteaders.

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Though under threat from Local Authority negligence or intervention, three hundred and twenty chalets prevail – against the incursion of planning regulations, building specs and a lack of respect.

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I feel a real affinity for all Plotlands, having spent many summers in the converted Pagham railway carriage, belonging to my Aunty Alice and Uncle Arthur. They relocated to the south coast seeking cleaner air for Arthur’s ailing, industrialised northern lungs, thus prolonging his life.

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Tamarisk – Pagham

So here are the photographs I took on a visit to The Fitties in July 2008, I walked the home made roads, amazed by the vigour and variety of shape, size, personal affectation and practical pragmatism, of this all too human architecture.

This is a particular form of independent minded Modernism – hand-forged from the vernacular.

It is better to have your head in the clouds, and know where you are, than to breathe the clearer atmosphere below them, and think that you are in paradise.

Henry David Thoreau

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Strangeways #3 – Black and White World

I’ve been here for the last fifteen years on and off, snapping away, capturing something of the area’s ever changing moods, the old, the new, the borrowed and the blue.

Wading through the archives, or searching for the remains of modernity.

On this occasion I have chosen to work on black and white film – the medium conveying something timeless, at a time when things are forever changing.

Let’s take a contradictory look and walk around those familiar, unfamiliar streets of Strangeways – where colourfully clad industrial barn, collides with blackened brick and stone behemoth.

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Eastford Square Collyhurst – Slight Return

I’ve been here before and after.

After now seems further away, forever awaiting redevelopment – waiting.

No more Flower Pot Café and a warm welcome from Lee and the lads.

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Nearly nine years on – the shutters are down and nobody is home, save for the Lalley Centre – offering food, support and care to the community.

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Though Sister Rita Lee has now move on to pastures new.

The homes and shops remain resolutely shut, un-lived in and unloved, though the City plans to re-site the resident sculpture, the residents remain absent without leaving.

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Richard Peacock – Gorton Manchester

My journey begins here, at the Brookfield Unitarian Church, Hyde Road, Gorton, in search of the mausoleum of a man, who helped to shape the history of engineering, locomotion and Manchester.

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Richard Peacock 9 April 1820 – 3 March 1889 was an English engineer, one of the founders of locomotive manufacturerBeyer-Peacock. Born in Swaledale, Richard Peacock was educated at Leeds Grammar School, but at 14 left to be apprenticed at Fenton, Murray and Jackson in Leeds. 

At 18 Peacock was a precocious locomotive superintendent on the Leeds and Selby Railway. When the line was acquired by the York and North Midland Railway in 1840 he worked under Daniel Gooch at Swindon, but reputedly fled to escape Gooch’s wrath. In 1841, he became the Locomotive Superintendent of the Sheffield, Ashton-under-Lyne and Manchester Railway, subsequently the Manchester, Sheffield and Lincolnshire Railway from 1847. In this role he was responsible for founding the Gorton locomotive works for this railway, although he had left the firm shortly before they were completed in 1848.

In 1847 Peacock was present with Charles Beyer at a meeting at Lickey Incline which it is generally acknowledged gave birth to the Institution of Mechanical Engineers. George Stephenson was elected as first president and Charles Beyer as a vice president. Peacock became a member of the Institution of Civil Engineers in 1849.

In 1853, he joined Charles Beyer to found the celebrated locomotive company Beyer-Peacock. Peacock had originally met Beyer through the acquisition of locomotives from Sharp Brothers, and as mentioned earlier through both being among the founders of the Institution of Mechanical Engineers in 1847.

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The locomotives designed and built in Gorton in their thousands were exported to the four corners of the globe, Manchester a confluence of capital and ingenuity, harnessing a workforce of millions, to produce a treasure trove of things and stuff

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Shipping to Buenos Aires 1929

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2 10 0 Locomotives bound for Turkey 1949

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Last Diesels in the Paint Shop

By 1966 it was all over, the politically motivated, managed decline of manufacturing industry, a failure to adapt and compete, the loss of Empire, an increase in competition from other nations, all contributing to the almost inevitable, closing of the door.

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Archive photographs copyright Manchester Local Image Collection

The clang, hiss and controlled chaos of the boiler shop, just a faint, empty echo – listen.

There remains a legacy, the memories of all those men and women who laboured under those aching skylit eaves, millions of weary travellers world wide.

Not forgetting the church that Richard Peacock benevolently built, the mix of non-conformist worship, Liberal politics and philanthropy that informed Victorian Manchester, which still stands extant in stone, around our city.

Designed by Thomas Worthington in 1869-71, it has a six bay nave with north and south aisles. Arcade columns are of polished granite and wall faces are plaster lined with a large painting over the chancel arch. The roofs have been repaired but the interior has suffered from consequential water damage to the plasterwork which, at the time of visiting, was drying out. The church has been a victim of heritage crime.

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Listed and left to the pressures of time tide, wind, rain and unwanted ingress.

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Inset into the north wall of the church, facing onto Hyde Road – sculptor John Cassidy.

The Peacock Mausoleum is also the work of the church’s architect Thomas Worthington.

This sumptuous mausoleum takes the form of a Gothic shrine with a steeply pitched roof and arched openings filled with tracery and surmounted by gablets. The statues standing on slender pedestals at the four corners of the monument represent a Blacksmith, a Draughtsman, an Engineer and the architect himself. Further carved embellishments include head-stops, bats and twining ivy.

Condition – still sound, though the bronze angels that used to stand on the gables at either end were stolen some years ago in 1997.

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So we arrive at the end of another journey through time and space and Gorton, the lives of so many long lone souls, bundled up in the graveyard of a now closed church, the fortunes won and lost eroded by the vagaries of the climate – economic and meteorological.

The curfew tolls the knell of parting day, 
         The lowing herd wind slowly o’er the lea, 
The plowman homeward plods his weary way, 
         And leaves the world to darkness and to me. 
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Queen Elizabeth II Law Courts – Liverpool

And so castles made of sand, 
Fall in the sea, eventually.

Once there was a battle here, several actually, and battles mean castles, possibly.

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Erected in the between 1232 and 1235, inevitably through the passage of time, blows were exchanged, the Banastre Rebellion of 1315, and later in 1689 Prince Rupert was battered by King Billy, and so on until it was eventually demolished in 1726. A series of churches ensued, finally to be supplanted by the arrival of an amusingly statuesque Queen Victoria, replete with plaque.

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In 1976 excavation of the south side of Castle Street was conducted before the construction of the Crown Courts building, which was built in the style of a castle.

What goes around comes around, ending up largely square in Derby Square.

And lo and so it came to pass, new law courts were erected upon the site begun in 1973, opened in 1984. Architects were Farmer and Dark, who were also responsible for the Fawley Power Station.

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And the Cornwallis Building at the University of Kent.

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I passed by there yet again last Saturday, still maintaining a restrained ambivalence regarding this monolithic concrete and sand pseudo-castle. Less than, and larger than the sum of its parts. The quirky detailing and awkward geometry, producing a somewhat confused, yet imposing scheme, an ossified pinkish ribbed construct from another age.

Mass – possibly without redemption.

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Coat of arms by Richard Kindersley

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Gore Brook – A History

To begin at the beginning, well actually to begin in the middle and walk to the current beginning. The Gore Brook flows from the Lower Gorton Reservoir and from there onwards to meet the Chorlton Brook in the west, though I should imagine that prior to the construction of the waterworks, it was fed by more distant moorland waters.

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Manchester being on the eastern edge of the Lancashire Plain and the western edge of the Pennines is riddled with rivers, rivers which now wriggle in an under and overground web, across heavily developed urban areas. Following the Industrial Revolution former meadow, common and farmland was overwritten by factories, housing and roads, the rural character of the rivers and brooks soon becoming darkened and polluted by the surrounding industries.

I was lead here by my search for a lost pub The Garratt on Pink Bank Lane, then drawn in further by this site The Red Path of Longsight.

The Red Path is a pedestrian link between Pink Bank Lane and the Gorton boundary at Buckley Road. It roughly follows the course of Gore Brook. The original footpath, running from Buckley Road to the bank of the brook, was made using black cinders. It was probably made in the 1940s to provide access to the allotments located on either side. In the early 1950s , a concrete bridge was laid across Gore Brook and the footpath extended to Pink Bank Lane. This section used red bricks in it’s construction, probably supplied by Jacksons brickworks . Crushed bricks were then used as a topping to make the path smoother and fill in any cracks. The thoroughfare soon became known as the Red Path.

So wide eyed and mapless I bowled up at Brook Terrace, just off Stockport Road Longsight, in search of The Gore and its source.

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In the early 1900’s the river was still open and bridged, here at Stockport Road, later culverted and covered – anticipating the arrival of Tesco’s and Granada TV Rentals.

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From there we pass under the railway along Brook Terrace and into Parry Road.

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The underpass is still there and very much in use, as is Stanley Grove School – the Manchester Central Schools’ Kitchens are long gone, along with the food filled, insulated aluminium cases, that fed the hungry mouths of many, with semolina, pink custard, meat pies and lumpy mash.

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Onwards to Elgar Street and still no sign of the river, hidden beneath our feet, the corner of Northmoor Road, can be seen on the corner, no longer distributing dividends, but now providing social housing.

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We arrive at Pink Bank Lane, a rich mix of terraced homes, flats and factories – and the long lost Garratt, and the long lost Gore.

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Though the lazy, lazy river has been confined in a brick lined wind, to meet the ever pressing needs of the Gorton Sewage Works.

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The river then hugs the edge of Annie Lea Playing fields on Buckley Road, until it disappears again as it meets Mount Road, the playing fields are still open ground – the Manchester Cleansing Department, seen on the left – is no more.

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Here on Knutsford Road we see the construction of the tunnels and culverts, the footbridge to the left spanning the railway, is still there.

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Finally we see The Gore reemerging clear, clean, wide, proud and resplendent in Sunny Brow Park, where it is still maintained as a decorative, duck-filled lake.

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Briefly underground again and into the back of Far Lane, skirting the Brookfield Church graveyard.

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Then tunnelling under Hyde Road at the back of the church lodge, appearing once again alongside Tan Yard Brow.

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The manmade waterfall continues to cascade, the Fairfield to Old Trafford railway is now the Fallowfield Loop, Manchester Cycleway, young lads no longer mess about in wellies and torn Tek Sac jeans on the bank, the Tannery no longer tans.

Then we end our journey by the broad expanse of the Lower Gorton Reservoir, implausibly dotted with jolly yachts, and home to a now absent stepped outflow stream. Look up to the east, and there you’ll see the moors, you could go further.

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All archive photographs from Manchester Local Image Collection.

 

 

 

Holy Rosary – Fitton Hill

The first mission in the Fitton Hill, a post-war housing estate, was due to the work of Fr Buckley, an assistant priest at St Patrick’s Oldham. He arranged for the purchase of land in the Fitton Hill area in 1940, before the new housing was built. Once the estate had begun to be developed, Fr Buckley said Mass in an upper room in Maple Mill. The foundation stone of Holy Rosary was laid by Bishop Marshall on 2 October 1954 and the church was officially opened by Mgr Cunningham in July 1955.  The presbytery was built in about 1970. The first campanile blew down and had to be rebuilt.  In 2009, the parishes of Holy Family and Holy Rosary were merged.

Taking Stock told me so and will tell you even more.

Architect: W and JB Ellis who were also responsible for Our Lady of The Assumption in Langley.

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I first passed by one sunny day in April 2016 – happily snapping the exterior of this ever so pleasingly prosaic Italianate brick building.

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Following a cue from pal Tim Rushton, I was alerted to the significant decorative work within.

The mosaic and fresco work of Georg Mayer-Marton – born in Hungary 1897, died in Liverpool 1960 was one of Britain’s very few experts in the art of face or facetted mosaic.

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Sadly the fresco is no longer visible – painted over with emulsion when thought to be too tatty – a tiny fragment has been revealed by conservators.

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There is currently a campaign to restore and preserve these important works.

The church is now closed, but we were ever so fortunate to have Bernard Madden on hand to open up and show us around, a warm welcoming space once full to overflowing.

Now sadly silent.

We all deserve better.

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Northmoor Road Co-op – Manchester

Cooperative Society shops and meeting hall. Dated 1912; altered. Red brick with liberal dressings of green and buff glazed terracotta, red tiled roof with geometrical patterned band and cockscomb ridge tiles. Rectangular plan. Edwardian Baroque style. Two storeys and attic, 11 bays; projected ground floor with dark green Ionic pilasters between the shops and a central recessed porch with dark green surround, light green Ionic columns and segmental open pediment ; inverted voluted brackets linking ground floor pilasters to alternate pedestals of 1st-floor colonnade, which has Ionic semi-columns with festoons and a thin cornice, all in matching light green terracotta; swagged frieze of buff terracotta with buff modillions to a green cornice; brick parapet with buff terracotta balustrades and triangular dormers in alternate bays, interrupted in the centre by a green segmental pediment with raised lettering “Beswick Cooperative Society LTD”. Tall segmental-headed windows at 1st floor including a canted bay in the centre with parapet lettered “Built AD 1912”, and coupled windows in the 2nd, 3rd, 10th and 11th bays, all with elaborate surrounds of buff terracotta including quoined jambs, moulded transoms and enriched keystones; and stained glass in the upper lights. Square Baroque-style turret at left gable.

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The building itself was originally designed for commercial use with a department store on the ground floor boasting five departments including a butchers, shoes and boots, a drapery and a grocery. On the first floor there was a meeting room that was large enough to host dances with live music. Its inaugural event was an exhibition by the Co-operative Workers Society that also included a recital by the C.W.S. orchestra of Balloon Street; it was reported to have been a great success. It was also used for community events such as the Crowcroft Bowls Club prize-giving ceremony in 1914.

Northmoor Road was called North Road at the time the building was in use as a co-operative and was developed between 1899 and 1930’s. Its most famous resident was J.R.Tolkien who lived here between 1926 and 1947.

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Now home to Great Places Housing

This is such a substantial building exuding an opulent retail grandeur that easily leaves your local Tesco Local in the deep dark ignominious shade. From a time when the expanding Cooperative movement provide for most of the areas material needs – though the Beswick Society was disliked for its aggressive territorial ingress, outside of any recognised geographic constriction.

Externally it is still substantially as was – clearly visible from the nearby Stockport Road and continuing to command the street with degree of grace.

Go take a walk, take a look!

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