Doncaster Modernism – Revisited Again.

Posted on by modernmoocher

The third time by the banks of the Don – first time around in May 2019, subsequently in October 2020.

So much can change in so short a time, post-pandemic and every town is doing its level best to build back better.

The vision includes:

  • Ensuring the centre is a focus for business and enterprise.
  • Building on the success of the current markets and raising the aspirations and functions of the markets.
  • Recognising the city core as the heart of the economy and the borough and the place where the image of Doncaster is most clearly reflected. 
  • Enhancing green spaces and waterways to create a better setting for visitors, investments and city heritage.
  • Developing the civic and cultural quarter and reinforcing the retail and leisure core through better links and public space improvements.
  • Developing city-scale functions and assets, to become a stronger draw for business, workers, visitors and inward investment.
  • Developing and bidding for new city-wide cultural venues, a University and Research and Development facilities.
  • Rebranding Doncaster as a location of choice for regional businesses.

Masterplan

Arriving by train and ascending into the light – here’s the station lights.

The railway station has sharpened up its apron and facade.

We have transformed the station forecourt. It has become a quality gateway which delivers a great first impression for visitors arriving in Doncaster by train. This will help stimulate interest from investors and developers, helping to attract new investment and create jobs for the borough and wider region.

Doncaster.gov

Celebrating engineering, speed and connectivity and stretching forty metres in length the public art at Doncaster Station consists of forty seven monoliths which are a nod to Doncaster’s past, present and future. With a fountain and three impressive water walls, the art takes centre stage in the new public space as you step out of the train station and head into the town centre.

The concept was devised by Doncaster Council and further developed by Chris Brammall.

CB Arts manufactured and installed the piece

Typically the high and low streets of Britain’s industrial towns and cities, are an amalgam of architectural style and fashion, spanning at least two or three centuries.

Faience fronted interwar developments abound.

Neo-classical speculative shopping arcades.

Revamped Victorian pub facades.

Behind the buff faience frontage is a lovely, small two-room pub with a well preserved interior created under plans of 1934. It was remodelled by the Grimsby brewers Hewitt Brothers Ltd who were Doncaster’s biggest pub owners for many years.

Pub Heritage

Originally a Gent’s Outfitters, this deco-gem was topped off with the Nags Head Hotel.

This grade II listed pub is now in retail use, though Vision Value, are it seems, on the move.

Lost pubs project.

Of course, every town had a Burton’s – the tailor of taste.

This post war infill has that distinctive Festival of Britain feel, original metal window frames, Portland stone and blueish slate like panels.

The revamped Frenchgate Shopping Centre, officially opened on October 4th 1968, has in places an upper tier, resistant to zinc over cladding.

The centre has been the heart of the city for over 40 years and was originally called the Arndale Centre because it was built, owned and managed by the Arndale Group. It was renamed in 1988 after a change of ownership, with the new name reflecting the name of the street which passes to the east of the centre and which is one of Doncaster’s main shopping streets.

The sale of the centre came just a year after Frenchgate had undergone a £200 million facelift to transform it into the country’s first shopping centre with integrated public transport and retail interchange.

Wikipedia

There are plans to rework the shopping centre.

We propose this is fundamentally transformed though the addition of apartments that wrap along the back of the first-floor retail with a further 2.5 new storeys placed on top. We also feel additional height -up to seven or eight storeys, is justifiable to the corner of Frenchgate and Trafford Way.

TODD Architects

The Lovers were once located in the Arndale, removed to a local garden, unloved – then later reinstated in the Waterdale Centre, where we will embrace them a little later.

Turn right to take in the 1920s mosaic remake remodel of the Grade II listed Blue Building.

The Blue Building which used to be the Doncaster Design Centre and Tourist Information Centre was originally the home of John Whitaker, a wine merchant, and son of James Whitaker who was Mayor of Doncaster in 1758.

In 1925 the complete building was demolished apart from the facade which was retained and given a facing of decorative blue tiles. The intention was to build a shopping arcade from High Street to Printing Office Street. Only part of the arcade, known as the  Westminster Arcade was built. It had a number of shops, the largest being that of Woodhouse & Co Furnishers.

Doncaster Heritage Trail

Two adjacent 60s extensions – to the right a redundant post office to the left an almost redundant telephone exchange, with the earlier brick built exchange in smack dab the middle.

Turn another corner and it’s all at the Co-op now – the Grade II listed Danum Co-operativeBuilding, department store and offices: 1938-40 designed by T H Johnson & Son for the Doncaster Co-operative Society Ltd. 

Over the road a zig-zag Halifax Building Society branch, tightly contorted by its corner footprint.

To the right of the Danum, this former Boyes store, having relocated to the Wilko site, the building is ripe for residential conversion.

To the left the Colonnades Shopping Centre a fierce angular glass and brick bunker of mixed office and retail space – the sole occupant seeming to be Home Bargains.

A £3.3m makeover of the Colonnades shopping mall in Doncaster town centre was completed in 2019.

The scheme of works was co-ordinated by Doncaster Council and funded by the Sheffield City Region Local Growth Fund.

Built in the 1980s, the brick built building received a major overhaul. The investment saw the visual appearance enhanced inside and out. The five floors were transformed into the prime office space needed in the town centre and the enhancements to the retail area were also finished.

The shift in the town’s axis to the Frenchgate and Market areas, seems to have taken the wind out of its sails.

The former flicks now a redundant pale brick behemoth – no more and ABC.

Architects: C Jack Foster and Alan Morgan

Doncaster’s new £250,000 ABC cinema, part of the Golden Acres development near the town centre, was opened on May 18th 1967.

Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the three screens for 477, 201 and 135.

The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film Doctor Zhivago.

Cinema Treasures

The Golden Acres development seemed to have morphed into the Waterdale Centre.

It is currently being reshaped to provide a line of desire twixt the Civic and Cultural areas, from the town centre. There are still the remnants of homes, shops and a pub amongst the demolition – almost inevitably there is new paving.

Waterdale is a well-known part of Doncaster’s town centre. During its heyday it was a bustling area with people flocking to shops and the like – it was a place you had to visit while you were in town. However, it had suffered a steady decline which continued when the southern bus station closed – Frenchgate Interchange opening, and Doncaster College moved to the Hub at the Waterfront. With limited public transport entering the area and no student population on its doorstep, less people had reason to pass through.

Demolition of the College.

The Civic and Cultural Quarter is transforming Waterdale reconnecting it to the town centre. The quality and content of the plans is raising the profile of this part of town to new levels. The carefully thought out layout and consistent building design is giving the area a clear identity. It is already becoming a big attraction that draws people in and encourages redevelopment in the neighbouring areas.

Doncaster Gov

The relocated Lovers are still in love.

The weary walker is diverted toward the Civic Quarter Car Park.

The former Civic Offices are to be demolished.

Demolition of the Central Library is well under way.

Facing the former library we find the CAST Theatre, Civic Buildings and Savoy Cinema, grouped around Sir Nigel Gresley Square.

Within the square is a frieze, salvaged from the former Gaumont Cinema, the work of sculptor Newbury Abbot Trent.

The Gaumont Palace Theatre in Hall Gate at the corner of Thorne Road, Doncaster opened on 3rd September 1934 with Jesse Matthews in Evergreen.

It was designed by architects WE Trent and W Sydney Trent.

In 1949 WH Price the Borough Surveyor produced an outline plan for the area, with a green space at its heart, it was never realised. In 1955 Frederick Gibberd produced his plan to include a ten storey Town Hall, Art School, Technical College and Civic Theatre, revised and reduced in 1963 – eventually his Police Station and Law Courts were completed in 1969.

The former NHS Clinic at the ‘T Junction’ is transformed into a day care service.

The former Museum and Art Gallery now an archive and local studies centre.

The building was designed in the office of the Doncaster Borough Architect’s Department in a team led by borough architect Mr LJ Tucker. 

The ceramic designs were a later addition when it was discovered that the large open areas of glass overheated almost everything inside, the work was undertaken by LJ Tucker and family.

The sculptural work by Franta Belsky, now has a skip for company.

As a footnote the work by Fabio Barraclough reveals a murky past.

Barraclough was born in Madrid in 1923, to a Spanish mother and Yorkshire father who founded Madrid’s Chamber of Commerce. He moved to London with his family in the 1930s as a refugee from Francoist Spain. He taught fine art and sculpture at Rugby School, where colleagues considered him “highly entertaining, a most unorthodox and highly gifted” teacher. He established himself during the 1960s and early 1970s as an authority on sculpture, publishing in academic journals and becoming a member of the Royal British Society of Sculptors.

In 2000, it was revealed that Barraclough, while outwardly living the life of anti-apartheid activist since the 1970s, had been a paid informant of the South African state security police. The media was used to promote his image as a “brilliant, liberal artist with apparently impeccable credentials” in order to gain public trust, while he was funnelling money from anti-apartheid groups to the police. He died on 6th January 2019.

Wikipedia

Over the way faros the green sward is St Peter in Chains RC – A large and striking design by JH Langtry-Langton, incorporating important furnishings by J F Bentley from the predecessor church, along with good furnishings of the 1970s. The churches houses the modern successor to the medieval shrine of Our Lady of Doncaster.

Figurative stained glass by Patrick Feeny for Hardman in 1973 and abstract glass fitted in 2000 as part of reordering and revival of the shrine.

Further information on Taking Stock.

A special mention for the Danum Cultural Hub

Designed by architects Bond Bryan and built by main contractor Willmott Dixon, the new cultural and learning hub has been created following the restoration of four existing buildings. 

A key focal point of the scheme is the restored frontage of the Edwardian former Doncaster High School for Girls, which has been framed by Senior’s slimline SF52 aluminium curtain wall and showcased within a new steel-frame building. The glazed facade, which was fabricated and installed by Senior’s supply chain partner Chemplas, also features Senior’s aluminium commercial doors.

RIBA Journal

Where I was delighted to see Sir Nigel Gresley’s hat.

Car Park – Huddersfield Bus Station

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Upperhead Row Huddersfield HD1 2JN

I was informed by the seriously erudite Christopher Marsden that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

Having visited and photographed the bus station in 2016 I thought that it was about time I went up in the world, to the top level of the car park.

Mixed opinions from Parkopedia reviewers – let’s take a look around.

There are plans for refurbishment outlined in 2022 in the Huddersfield Hub.

The bus station will undergo a major revamp both inside and out and the most striking feature will be a sweeping canopy with a living grass roof which will run right across the main frontage from Macaulay Square to Upperhead Row.

Also of note a project by Kate Matthews to seriously rethink the role and design of the space.

The starting point for this project was the Welcoming Water group scenario, involving the controlled flooding of areas of the town.

The new interchange includes facilities for cycling, walking, and public transit. The basin and marina on the new lake allow for an increased focus on water-based transport, including a new bus-boat. The main Transport Hub sits below an undulating roof and contains not only the bus bays and ticketing facilities, but also co-working and relaxation spaces. The curves of the roof, trying to confuse the binary of floor and ceiling, are just one example of the ambiguity throughout the scheme.

This project was nominated for the Architects for Health Student Design Award in 2021.

And finally:

Adelphi Picture Theatre – Attercliffe

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Vicarage Road Sheffield  S9 3RH

Architects: William Carter Fenton

The Adelphi Picture Theatre is located in the Attercliffe district in the east of Sheffield. It opened on 18th October 1920 with Irving Cummings in Auction of Souls. The red brick building has buff and blue coloured terracotta enrichments on the façade, especially on the small turret dome over the entrance, which also has stained glass windows.

Seating in the auditorium was provided in stalls and circle, and the projection box was located in the rear stalls, underneath the circle. The cinema was in reverse, and patrons entered the auditorium from behind the screen. The decoration includes pilasters, a segment-arched panelled ceiling and a moulded proscenium arch with a central crest which is flanked by torches. The circle has a lattice-work plaster front.

Single photo enhanced with easyHDR 3.15.2: Adelphi 1920 10 18.jpg

It underwent some restoration in 1936 and a re-decoration in August 1939. It received some bomb damage during the second week of the blitz and was closed for around a month. It received further renovation in August 1946. It remained an independently operated cinema throughout its cinematic life and was usually tied in with the Coliseum Cinema on Spital Hill.

The Adelphi Picture Theatre closed on 28th October 1967 with Robert Vaughn in The Karate Killers and Glenn Ford in The Rounders. It became a bingo club, last operated by the independent Walkers Bingo. After this closed in around 1995 it became a nightclub and since March 2000 was converted into a music teaching centre. This closed in 2006, and the building stood unused, and by 2013, it was in use as a storage facility. It was announced in November 2022 that the city council were seeking to purchase the building to renovate and convert it into a community centre.

Since early 1996, the Adelphi Picture Theatre was designated a Grade II Listed building by Historic England.

Cinema Treasures

Just the other day I came across an old ticket stub issued by The Savoy in Heaton Moor.

They used a Automaticket machine, but with dead stock tickets.

Evolving from being gear and lever driven, to powered by electric motors, these ticketing machines served as somewhat of an industry standard for over eighty years.

While there are still a few of these machines in use, the theatre industry generally abandoned such ticketing systems, in favor of computerized ticketing, by the late 1980’s.

Cinelog

The striking art deco – sic. building later hosted Sheffield’s famous Gatecrasher club nights, among other events, and was also used as a music teaching centre.

It sat empty from 2006 until 2013 and has since been used only for storage.

Sheffielder

My dad was a regular at The Adelphi during the war years. He remembers that the showings were always like a theatre with two matinees during the week and two evening showings everyday unlike the continuous showing at other cinemas and a children’s matinees on a Saturday.

He and his friends had six seats booked on Q row for every Monday and Saturday night as more often than not the films ran for three nights Mon, Tues and Wed, then a new picture Thurs, Fri, and Sat – no show on a Sunday. Occasionally a good film, now known as a blockbuster, would run for longer; if this was the case they just put up with seeing it twice.

The cost of the film was 4d or 6d upstairs, the cinemas in town were dearer.

Called up in February 1944 he did not return to Attercliffe until his first leave from the army a week before VE day in 1945. He returned from Germany, said hello to his Mum and Dad, dropped off his kit bag then caught the tram the three stops to the Adelphi where he knew his friends would be. The smartly dressed commisioner, in blue with plenty of gold braid, standing outside immediately recognised him even in army uniform. He showed him in telling him the lads were all there. He crouched in the aisle next to his friends and caused quite a commotion once he was spotted – he has no memory of the film showing but great memories of the reunion to this day.

Sheffield History

It was bought by Sheffield City Council earlier this year, as part of the Attercliffe Levelling Up project, and has now gone on the market as the council seeks someone to revive the Grade II-listed building as a vibrant cultural hub.

Councillor Ben Miskell, chair of the council’s Transport, Regeneration and Climate Policy Committee, said:

We’re thrilled to announce the Adelphi Cinema building in Attercliffe is now on the market and we’re eager to hear from interested parties. The building forms one part of our ambitious plans for the area which will all come together to breathe new life into the community.

These were taken by me in September 2023.

The Adelphi has a Burton’s for company.

Photo: David Edge April 2024

Concrete Coast – Bridlington

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The last post on the concrete coast was from Filey

Now we’re heading south to Bridlington and beyond.

Where we find another dense cluster of sea defences, some but not all extant.

After the south coast, both East Anglia and the Yorkshire Coastline were identified as vulnerable to invasion. Bridlington Bay, was and ideal location for an invasion; flat sandy beaches for amphibious landing crafts, above the foreshore flat landscapes perfect for tanks and gliders to land, an isolated small population with only the residence of Bridlington close by and finally the control of an established port at Bridlington, once it was under German control. According to the Defence of Britain Survey undertaken in the Late 90’s, Northern Command had some of the best defend beaches in the country, this includes Bridlington.

Citizan

eDoB

Here there are forces, past and present, at work shaping the landscape and the manmade addenda.

The remorseless waves, wind and rain eroding the coastal clay and contorted concrete.

Anti-tank blocks line the foreshore here; with deep foundation they are meant to be so immovable that tanks cannot go through them and rather have to go over them, exposing the weakly armour undersides of the tanks, which can then be fired at. The anti-tank blocks are arranged in batches of both parallel and perpendicular to the sea, which helps to divide up the beach and channel enemies towards the pillboxes and into fire.

Citizan

Coastal Concrete – Filey

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Once more unto the beach, dear friends, once more, or close the wall up with our English dead. 

Having visited Cayton Bay last year I ventured forth last week, to Filey and beyond.

The shore toward Hunmanby Gap when faced with the threat of invasion, was home to a plethora of coastal defences, formed from raw concrete between the years 1941 and 1942, along with attendant armed forces.

Map – eDoB online

Pill boxes, anti-landing trenches, anti-tank obstacles, beach lights, coastal batteries, flame fourgasses, gun emplacements and machine gun posts were clustered along the coast.

The majority have subsequently been removed, a few are extant – slipping from their cliff-top positions, as the soft clays have been eroded.

Their remains are now skewed and diminished by the weather and the North Sea’s formidable waves, taking on striking sculptural forms, embedded in the shifting sands.

During May 1940 the branch of the Directorate of Fortifications and Works – FW3, at the War Office was set up under the Directorship of Major-General G.B.O. Taylor. Its purpose was to provide specific pillbox designs to be constructed throughout the countryside at defensive locations.

During June and July 1940 saw the FW3 branch issue seven basic designs. However, often, once in the field, the local construction companies modified these under the direction of the area commands.

The FW3 pillbox design concept was to provide a simple fieldwork standard that could be constructed very quickly. Most designs consisted of or incorporated some of the following features:

Minimum of Bullet/Splinter Proof protection
No attempt was made to provide living accommodation
Some designs were enhanced to Shell Proof standard
Simple Blast Walls to protect open entrances
External flat side walls with rectangular or polygonal shape

The use of common designs with standard sizes for doors, loopholes and flat sides made it easier to mass produce items for concrete shuttering and hence the speed of construction. However, with the general countrywide lack of material it was often necessary to use bricks as the shuttering. This often fools the casual observer into believing that the whole structure is constructed of brick. Closer examination often reveals the integral reinforced concrete back-bone.

Pill Box Study Group

Bradford Revisited

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We arrive at and begin our journey at the Interchange – the bus station is closed, along with the station entrance.

Bradford accepts that it is a part of the Northern Supercity stretching from Coast to Coast – Liverpool to Hull. Every existing town and new settlement must be unique. People belong to their own hotspot as well as Coast to Coast. Bradford as a dispersed centre will give it individuality as well as becoming synonymous with the whole new city. Bradford is a mini version of the whole. It is composed of a series of mini hotspots which will each act as a focus for each square kilometre.

Bradford has the topography to allow every citizen to wake up to a view – both physical and mental. Their collective ambition can create a place of extraordinary difference.

Will Alsop

We have of course been here before.

Bradford Interchange will get a new entrance and other improvements to bring it up to standard, the city council said. 

The NCP car park on Hall Ings would be demolished to create a new pedestrianised entrance.

BBC

The Interchange opened in 1971 was the first of its kind in the country, designed by the BR regional team headed by RL Moorcroft and the City Architect.

Onward to the Magistrates’ Courts designed by City Architect Clifford Brown in 1972.

Bradford is in the process of paving and puzzling pedestrians, as it becomes City of Culture in 2025.

So we wind our way over the inner ring road, advisedly avoiding the filled in underpasses.

The former Central Library awaits us, designed in 1965 by Clifford Brown – a striking podium and tower, currently home to council offices.

Next door the Sir Henry Mitchell House home to the Children’s Services.

Sir Henry Mitchell 1824 1898 was a mill owner and Mayor.

Moving further along the Telephone Exchange of 1936, design by architect FA Key.

Partner to the Telephone Exchange of 1976 by architect Trevor H Hanson for PSA

The gates were open and we were afforded a view of these delightful vents.

Next to the Ice Arena topped off with Wardley House – Sanctuary accommodation for key workers and students.

Wardley House is equipped with all the modern amenities you need for a comfortable and connected life as a key worker. The rent includes high-speed broadband and building-wide Wi-Fi, utility bills, and contents insurance. Our top-notch facilities comprise a large common room with a pool table, flat-screen TV, and live BT Sport – the perfect social space.

Up the hill and around the bend to the University of Bradford – the main Richmond Building fronted by Joe Mayo’s tiles.

At the University of Bradford our focus is on creating the conditions for social, cultural and economic impact. We will achieve this by using our proud heritage as a springboard and remaining steadfast in our commitment to equality, diversity and inclusion. We will harness our strengths in research, innovation, teaching and partnerships to extend our reputation, influence and impact. All of this will create a values-led culture that is inclusive and effective in enriching lives and benefitting society.

The undercroft has undergone a major refurb rethink – transformed into a Goth Disco.

We emerge unscathed into the clear light of day and the BDP designed Chesham and Horton blocks.

The mosaic covered columns remain unclad.

Let’s hop to the Grade II-listed Co-op designed by CWS in house architect WA Johnson and JW Cropper in 1935.

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Demolished despite protests in 1960.

In 2019 the Architectural Heritage Fund announced a £5,000 Project Viability Grant to Freedom Studios Ltd.

The money funded a viability study to investigate the potential of building becoming a multi-use cultural hub.

As of May 2024, sadly there is no cultural hub.

Next we hot foot it to the Kirkgate Centre and Market – John Brunton and Partners 1975.

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

Janice Ivory and Lisa Donison didn’t hold back in their criticism of the centre in its current state.

Thank God for that, was Janice’s reaction to the news the building was set to be bulldozed, although an exact date for its closure remains unknown.

It’s just a concrete monstrosity, she said of its design, which Historic England said was lacking architectural flair.

It’s just an ugly building, added Lisa.

Once dubbed Bradford’s space age retail destination, Kirkgate Shopping Centre will soon be no more. 

The city centre landmark, which opened for business as an Arndale in 1976, has been denied listed status by Historic England – paving the way for its demolition.

BBC

Geoffrey Cowley from Wibsey, who was in town for an eye appointment, said demolishing it:

Might be the right thing to do.

There are plans to remove and display the William Mitchell panels along with these other examples of his work.

In-situ at Highpoint.

In storage – removed from the Bradford And Bingley Building Society.

Artist Bernd Trasberger plans an artistic project, which involves repurposing Fritz Steller’s tile works.

As Ken Kesey so rightly said – Further!

Up to Highpoint designed by John Brunton and Partners 1973.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

High Point is the perfect site for the first Radii development. Now perceived as an exemplar of the Brutalist style, this eight-storey titan, has languished derelict and in disrepair for many years in the heart of Bradford City Centre.

Our regeneration of High Point into an innovative residential apartment complex with a community at its heart, embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Sharp, chic and spacious apartments available. Furnished to the highest standards throughout and with the flex to provide you with office space if required – this is modern city living that’s easy on your eye and your pocket.

Radiiliving

And finally the cafe that is not a cafe – Fountains, where the griddle no longer grills, the lights are always out and the shutters tightly shut, ain’t nobody home.

Wishing nothing but well for this West Riding gem – Bradford City of Culture and cultures and culture.

Balmoral Car Park – Scarborough

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North St Scarborough YO11 1LU

Last day of the holidays and we’re off to Balmoral!

No not that Balmoral the other Balmoral, the car park attached to the Balmoral Centre, built in 1974 – with little or no reference to the Highland baronial.

Though the old Balmoral Hotel had to be removed in 1973.

Scarborough is a beloved seaside resort and we’re pleased to have secured these well-known, popular parades, bringing them into our in-house portfolio.

We are committed to focusing our efforts on regional retail centres and neighbourhood parades where we can see there is incredible potential. The Balmoral Centre and Bar House provide us with significant opportunities to add significant value and we are already looking to identify how we can revitalise these centres further. We hope to make announcements on how we can achieve this over the next few months.

This is the Coast

The staff at this car park are always friendly and really helpful.

You can tell they take pride in their car park.

We stay in this car park every time we come to Scarborough and stay in Britannia hotels, we find it safe and secure to park your car, the staff are very helpful and polite and keep the car park in tip top condition.

We will always park here great opening and closing times also five minute walk to Royal and Grand Hotel and shops.

Parkopedia

It’s tucked in behind B&M

Don’t go up the ramp Steve, the entrance is around the corner.

Up in the lift to level six – to the East it was misty, whilst to the West it was not.

Down another level and still not a sign of any cars.

Back up to the top of the world.

Tapton Hall – Sheffield

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Shore Lane Sheffield S10 3BU

The Masonic Hall has an extension of 1967 by Hadfield Cawkson Davidson & Partners

The Masonic Hall has an extension of 1967 has a concrete mural by William Mitchell.

Symbolising the turmoil and chaos of the outside world, contrasting with the order of the Masonic Temple – a Freemason told me so.

I thought to propose the idea that this may well be a false dichotomy – then thought I’d better not.

These are the constituent panels.

These are the details.

Having been asked to speak to the Sheffield University Alumni Women’s Group – on the subject of Modernist Sheffield, I had easy access to the interior space.

I was ever so excited to discover these decorative panels on the stairway – I assume that they are also the work of William Mitchell.

Nobody knew.

The Masonic Hall is now a venue in addition to being a Masonic Hall.

It was once the home of steel magnate Edward Vickers.

Vickers was a successful miller who invested his money in the railway industry. In 1828 he garnered control of his father-in-law’s steel foundry business, formerly Naylor & Sanderson, and renamed it Naylor Vickers & Co. He went on to be Alderman and the Mayor of Sheffield and was the first President of the Sheffield Chamber of Commerce before he died in 1897.

Westfield Estate – Sheffield

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I was asked to give a talk for Photo North in response to Sean Madner’s photographs.

Speaking on behalf of the Sheffield Modernists.

On the day, I was eager to visit the Westfield Estate for the first time.

Westfield Estate Mosborough, formerly Waterthorpe Farm Estate, a rural township which was subsumed by Sheffield’s expanding housing schemes.

Mosborough, a vastly expanding village, eight miles North East of Chesterfield and six miles South East of Sheffield.

Waterthorpe Housing Estate near Beighton named after Waterthorpe – formerly Walterthorpe Farm.

Path which goes behind houses on Short Brook Close 1974

The Waterthorpe and Westfield housing estates were built from mid-1970s and were added to over a number of years. Eventually linking with both the old council estate of Beighton and the new estate of Halfway, the estates house a condensed significant number of almost wholly local authority owned properties following the phasing down and demolition of the original estates around Parson Cross and Shiregreen in the north of the city.

Wikipedia

Eastcroft Glen 1986

May Tree Lane

Archive photographs – Picture Sheffield

So I jumped the tram from Sheffield Station to Halfway alighting at Waterthorpe.

A long rambling ride, rolling in and out of rolling hills.

I headed over the footbridge and into the heart of the estate.

Horse and Lion – Sheffield

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1 Samuel Rd Sheffield S2 3UA

I jumped the tram at Sheffield Station and headed out to Arbourthorne.

Looking for a pub that is no longer a pub, it closed in 2007 – it’s now a convenience store and chippy.

It was once the star of an Arctic Monkey’s promo video When the Sun Goes Down at 1’21”.

It has become a print by Johnathan Wilkinson.

Oh how I loved this place my family drunk in here for years and years, I remember waiting outside on a weekend with a packet of crisps and a glass of coke, waiting for them to come out. I think it was the first place I had my first legal drink, loved the place hate to go past now and see it as a Premier. Anyone seen Dave and Ann lately once upon a time landlord and landlady, does anyone know how they are doing? 

Sunday afternoons karaoke and everyone sat outside in the summer – oh the memories.

I used to Drink in there around 1975/76, it was OK in those days, a local wrestler used to drink in there, his name was Alan Kilby, I saw him fight on TV a few times.

Sheffield Forum

The former pub’s striking roof is still striking – sadly the last orders bell stopped striking long, long ago.

The shop was busy and the chips from the chippy were just the job on a cold damp November day.

Changes in the demographics of the area, social trends and the general economic malaise, have ensured that many estate pubs are no longer able to thrive and prosper.

Finally and puzzlingly.

Sheffield Modernists

Posted on by modernmoocher

The outline of a presentation for Photonorth – November 16th 2023.

I was asked to talk about the photographs which Sean Madner had selected for exhibition on behalf of the Sheffield Modernists.

Illustrating a wide range of building types in and around Sheffield sheltering beneath the broad umbrella of Modernism.

By way of context the photographs are all Topographic in nature –  in which a landscape subject is photographed, devoid of people, framed orthogonally and lacking artifice or effect.

Practiced most famously by the 1970s New Topographics photographers, including Robert Adams, Lewis Baltz, Nicholas Nixon, and Bernd and Hilla Becher.

Bernd and Hilla’s photographs lead us to:

1 Potter Hill Water Tower

The British Water Tower Appreciation Society

2 Geography Building 1970 Sir William Whitfield

Alterations made 2022

3 Moore Street Substation 1968 Jefferson Sheard

Owen Hatherley describes it as:

A shocking paroxysm of a building, an explosion in reinforced concrete, a bunker built with an aesthete’s attention to detail, a building which is genuinely Brutalist in both senses of the term.

4 Horse and Lion Pub – Bass Charringtons

Prime example of a so-called Estate Pub.

With a hyper parabolic roof a doubly-curved surface that resembles the shape of a saddle, that is, it has a convex form along one axis, and a concave form on along the other.

Featured in the video for the Arctic Monkeys’ 2006 number one hit – When the Sun Goes Down at 1.21.

5 Park Hill – 1957 and 1961 Jack Lynn and Ivor Smith under the supervision of JL Womersley, 

Grace Owen Nursery – with two Wicksteed climbing frames

The Play Ground should not be put in a corner behind railings, but in a conspicuous and beautiful part of a Park, free to all, where people can enjoy the play and charming scenery at the same time; where mothers can sit, while they are looking on and caring for their children.

Charles Wicksteed

6 Gleadless Estate 1963 Lewis Wormersley City Architect

The Sheffield Blitz in December 1940 killed almost 700 and damaged some 82,000 homes, over half the city’s housing stock. As the city looked to rebuilding, its 1952 Development Plan estimated the need to replace 20,000 unfit homes and build a further 15,000 to cater for the natural increase of population.

Supreme, but often overlooked, achievement … is the Gleadless Valley Estate which combined urban housing types and the natural landscape so effectively that it still looks stunning, especially on a bright winter’s day.


7 Hallam Tower Hotel 1965 Nelson Foley of Trust House Architectural Department

It opened officially on 24th March 1965 and was the first luxury hotel to be built in the north of England since the Second World War. The exterior was designed to complement Sheffield’s post-war modernist developments; the interior by Colefax and Fowler of Mayfair offered warm, gay colours to contrast with the black and grey tones of the city.

8 Hope Cement Works

The plant started its first full year of production in 1929 

The plant was located at Hope, because it is at the edge of where carboniferous limestone of the Monsal Dale Group, meets Edale Shale, the two main components of finished cement.

Since 1951, when the Peak District National Park was created, most of the outbound traffic from the plant has been exported by rail.

As seen in the Channel 4 TV ident.

The same location used in Shelagh Delaney’s A taste of Honey.

9 Droppingwell Footbridge – West Riding County Architect Colonel Stuart Maynard

Colleagues in the team included Bill Varley, Ron Bridle, Sri Sriskandan and FA Joe Sims. The team was responsible for the introduction of a great deal of new computing technology into bridge design, as well as for some of the most imaginative bridge engineering going on anywhere in the country. Their design efforts were supported by close involvement in research and testing work, for example, on half-joints and concrete hinges. All the above named engineers went on to considerable seniority, some in the Department of Transport, and Sims and Bridle in particular have published various papers and contributed to books on the history of Britain’s motorway development.

10 Beeversleigh Rotherham 1968-71 Main contractors J Finnegan 

It’s thirteen storeys high – housing forty eight dwellings.

11 Park House School 1964 Lyons Israel Ellis Gray

Listed in 2017 – then demolished.

12 Magistrates Court 1978 B Warren City Architect

13 Smithy Wood Footbridge

Built using a structure developed by EM Wincher in Pittsburgh 1930.

14 Westfield Estate Mosborough

Formerly Waterthorpe Farm Estate a rural township which was subsumed by Sheffield’s expanding housing schemes.

Concrete Chalets Again – Scarborough

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Well here we are again.

Previously on Modern Mooch.

The wind, sea, rain and sand continues to erode the beleaguered beach huts.

Moore Street Substation – Inside Out

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I have walked around the exterior on more than one occasion.

This concrete enclosed, collection of transformers and switchgear.

Electricity substation. 1968 to designs by consulting architects Jefferson, Sheard and Partners, Sheffield, led by Bryan Jefferson, in association with the Regional Civil Engineers’ Department of the CEGB North East Region. Contractors, Longden & Sons Ltd, Sheffield. Reinforced concrete frame with board-marked finish with formwork bolt marks, construction and daywork joints emphasised, concrete floor slabs, blue engineering facing bricks, cladding panels of Cornish granite aggregate.

Historic England

The good folk at Sensoria and The Black Dog staged My Brutal Life inside the building – using the void created by the non-expansion of expanded demand for electricity.

The exhibition features work by Bill Stephenson, Mick Jones, Mandy Payne, Martin Dust, Scott Amoeba, Richard Davis, Jen Orpin, Alun Cocks, Human Studio, Sean Madner, Helen Angell and The Black Dog.

Let’s take a look outside inside out.

Thanks.

Martins Bank – Eyre Street Sheffield

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176 Eyre Street Sheffield Yorkshire S1 4QZ

Opened in 1961, Martins Bank’s branch at Sheffield Moor is new and purpose built, occupying space left in the Sheffield Moor area by the bombing of the second world war. Time flies however, and more than fifty years on, the building is empty and awaiting the next chapter of its life.

Note the olivetti shop incorporated into the bank building.

Our New Branch at Sheffield Moor owes its existence to the extensive replanning of this area of Sheffield. Part of it was destroyed during the war and the remainder has been or is in course of being pulled down as the plan unfolds for the creation of a brand new shopping area.

It is really too far from the old commercial quarter to be effectively served by our branch at West Street and so the banks are moving in. It is a beautiful modern building with interior decor which responds to the full blaze of sunshine most cheerfully, or, on a dark day when the illuminated ceiling has to be switched on, creates an oasis of light, warmth and welcome which makes it a pleasure to step inside.

Martin’s Bank Archive

Today the building is, sadly, a shadow of its former self.

Other Sheffield banks are available- William Deacon’s, where refurbishment seems to be taking place.

Burdock Way – Halifax

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One man who saw the wisdom of building a road infrastructure to deal with high volumes of traffic passing through Halifax and to provide convenient links to the M62.

That man was prominent town councillor John Burdock.

Burdock Way, the modern flyover system, was opened in 1973 to take the A58 and A629 traffic over the River Hebble.

Peter Tuffrey: From The Yorkshire Post Archive

Faced with the problem of very high volumes of through traffic in its town centre, and with the impending construction of the M62 too far to the south to provide relief for the town, Halifax needed a bypass. The steep sided valley that the town centre inhabits prevented a conventional road from being built around the town, and so in the early 1970’s construction began on Burdock Way – one of the most adventurous relief road schemes built in Britain, certainly by a town the size of Halifax.

Only one phase of the futuristic road was ever built, but what exists is a partially grade-separated dual carriageway that runs through deep trenches and over tall viaducts close to the heart of the town. At its eastern end is a truly byzantine piece of traffic engineering that stretches the definition of a roundabout to its limit.

Roads

In October 1971 the official celebrations went anything but according to plan. It had been decided to give the people of Halifax a half day holiday so they could attend the opening, but there were not enough police on duty to control the sightseers. It was impossible to get complete silence for the speeches and arrangements to tell the artillery guns at Southowram Road when to fire broke down. They were fired prematurely while an archdeacon was offering prayers. The Mayor, HC McCrae, finally managed to announce that the bridge was officially open and he scurried back to the town hall where he hosted a banquet.

Burdock Way has never been fully completed as it is missing certain sections envisaged in the early 1960s plans. There are a number of reasons for this, but it is mainly owing to West Yorkshire County Council’s cost cutting in the 1970s. 

Yorkshire Post

This is the Valley of the Gwangi in the West Riding – minus the dinosaurs.

An urban chasm, the gulf between everything and nothing.

North Bridge is a Victorian iron and stone bridge crossing the valley of the River Hebble, connecting the town to roads to Bradford and Leeds. Replacing an earlier six arch stone bridge it was raised to allow the subsequent construction of the Halifax High Level Railway beneath it, along with an adjoining station.

Opened in 1871 amid chaotic crowd scenes it carried increasingly heavy traffic until it was by-passed by the Burdock Way in 1973.

It remains in use for local traffic.

Cayton Bay – Concrete

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Things come and go on the coast.

As Mr Marx noted:

All that is solid melts into air.

The soft clays of the cliffs are subject to constant erosion.

In 2008 fresh landslips have occurred around Cayton Bay. The bungalows built on the old holiday camp at Osgodby Point have started to suffer serious erosion. The cliffs around the Cornelian and Cayton areas are just made of soil. So erosion is to be expected. It may taken time. But there is not much which can be done to prevent the seas moving in.

Scarborough Maritime History

The Pumping Station was partially demolished in 1956.

Several well worn layers of geological time have been hanging around for a while now.

Whilst the long-gone critters are but fossilised versions of their former selves.

The rocks found at Cayton Bay are Jurassic aged from the Callovian stage. At the north end of Cayton Bay, the Cornbrash Formation can be seen, comprised of red-brown, sandy, nodular, bioturbated limestone with oysters and other bivalves.The Cornbrash lies beneath the start of the Cayton Clay Formation. Walking south towards Tenant’s Cliffs, Lower Calcareous Grit is brought to beach level, followed by a calcareous limestone. At the waterworks, low tides reveals a section in the Middle and Upper Jurassic rocks.

On scouring tides, argillaceous limestone and calcareous sandstone can be seen layered along the Upper Leaf of the Hambleton Oolite, which is seen excellently in the low cliff on the southern side of the Brigg. The tough, impure limestone contains well-preserved bivalves and ammonites. The sequence is shown in the diagram but faulting has caused unconformities.

During scouring, Oxford Clay can be seen along the foreshore south of the argillaceous limestone. Walking further south, Red Cliff is reached, where rocks of the Osgodby Formation slope above the Oxford Clay.

UKFAH

The Wallis’s Holiday Camp of 1936 – eventually overwritten by a more a la mode commercial enterprise.

Photos: Glen Fairweather

Also missing in action the NALGO Holiday Camp – we are no longer a land of the Closed Shop, rather a land of the closed trade union holiday camp.

There was a similar setup at Croyde Bay.

Originally the first Trade Union holiday camp in the North of England, owned by NALGO it opened its doors in 1933. It had 124 wooden bungalows, accommodating 252 visitors. A dining hall with waiter service, a rest room along with recreation rooms for playing cards, billiards, a theatre for indoor shows and dancing was also provided. The new centre also provided Tennis courts, Bowling greens along with a children’s play area. The visitors could walk to the beach where there was a sun terrace and beach house which also had a small shop.

Click here to see photos of the NALGO camp from the 1930s.

One of the earliest visitors were the family of poet Philip Larkin and during the Second World War it became a home for evacuated children from Middlesbrough.  

The NALGO camp closed in 1974 and was later sold.

The wide sandy bay was an ideal location for WW2 pillboxes and gun emplacements – anticipating a possible North Sea invasion.

They too are built quite literally on shifting sands.

The pillbox – one of many built along the coast to defend against an invasion during World War II – had started to break down, leaving one large piece of stone in a precarious position.

Rob Shaw, of Ganton, noticed the large slab was propped up dangerously against another piece of stone last September.

He said he reported his concerns to Scarborough Borough Council then, but that nothing was done until last month.

The dad-of-two said before the work:

I used to work in construction and I would have been fired if I had left a lump of concrete like that, it could weigh four or five tonnes.

It just needs lying flat on the sand so it can’t fall on anyone.

A spokesperson for Scarborough Borough Council said the council had assessed the pillbox and arrangements had been made for the problem section to be removed.

The Scarborough News

This unstable cliff-top structure was allegedly hastened bay-wards by the Council.

Claims that we pushed the pillbox off the cliff are untrue – our colleagues have many amazing talents but pushing huge concrete structures is not one of them. The structure people can see at the base of the cliff is the other section of the pillbox that has been on the beach for many years.

Yorkshire Post

So let’s take a look at the state of play as of March 2023 – walking amongst these crumbling concrete remnants.

Scarborough Art Gallery

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The history of the building which today houses Scarborough Art Gallery began in 1828, when local solicitor and Town Clerk, John Uppleby, in partnership with local builders John Barry and his brother William, bought the land on which The Crescent would be built from the wealthy local banker and shipowner, John Tindall. In 1830, the York architect Richard Hey Sharp and his brother Samuel were commissioned to draw up plans for the site.

Crescent Villa was the last of the villas to be built, erected in 1845 as a home for John Uppleby and his family. After John’s death in 1856, his wife and family continued to live in the house until her death in 1881, at which time it was bought by Edward Chivers Bower, father of the sculptor Lady Ethel Alice Chivers Harris and the great grandfather of Katharine, Duchess of Kent.

Bower renamed the house ‘Broxholme’ after his family seat near Doncaster.

Photo: Doc Brown

Following Henry Donner’s death, the house was purchased by Scarborough Corporation in 1942 for £3000 and for five years was used as a welfare clinic and children’s nursery. The clinic moved out in February 1947 and the Corporation decided to turn the building into a public art gallery.

The Scarborough Art Gallery opened to the public on 17 November 1947.

The permanent collection includes paintings donated by famous hotelier Tom Laughton, the brother of the film star and actor Charles Laughton.

Detail from a 1931 map of Scarborough by Edward Bawden – Scarborough Museums Trust collection

Both Eric Ravilious and Edward Bawden, who were close friends, became acquainted with Tom Laughton, who acted as a patron, particularly to Bawden and commissioned pieces from him to adorn his hotels.

Wikipedia

I visit Scarborough at least once a year – travelling by train from my home in Stockport and one occasion cycling from Hull.

Whilst visiting, a visit to the gallery is almost de rigueur.

This year I had a particular interest in the gallery’s photographic exhibition Squaring The Circles

The works on show demonstrate radical and experimental investigations into the process of making photographs. From cyanotypes and daguerreotypes to pinhole and cameraless imagery, the exhibition blurs the boundaries between art and photography, resulting in an expressive, otherworldly, and inspiring display.

Exhibiting photographers include Takashi Arai, Angela Chalmers, David Chalmers, Susan Derges Hon FRPS, David George, Joy Gregory Hon FRPS, Tom Hunter Hon FRPS, Ian Phillips McLaren, Céline Bodin and Spencer Rowell.

Curated by Zelda Cheatle Hon FRPS.

I turned up paid my three pounds for an annual pass and looked around.

This is what I saw inside and out.

Angela Chalmers

Tom Hunter

Tom Hunter

Susan Derges

Céline Bodin

Tom Hunter

The show’s full title was Squaring the Circles of Confusion – here’s some information to dispel the confusion

Photopedagogy

Not top be confused with the Ball of Confusion.

Go see the show.

Huddersfield Re-walked

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I have walked this way before.

More than once, though that’s no reason not to do so again – so I did.

Saying hello to Harold.

Harold saying hello to us:

Nostalgia won’t pay the bills; the world doesn’t owe us a living; and we must harness the scientific revolution to win in the years to come. This scientific revolution is making it physically possible, for the first time in human history, to conquer poverty and disease, to move towards universal literacy, and to achieve for the whole people better living standards than those enjoyed by tiny privileged classes in previous epochs.

He warned change would have to reach every corner of the country; The Britain that is going to be formed in the white heat of this revolution will be no place for the restrictive practices or for outdated methods on either side of industry.

Fabian Society

Standing sentinel over one of Nikolaus Pevsner and John Betjeman’s favourite railway station front elevations.

Through a passage darkly.

Emerging into the light of day and the demolition of the Kirklees College 1969-72 by Borough Architect Charles Edmund Aspinall.

My thanks to the Metropolitan team who invited me in beyond the barriers.

We provide safe and efficient demolition services across a broad range of projects, from the small domestic dwelling to  large scale industrial units – we offer the complete solution. With excellent communication and impeccable health and safety standards, we can project manage the decommissioning a structure on time and on budget.

Edward VII is under wraps.

Everything else is up for smash and grab – including the later concrete block immortalised by Mandy Payne.

LIDL is coming – and some homes

The final details have now been signed off by the council and work on the six-acre site – which includes the Grade II-listed original Huddersfield Royal Infirmary – can now begin.

The vandal-hit and fire-damaged late 1960s and early 1970s college buildings are to be demolished and Lidl will build a new supermarket with a 127-space car park. The store will eventually replace the store on Castlegate.

The former hospital will be retained and the site will see 229 apartments and an office complex. The apartments are expected to be for older or retired people.

Huddersfield Hub

The inter-war infirmary is also destined for an imminent demise.

Next we take a turn around the bus station.

Changes are afoot for the buses.

Huddersfield’s £20M game-changing bus station is set to be completed by the end of 2025 with a living grass roof, sixty bike cycle hub, upgraded shops and new facilities

The project between West Yorkshire Combined Authority and Kirklees Council aims to transform one of West Yorkshire’s busiest bus stations, and uplift the area that surrounds it.

Over the way this diminutive commercial building – with a distinctive rectangular stopped clock and boldly incised gold leaf heraldic device.

Architects: Ronald Ward & Partners.

The same crew were also responsible for Millbank Tower

Crossing the road to the Civic Centre and the perennially empty piazza which along with the Magistrates Courts and Police Station was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Walking excitedly toward the Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble.

Magistrates Courts

Police Station

Dick Taverne served under Harold Wilson’s premiership in the 1960s, he served as a Home Office Minister from 1966 to 1968, Minister of State at the Treasury from 1968 to 1969 and then as Financial Secretary to the Treasury from 1969 to 1970.

In 1970, he helped to launch the Institute for Fiscal Studies, now an influential independent think tank and was the first Director, later chairman.

Wikipedia

A view up the road to Buxton House – Contractor J Gerrard.

J Gerrard & Sons Ltd’s tender for the contract was £146,210. 

The Queensgate Market and Piazza Centre is at the heart of redevelopment plans.

The vision is to create an inclusive space where families, residents and visitors can enjoy a vibrant mix of music, arts, food and more in one central area, overlooking a stunning new urban park.

Kirklees Together

The Market is currently closed.

The Piazza repurposed – currently housing the regeneration exhibition.

The council plans to demolish the Piazza Centre and create a new events/live music venue, a food hall, a museum and art gallery, a new library and a new multi-storey car park, all centred around a new Town Park.

Huddersfield Hub

I do hope that the decorative panels and door handles survive.

Wandered around the University Campus as the light faded.

Barbara Hepworth Building Architects: AHR

Named after one of the Twentieth Century’s finest artists, the space nurtures a new and inspired generation of designers. Through visual and physical connection, the environment encourages students to work together, stimulating communication and ingenuity, the ingredients of successful collaboration.

Take that to the bank/s

Keep savin’, keep buildin’
That interest for our love
Take that to the bank
Keep savin’, keep buildin’
That interest for our love
Take that to the bank

Shalamar

HSBC was designed by Peter Womersley, who also designed the thoroughly modern private house, Farnley Hey, near Castle Hill, which won the RIBA Bronze Medal in 1958.

Halifax Building Society

Having walked around town for more hours than enough I sought respite in The Sportsman and a glass of Squawk multi-berry fruited sour

BISF Prefabs Wadsworth Lane – Hebden Bridge

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Wadsworth Lane Hebden Bridge HX7 8DL

Calderdale is awash with non-traditional housing as can be seen on this site:

Non-traditional housing in Calderdale

The Second World War brought an even greater demand for the rapid construction of new dwellings. In addition to the need to rebuild homes damaged as a result of the war, the Government had other objectives that were set out in a white paper in 1945, to provide a separate dwelling for any family who wanted one and to complete the slum clearance programme started before the war. After the Second World War there was a surplus of steel and aluminium production, and an industry in need of diversification. These factors drove the move towards the use of prefabrication, as a result many new varieties of concrete, timber framed and steel framed systems emerged. Whilst most systems were intended to provide permanent or long-term housing a few were intended only as emergency or temporary solutions.

The homes on Wadsworth Lane are BISF Type A1 – designed by architect Frederick Gibberd and engineer Donovan Lee.

Manufactured by British Iron & Steel Federation and British Steel Homes Ltd.

Over 34,000 three-bedroom semi-detached houses and 1048 terraced houses were erected across England, Scotland and Wales.

Northolt

Non Standard House

We have encountered the very same houses in Tin Town Wythenshawe

I walked up Wadsworth Lane in 2021.

I walked past again in 2022 – the home appear to be in good health, many improved or extended, yet retaining at least a little of their heritage.

They are lived in and loved.

Halifax Building Society HQ

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Here we are again for we have been here before.

I was taking a band of merry Modernist Moochers around town, so I stopped to snap this BDP behemoth once again.

On a sunny September morn.

David Lees informs me:

Halifax Building Society HQ, designed by BDP in an a multi-consultant appointment. Bill Pearson, partner and lead designer, John Ellis, M & E partner, David Cowler, Industrial Designer for the conservatrieve document storage and recovery terminals.

Rod Morris, Graphic Designer designed the sculptural Corten air vents. Richard Saxon, Americanophile introduced the theory of the open plan office. The building has twin fourteen foot deep steel beams clear-spanning between the four corner stair towers, within the chamfered soffit, a floor that also houses all the plant rooms. Lower floor of curtain walled cladding is a one acre open plan beaurolandchaft office, based upon analysis of workflow, the first in the UK and the biggest order for Herman Miller action office furniture at the time.

The office ceiling is a development of BDP’s coffered ceiling creating diffuse, glare free light and massive sound deadening, needed in open plan. Yellow cylindrical air inlet terminals by David Cowler. There ended up being so many duct penetrations in the fourteen foot beams that Harry Halsall, the structural engineer, had to prop them centre span. To create strong columns that could be lost in the window walls he used solid square section forged steel. No holds barred on this building’s cost. Executives suits of offices on the top floor with lavish bespoke joinery have recessed landscaped courtyards.

The building sits on a vast chasm that is storage for physical title documents the society had to keep. Its roof is a crash slab that can take the full weight of the building above collapsing. Large vertical robot arms travel the racks to retrieve the documents that get delivered to the office floor by a conveyor system. Office terminals designed by David Cowler who went on to design the iconic Samsonite Suitcase.

Nobody thought about the groundwater effect when the concrete basement was built. Without the weight of the building on it, it floated eleven inches. Luckily when the water was pumped out it settled back down precisely.

BDP Manchester’s golden years.

I arrived fresh from Uni just as it was finished.

Thanks to David for the inside information, here’s what it looks like on the outside.