It all began way back when I was a raw youth living in Ashton under Lyne – the precinct was our playground, cycling and running, often against the grain, up and down the travelator.
Some sixty years later I am still enthralled by the nation’s shopping precincts – including the very local Merseyway.
We arrive at and begin our journey at the Interchange – the bus station is closed, along with the station entrance.
Bradford accepts that it is a part of the Northern Supercity stretching from Coast to Coast – Liverpool to Hull. Every existing town and new settlement must be unique. People belong to their own hotspot as well as Coast to Coast. Bradford as a dispersed centre will give it individuality as well as becoming synonymous with the whole new city. Bradford is a mini version of the whole. It is composed of a series of mini hotspots which will each act as a focus for each square kilometre.
Bradford has the topography to allow every citizen to wake up to a view – both physical and mental. Their collective ambition can create a place of extraordinary difference.
The Interchange opened in 1971 was the first of its kind in the country, designed by the BR regional team headed by RL Moorcroft and the City Architect.
Onward to the Magistrates’ Courts designed by City Architect Clifford Brown in 1972.
Bradford is in the process of paving and puzzling pedestrians, as it becomes City of Culture in 2025.
So we wind our way over the inner ring road, advisedly avoiding the filled in underpasses.
The former Central Library awaits us, designed in 1965 by Clifford Brown – a striking podium and tower, currently home to council offices.
Next door the Sir Henry Mitchell House home to the Children’s Services.
Sir Henry Mitchell 1824 1898 was a mill owner and Mayor.
Moving further along the Telephone Exchange of 1936, design by architect FA Key.
Partner to the Telephone Exchange of 1976 by architect Trevor H Hanson for PSA
The gates were open and we were afforded a view of these delightful vents.
Next to the Ice Arena topped off with Wardley House – Sanctuary accommodation for key workers and students.
Wardley House is equipped with all the modern amenities you need for a comfortable and connected life as a key worker. The rent includes high-speed broadband and building-wide Wi-Fi, utility bills, and contents insurance. Our top-notch facilities comprise a large common room with a pool table, flat-screen TV, and live BT Sport – the perfect social space.
Up the hill and around the bend totheUniversity of Bradford – the main Richmond Building fronted by Joe Mayo’s tiles.
At the University of Bradford our focus is oncreating the conditions for social, cultural and economic impact. We will achieve this by using our proud heritage as a springboard and remaining steadfast in our commitment to equality, diversity and inclusion. We will harness our strengths in research, innovation, teaching and partnerships to extend our reputation, influence and impact. All of this will create a values-led culture that is inclusive and effective in enriching lives and benefitting society.
The undercroft has undergone a major refurb rethink – transformed into a Goth Disco.
We emerge unscathed into the clear light of day and the BDP designed Chesham and Horton blocks.
The mosaic covered columns remain unclad.
Let’s hop to the Grade II-listedCo-op designed by CWS in house architect WA Johnson and JW Cropper in 1935.
Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.
Demolished despite protests in 1960.
In 2019 the Architectural Heritage Fund announced a £5,000 Project Viability Grant to Freedom Studios Ltd.
The money funded a viability study to investigate the potential of building becoming a multi-use cultural hub.
In 1979, the building won a European award from the International Council of Shopping Centres.
But the Historic England report described its design as mundane and repetitive.
Janice Ivory and Lisa Donison didn’t hold back in their criticism of the centre in its current state.
Thank God for that, was Janice’s reaction to the news the building was set to be bulldozed, although an exact date for its closure remains unknown.
It’s just a concrete monstrosity, she said of its design, which Historic England said was lacking architectural flair.
It’s just an ugly building, added Lisa.
Once dubbed Bradford’s space age retail destination, Kirkgate Shopping Centre will soon be no more.
The city centre landmark, which opened for business as an Arndale in 1976, has been denied listed status by Historic England – paving the way for its demolition.
Geoffrey Cowley from Wibsey, who was in town for an eye appointment, said demolishing it:
Might be the right thing to do.
There are plans to remove and display the William Mitchell panels along with these other examples of his work.
In-situ at Highpoint.
In storage – removed from the Bradford And Bingley Building Society.
Artist Bernd Trasberger plans an artistic project, which involves repurposing Fritz Steller’s tile works.
As Ken Kesey so rightly said – Further!
Up to Highpoint designed by John Brunton and Partners 1973.
The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.
High Point is the perfect site for the first Radii development. Now perceived as an exemplar of the Brutalist style, this eight-storey titan, has languished derelict and in disrepair for many years in the heart of Bradford City Centre.
Our regeneration of High Point into an innovative residential apartment complex with a community at its heart, embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.
Sharp, chic and spacious apartments available. Furnished to the highest standards throughout and with the flex to provide you with office space if required – this is modern city living that’s easy on your eye and your pocket.
And finally the cafe that is not a cafe – Fountains, where the griddle no longer grills, the lights are always out and the shutters tightly shut, ain’t nobody home.
Wishing nothing but well for this West Riding gem – Bradford City of Culture and cultures and culture.
So on a light bright sunny day, I took another look around.
Salford’s town centres are important to the city’s future. They provide employment for local people, retail and leisure opportunities, homes, a sense of community, and a place for local people to interact. However, it is well known that town centres are changing and that they need to adapt and reposition themselves so that they can thrive and meet the needs of the local communities.
Despite Swinton’s many strengths, it faces similar challenges to other towns. The shopping centre and other buildings in the town centre are dated and in need of investment. Demand for local housing has grown by 23% in the last five years, but there is a lack of high-quality family and affordable housing in the right locations in the area.
The city council has identified Swinton town centre – along with Eccles, as a priority area for regeneration. On that basis, the council has engaged with the community and local stakeholders to establish a clear vision for the town that will help to guide change and future investment, whilst protecting what local people consider important for Swinton.
Swinton Square is in private ownership and therefore not something that the council has any direct control over. It is also important to acknowledge that the issues facing Swinton precinct are not unique to Swinton and those challenges are varied but linked to changing shopping habits, decline in the retail offer, competition from out-of-town centres as well as changes in the wider economy.
We do have an open dialogue with the owners of Swinton Square, the West Bromwich Building Society, who are aware of the vision and aspiration for Swinton.
One of the aims of the council’s events and animation programme is to encourage additional footfall and dwell time within the town centre.
Bury Interchange is a transport hub opened in 1980, it is the northern terminus of the Manchester Metrolink’s Bury Line, which prior to 1992 was a heavy-rail line.
It also incorporates a bus station.
Bury Interchange replaced the bus termini scattered around Bury town centre, notably around Kay Gardens.
Bury Interchange was opened by British Rail in March 1980, integrating a new bus station with the northern terminus of the Bury-to-Manchester heavy railway line, a new short spur line was constructed to connect the new station.
The railway had originally run into Bury Bolton Street which was further away from the town centre, and was closed by British Rail on the same day that Bury Interchange opened.
An £80m transformation is coming to the Bury Interchange, which will see step-free access at the Metrolink, a “vertical circulation core” to better connect the Metrolink with the bus facility, and an integrated travel hub with spaces for cycle storage.
The work is much-needed, explained Transport for Greater Manchester’s Alan Lowe, he said that the interchange was built in the 1980s and very much is of its time.
It’s not what we need for our customers need.
The new Bury Interchange project is expected to complete at the end of the decade.
The line and station were closed on 5 October 1970 as part of continuing cutbacks in British Rail services and the line west to Bolton subsequently dismantled.
The obvious place for the A664 to start is on the A665 Manchester & Salford Inner Relief Route, which at this point is actually two parallel one-way streets. However, many maps show the road continuing a short distance into the city centre to end at traffic lights by the Shudehill Interchange – this is presumably for historic reasons: the road originally continued along the High Street to its terminus on the A6 Market Street.
The road heads northeastwards through the suburbs, the street name Rochdale Road, already emphasising its destination. Initially dual, the road narrows just before crossing the bridge over the railway line east of Victoria station. It continues through Collyhurst and widens again just before crossing the A6010 Intermediate Ring Road, which here is made up of two parallel one-way streets, requiring two separate sets of traffic lights to cross.
Now non-primary – but still dual for a short distance more, the road runs in a more northerly direction through Blackley, where it becomes wooded for a short distance as it passes the Boggart Hole Clough park. Slightly further on the road has been straightened, after which it bears right to widen considerably and cross the A6104 at traffic lights just before M60 J20, which only has west-facing sliproads. The road narrows again on the far side of the motorway and leaves Manchester for Rochdale at the same point.
On the day, I was eager to visit the Westfield Estate for the first time.
Westfield Estate Mosborough, formerly Waterthorpe Farm Estate, a rural township which was subsumed by Sheffield’s expanding housing schemes.
Mosborough, a vastly expanding village, eight miles North East of Chesterfield and six miles South East of Sheffield.
Waterthorpe Housing Estate near Beighton named after Waterthorpe – formerly Walterthorpe Farm.
Path which goes behind houses on Short Brook Close 1974
The Waterthorpe and Westfield housing estates were built from mid-1970s and were added to over a number of years. Eventually linking with both the old council estate of Beighton and the new estate of Halfway, the estates house a condensed significant number of almost wholly local authority owned properties following the phasing down and demolition of the original estates around Parson Cross and Shiregreen in the north of the city.
On the day of my visit building surveyors were measuring up the upper tier for resurfacing – the stairwells were unclean, and an air of dank neglect permeated my hesitant ascent.
Immerse yourself in the eclectic vibe of the Northern Quarter, the heartbeat of art, culture, and urban lifestyle. Whether you’re heading to its vintage shops, art studios, or chic cafes, finding the cheapest, best parking is paramount.
Stairs smell of stale urine and cannabis.
The pedestrian in the car park carries on regardless!
The sculpture is called Big Boys Toys – the work of artist Peter Freeman.
Illustrating a wide range of building types in and around Sheffield sheltering beneath the broad umbrella of Modernism.
By way of context the photographs are all Topographic in nature – in which a landscape subject is photographed, devoid of people, framed orthogonally and lacking artifice or effect.
Practiced most famously by the 1970s New Topographics photographers, including Robert Adams, Lewis Baltz, Nicholas Nixon, and Bernd and Hilla Becher.
A shocking paroxysm of a building, an explosion in reinforced concrete, a bunker built with an aesthete’s attention to detail, a building which is genuinely Brutalist in both senses of the term.
With a hyper parabolic roof a doubly-curved surface that resembles the shape of a saddle, that is, it has a convex form along one axis, and a concave form on along the other.
Featured in the video for the Arctic Monkeys’ 2006 number one hit – When the Sun Goes Down at 1.21.
5 Park Hill – 1957 and 1961 Jack Lynn and Ivor Smith under the supervision of JL Womersley,
Grace Owen Nursery – with two Wicksteed climbing frames
The Play Ground should not be put in a corner behind railings, but in a conspicuous and beautiful part of a Park, free to all, where people can enjoy the play and charming scenery at the same time; where mothers can sit, while they are looking on and caring for their children.
The Sheffield Blitz in December 1940 killed almost 700 and damaged some 82,000 homes, over half the city’s housing stock. As the city looked to rebuilding, its 1952 Development Plan estimated the need to replace 20,000 unfit homes and build a further 15,000 to cater for the natural increase of population.
Supreme, but often overlooked, achievement … is the Gleadless Valley Estate which combined urban housing types and the natural landscape so effectively that it still looks stunning, especially on a bright winter’s day.
7 Hallam Tower Hotel 1965 Nelson Foley of Trust House Architectural Department
It opened officially on 24th March 1965 and was the first luxury hotel to be built in the north of England since the Second World War. The exterior was designed to complement Sheffield’s post-war modernist developments; the interior by Colefax and Fowler of Mayfair offered warm, gay colours to contrast with the black and grey tones of the city.
The plant started its first full year of production in 1929
The plant was located at Hope, because it is at the edge of where carboniferous limestone of the Monsal Dale Group, meets Edale Shale, the two main components of finished cement.
Since 1951, when the Peak District National Park was created, most of the outbound traffic from the plant has been exported by rail.
Colleagues in the team included Bill Varley, Ron Bridle, Sri Sriskandan and FA Joe Sims. The team was responsible for the introduction of a great deal of new computing technology into bridge design, as well as for some of the most imaginative bridge engineering going on anywhere in the country. Their design efforts were supported by close involvement in research and testing work, for example, on half-joints and concrete hinges. All the above named engineers went on to considerable seniority, some in the Department of Transport, and Sims and Bridle in particular have published various papers and contributed to books on the history of Britain’s motorway development.
Tontine car park, the 255-space multi-storey car park in Exchange Street, St Helens, has been closed since February this year for a revamp.
This has seen a new lighting system, new signage and re-lined parking spaces installed throughout following an investment by St Helens Borough Council.
In a statement, the local authority said:
Old and failing pay on foot equipment has also been replaced with brand new pay and display machines which take cash.
St Helens Star 2020
Well that there Bauhaus has a whole heap to answer for – with its curves and its concrete.
Influencing the sweeps and swoops of the car ramps and pedestrian walkways.
Like many of the original Odeon Theatres built by Oscar Deutsch, the site chosen was a little out of the main town centre – where land prices were cheaper, and the Odeon Morecambe is a good example of this. It is located at the corner of Euston Road and Thornton Road in this Lancashire seaside town. The Odeon was opened on 2nd September 1937 with Sandy Powell in “It’s a Grand Old World”. It had seating provided for 1,084 in the stalls and 476 in the circle.
Taken over by the Classic Cinemas chain in December 1967, it was re-named Classic Cinema, and was closed on 28th February 1976 with Kenneth Williams in “Carry On Behind”.
The stunning Moderne style exterior much of which including the projectionists walkway is now much deteriorated.
Next to the Police Station another Roger Booth building – recently seen on the small screen in The Bay.
Backtracking to take in the Crescent Café entrance.
Which became Hart’s Restaurant now trading as the Black Thai.
Into the town centre to look at the former Centenary HouseCo-op 1927.
Bought by the city council as part of the West-End Masterplan, the intention is to refurbish the building’s upper floors to provide affordable housing and accommodation for local arts businesses, retaining the Co-op late shop that occupies one-half of the ground floor.
Let’s take a look along the front – where we find a former Woolworths.
Along with other stores from the same period.
Alongside sits the former Littlewoods.
By 1939 there were 24 stores. A number of these were purpose-built for Littlewoods to designs by J S Quilter & Son. John Salmon Quilter – 1841-1907 was, in fact, long dead, but his architectural practice had been continued by his son Cecil Molyneux Quilter – 1879-1951. Quilter specialised in commercial architecture, notably public houses. He designed a new Blackpool store for Littlewoods, on the corner of Church Street and Corporation Street, which was faced in Empire stone. He also designed a store in Chester, and may have been responsible for the one in Morecambe. This faience-clad art deco building is the best surviving example of a pre-war Littlewoods store – indeed, it may be the best surviving Littlewoods of all time – even preserving diamond L motifs on the entrance lobby floors. These clearly copied Woolworth’s diamond W.
Finally to the Midland Hotel 1932-3 by Oliver Hill
Concrete and rendered brickwork, painted white. Curved plan, with convex side facing west towards the sea. Three storeys. Windows are steel-framed casements with rendered surrounds. Above each storey are projecting horizontal bands. The entrance front has a rounded left-hand corner, and a convex central staircase projection rising above roof level. This projection has a tall window of steel casements above the doorway, divided into three by mullions, both of which are capped by sea horses, painted red, which were carved by Eric Gill. Projecting at the right is a single-storey cafe of circular plan, now known as the Ravilious Restaurant. The west side has a single-storey projecting sun lounge, which is an addition, its windows replaced in PVC-coated steel. Between the solid centre and ends of the facade the 1st and 2nd floors have their walls recessed to form balconies.
Interior: above the cantilevered circular open-well staircase is a ceiling panel carved in low relief by Eric Gill and painted by Denis Tegetmeier. They were also responsible for the pictorial map of north-west England in what was originally the children’s room at the south end of the building. Also in this room is Eric Gill’s Portland stone panel, originally in the lounge, carved in low relief with a representation of Odysseus and Nausicaa. It was moved to its present position when internal walls were demolished during the 1970s. The cafe walls were originally painted with frescoes by Eric Ravilious, representing morning and evening in an idyllic seascape setting. These deteriorated rapidly because the plaster and paint used were incompatible and were obliterated within 2 years of completion, but were repainted in the late 1980s using photographic evidence.
The Super Swimming Stadium at Morecambe, Lancashire, was one of the grandest of the 1930s modernist seaside lidos. This massive structure measuring 396ft. by 110ft. was said to be the largest outdoor pool in Europe when it opened in 1936, accommodating some 1200 bathers and 3000 spectators. Unusually for an inter-war lido, it was designed not in-house by a Borough Engineer but by two architects, Kenneth MB Cross and Cecil Sutton, who styled it to harmonise with the Streamline Moderne of Oliver Hill’s adjacent Midland Hotel.
The stadium was closed down in 1975 on grounds of structural problems and demolished just a year later.
The history of youth work goes back to the birth of the Industrial Revolution in the 18th century, which was the first time that young men left their own homes and cottage–industries to migrate to the big towns. The result of this migration was an emergent youth culture in urban areas, which was responded to by the efforts of local people.
Work with young women however was seen as less important, because young women’s needs at this time were seen as being centred on homemaking, which were already, supposedly, provided for in the home.
By 1959 widespread moral panic in the press about teenage delinquency led the British government to look into a national response to catering for the needs of young people. In 1960 a government report known as The Albemarle Report was released, which outlined the need for local government agencies to take on responsibility for providing extracurricular activities for young people. Out of this the statutory sector of the youth service was born. For the first time youth centres and fully paid full-time youth workers made an appearance across the whole of Britain.
Which is where I enter this short history, attending the Broadoak Youth Club in Ashton, during the late 60s early 70s. These were days of ping pong, snooker, spinning 45s and drinking pop if you had the coppers.
Council run, housed in an architectural style best described as bunker like.
I uncovered a little of Manchester’s youth club history during my travels.
The Ardwick Lads’ and Mens’ Club on Palmerston Street, latterly the Ardwick Youth Centre, opened in 1897 and is believed to be Britain’s oldest purpose-built youth club still in use and was until earlier in 2012. Designed by architects W & G Higginbottom, the club, when opened, featured a large gymnasium with viewing gallery – where the 1933 All England Amateur Gymnastics Championships were held – three fives courts, a billiard room and two skittle alleys – later converted to shooting galleries. Boxing, cycling, cricket, swimming and badminton were also organised. At its peak between the two world wars, Ardwick was the Manchester area’s largest club, with 2,000 members.
On the 10th September 2012 an application for prior notification of proposed demolition was submitted on behalf of Manchester City Council to Manchester Planning, for the demolition of Ardwick Lads’ Club of 100 Palmerston Street , citing that there was “no use” for the building in respect to its historic place within the community as providing a refuge and sporting provision to the young of Ancoats.
Whilst cycling through Gorton, I passed the now defunct West Gorton Youth Centre.
Intrigued I started to dig a little deeper, I remembered playing five-a-side at Crossley House in Openshaw.
Openshaw Lad’s Club was founded in November 1888 by William John Crossley. It was previously known as the Gorton and Openshaw Working Lad’s Club and the Crossley Lad’s Club. The Crossley family financed the club up to 1941 and they built the club premises, Crossley House to commemorate Sir William Crossley after his death in 1911. The building was opened on 1 September 1913. In July 1941 the premises were handed over to the National Association of Boy’s Clubs and a management committee was formed to administer the club
Simon Inglis gives the architect as John Broadbent; Buildings of England names the architect as James Barritt Broadbent.
Stalybridge born outside right Tommy Broad started with Redgate Albion in 1902 spending time at Manchester City without making their first eleven before playing for Denton Wanderers in 1903 and Openshaw Lads Club in 1904 from where he joined Second Division West Bromwich Albion in September 1905 making his Football League debut at Wolverhampton Wanderers that September. After a single goal in 15 appearances he moved to Chesterfield Town in the February 1908 scoring 5 goals in 50 appearances for The Spireites over the next two seasons at Saltergate, where he was an ever present in 1908-09.
He moved to Second Division Oldham Athletic in May 1909 and they were promoted as Second Division runners-up in his first season when he missed only one game, scoring a career best 7 goals in the campaign, and in three seasons at Boundary Park he scored 9 goals in 104 appearances. He then played for Bristol City between the summer of 1912 and the suspension of peacetime football due to the onset of the First World War in 1915, where he missed only one match in his first two seasons, scoring 8 times in 111 appearances at Ashton Gate.
During the First World War he served in the Armed Forces and after its resolution he joined First Division Manchester City in the summer of 1919, making 44 appearances in two years at Hyde Road, and helping The Citizens to finish runners up in the League Championship in 1920-21, which he followed with a move to Stoke in the summer of 1921 where Broad along with his younger brother Jimmy helped The Potters to promotion in 1921-22, finishing as Second Division runners-up, although this was followed by relegation the following season.
After three years in The Potteries, where Broad scored 4 times in 89 first team appearances, he moved to the South Coast to join Southampton. Broad still holds the distinction of being the oldest player ever signed by The Saints, being just three weeks short of his 37th birthday. At The Dell, he was used as cover for Bill Henderson and only had a run of three games in October, followed by six more appearances in April. In September 1925, Broad moved to Weymouth of the Western League, before playing out his career with Rhyl.
Procter Youth Centre a victim of city’s spending cuts
Procter Youth Centre 1966-2011. Despite being in singularly ugly building, it was very popular, providing a wide range of activities such as pool, football and martial arts, to name but a few. In 2009 the premises were refurbished with £668,000 being spent on a weights room, dance studio, recording studio. Then two years later Manchester City Council did the logical thing – closed it! Some of the eight staff offered to take a pay cut but to no avail. There were plans to use the building as a pupil referral unit. Today the building stands in the middle of wasteland that is the process of redevelopment.
Ancoats Youth Club had sadly ceased being a place for the community to come together and use the facilities a number of years before it became a bed shop before it was finally demolished in 2011, with yet another community resource gone forever.
Bringing us back to Gorton – the unoccupied and demolition ready Youth Centre.
Surrounded by new-build and no stranger to a passing Bentley.
Where the state has created a vacuum the charitable sector steps in.
Designed by Seven Architecture, the Manchester Youth Zone East will be the second of its type in Greater Manchester, following the Factory Youth Zone in Harpurhey.
Following years of slow decline the area is on the up.
Linden Homes’ new build properties on Belle Vue Street, Gorton have now completely sold out, with the first of the 14 homes ready for homeowners to move into this month.
The properties are part of the £9m Grace Gardens development, which is situated in a prime location in an up-and-coming part of Greater Manchester.
April 2023 and the shops and homes are being prepared for demolition.
The company responsible for the demolition also dropped the Robert Tinker, on nearby Dalton Street.
While it is not yet clear exactly what will replace the shopping parade, work has already started nearby on other projects within the scheme. The first phase of development in Collyhurst will see 274 new homes built in the area.
The council has pledged to reinstate the William Mitchell totem nearby.
However the weight of the concrete sculpture and its base have presented unforeseen challenges.
Siting a crane above the Victorian rail tunnel is an issue, as is the cost, a quote for £100,000 was deemed excessive. So stasis is the order the day – the immovable object awaits an unstoppable force.
The sculpture is one of four around Manchester – the Hulme exemplar is long gone.
We begin at the Railway Station – recently refurbished, overwriting its 60s iteration – completely rebuilt by the architect Ray Moorcroft as part of the modernisation programme which saw the West Coast Main Line electrified.
Across the way an enormous brick clad multi-storey car park – skirted by the lines for the tram, which travels to and from Birmingham.
Walk across the brand new pedestrian footbridge over the ring road.
Architectural glass artist Kate Maestri was commissioned to produce the artwork design which features glass with blue and green strips of colour running through it.
Linking the Rail Station with the brand new Bus Station.
The normal practice of the Wolverhampton Bus Service is to have dirty, smelly buses, that are cramped and extremely hot in the summer and freezing cold in winter. They offer no announcements apologizing for delays they know about and don’t appear to care how long passengers wait with no idea of how or when they’ll be getting a bus.
The best thing you can do is learn to drive as quickly as possible and get your own vehicle or car pool.
Midland News Association managing director Matt Ross confirmed the company is now looking at the building’s future.
For a number of years we have been exploring opportunities surrounding our historic Express & Star offices in the heart of Wolverhampton.
After removing the printing presses from the site and restructuring our departments we now have significant spare capacity available and so are looking at the various options available to us, be that redeveloping the current site or exiting the building altogether.
Extension is by architects: H Marcus Brown & Lewis 1965
With further work at the rear.
Along Princess Street this corner group, with an impressive clock tower – originally HQ for the South Staffordshire Building Society
Architects: George A Boswell of Glasgow 1932.
On to the Mander Centre – opened on 6th March 1968, refurbished 1987, 2003 and 2016-17.
The Mander Shopping Centre in the heart Wolverhampton is your one-stop shopping destination for all things fashion, home, beauty, food and technology.
Architects: James A Roberts principal architect Stanley Sellers.
Developed by Manders Holdings Plc, the paint, inks and property conglomerate, between 1968 and 1974. The site occupies four and a half acres comprising the old Georgian works and offices of the Mander family firm, founded in 1773, as well as the site of the former Queens Arcade.
Architects: T & PH Braddock and also Bernard Engle & Partners.
Along St Georges Parade, an abandoned Sainsbury’s church combo – store designed by J Sainsbury’s Architects Department opened 1988.
The church was built between 1828 and 1830 – architect: James Morgan, at a cost of £10,268. It was consecrated on Thursday 2 September 1830 by the Bishop of Lichfield, it was made redundant in 1978.
The site is currently under lease to Sainsbury’s for a further three years and will come forward on a phased basis subject to their lease concluding. The council is in active dialogue with prospective development partners on the redevelopment of this site and in wider consultation with Homes England.
Notable cases included trial and conviction of four members of The Stone Roses, in October 1990, for criminal damage to the offices of their former record company.
Thence up Snow Hill to the former Citizens Advice former Barclays Bank currently empty.
Architects: John HD Madin & Partners 1969
Take time to have a look around the back.
Off to Church Street and Telecom House
Sold for £4.25 million to Empire Property in 2022.
It had previously been sold for more than £3m in July 2018, also for use for apartments, to Inspired Asset Management which later went into receivership.
Located on a popular apartment block on Church street in the Wolverhampton centre, this 1 bedroom property has been newly renovated throughout and compromises an entrance hallway, open plan lounge/kitchen with in built appliances, shower room and double bedroom.
Next to this modern piazza New Market Square – Architects: Nicol Thomas from a concept by head of planning Costas Georghiou.
Formed from the former Market Square, a mix of flats and shops opened in 2004, in an Italianate version of the modish school of streaky bacon.
In 2021 the Coca-Cola Christmas Truck visit to the Midlands was cancelled.
It was meant to arrive at Market Square in Wolverhampton at 11am today but failed to show up.
One fan had waited since 7am this morning to see the Coca-Cola truck.
While schoolchildren were left gutted when the truck didn’t turn up – and one boy had been so excited his mother said he had been talking about the red truck all morning.
Retail Market – Late 1950s market hall and offices above.
Architects: Borough Surveyor.
Excellent example of the Festival of Britain style of architecture, won Civic Trust Award 1960.
Locally Listed March 2000.
demolished January 2017.
Photo: Roger Kidd
This development that wraps itself around Salop, Skinner and School Streets appears to be of a similar period to the Retail Market – and sports a Lady Wulfrun in relief.
There is access to its roof top car park.
And also an exit back to street level.
Where we find at street level the former Odeon Cinema, opened on 11th September 1937 with Conrad Veidt in Dark Journey.
In October 2000, the former Odeon was designated a Grade II Listed building by English Heritage.
RIBA pix
In recent years it was a Mecca Bingo Club, but this was closed in March 2007 In October 2009, it had been refurbished and re-opened as the Diamond Banqueting Suite. In April 2021 police raided the vacant building to discover an illegal cannabis farm operating in the building.
Four men were arrested.
Let’s take a turn around the corner to Victoria Street where we find the complex of Beatties Buildings.
Architects: Lavender, Twentyman and Percy 1920’s – 30’s
The C20 Beatties store is a multi-period site developed first in the 1920s-30s. A Burton’s men’s clothes shop was built on a curved corner site at Victoria St/Darlington St and Beatties themselves replaced their existing Victoria St store in the 1930s with a building by local architects Lavender, Twentyman and Percy. Beatties later acquired and incorporated the Burton’s shop into their store. These two buildings form the locally listed building to which were added a mid-C20 extension along Darlington St and a late-C20 development to the rear at Skinner St.
An imperious Portland stone clad mixed us block on Waterloo Road, with a delightful clock.
Formerly the Gas Showrooms then SunAlliance & LondonInsurance offices – aka Clock Chambers
The showroom in Darlington Street was also the centre of a radio network that controlled a fleet of service vans. This enabled customers to receive service within minutes of making a telephone call. Demonstrations of cookery, washing and refrigeration were given by the Gas Board’s Home Service Advisers and a number of the company’s engineers, who specialised in designing gas equipment for industrial processes operated an advisory service for manufacturers.
Architects: Richard Twentyman 1939.
Nineteen Waterloo Road latterly First City House formerly home to Eagle Star Insurance 1970
8-10 Waterloo Road architects: Richard Twentyman 1959 extended 1966.
One man who saw the wisdom of building a road infrastructure to deal with high volumes of traffic passing through Halifax and to provide convenient links to the M62.
That man was prominent town councillor John Burdock.
Burdock Way, the modern flyover system, was opened in 1973 to take the A58 and A629 traffic over the River Hebble.
Faced with the problem of very high volumes of through traffic in its town centre, and with the impending construction of the M62 too far to the south to provide relief for the town, Halifax needed a bypass. The steep sided valley that the town centre inhabits prevented a conventional road from being built around the town, and so in the early 1970’s construction began on Burdock Way – one of the most adventurous relief road schemes built in Britain, certainly by a town the size of Halifax.
Only one phase of the futuristic road was ever built, but what exists is a partially grade-separated dual carriageway that runs through deep trenches and over tall viaducts close to the heart of the town. At its eastern end is a truly byzantine piece of traffic engineering that stretches the definition of a roundabout to its limit.
In October 1971 the official celebrations went anything but according to plan. It had been decided to give the people of Halifax a half day holiday so they could attend the opening, but there were not enough police on duty to control the sightseers. It was impossible to get complete silence for the speeches and arrangements to tell the artillery guns at Southowram Road when to fire broke down. They were fired prematurely while an archdeacon was offering prayers. The Mayor, HC McCrae, finally managed to announce that the bridge was officially open and he scurried back to the town hall where he hosted a banquet.
Burdock Way has never been fully completed as it is missing certain sections envisaged in the early 1960s plans. There are a number of reasons for this, but it is mainly owing to West Yorkshire County Council’s cost cutting in the 1970s.
Yorkshire Post
This is the Valley of the Gwangi in the West Riding – minus the dinosaurs.
An urban chasm, the gulf between everything and nothing.
North Bridge is a Victorian iron and stone bridge crossing the valley of the River Hebble, connecting the town to roads to Bradford and Leeds. Replacing an earlier six arch stone bridge it was raised to allow the subsequent construction of the Halifax High Level Railway beneath it, along with an adjoining station.
Opened in 1871 amid chaotic crowd scenes it carried increasingly heavy traffic until it was by-passed by the Burdock Way in 1973.
I’m overwhelmed by the underpass, where the passage of time is both slowed and hurried.
A feeling of unease will hasten your pace, a strange sense of transcendence allows you to linger longer.
There’s a world going on underground.
Rattle big black bones in the danger zone There’s a rumblin’ groan down below There’s a big dark town, it’s a place I’ve found There’s a world going on underground
Three nineteen-storey point blocks built as public housing as part of the redevelopment of Sunderland town centre. The blocks contain 270 dwellings in total. Construction was approved by committee in 1967.
The blocks were constructed by Sunderland County Borough Council.
The developers of the Town Central Area were Town and City Properties Ltd. It is believed that they contributed £38,600 to the development of the blocks.
Ian Frazer and Associates were the architects for the sub-structural works only.
Llewelyn, Davies, Weeks and Partners were the structural and mechanical engineers in addition to being the architects for the tower blocks.
Gilbert-Ash Northern Ltd.’s tender for the contract was £959,258 – construction began in March 1967.
Construction of Killingworth, a new town, began in 1963. Intended for 20,000 people, it was a former mining community, formed on seven hundred and sixty acres of derelict colliery land near Killingworth Village. The building of Killingworth Township was undertaken by Northumberland County Council and was not formally a New Town sponsored by the Government.
Unlike that town, Killingworth’s planners adopted a radical approach to town centre design, resulting in relatively high-rise buildings in an avant-garde and brutalist style that won awards for architecture, dynamic industry and attractive environment.
This new town centre consisted of pre-cast concrete houses, with millions of small crustacean shells unusually embedded into their external walls, five to ten storey flats, offices, industrial units and service buildings, which often consisted of artistic non-functional characteristics, shops and residential multi-storey car parks, interconnected by ramps and walkways. These made up a deck system of access to shopping and other facilities, employing the Swedish Skarne method of construction.
Originally named Killingworth Township, the latter part was quickly dropped through lack of colloquial use.
Killingworth is referred to as Killy by many residents of the town and surrounding areas.
Around 1964, during the reclamation of the derelict pit sites, a fifteen acre lake south of the town centre was created; spoil heaps were levelled, seeded and planted with semi-mature trees.
Modern Mooch 
