I was invited by Richard Brook to tick off the names of those attending the launch of his book.
The book was launched at the City Tower, part of the Piccadilly Plaza development.
We began at the top – up in the lift to floor twenty eight the Sky Lounge.
On display were the architectural drawings of the Piccadilly Plaza scheme – including my favourite spiral car park ramp.
Back to the ground floor to administer the entrance of exactly eighty eight participants.
Who were subdivide by coloured dot, into sub groups for the forthcoming tour – a tour of the sub basement.
Former home of the diesel boilers – temporary home to eighty eight and a bit Modernists.
A talk or two later and it was almost all over, biggest thanks to Richard, Manchester University Press, The Plaza and the Modernists.
Testament to one man’s healthy preoccupation with Manchester’s modern history and the legion of fellow travellers that have supported and encouraged him down the years.
Health and safety regulations state that markings should be placed around obstacles or dangerous locations. This includes where any of the following present a risk:
people tripping or falling
objects falling
people or vehicles colliding with objects
These markings should be made up of alternating red and white or yellow and black stripes of equal size at a 45 degree angle. Barricade tape can be used to satisfy this requirement as long as the tape is “commensurate with the scale of the obstacle or dangerous location in question”
I hereby lay claim to this symbol, sign, icon, the combination of black and yellow, wherever it may appear, in this or any other world, in whatever shape, form, pattern or composition, be it civil or military. I hereby claim to be its originator and owner.
Designed by Ben Kelly, upon recommendation by Factory graphic designer Peter Saville, upstairs consisted of a stage, dance area, bar, cloakroom, cafeteria area and balcony with a DJ booth.
The Haçienda was opened on 21 May 1982, when the comedian Bernard Manning remarked to the audience:
I’ve played some shit-holes during my time, but this is really something.
His jokes did not go down well with the crowd and he returned his fee.
The black and yellow stripes on Manchester City’s away shirts were meant to be an uplifting homage to Manchester’s cultural heritage, but the choice of design now risks becoming a chip on the team’s shoulders.
The team’s jersey is embroiled in a controversy after Ben Kelly, the man who originally designed the stripes for famed Manchester nightclub the Haçienda, complained in a recent interview to Gaffer magazine that he was not credited or consulted by the creators of the football apparel.
When Manchester City and Puma launched the team’s 2019/20 kit last July, they said in a press release that the uniform paid tribute to the “Madchester” years of the late 1980s and early 1990s, when the city in north-west England became a hub of alternative music and dance culture.
Whilst not seeking sheltered housing for my good self, I am always intrigued by small developments of interesting social housing, grouped around pedestrian walk ways and green space.
The residents with whom I chatted seems content with their homes and the management thereof.
I bade them adieu and went about my way, taking these few snaps.
I was cordially requested to produce tram based walk, by the good folk at the modernist – travelling from Victoria Station to Bury. Alighting at each stop and seeing what could be seen, by way of modern buildings along the byways.
By the way, I do have previous experience, having undertaken a similar task travelling to Ashton.
So I set off as instructed, clutching my GMPTE senior concessionary travel pass.
Queens Road
Turn right on leaving the station, right then left – you have reached The Vine.
Glendower Dr, Manchester, Greater Manchester M40 7TD.
Head for Rochdale Road and turn right back toward the city centre, you have reached Eastford Square.
Turn left from the station along Bury Old Road until you reach Heywood Road on your right.
Heywood Road, Prestwich, Manchester M25 2GT
1954-5 by the Manchester City Architect’s Department, Chief Architect Leonard C Howitt, for the Manchester Corporation Waterworks. Alan Atkinson, engineer. Incorporates large relief by Mitzi Cunliffe, signed and dated 1955.
After months of public consultation, the joint venture has firmed up its proposals for the redevelopment of the Longfield Centre and is aiming to be on site before the end of the year.
Muse and Bury Council have submitted a hybrid application to transform six acres of Prestwich town centre.
The Strategic Regeneration Framework is the guide that is shaping the direction of Radcliffe’s growth over the next 15 years with a series of realistic short, medium, and longer-term actions. It is also shaping the direction of future council investment, supporting bids for central governmental funding and providing certainty for third parties wanting to invest in town.
Work has begun on Strategic Regeneration Framework’s priority projects, these include:
A new civic hub in central Radcliffe, which will bring together a mix of functions at the heart of the town
Refurbishment of the market basement and the revamping of market chambers
New leisure facilities
A secondary school on the Coney Green site
A “whole town approach” to housing, bringing forward a comprehensive approach to residential development in Radcliffe
A transportation strategy, which will consider matters such as active travel and car parking
Thanks to L Kaye and the Manchester Local Image Collection there is a photographic record of Tib Street through the years.
Shot on 35mm black and white film, cautiously clad in gaberdine and trilby. The legwork aside the processing and printing of a whole heap of exposures was a gargantuan task.
The river’s source is a spring in Miles Platting , from where it flows underneath Oldham Road and the eponymous Tib Street to reach the city centre. After flowing underneath West Mosley Street, the Tib crosses Princess Street to flow underneath the Manchester Town Hall Extension, the Central Library and the Midland Hotel’s dining room, before joining the Medlock at Gaythorn (now First Street, close to Deansgate railway station.
The distinctive street signs the work of my old pal Tim Rushton.
There are those who will remember Tib Street, as a street of pet shops.
Whilst on Sundays the area was transformed into an al fresco menagerie – a land of caged birds and cuddly coneys.
I have long been curious about the faience fronted shop on the corner of Tib and Swan Streets, it featured on my modernist mooch around the north of the city centre.
I have been informed by Lee Hutchings that it had originally been home to Tuttils Ltd.
It was also, formerly the showrooms for local manufacturers Johnson & Nephew.
Here it is in 1959 – with a Burton’s for a neighbour.
Pragmatic Manchester is far from awash with Art Deco – the lost Paramount/Odeon of Oxford Street comes to mind, demolished in 2017.
The Paramount Theatre was built in 1930 to the designs of architects Frank T. Verity & Samuel Beverley for the U.K. arm of the American Paramount Theatres Ltd. chain. The Manchester Paramount Theatre was a sumptuous American import.
Along with the Rylands Building on High Street – currently receiving a facelift following the demise of Debenhams.
The building was originally built as a warehouse by J. Gerrard & Sons of Swinton for the Rylands textile company, which was founded by the entrepreneur John Rylands. That firm had occupied warehouses in High Street ever since 1822; its west-facing side is on High Street. The building was designed by the eminent Manchester architects, Fairhursts – Harry S. & P. G. Fairhurst, in an Art Deco style. It is clad in Portland stone and features a decorative corner tower and eclectic ‘zig zag’ window lintels. The work was completed in 1932.
Rylands will be sensitively restored to its elegant past. The building will comprise workspace, retail and leisure, creating an exciting new destination in Central Manchester.
I began walking when quite young, then like Felix, I kept on walking, walking still.
The photograph was taking during the Whit Walks in 1958 – aged three, I was engaged in religious pilgrimage, as we know there are many reasons for walking, this is but one.
I was fortunate to grow up at a time when youngsters were permitted to roam freely, less traffic, less anxiety, gave me access to a wider axis of exploration.
The photograph would have been taken I assume, by my mam, on the Brownie 127. When aged nine I wandered alone through the local woods and exposed twelve frames of 44mm 127 film, the prints are long gone, yet I remember each of the photographs and locations clearly.
I went to school, then I didn’t, then I went to Art School, eventually becoming a teenage Constructivist, tutored by Jeffrey Steele, a leading light in the British Systems movement.
The rigidity of the grid, symmetry and orthogonal framing have stayed with me.
Then I went to work for a very long time indeed, then all of a sudden I didn’t. Taking early retirement aged 59 some ten years ago, subsequently taking to the roads, streets and hills of Britain in search of nothing in particular.
In recent years there has been a rapid development in the culture of walking, theories, films, guides, songs and literature. I am fully cognisant of such, yet believe at heart that walking can be free of such baggage, we can stride unhindered, atavistic and carefree/less.
Walk tall, walk straight and look the world right in the eye.
Getting lost is about the unfamiliar appearing.
In my own small way, I have become part of that baggage, having been asked to lead a walk around Stockport by the the modernist neé Manchester Modernist Society.
The photograph depicts Alan Boyson’s concrete screen wall, attached to the former Cooperative super store designed by Philip Andrew. The two worked to gather on the Hull Cooperative store, which is adorned by Alan’s huge Three Ships mosaic.
Philip was a childhood friend of Alan Boyson and it was Alan’s father, manager of the Marple Co-operative Society, that recommended Philip for an apprenticeship job in 1951 to the chief architect at the CWS in Manchester HQ.
In preparation for the tour, I visited the town’s Local Heritage Library and read extensively from serendipitous charity shop finds.
The two hour route was designed around an economy of distance and elevation, allowing time for others to take in, what may be for them unfamiliar surroundings. A group of around twenty or so folk became sociable and engaged, with a suitably concise and apposite contribution from myself. There are those who busied themselves taking snaps along the way, chatting amiably or simply gazing in amazement.
The service building above the former Debenham’s store.
Famed as an imaginary TV police station, this civic building is a civic building I simply can’t resist. I return on a regular basis to wander and snap. This is an open public space that seems little loved and has few visitors.
From then onwards I have been taking folks on Modernist Mooches on a regular basis, two or so a month, during the less inclement times of year.
At about the same time I was asked to exhibit my photographs in Stockport, I chose to mooch about at night. Walking around an almost deserted town, avoiding the glare of streetlights, there is a mild frisson to be about when nobody else is about. The air feels different, exposures are longer, the almost waking world feels arrested, by the low available light.
My local shopping centre and as such part of my weekly walking and shopping life.
NCP Car Park located on Stockport Station approach.
Regent House
Asda superstore
I found a copy of Charlie Meecham’s book Oldham Road in a charity shop.
Inspiring me in 2014, to walk in mostly straight lines, though often as not zig zagging along the main arterial roads of Manchester.
Taking pictures on Sunday mornings, in order to avoid traffic, mildly amused to be ignoring the primary function of the routes.
This is one of the more familiar roads, having walked up and down several times over several years. It was to have been an extension of the Mancunian Way, forming a trans-pennine motorway. Much of the property lining the route was cleared in preparation, it was never built, and for years a strange semi-deserted ambience hung over the A57.
Bus Depot
Railway Bridge
The car showrooms which later became an African Evangalist church.
Having cleared away both Victorian and Sixties housing, new architectural forms arose in West Gorton.
Now, everywhere I go, I see launderettes – so arriving in Hanley with time on my hands, wandering around I found this exemplary example.
Having a blog entitled Manchester Estate Pubs, the national media became interested in my photographs. I had spent quite some time, wandering around in search of this endangered architectural typology.
This was Billy Greens in Collyhurst, named for a local boxer, now demolished.
Which in turn became the second modernist calendar.
Followed the following year by fish and chip shops.
So building a vocabulary for my mooching, discovering yet another chippy, laundry, pub, Burton’s, telephone exchange, glazed stairway or underpass.
These things find you, yearning for some small amount of attention and affection.
The Trawl – my favourite peg board menu, my favourite Bridlington chippy.
We are now coming to the end of the car park year – seen here on the wall of my command centre.
Home to William Mitchell’s Totem, the homes long gone and the Council pledged to move the totem too.
The state of play this week, the detritus removed and the base filled in, repaved and safe for a while.
Off now to the Weaver Valley another day another river, passing under Weaver Viaduct
The looking toward KouraGlobal – leader in the development, manufacture, and supply of fluoro products and technologies, opened a new HFA 152a production facility at their Runcorn site in the UK.
Further rural Modernism as we pass under and traverse the M62, whilst walking around the Piethorn Valley
The newest of the Modernist Mooches was to Burnley where we visited the Keirby Hotel.
The former GUS Offices with a mural by Diane and William Morris.
Plus the Charles Anderson concrete relief at the Crow Wood Hotel.
Finally a little light relief – a visit to the Boots factory in Nottingham.
Having innocently board a bus outside the station with a Boots head code , I alighted within the factory gates. Then innocently walking around taking snaps, unheeded until the men in the van stopped me in my tracks.
Who are you, what are you doing?
I am the Modern Moocher going about my business – well it turns out this was not permitted and I was red carded by the earnest security guards and asked to leave forthwith. Suitably rebuked, I politely bade them farewell and headed for the gates.
The masterplan states that Radcliffe has many unattractive buildings and few architectural assets. But this could work to its advantage as a lack of protected or noteworthy buildings makes it easier to replace them with contemporary structures.
This could include demolishing the “unwelcoming” St Thomas Estate and replacing it with a mix of private and social housing on the old street layout. Existing tenants would be rehoused in the new houses so that the community would not be broken up.
During his term, Sheffield’s housing grew upwards with multi-storey flats constructed at Low Edges, Park Hill, Hyde Park, Netherthorpe and Woodside. It was Womersley’s response to 13,000 families on the council’s waiting list and 10,000 condemned properties waiting to be demolished.
In the space of a decade they shaped Manchester’s urban fabric, leaving a questionable legacy. The technical quality of their buildings was undoubtedly poor, but their qualities – bold forms, monolithic materiality and streets-in-the-sky – were of the moment, and captured a particular brand of urban renewal, imported from North America and inflected through British post-war planning.
Social housing has been, and continues to be, a contentious arena. This seemingly well-constructed estate was once deemed unfit for habitation by its residents.
Tenants of the St Thomas’ Estate in the town centre allege they have been forgotten by Six Town Housing, which manages the properties.
Magda Csatlos, former chairman of the now disbanded Tenants and Residents Association said rotten bricks with visible gaps between them, badly-designed leaking roofs and damp and mouldy conditions plague many of the 90 homes.
Happily the Local Authority are able to remedy the problem.
After some residents on the estate, who were visited by Bury South MP Ivan Lewis, called for the properties to be “condemned”, the Council agreed to invest £2 million to bring the homes up to standard.
A total of 90 social housing properties on St Thomas Estate have been provided with new external rendering, roofing, windows, doors, insulation and brick cladding.
Along with the Renold Building– which is already home to start up tech businesses.
The city council has approved Bruntwood SciTech’s change of use bid to transform the 110,000 sq ft Renold building into a tech and science hub.
In a joint venture with the University of Manchester, Bruntwood will create 42,000 sq ft coworking and business incubator spaces for businesses in the sector at the Altrincham Street building.
Sister is Manchester’s new innovation district. A £1.7bn investment into the city, its setting – the former University of Manchester North Campus and UMIST site – is steeped in science and engineering history. Home to the UK’s most exciting new ideas and disruptive technologies, Sister is a worldclass innovation platform in the heart of one of the most exciting global cities. It stands as the city’s symbol of a new era of discovery that promises progress against humanity’s greatest challenges.
So it is with a bitter sweet feeling that I took a group of Modernist Moochers around the site this Saturday – a number of whom had been students there.
As a former UMIST student 1990-1997, I had a wander round the old site recently, sad to see it so empty and run-down.
So let’s take a look at the current state of affairs.
Built between1954-5 by the Manchester City Architect’s Department, Chief Architect Leonard C Howitt, for the Manchester Corporation Waterworks. Alan Atkinson, engineer. Incorporates large relief by Mitzi Cunliffe, signed and dated 1955. Yorkshire sandstone, with Westmorland greenstone from Broughton Moor used as relief. Roof not seen above dentiled overhang.
Carved relief is a highly stylised depiction of the bringing of water from Haweswater to Manchester with contemporary figures supporting the pipeline and a curious flat relief designed to be seen from below. It was designed to commemorate those who constructed it as well as the origin and course of the aqueduct. Beneath it five plaques tell the history of the Haweswater supply.
Completely preserved interior fully lined in beige marble, with contrasting green marble skirting continued as door surround. Behind the Cunliffe mural is a wood relief section in sycamore depicting the 82 mile route of the pipe.
The bringing of water to Manchester from a new reservoir at Haweswater was a major undertaking which cost £14,000,000. The sectional relief plan and the mural were conceived as part of the original brief to give a ‘monumental’ character to the city’s remarkable achievement. Included as a remarkable synthesis of architectural design and fine sculpture, with the dominance of the latter in this tiny building. The building materials and the reliefs are all symbolic of the achievement in bringing of water from the Lake District to Manchester.
In 1929 work started to build the dam wall across the valley floor. At the time of construction, its design was considered to be at the forefront of civil engineering technology because it was the world’s first hollow buttress dam.
Before the valley was flooded in 1935, all the farms and dwellings of the villages of Mardale Green and Measand were demolished, as well as the centuries-old Dun Bull Inn at Mardale Green. The village church was dismantled and the stone used in constructing the dam; all the bodies in the churchyard were exhumed and re-buried at Shap.
I have previously led Mitzi Cunliffe walks in south Manchester – taking in her works at Owens Park and Manchester High School for Girls.
Mitzi Cunliffe is primarily known as the designer of the BAFTA Award, but her work encompasses both ceramics and textiles, in addition to her extensive public art works – as illustrated here.
Mitzi Cunliffe – An American in Manchester is available from the Modernist Shop.
I took the tram to Heaton Park Station and walked the rest of the way.
The imposing structure, clad in the dramatic relief dominates this domesticated street of well behaved semis. As I stood admiring the work, a passerby joined me in a mutual appreciation of its beauty and significance.
Do yourself a favour – take a trip, take a look for yourself.
Arriving at and looking around the Interchange – 1980 architects: Essex Goodman & Suggitt
It is the northern terminus of the Manchester Metrolink’s Bury Line, which prior to 1992 was a heavy-rail line.
A new short spur line was constructed to connect the new station. The railway had originally run into Bury Bolton Street which was further away from the town centre, and was closed by British Rail on the same day that Bury Interchange opened.
It also incorporates a bus station.
Bury Interchange replaced the bus termini scattered around Bury town centre, notably around Kay Gardens.
An £80m transformation is coming to the Bury Interchange, which will see step-free access at the Metrolink, a “vertical circulation core” to better connect the Metrolink with the bus facility, and an integrated travel hub with spaces for cycle storage.
The work is much-needed, explained Transport for Greater Manchester’s Alan Lowe, he said that the interchange was built in the 1980s and very much is of its time.
The Art Picture Palace was a 1923 rebuild of the earlier Art Picture Hall both designed by architect Albert Winstanley. The Art Picture Palace was opened on 26th January 1923. A remarkably complete survivor of a 1920’s cine-variety house executed in an elaborate style.
Films ceased in February 1965 and it became a bingo club. Later converted into a billiard hall until 19th May 1991 when it became a bingo club again, it later became a Chicago Rock Cafe.
Cinema Treasures
Next door a typical steel glass and brick banded office block Maple House.
Around the corner and over the road to the Town Hall 1939-40 architects: Reginald Edmonds of Jackson & Edmonds then 1947-54.
Large and Dull – Niklaus Pevsner.
Back through the Interchange to the former Cooperative Store of the 1930’s.
The Portland Stone towers still visible – the elevation largely retro-clad in glass.
Passing through the Millgate Shopping Centre of the 1980’s.
Unambitious but successful, the floors cheerfully tiled – Niklaus Pevsner.
Down in the subway at midday.
The better to get a view of the Market Hall 1971 – architects: Harry S Fairhurst.
The Indoor Market Hall is currently closed due to the discovery of Reinforced Autoclaved Aerated Concrete – within the building structure. RAAC is a lightweight type of building material that was used between the 1950s and 1990s.
Back under the road – where we find a delightful Telephone Exchange.
The Rock is a vibrant retail and leisure centre which is home to a range of high street fashion brands, independent retailers, tantalising eateries and fantastic entertainment – it’s the perfect place to visit any day of the week.
It is the work of architects BDP – completed in 2010 at a cost of £350 million.
Our masterplan for The Rock took into account the historical street pattern and public realm context to give the scheme its own identity, and make visual connections to local landmarks.
The retail and leisure scheme brings many exciting brands to Bury for the first time.
New pedestrian streets rejuvenate and improve connections to adjacent areas stitching the town back together.
The development will also contain 408 one and two-bedroom apartments.
Back to basics at a former Burton’s hiding its faience facade.
Typical inter-war infill on our crazy mixed up mongrel high streets.
Ribblesdale House
Application by Shop and Store Developments Ltd submitted August 1965. Architect on application was Samuel Jackson and Son of Ocean Chambers in Bradford but during the application process this changed to John Brunton & Partners – Brunton was a partner in Jackson’s firm, at the same address. It had a restaurant and shops on the first floor.
The street level buildings were destroyed by fire on 14 May 1947 and were replaced with a new brick and concrete entrance and footbridge in 1952.
British Rail closed the station on 17 March 1980, when it was replaced by a new bus/rail interchange station further east into the town centre. Bury Interchange railway station served up until 1991 before the entire Bury Line was converted to light rail operation. It reopened in 1992 for Metrolink operation.
Bury was once the centre of multiple train links and the lost station of Knowsley Street.
Over the road the former Temperance Billiard Hall 1910 architect Norman Evans.
Planning application January 1965 – work started in June 1965. The architectural firm was Richard Byrom, Hill and partners. Richard Byrom was submitting building applications in the 1930s in Bury and locally.
The rendering on the building is original but the windows have been changed. The Job Centre took over the building in 1993. It is in a conservation area and the Civic Trust had some concerns!
Many thanks to David French for the above information.
The M62 is a 107-mile-long west–east trans-Pennine motorway, connecting Liverpool and Hull via Manchester, Bradford, Leeds and Wakefield; 7 miles of the route is shared with the M60 orbital motorway around Manchester.
The motorway, which was first proposed in the 1930s, and conceived as two separate routes, was opened in stages between 1971 and 1976, with construction beginning at Pole Moor near Huddersfield and finishing at that time in Tarbock on the outskirts of Liverpool. The motorway absorbed the northern end of the Stretford-Eccles bypass, which was built between 1957 and 1960. Adjusted for inflation to 2007, its construction cost approximately £765 million. The motorway has an average daily traffic flow of 144,000 vehicles in West Yorkshire, and has several sections prone to gridlock, in particular, between Leeds and Huddersfield and the M60 section around Eccles.
We were walking along Tunshill Lane on our way to the Piethorn Valley, our crossing of the M62 facilitated by this elegant road bridge.
A notable structure between junctions 21 and 22 on the uphill section towards Windy Hill is the Rakewood Viaduct which carries the road over the Longden End Brook.
The viaduct is 280 yards long and 140 ft above the valley floor. It was built in 1966 by Reed & Mallik and opened to motorway traffic in October 1971. It has a sister bridge, the Gathurst Viaduct in Wigan, which carries the M6 motorway over the Leeds & Liverpool Canal, the Manchester-Southport line and the River Douglas and was constructed before the Rakewood Viaduct.
The steelwork deck was subcontracted to Robert Watson Steelwork of Bolton.
Work began in the interwar years, and continued following the hiatus of 1939-45. The shopping centre named the Civic Centre was open in 1963, the actual Civic Centre containing a swimming pool, theatre, public hall and library in 1971.
Here I am again four years later, taking a look at how it looks today.
ASDA remains the anchor store, Wilko having left a Wilko sized hole in the precinct. On an overcast Friday morning there was sufficient footfall to sustain the wide variety of smaller shops and larger retail chains. As with many other towns within the central Manchester orbit, the easy proximity fills those busy trams and buses, which are leaving the area.
There are plans in place to regenerate the area, in the form of a Masterplan – which can be downloaded here.
Between 1991-2002 there have been some architectural changes, including new stores and office developments. Some of the interventions included significant adaptions which further increased retail into the existing buildings high street.
The interventions included significant adjustments to the multi-storey car park with the aim of reducing parking numbers whilst providing additional lettable space. Further Transport Hub Arrival commercial development was created to the north of the site with the construction of Etrop Court, despite there being significant commercial vacancy across other parts of the estate.
Whilst there has been significant incremental intervention, the character of the area has not fundamentally changed from its founding concept. However the cumulative impact of the various changes have had a negative impact on the functionality and suitability of place, so much so that the centre is in many ways no longer fit- for purpose.
The site today is surrounded by surface car parks, with a total of around 2,500 car parking spaces, 1,700 of which are contained within the multi-storey car park. Many of the retail units, the upper floor office spaces along the Birtles and Hale Top, and buildings to the east are vacant.
Typically, the levels of vacancy are consistent with the changing demands of the high street, where typically modern and successful retail centres are now more diversified and focussed on creating a visitor or destination-based experience. In this sense, we anticipate a need to diversify the high street and to promote a smaller more concentrated retail core, whilst supplementing the offer with more meanwhile and permanent uses and activities based on culture, food and creative workplace.
The gateway to the Civic Centre on arrival from the Transport Interchange is very poor. Access to the high street isn’t obvious and the route through to the high street isn’t clear. Much of the site is surrounded by fencing, barrier and gates and whilst they are open during the day, they are locked at night to prevent vandalism. This barricaded aesthetic does nothing to promote an easily accessible and family friendly environment as well as preventing any opportunity to promote a much needed night- time economy.
Currently, the Civic Centre appears to only cater for those with a need to visit for a particular purpose, rather than capitalising on an opportunity to create a place to visit and dwell.
Multi Storey Car Park Rowlandsway Manchester M22 5RG
I’ve lost count of the countless times I have visited countless car parks.
I do have a fondness for ramps – particularly helical ramps, one of my most memorable early modernist encounters, was with Lubetkin’s penguin pool.
The cast concrete taking on a truly sculptural dimension.
There is also the Proustian recollection of a collection of geometry lessons and Helix instruments.
It has all left a lasting impression and I have subsequently taken every opportunity to waddle penguin like up and down several concrete car park ramps.
It’s now all grown up into a fully fledged transport interchange – with its very own pedestrian and cycling ramp.
The 189-metre ramp provides a seamless and accessible route to navigate the level change from the rooftop park to the river Mersey frontage, leading to the Trans Pennine Trail route.
Forming part of the Stockport Interchange Mixed Use development scheme, and which also includes a new cycle and pedestrian link from Stockport rail station to the new park, as well as connecting the new facility to the wider Bee Network cycling and walking infrastructure, which is designed to encourage more people to make journeys on foot or by bike.
St. Anns Road North in Heald Green is in the North West region of England. The postcode is within the Heald Green ward/electoral division, which is in the constituency of Cheadle.
This area was once described to me as built by Cowboys for Indians – though statistically there are more Pakistani residents.
This is a dormitory suburb of Manchester and nearby Stockport and is oh so close to the airport, polite and professional well presented and aspirational.
Once this was a Modern paradigm.
Subsequently the plaything of the upwardly mobile – extending in all directions, adding period details way out of period, or embracing the current vogue for the refined and smoothly rendered grey-ification of their homes.
Welcome to the land of the performance vehicle, impressive impressed drive, carriage lamp and bay window, overlooking a well clipped lawn.
So on a light bright sunny day, I took another look around.
Salford’s town centres are important to the city’s future. They provide employment for local people, retail and leisure opportunities, homes, a sense of community, and a place for local people to interact. However, it is well known that town centres are changing and that they need to adapt and reposition themselves so that they can thrive and meet the needs of the local communities.
Despite Swinton’s many strengths, it faces similar challenges to other towns. The shopping centre and other buildings in the town centre are dated and in need of investment. Demand for local housing has grown by 23% in the last five years, but there is a lack of high-quality family and affordable housing in the right locations in the area.
The city council has identified Swinton town centre – along with Eccles, as a priority area for regeneration. On that basis, the council has engaged with the community and local stakeholders to establish a clear vision for the town that will help to guide change and future investment, whilst protecting what local people consider important for Swinton.
Swinton Square is in private ownership and therefore not something that the council has any direct control over. It is also important to acknowledge that the issues facing Swinton precinct are not unique to Swinton and those challenges are varied but linked to changing shopping habits, decline in the retail offer, competition from out-of-town centres as well as changes in the wider economy.
We do have an open dialogue with the owners of Swinton Square, the West Bromwich Building Society, who are aware of the vision and aspiration for Swinton.
One of the aims of the council’s events and animation programme is to encourage additional footfall and dwell time within the town centre.
Modern Mooch 