Walking From Rhyl To Colwyn

Previously on Modern Mooch.

My last words on my last North Wales post were:

Time for the train home to Stockport – but you can bet I’ll be back.

And true to my word I have been back, several times – on this occasion alone and on foot.

An almost overcast mid-grey day in November, alighting at Rhyl Station and loafing along to Colwyn Bay – this what I done seen.

1907

Former Bee and Station Hotel immediately opposite the Station.

The Bee and Station Hotel was built in the 1860s. The decorative tile work of the exterior was probably added during remodelling c.1890. Inside, the lobby is also richly decorated with brightly coloured tiling. The building was listed in 1991 as an excellent example of pub of the late 19th century with a complete tiled frontage and a rare surviving internal layout throughout.

The pub closed in 2005. The building reopened in 2013 after being refurbished and given a modern extension by Denbighshire County Council, under the Townscape Heritage Initiative, to provide new offices for small businesses

History Points

Onward to the seafront, home to the defunct Skytower.

The tower first operated at the 1988 Glasgow Garden Festival, where it was known as the Clydesdale Bank Tower and was opened by Prince Charles and Princess Diana. Following the festival, it was dismantled and reassembled on the Rhyl seafront.

The tower last operated in 2010. The following year, a safety report found that £400,000 worth of repairs were required to keep the ride operational. After standing but not operating for seven years, in 2017 work was carried out to turn the tower into a beacon.

Photo – GA Stephen ©

Much has been done to improve the promenade, with sumptuous hard landscaping, coastal defences and seafront shelters.

The £66m Central Rhyl Coastal Defences Scheme will protect almost 600 properties in Rhyl from flooding and coastal erosion for decades to come.

85% of the construction costs have been funded by the Welsh Government, with the Deputy First Minister labelling the project a ‘significant milestone’ in efforts to protect Welsh communities from the growing threats of climate change. Denbighshire County Council contributed the remaining 15%.

Gov. Wales

Over the estuary to Rhyl Harbour home to Doris Day.

Rhyl Harbour is located on the spectacular North Wales Coast and has undergone a dramatic refurbishment which has hugely improved the facilities on offer. The original timber yard which was used by sailing ships up until the Second World War, has been redeveloped and now offers storage for over 150 boats.

Denbighshire Gov UK

The foreshore home from home for thousands of caravan dwellers.

Golden Sands Holiday Park Rhyl has over 85 years history of fun filled holidays. Wonderfully located right next to the beach in Kinmel Bay in North Wales, it’s the perfect place for a family seaside holiday. It’s also an excellent base for exploring the beauty of North Wales. The town of Rhyl is closest, though also nearby are Prestatyn, Colwyn Bay and Llandudno – with the Great Orme. Blue Flag beaches offering wonderful seaside holiday traditions along with stunning Snowdonia National Park are within an easy drive.

Hoseasons

This is not food for thought, or is it?

Fast food is often nutritionally poor and high in calories. Evidence demonstrates that overeating commercial fast food products can negatively impact health in both the short and long term.

However:

Baysville is lovely and clean, lots of tables and a good choice of foods from ice cream, donuts, burgers, hot and cold drinks and a bar. The staff are pleasant and welcoming.

Christinecupcake

I am unaware of the effects, negative or otherwise, concerning overexposure to Frothy Coffee.

I love this place, what an amazing way to spend a day, having the best cappuccino I’ve ever tasted while taking in the sea air.

Lovely lady, amazing prices, brilliant with my son that has autism.

Anna S

Researchers have found people who drink up to three cups of coffee a day could have a healthier heart and a lower risk of dying of any cause.

But too much caffeine can produce anxiety, sleeplessness, agitation, palpitations, diarrhoea and restlessness. In individuals with a mental health condition caffeine can worsen psychosis and result in the need for higher amounts of medication.

Possibly wiser to take a leisurely ride on your electric bicycle, followed by an hour or two of beach casting .

The coastal housing at Kinmel bay is undergoing a cosmetic upheaval, the determinedly down home bungalow swamped by the relentless monotone tide of home improvements.

The Sandy Cove Estate consists of 250 bungalows that were built in the 1930s by the Kinmel Estates Ltd, who sadly went into liquidation around 1947, before the estate was completed. This left the estate with only dirt tracks for roads with no sidewalks or pavements, no drainage for surface water or any adequate street lighting. After the liquidation of the company the roads and communal greens were escheated to the Crown who then offered the land free of charge to successive Councils for the to incorperate into the towns that were developing. This was refused by the Councils.

Sandy Cove

Fifty or more homes are ready for you to choose from, gardens and tennis courts have been provided for the sole use, in perpetuity of residents.

Onward now to Towyn.

The town made national headlines in 1990 when a combination of gale-force winds, a high tide and rough seas caused Towyn’s flood defences to be breached at about 11.00am on 26 February. 4 square miles of land was flooded, affecting 2,800 properties and causing areas of the resort to be evacuated. Further flooding occurred later the same week, on 1 March, shortly after the site of the disaster was visited by Prince Charles and Princess Diana.

Scientific experts also believe that the silt left behind from the flooding had left the town with a higher concentration of radioactivity, over ten times the governmental safety limits, most likely originating from the nuclear processing plant at Sellafield which had been dispersed into the Irish Sea over many years since its construction. The National Radiological Protection Board stated that there was a “small risk” to the people there, while the Welsh Office claimed there was no danger to the public. The coastal defences have since been reconstructed and significantly enhanced.

Wikipedia

The People of the First Nation here at Knightly’s Fun Park are now safe from the threat of flood.

Knightly’s Funfair has a fantastic range of rides for the whole family! Experience high speed thrills and heart pumping excitement! We’ve got rides for the little ones too as well as games and food stalls to keep the whole family entertained all day!

We also welcome dogs, so you don’t have to leave your furry friends behind!

The monotone gentrified home is accompanied by the monotone SUV – the Land Rover Discovery Sport.

The joy of Discovery Sport is in finding that no adventure is out of reach. Offering the ultimate in comfort, while having the toughness to cope with family life.

All yours for from £43,195

Land Rover UK

According to a Europe-wide study, which included the UK, when vehicles are 300kg heavier, the risk of fatal injuries is 30% higher for vulnerable road users.

Pedestrians and cyclists are also 30% more likely to be killed if they’re hit by a car with a bonnet that’s 10cm higher than average.

My Green Pod

Think again Ann.

E25 is Spirulina Extract Phycocyanin, when taken as directed, Spirulina generally doesn’t cause side effects. In some people, it may cause mild side effects, including headaches, diarrhoea, bloating and gas.

Here we are now at Abergele and Pensarn which have quiet sandy beaches close to historic sites and wooded hills. From here, you can escape the stresses of everyday life. Enjoy sea views, historic places such as Gwrych Castle – home to ITV’s I’m a Celebrity 2020 and 2021 TV series, and a range of things to do providing fun for all the family.

Visit Conwy

We are open seven days a week, cafe, arcade, crazy golf from 10am and bingo from midday. 

Surfside Amusements

Pensarn Pleasure Beach Amusement Arcade, operated by Laurence Williams Amusements, offers a charming family-friendly experience. Visitors often highlight its nostalgic appeal with fun penny machines and small shops selling drinks and handmade goods.

While many appreciate the charm of the arcade, some mention that certain machines are quite dated and do not work properly, this aspect may affect overall enjoyment for some users.

The reviews indicate a good variety of activities including classic penny slots and local shops offering food and unique handmade items like dog harnesses, catering to diverse interests.

Such a pleasant stretch of coast to stretch your legs along.

Or to stretch your wings for that matter, should you happen to be a cormorant.

Coastal defences from the giant concrete bobbers and jacks.

tetrapod is a form of wave-dissipating concrete block used to prevent erosion caused by weather and longshore drift, primarily to enforce coastal structures such as seawalls and breakwaters. Tetrapods are made of concrete, and use a tetrahedral shape to dissipate the force of incoming waves by allowing water to flow around rather than against them, and to reduce displacement by interlocking.

Tetrapods were originally developed in 1950 by Pierre Danel and Paul Anglès d’Auriac of Laboratoire Dauphinois d’Hydraulique in Grenoble,who received a patent for the design. The French invention was named tétrapode, derived from Greek tetra ‘four’ and pode ‘foot’.

Tetrapods were first used at the thermal power station in Roches Noires in Casablanca, to protect the sea water intake.

Wikipedia

Next we pass Raynes Jetty the quarry conveyor belt – shifting and shipping limestone out to sea.

Limestone from Raynes quarry, to the south, is transported by conveyor belts to the jetty, crossing the A55 Expressway and railway. From the jetty it is loaded into coastal freighters which take it to other parts of the British Isles. Limestone from this quarry is a pure form of the rock, making it ideal for the chemical and cement industries.

History Points

Limestone forming an important constituent part of the nearby concrete Rainbow Bridge – linking Old Colwyn’s pedestrians to the shore.

On the site of Colwyn Bay Pier is a seriously truncated pier.

It was conceived in the late 19th century, when Colwyn Bay wanted to catch up with other towns which had piers where steamers deposited and collected passengers. However, it was found that the proposed pier would have to extend almost half a mile to reach the area where the water was deep enough for ships. This was too costly, so the pier was built purely for entertainments. The councillors saved face by saying this would avoid day trippers arriving by steamer and lowering the tone of Colwyn Bay!

The pier was less than 100 metres long when it opened in 1900. The pavilion had a 2,500-seat theatre, shops and a restaurant. The opening performance featured Adelina Patti, one of the world’s most renowned operatic sopranos in her day.

The final pavilion, opened in 1934, incorporated Art Deco features and murals by Eric Ravilious and Mary Adshead.

Both walls of the last remaining Eric Ravilious mural have been successfully removed, and were placed safely in storage. But with CCBC staff set to relocate to new Colwyn Bay offices a more permanent home is needed for the murals.

North Wales Pioneer

Fish sketch for the Colwyn Bay Mural.

Many of those features were destroyed or obscured in post-war refurbishments. Entertainers who performed at the pier in this period included comedians Ken Dodd and Morecambe and Wise, and singers Harry Secombe and Elvis Costello.

History Points

The promenade has recently been updated.

The new promenade, measuring 2.3 miles long, has been designed to protect the town and its infrastructure from the effects of the sea. The project was split into two phases; the first, to remove what was originally there and to construct the new raised promenade including a road, cycleway and car parking. The second phase was to transform the promenade with further development as well as reinforce the defence structures.

BSFG

This is the last of the Sixties concrete shelters – which once stretched all the way to Rhos on Sea.

New shelters have appeared

A Conwy County Borough Council spokesperson said:

The shelters include new features such as solar power lighting and are designed to be accessible for wheelchair and mobility scooter users.

The closed design of the old shelters made anti-social behaviour easier and led to their condition deteriorating.

And a new pier has appeared.

Construction on the new Pier at Colwyn Bay commenced in July 2020. Despite being initially slated for completion in the summer, the erection of scaffolding and subsequent work on the 45-meter truncated Colwyn Bay pier were delayed. However, the project timeline was expedited, and the construction was successfully finished in July 2021.

Pier Bae Colwyn

At this point it began to rain – so I hastened to see solace and shelter in the Black Cloak, again.

Time for the train home to Stockport – but you can bet I’ll be back.

Newcastle Walkways

These are the streets in the sky passing between the Central Motorway, Saville Place and Oxford Street.

Streets constrained by infrastructure, a University and doomed leisure provision.

Welcome to Newbridge Hotel Newcastle upon Tyne – a charming oasis located in the heart of the vibrant city, just a short stroll from the renowned Theatre Royal and beautiful St James’ Park. Whether you’re visiting for business or leisure, the location ensures that you have easy access to the best of Newcastle, including fantastic shopping at Eldon Square and local attractions like the Metro Radio Arena.

Discover the essence of Newcastle from Newbridge Hotel, where every stay becomes a unique experience tailored to your needs.

Two sets of protestors gathered outside the New Bridge Hotel in Newcastle, as “Newcastle Welcomes Refugees” stood up to “Send Them Back” protesters who want an end to migrants being housed in the hotel.

Northern Echo

I have been here before and posted upon the subject of Newcastle Underpasses.

This is an inland island of anonymity, home to pigeons, shake can shakers and the terminally curious.

It always rains on Saturdays.

Happily, the sun always shines on Sunday.

Hidden within and upon the walls of the walkways are these two cast concrete panels – the work of guerrilla artist Euan Lynn.

North east property group Gainford has unveiled its revised plan for a £170m residential and hotel project to transform Newcastle’s skyline.

It plans to redevelop a former Premier Inn site on New Bridge Street, with a 29-storey tower of 185 flats, alongside a separate 150-bedroom hotel, and bars, restaurants, and leisure space.

Construction Enquirer

Stafford Walk

To begin at the beginning – we arrive at Stafford Railway Station.

The current station was built in 1962, by the architect William Robert Headley, as part of the modernisation programme which saw the electrification of the West Coast Main Line.

Illustration: John Greene

On leaving the station there is an as yet partially un-let Sixties office block to let – Victoria Park House.

Onward to the County Technical College 1937 Grade II Listed – interior completed 1946.

The shell of the building was completed in 1937, after which it was used as an American army hospital during the war, then completed afterwards. 

Heavily loaded with Art Deco details.

The new £28m three-storey Skills & Innovation Centre at Stafford College, completed in August 2023, was one of the first further education college schemes to be delivered under the DfE framework and a pathfinder scheme for delivery in accordance with the Further Education Output Specification. The new Centre is equipped with cutting-edge equipment and state-of-the-art facilities for construction, engineering and hybrid / electric vehicle maintenance facilities, as well as IT rich seminar suites and open learning break-out spaces along with a 4-court sports hall, a fully-equipped gym and a flexible 300-seat auditorium.

Ellis Williams

A 1970’s block was demolished to make way for the new development.

Almost everywhere we go we find a PoMo Crown Courts 1991 – architects: Associated Architects of Birmingham, cost of £10.4 million.

The war memorial of 1922 is by Joseph James Whitehead.

Sneaking through the alley to and before the McDonalds – one many more recent buildings with jetted lead clad bays.

Keeping the town Tudor one bay at a time..

Further along a Sixties Boots.

The Classical stone frontage of the Guildhall Shopping Centre.

Working with Mercia Real Estate, Glancy Nicholls Architects have designed a contextual mixed-use scheme in the heart of Stafford Town Centre, within the footprint of a disused shopping centre. This includes the regeneration of the 1930’s Guildhall building that serves as the main entrance to the shopping centre and the listed Market Square building. 

Glancy Nicholls

On the corner a Santander Bank

Across the way an understated Burton’s.

Around the corner a somewhat neglected retail development.

And a long lost Wilko.

Amidst it all the curious time warp that is Trinity Church 1988.

It is used by Methodist and United Reformed Church congregations.

Tucked away in a minor maze of retail a piece of figurative commemorative public art by Glynis Owen Jones, entitled Stafford Faces.

Around the corner a big B&M.

Further along a brick FoB Telephone Exchange of 1959.

Adjoined by the County Records building.

Pringle Richards Sharratt Architects have been appointed by Staffordshire County Council to create a new History Centre for Staffordshire and Stoke on Trent.

The new £4m centre will be located on Eastgate Street in Stafford and will hold historical records and collections up to 1,000 years old.

The scheme will help to provide a rejuvenated service combining the existing Records Office building and William Salt Library, in Stafford and provide a welcoming destination for all of those with an interest in local history. This will include bringing on to the Stafford site the Lichfield Records Office and aspects of the County museum.

Further FoB in the Civic Building.

Close by the Staffordshire Place a civic and retail mixed use development.

Our scheme delivers 135,000 ft2 of high quality contemporary office space across two buildings linked by a new town square. The ground floor incorporates a mix of retail and leisure uses around
a sequence of smaller public spaces to maximise the amount of visible active frontage and create a natural extension to the town centre.

Sustainability issues fundamentally informed the design approach, from mitigating energy consumption to ‘future proofing’ the finished building. The building achieves a BREEAM ‘Excellent’ rating and a European Energy Performance of Buildings Directive Rating ‘A’.

3D Reid

Surprise surprise another retail development Riverside.

£70m riverside town centre retail and leisure development in the heart of Stafford. The 230,000 sq. ft. scheme anchored by M&S will deliver 18 retail units arranged over ground and first floors, five leisure units and a six-screen cinema to complement and strengthen the town centre economy and create new businesses and jobs.

Harris Partnership

Stafford’s £100 million Riverside development was officially launching today with two high street chains open for business on August 4th 2016.

None of this can detract from the monolithic complex Telephone Exchange.

Onwards across the main road past the Asda and up the road to Pennycrofts Court.

Featuring a split level garage facility.

The just around the corner this little corner of Vienna in Stafford – Corporation Street Flats.

Coniston, Windemere and Rydal were among the first council homes to be built in Stafford, between 1951-52, under the direction of County Architect CM Coombes.

The flats were built as a result of The Housing – Financial and Miscellaneous Provisions Act 1946, which gave subsidies to local authorities to provide social housing. The expansion of the Borough Council’s civic duties included the employment of County Architects, in this case CM Coombes FRIBA, to whom these flats are attributed. 

54 flats were built in total, to a distinctly Modernist design, and their appearance and setting are very well preserved.

Let’s head back into the town centre – to the Grade II Listed Picture House 1914

Architectural alterations made by: Captain Fred Campbell in 1930.

The Picture House was closed on 30th March 1995 after a three week run of Disclosure starring Michael Douglas, there were seventy eight attending the final performance.

Cinema Treasures.

Close by the former Odeon

Architects: Roland Satchwell 1936

It was disposed of by the Rank Organisation in July 1981 and was taken over by the Hutchinson Leisure Group who re-named it Astra Cinema. In December 1981 it was tripled with 435 seats in the former stalls and two mini cinemas in the former circle seating 170 and 168.

In 1988 it was taken over by Apollo Cinemas and re-named Apollo Cinema. The downstairs cinema was closed and became a bingo club for a couple of years, during which time the two mini cinemas in the former circle remained open. The bingo operation gave way to films again in 1990 and all three screens were again open, with seating for 305, 170 and 164. In January 2014 it was taken over by the Curzon Cinemas chain and renamed Stafford Cinema.

It was closed on 18th December 2017 with Star Wars:The Last Jedi.

Cinema Treasures

Onwards but backwards to the Civic Centre.

Tiled mural by Brian Lambert 1979

Finally arriving at this lively aggregate gable.

St Mary’s Church Exterior.

Broadfield Drive Leyland Lancashire PR25 1PD

I was first here in 2019 – it was raining, so snapping the exterior was a soggy task.

Returning in 2025 on a sunny day was a blessing.

This is a suburban church with the ambition of a Modernist cathedral – a radical construction in concrete, brick, stone and glass.

It more than deserves its Grade II Listing.

The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century.  The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation  stone  in  1962  and  the  new  church  was  completed  ready  for  its consecration and dedication by Archbishop Beck in April 1964.

Dalle de Verre stained glass by Patrick Reyntiens.

Large polychrome ceramic mural representing the Last Judgment by Adam Kossowski occupies the width of the porch above the two double-doored entrances.

Let’s take a turn around this stunning building – the etched glass on the Chapel of the Blessed Sacrament is by Jerzy Faczynski.

Take a look inside too!

Queens Hotel – Monsall/Collyhurst Manchester

Sedgeford Rd Manchester M40 8QU

I have been here before, notably, as recored on my Manchester Estate Pubs site.

The pub was open, but the Alan Boyson mural was in need of repair.

The missing panel, stored in the pub’s cellar was subsequently reinstated.

Then, following a Modernist crowdfunding project instigated by Richard Brook and Christopher Marsden, Alice Vincent-Barwood restored the work, during July 2022.

Sadly in August 2023 the pub lost its licence and remains closed.

Wandering from Town to Moston yesterday, I happened to pass by, so I took some photos, here they are:

Martins Banks and Modernity

Martins Bank was a London private bank, trading for much of its time under the symbol of The Grasshopper, that could trace its origins back to Thomas Gresham and the London goldsmiths, from which it developed into a bank known as Martin’s Bank from 1890.[1] That bank was acquired in 1918 by the Bank of Liverpool, which wanted Martins to give it a London presence and a seat on the London Bankers’ Clearing House. The Martin name was retained in the title of the enlarged bank which was known as the Bank of Liverpool and Martins Limited. The title was shortened to Martins Bank Limited, without an apostrophe – in 1928, at the insistence of the directors of the Lancashire and Yorkshire Bank when it was bought by the Bank of Liverpool and Martins. The head office and managerial control remained firmly in Liverpool, cementing Martins’ place as the only English national bank to have its head office outside London. 

It was taken over in 1969 by Barclays.

Wikipedia

To begin at the beginning, to begin in Sheffield – at Martins Bank Eyre Street.

Opened in 1961, Martins Bank’s branch at Sheffield Moor is new and purpose built, occupying space left in the Sheffield Moor area by the bombing of the second world war. Time flies however, and more than fifty years on, the building is empty and awaiting the next chapter of its life.

Martins Archive

Onwards to 38 Market Street Hyde – photographed as part of my Tameside Moderne book.

Seen here in 1963 – the year of its opening.

The rebuilt branch at 38 Market Street Hyde is typical of the clean lines and minimal fuss of Martins’ 60s rebuilds.  After a year or so in temporary premises at 25 Market street it re-opens in 1965, and a year later a smaller but remarkably similar looking branch is completed at Peterborough.

Martins Archive

Then last week in Burnley, I stumbled across another former branch, whilst on my Burnley walk – it is currently trading as the Real Food Hall, Vault Cinema and Above boutique hotel, having previously hosted a variety of retail outlets.

Architect: Mr J E Wadsworth of Samuel Taylor Son & Platt.

Discover Burnley’s premier destination for culinary delights. Nestled on Manchester Road, Real Food Hall offers a vibrant and diverse food experience that tantalizes every taste bud. Whether you’re craving gourmet burgers, delectable street food, or indulgent desserts, we’ve got something for everyone.

Enjoy top movies in a luxurious former bank vault, featuring high-end design, ultimate comfort, and a selection of premium snacks and beverages.

Indulge in next-level hospitality with Burnley’s largest, most intelligent hotel rooms — tailored for football fans, couples, and business travellers seeking a seamless, stylish stay.

Most people will remember Whitsuntide, 1963 as a weekend of blazing sunshine spent by the sea, or on the hills, or golfing, or just sitting in the sun. The staff of the two Burnley branches will remember it as a week-end of evacuation and invasion, Dunkirk and D-Day rolled into a lost weekend, the evacuation of Hargreaves Street and St James Street into the new Manchester Road premises.

Mr Jobling, who had controlled operations throughout, created a record that can never be beaten in working twenty-four hours’ overtime in one day! We welcomed our first customers at 10 o’clock next morning and a civic visit at 11 a.m., not only proud of our lovely building but very proud of and grateful to so many who had never spared themselves to achieve what at one time seemed the impossible.

In service from 3rd June 1963 until 19th June 1991.

Martins Archive

I was delighted to see that the Martins’ shield was still intact and in place.

This in turn lead me to the archival Designing Martins Banks.

Since the last war the uses of fibreglass have developed to such an extent, that there are now companies engaged solely in the manufacture of fibreglass products. Such a company is Carleton Russell Limited whose works at Loughborough. The company makes fibreglass signs and displays and has produced several of our Bank signs. At the time of our visit the finishing touches were being made to the huge sign, seen in the colour photograph below, which now gleams upon customers entering our branch at Digbeth, Birmingham.  

Why fibreglass – two of its advantages, light­ness and flexibility, have much to recommend it as the material for a wall sign, either inside or outside a building. The Coats of Arms carved in stone which once surmounted the two entrances to our Leeds office, have now given way to fibre-glass reproductions. Weather resistance is another valuable property of these signs and Hove branch, for example, exposed to coastal weather, is saved frequent cleaning and retouching costs by having its exter­nal sign made from fibreglass.

In addition to innovative materials, Martins began to employ Modernist Architecture, interiors and design to attract a younger customer base.

Particularly at their branch on 95 Wigmore Street London, where Ernö Goldfinger was commissioned to do away with the old and bring in only the newest of the new. 

Ribapix

The Manager’s Office.

And this is 95 Wigmore Street today.

© Diane Auckland / Fotohaus Ltd

New office development for Great Portland Estates on Wigmore St. Designed by architects ORMS, 95 Wigmore Street is a new office and retail development by the Great Wigmore Partnership, completed in 2013. The building occupies a prominent site in the West End, between the thriving restaurants and bars on James Street and yards from Selfridges on Duke Street.

Closer to home this is the Fishergate Branch in Preston, opened in August 1965.

Preston branch today is not merely impressive; it is handsome. The entrance porch is of clear glass but the windows are of hand-made tinted glass set in aluminium frames, the counter is of teak, faced with Sicilian marble, and the walls of the main banking office are of wide elm boarding with one large panel of silver grey marble. 

The management rooms are lined with cedar of Lebanon against a maple background and hot water coils in the ceilings warm all the office areas. Clearly the transformation has cost a lot of money and even the more humble rooms would not disgrace the London Hilton. Does the Hilton staff kitchen, for example, have built-in teak wall cupboards with magnetised catches? 

Now operating as a Barclays branch.

Maljoe Flickr

In the late 1950s,  Martins begins to commission works of art that can take pride of place in new branches, and in most cases reflect something of the local area – a kind of giving back to the people.  To begin with, this is neither a grand nor hollow gesture, and the character of many a branch is decided by its own unique internal décor and its artwork.

Such as the four elaborate carvings from Newbury Branch, depicting four local activities – Brewing, Weaving, Chasing and Farming.

Bristol Clifton 9a Whiteladies Road – the design depicts various buildings and landmarks in Bristol.

Designer – Philippa Threlfall 1966

Gloucester Branch 8-10 Southgate Street

Gloucester Cathedral, viewable from both sides: shatter-proof glass prevented hands from penetrating the fretted ceramic.

Designer Philippa Threlfall 1968

© Philippa Threlfall 

Philippa Threlfall has been making relief murals in ceramic since the 1960s. Together with her husband and partner Kennedy Collings she has completed over one hundred major works on sites all over the United Kingdom and overseas. Some of these were made for private clients, but most were commissioned for display in public situations – shopping precincts, banks, building societies, an airport, hospital and office developments.

Philippa studied Illustration and Ceramics at Cardiff College of Art and went on to qualify as an art teacher at Goldsmiths College London. She taught ceramics and painting part time for six years at North London Collegiate School in Edgware, and during this time began to receive commissions for mural work. 

Bournemouth 39 Old Christchurch Road, where sculptor Paul Fletcher’s creation exudes locality and security at the doors of the branch.

Where in the universe have we landed? Is this one of the wobbly sets from the 1960s episodes of Dr Who?  Even worse –  no need for LSD when paying in your £SD at the new Watford BranchBryan & Norman Westwood & Partners, architects 1962.

Ribapix – rear elevation.

The uneven cobbled effect on the floor, clashing with walls that look as if they might close in on you at any minute, must have made for an interesting visit to Watford.

The public space is comparatively dimly lit, with a black ceiling, slate floor and dark-coloured sculptural panels by Eric Peskett placed in echelon so that as you go into the bank the wall appears to be quite solid, but on leaving you see the street through the windows set between the slabs.

The counter top is a solid piece of Afromosia. The floor is of riven Delabole slate. The sculptured slabs between the writing desks have in parts a very smooth shining surface obtained by casting against glass and the insets are rough and dark, they were cast in rubber moulds. The ceiling is roughly textured Pyrok, dark grey in colour and intensely sound-absorbing. 

The Architect and Building News – 5 September 1962

Ribapix

And finally – welcome to dystopia 1967 – or Thornaby on Tees Branch, as it is known, an office drowned in its own grey drabness, a real nightmare in concrete. How many people were subject to trudging those awkward walkways with a pram, we can only guess. 

The in-house Martins’ magazine and archive may at times, have an ambivalent attitude towards Modernism, I myself, can only admire the optimism and originality, embodied in the work that the bank commissioned.

Many thanks Modern Martins, from thoroughly Modern Mooch.

Sunderland Museum

Burdon Rd Sunderland SR1 1PP

In 1879, the Museum moved to a new larger building next to Mowbray Park including a library and winter garden based on the model of the Crystal Palace. US President Ulysses Grant was in attendance at the laying of the foundation stone by Alderman Samuel Storey in 1877, the building opened in 1879.

During World War II, Winter Garden was damaged by a parachute mine in 1941 and demolished the following year. A 1960s extension took its place, but in 2001, a lottery funded refurbishment of the museum created a new Winter Garden extensionand improved facilities.

Wikipedia

Built in 1879 by local architects J & T Tillman, the museum building is Listed Grade II and was the first civic museum to be purpose-built outside of London.

I have been unable to find any attribution for the 1960s extension, built in the Festival of Britain style.

The panels, on the rear elevation, were by Walter Hudspith, then Senior Lecturer at Sunderland College of Art. They were the first examples of public art to be commissioned in Sunderland and were made for the building’s 1962-64 extension; they represent music, art and literature. The panels were restored by Lesley Durbin at the Jackfield Conservation studio in 2000-01.

Twentieth Century Society

The tiles represent literature, art and music

The distinctive waved concrete canopy was constructed by council worker Fred Davis in 1963.

One day I was travelling south from Tyneside and I realised this was what I had always been looking for.

LS Lowry 1960 The Wear

Montagu Court – Gosforth

Montagu Court Gosforth Newcastle upon Tyne NE3

I walked across the Town Moor toward Gosforth, then along Kenton Road and left onto Montagu Avenue.

Coming to Montagu Court – facing north, in shadow from the spring sun – constructed in 1963 by local architects Waring & Netts.

Modelled here by Northumbria University.

I took a look around, many thanks to the amiable resident, who gave me the lowdown on this high rise.

By the main entrance to the tower is this delightful concrete relief.

Rather circuitously I wandered around the adjoining streets – finding myself on the edge of the grassland facing the southern elevation.

I suggest that you take the footpath by the side of Ferndene Court, I didn’t.

Should you fancy a flat with a view house prices in Montagu Court have an overall average of £456,667 over the last year.

Then you can transform your home in the George Bond style.

Tram Trip To Bury

I was cordially requested to produce tram based walk, by the good folk at the modernist – travelling from Victoria Station to Bury. Alighting at each stop and seeing what could be seen, by way of modern buildings along the byways.

By the way, I do have previous experience, having undertaken a similar task travelling to Ashton.

So I set off as instructed, clutching my GMPTE senior concessionary travel pass.

Queens Road

Turn right on leaving the station, right then left – you have reached The Vine.

Glendower Dr, Manchester, Greater Manchester M40 7TD.

Head for Rochdale Road and turn right back toward the city centre, you have reached Eastford Square.

Manchester M40 7QT

Formerly home to homes and shops – currently home to the William Mitchell Totem.

Abraham Moss

Head toward where you will find St Annes RC Church – Architect: Greenhalgh & Williams 1958

Crescent Rd, Crumpsall, Manchester M8 5UE

Crumpsall

Turn right out of the station onto Crumpsall Lane

Former District Bank latterly Nat West – decorative relief and door.

Currently Greater Manchester Immigration Aid Unit

1 Delaunays Rd, Crumpsall, Manchester M8 4QS

Carmel Court

Turn back along Crumpsall Lane past the station until you reach Holland Road on your right.

14 Holland Rd, Crumpsall, Manchester M8 4NP

Onto Middleton Road and turn left where you will find the Telephone Exchange.

Middleton Road, Manchester. M8 5DS

Back track along Middleton Road toward Bowker Vale station.

There are several post-war residential low rise block along the route.

Haversham Court

Middleton Rd, Crumpsall, Manchester M8 4JY

Hilltop Court – just off to the left of Middleton Road.

Brooklands Road, Crumpsall, Manchester M8 4JH

Bowker Vale

Heaton Park

A good twenty minute walk from the station to Heaton Park Pumping Station.

Turn left from the station along Bury Old Road until you reach Heywood Road on your right.

Heywood Road, Prestwich, Manchester M25 2GT

1954-5 by the Manchester City Architect’s Department, Chief Architect Leonard C Howitt, for the Manchester Corporation Waterworks. Alan Atkinson, engineer. Incorporates large relief by Mitzi Cunliffe, signed and dated 1955.

Prestwich

Development by architects Leach Rhodes Walker.

Longfield Shopping Centre

Prestwich Library

Post Office

After months of public consultation, the joint venture has firmed up its proposals for the redevelopment of the Longfield Centre and is aiming to be on site before the end of the year.

Muse and Bury Council have submitted a hybrid application to transform six acres of Prestwich town centre.

Place North West

Besses o’ th Barn

Whitefield

Almost directly facing the station along Bury New Road.

Morrison’s – a Celebration of Whitefield relief Steve des Landes 2009.

5 Stanley Road Whitefield Manchester M45 8QH

Community Fire Station

Bury New Rd, Unsworth, Manchester M45 7SY

Radcliffe

Turn left out of the station onto Church Street West turn right toward the town centre.

Shopping Block

Corner of Dale Street and Blackburn Street.

Former Post now Delivery Office

St Thomas Estate

By Wilson and Womersley 1968, the project architect was John Sheard.

New-towny, dense low-rise housing irregularly grouped around and over pedestrian access paths.

Pevsner 1996/2004

The Strategic Regeneration Framework is the guide that is shaping the direction of Radcliffe’s growth over the next 15 years with a series of realistic short, medium, and longer-term actions. It is also shaping the direction of future council investment, supporting bids for central governmental funding and providing certainty for third parties wanting to invest in town.

Work has begun on Strategic Regeneration Framework’s priority projects, these include:

  • A new civic hub in central Radcliffe, which will bring together a mix of functions at the heart of the town
  • Refurbishment of the market basement and the revamping of market chambers
  • New leisure facilities
  • A secondary school on the Coney Green site
  • A “whole town approach” to housing, bringing forward a comprehensive approach to residential development in Radcliffe
  • A transportation strategy, which will consider matters such as active travel and car parking

Bury Council

Bury

We undertook a Bury Walk for the first time in 2024

Arriving at and looking around the Interchange – 1980 architects: Essex Goodman & Suggitt

A view of the Market Hall 1971 – architects: Harry S Fairhurst.

Unitarian Church.

The new church was designed and constructed by local architects James T Ratcliffe.

That’s the end of the line.

Walking – Talking

I began walking when quite young, then like Felix, I kept on walking, walking still.

The photograph was taking during the Whit Walks in 1958 – aged three, I was engaged in religious pilgrimage, as we know there are many reasons for walking, this is but one.

I was fortunate to grow up at a time when youngsters were permitted to roam freely, less traffic, less anxiety, gave me access to a wider axis of exploration.

The photograph would have been taken I assume, by my mam, on the Brownie 127. When aged nine I wandered alone through the local woods and exposed twelve frames of 44mm 127 film, the prints are long gone, yet I remember each of the photographs and locations clearly.

I went to school, then I didn’t, then I went to Art School, eventually becoming a teenage Constructivist, tutored by Jeffrey Steele, a leading light in the British Systems movement.

The rigidity of the grid, symmetry and orthogonal framing have stayed with me.

Then I went to work for a very long time indeed, then all of a sudden I didn’t. Taking early retirement aged 59 some ten years ago, subsequently taking to the roads, streets and hills of Britain in search of nothing in particular.

In recent years there has been a rapid development in the culture of walking, theories, films, guides, songs and literature. I am fully cognisant of such, yet believe at heart that walking can be free of such baggage, we can stride unhindered, atavistic and carefree/less.

Walk tall, walk straight and look the world right in the eye.

Getting lost is about the unfamiliar appearing.

In my own small way, I have become part of that baggage, having been asked to lead a walk around Stockport by the the modernist neé Manchester Modernist Society.

The photograph depicts Alan Boyson’s concrete screen wall, attached to the former Cooperative super store designed by Philip Andrew. The two worked to gather on the Hull Cooperative store, which is adorned by Alan’s huge Three Ships mosaic.

Philip was a childhood friend of Alan Boyson and it was Alan’s father, manager of the Marple Co-operative Society, that recommended Philip for an apprenticeship job in 1951 to the chief architect at the CWS in Manchester HQ.

Ships in the Sky

In preparation for the tour, I visited the town’s Local Heritage Library and read extensively from serendipitous charity shop finds.

The two hour route was designed around an economy of distance and elevation, allowing time for others to take in, what may be for them unfamiliar surroundings. A group of around twenty or so folk became sociable and engaged, with a suitably concise and apposite contribution from myself. There are those who busied themselves taking snaps along the way, chatting amiably or simply gazing in amazement.

The service building above the former Debenham’s store.

Beneath the spiral ramp which leads to the Red Rock car park.

The architects for the scheme were BDP – the building was not well received as it was awarded the Carbuncle of the Year 2018.

Stockport’s Town Hall extension Stopford House.

Famed as an imaginary TV police station, this civic building is a civic building I simply can’t resist. I return on a regular basis to wander and snap. This is an open public space that seems little loved and has few visitors.

From then onwards I have been taking folks on Modernist Mooches on a regular basis, two or so a month, during the less inclement times of year.

At about the same time I was asked to exhibit my photographs in Stockport, I chose to mooch about at night. Walking around an almost deserted town, avoiding the glare of streetlights, there is a mild frisson to be about when nobody else is about. The air feels different, exposures are longer, the almost waking world feels arrested, by the low available light.

Merseyway Shopping Centre designed by Bernard Engle and Partners, opened in 1965.

My local shopping centre and as such part of my weekly walking and shopping life.

NCP Car Park located on Stockport Station approach.

Regent House

Asda superstore

I found a copy of Charlie Meecham’s book Oldham Road in a charity shop.

Inspiring me in 2014, to walk in mostly straight lines, though often as not zig zagging along the main arterial roads of Manchester.

Taking pictures on Sunday mornings, in order to avoid traffic, mildly amused to be ignoring the primary function of the routes.

This is one of the more familiar roads, having walked up and down several times over several years. It was to have been an extension of the Mancunian Way, forming a trans-pennine motorway. Much of the property lining the route was cleared in preparation, it was never built, and for years a strange semi-deserted ambience hung over the A57.

Bus Depot

Railway Bridge

The car showrooms which later became an African Evangalist church.

Having cleared away both Victorian and Sixties housing, new architectural forms arose in West Gorton.

Where there were once dozens of pubs, often there are now none.

The Belle Vue Granada Bowl became a Bingo Hall then became nothing.

The 192 bus runs between Manchester Piccadilly and hazel Grove, I often ride between Stockport and town, and back.

I decided to walk the route, photographing each of the ninety eight bus stops along the way.

Piccadilly Station

UMIST Retaining Wall

Ardwick Post Office

Levenshulme

A book published by the modernist – literally eight launderettes.

Which became the first modernist calendar.

Now, everywhere I go, I see launderettes – so arriving in Hanley with time on my hands, wandering around I found this exemplary example.

Having a blog entitled Manchester Estate Pubs, the national media became interested in my photographs. I had spent quite some time, wandering around in search of this endangered architectural typology.

This was Billy Greens in Collyhurst, named for a local boxer, now demolished.

Which in turn became the second modernist calendar.

Followed the following year by fish and chip shops.

So building a vocabulary for my mooching, discovering yet another chippy, laundry, pub, Burton’s, telephone exchange, glazed stairway or underpass.

These things find you, yearning for some small amount of attention and affection.

The Trawl – my favourite peg board menu, my favourite Bridlington chippy.

We are now coming to the end of the car park year – seen here on the wall of my command centre.

The calendar was an adjunct to a walk – Twelve Car Parks.

Here we all are at Circle SquareFielden Clegg Bradley were concept architects while Leach Rhodes Walker were delivery architects.

In September we walked around Newcastle for a weekend away – taking in Eldon Square, ably guided by local modernist Euan Lynn.

Ending our tour at Manors Car Park.

Following an urban river – the River Irk, an excellent way to devise a linear walk.

The river enclosed in blue engineers brick as it passes under the railway.

A long neglected are is now the scene of mass regeneration – rebranded Victoria North.

The former Traveller’s homes are now rubble.

Rushing miles ahead to Blackley the home of Richard Siefert’s ICI Tower.

And around the corner, these delightful reliefs attached to the Tower Blocks.

I was asked to assist in putting together an exhibition for Collyhurst Voices – walking through the memories of a community under threat.

Walking in the footsteps of Dennis Hussey’s Collyhurst Cowboy – looking toward Dalton Street

Then uphill to Eastford Square and the long lost homes.

Home to William Mitchell’s Totem, the homes long gone and the Council pledged to move the totem too.

The state of play this week, the detritus removed and the base filled in, repaved and safe for a while.

Off now to the Weaver Valley another day another river, passing under Weaver Viaduct

The looking toward Koura Global – leader in the development, manufacture, and supply of fluoro products and technologies, opened a new HFA 152a production facility at their Runcorn site in the UK.

Further rural Modernism as we pass under and traverse the M62, whilst walking around the Piethorn Valley

Then recently visiting several Yorkshire Reservoirs – here we are at Scammonden.

The newest of the Modernist Mooches was to Burnley where we visited the Keirby Hotel.

The former GUS Offices with a mural by Diane and William Morris.

Plus the Charles Anderson concrete relief at the Crow Wood Hotel.

Finally a little light relief – a visit to the Boots factory in Nottingham.

Having innocently board a bus outside the station with a Boots head code , I alighted within the factory gates. Then innocently walking around taking snaps, unheeded until the men in the van stopped me in my tracks.

Who are you, what are you doing?

I am the Modern Moocher going about my business – well it turns out this was not permitted and I was red carded by the earnest security guards and asked to leave forthwith. Suitably rebuked, I politely bade them farewell and headed for the gates.

Charles Anderson Frieze – Burnley

Holme Rd Burnley BB12 0RT

Photo – Robert Wade

William Thompson was born at Richmond Yorkshire, the son of John and Catherine Thompson. William came to Burnley in 1908 and gained a place at Burnley Grammar school. Later he learned the trade of cotton weaving at his uncle’s shed. In time he was to become the managing director of this firm. William lived at Oak Bank Todmorden road, where in spite of his great wealth, he led a remarkably simple life. He had neither television nor radio, and his greatest pleasure appeared to be strolling in the nearby Towneley Park. About 1970, ill health forced William to move to his sister’s house at Ingleton Yorkshire. His illness became worse, and he was removed to a nursing home at Silverdale, near Lancaster, where after a prolonged infirmity he died on 18, August 1972. It was William and his sister, Sarah Witham who donated the £333,000 that was eventually used to build the Thompson Recreation Centre. William was never to see the gift he bestowed upon the town, for his death came just a few days before the official opening of the centre. It was his sister, Sarah who performed the opening, and she too was to die a short time afterwards on 8, December 1975. She was the last link in the Thompson family of Burnley.

Many thanks to local historian and author Jack Nadin

The Thompson Recreation Centre was decorated by a large concrete frieze by Scottish artist Charles Anderson.

Town Architects 1975

Formed from precast concrete panels against expanded polystyrene moulds – it stands 150ft long and 9ft high.

It was gifted from funds provided by the estate of local Cotton Manufacturer and major town benefactor, William Thompson. The building was a flagship symbol of progress for Burnley in 1973, it was demolished in 2006.

Fortunately, the frieze was carefully dismantled, stored and reinstated by Andrew Brown.

Mr Brown said:

This frieze has a massive place in our community. It gives me enormous pleasure to give this magnificent artwork a new home. It breathes new life into the legacy of William Thompson who did so much for Burnley.

It is now located at the Crow Wood Hotel & Spa Resort. walked from the to

Charles Anderson designed the sculpture over months at his studio in Paisley said:

I was a young man of 34 when I was approached by Burnley Council to design a frieze for the centre.

It’s one of my proudest pieces of work and definitely one of the most challenging. I was inspired by the sculptures of the Parthenon so perhaps this is Burnley’s own Elgin Marbles. It features the Three Graces from Greek mythology as well as sporting scenes such as wrestling, weightlifting, fencing, archery, football, tennis and cricket.

I walked from the town centre along Princess way in search of the work – it’s at the rear of the site, just turn right before you reach the hotel.

Bradford Revisited

We arrive at and begin our journey at the Interchange – the bus station is closed, along with the station entrance.

Bradford accepts that it is a part of the Northern Supercity stretching from Coast to Coast – Liverpool to Hull. Every existing town and new settlement must be unique. People belong to their own hotspot as well as Coast to Coast. Bradford as a dispersed centre will give it individuality as well as becoming synonymous with the whole new city. Bradford is a mini version of the whole. It is composed of a series of mini hotspots which will each act as a focus for each square kilometre.

Bradford has the topography to allow every citizen to wake up to a view – both physical and mental. Their collective ambition can create a place of extraordinary difference.

Will Alsop

We have of course been here before.

Bradford Interchange will get a new entrance and other improvements to bring it up to standard, the city council said. 

The NCP car park on Hall Ings would be demolished to create a new pedestrianised entrance.

BBC

The Interchange opened in 1971 was the first of its kind in the country, designed by the BR regional team headed by RL Moorcroft and the City Architect.

Onward to the Magistrates’ Courts designed by City Architect Clifford Brown in 1972.

Bradford is in the process of paving and puzzling pedestrians, as it becomes City of Culture in 2025.

So we wind our way over the inner ring road, advisedly avoiding the filled in underpasses.

The former Central Library awaits us, designed in 1965 by Clifford Brown – a striking podium and tower, currently home to council offices.

Next door the Sir Henry Mitchell House home to the Children’s Services.

Sir Henry Mitchell 1824 1898 was a mill owner and Mayor.

Moving further along the Telephone Exchange of 1936, design by architect FA Key.

Partner to the Telephone Exchange of 1976 by architect Trevor H Hanson for PSA

The gates were open and we were afforded a view of these delightful vents.

Next to the Ice Arena topped off with Wardley House – Sanctuary accommodation for key workers and students.

Wardley House is equipped with all the modern amenities you need for a comfortable and connected life as a key worker. The rent includes high-speed broadband and building-wide Wi-Fi, utility bills, and contents insurance. Our top-notch facilities comprise a large common room with a pool table, flat-screen TV, and live BT Sport – the perfect social space.

Up the hill and around the bend to the University of Bradford – the main Richmond Building fronted by Joe Mayo’s tiles.

At the University of Bradford our focus is on creating the conditions for social, cultural and economic impact. We will achieve this by using our proud heritage as a springboard and remaining steadfast in our commitment to equality, diversity and inclusion. We will harness our strengths in research, innovation, teaching and partnerships to extend our reputation, influence and impact. All of this will create a values-led culture that is inclusive and effective in enriching lives and benefitting society.

The undercroft has undergone a major refurb rethink – transformed into a Goth Disco.

We emerge unscathed into the clear light of day and the BDP designed Chesham and Horton blocks.

The mosaic covered columns remain unclad.

Let’s hop to the Grade II-listed Co-op designed by CWS in house architect WA Johnson and JW Cropper in 1935.

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Demolished despite protests in 1960.

In 2019 the Architectural Heritage Fund announced a £5,000 Project Viability Grant to Freedom Studios Ltd.

The money funded a viability study to investigate the potential of building becoming a multi-use cultural hub.

As of May 2024, sadly there is no cultural hub.

Next we hot foot it to the Kirkgate Centre and Market – John Brunton and Partners 1975.

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

Janice Ivory and Lisa Donison didn’t hold back in their criticism of the centre in its current state.

Thank God for that, was Janice’s reaction to the news the building was set to be bulldozed, although an exact date for its closure remains unknown.

It’s just a concrete monstrosity, she said of its design, which Historic England said was lacking architectural flair.

It’s just an ugly building, added Lisa.

Once dubbed Bradford’s space age retail destination, Kirkgate Shopping Centre will soon be no more. 

The city centre landmark, which opened for business as an Arndale in 1976, has been denied listed status by Historic England – paving the way for its demolition.

BBC

Geoffrey Cowley from Wibsey, who was in town for an eye appointment, said demolishing it:

Might be the right thing to do.

There are plans to remove and display the William Mitchell panels along with these other examples of his work.

In-situ at Highpoint.

In storage – removed from the Bradford And Bingley Building Society.

Artist Bernd Trasberger plans an artistic project, which involves repurposing Fritz Steller’s tile works.

As Ken Kesey so rightly said – Further!

Up to Highpoint designed by John Brunton and Partners 1973.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

High Point is the perfect site for the first Radii development. Now perceived as an exemplar of the Brutalist style, this eight-storey titan, has languished derelict and in disrepair for many years in the heart of Bradford City Centre.

Our regeneration of High Point into an innovative residential apartment complex with a community at its heart, embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Sharp, chic and spacious apartments available. Furnished to the highest standards throughout and with the flex to provide you with office space if required – this is modern city living that’s easy on your eye and your pocket.

Radiiliving

And finally the cafe that is not a cafe – Fountains, where the griddle no longer grills, the lights are always out and the shutters tightly shut, ain’t nobody home.

Wishing nothing but well for this West Riding gem – Bradford City of Culture and cultures and culture.

Tapton Hall – Sheffield

Shore Lane Sheffield S10 3BU

The Masonic Hall has an extension of 1967 by Hadfield Cawkson Davidson & Partners

The Masonic Hall has an extension of 1967 has a concrete mural by William Mitchell.

Symbolising the turmoil and chaos of the outside world, contrasting with the order of the Masonic Temple – a Freemason told me so.

I thought to propose the idea that this may well be a false dichotomy – then thought I’d better not.

These are the constituent panels.

These are the details.

Having been asked to speak to the Sheffield University Alumni Women’s Group – on the subject of Modernist Sheffield, I had easy access to the interior space.

I was ever so excited to discover these decorative panels on the stairway – I assume that they are also the work of William Mitchell.

Nobody knew.

The Masonic Hall is now a venue in addition to being a Masonic Hall.

It was once the home of steel magnate Edward Vickers.

Vickers was a successful miller who invested his money in the railway industry. In 1828 he garnered control of his father-in-law’s steel foundry business, formerly Naylor & Sanderson, and renamed it Naylor Vickers & Co. He went on to be Alderman and the Mayor of Sheffield and was the first President of the Sheffield Chamber of Commerce before he died in 1897.

Prifysgol Abertawe – Swansea University

Campws Parc Singleton – Singleton Park campus

Whilst visiting the city for the launch of the Swansea Modernist’s book Abertawe Fodernaidd – it seemed only fitting to visit some Swansea Modernism.

Two weeks previously I had found myself at Aberystwyth University.

So I walked along the edge of the bay and cut up through the park to the University.

Singleton Park, and the Abbey, in which the university sits, were given to the borough of Swansea by John Henry Vivian, the 19th century Swansea copper magnate. The abbey was given to the university in 1923, but other campus developments, by and large, had to wait until after WW2, when a significant building programme was undertaken

The University’s foundation stone was laid by King George V on 19 July 1920 and 89 students (including eight female students) enrolled that same year. By September 1939, there were 65 staff and 485 students.

In 1947 there were just two permanent buildings on campus: Singleton Abbey and the library. The Principal, J S Fulton, recognised the need to expand the estate and had a vision of a self-contained community, with residential, social and academic facilities on a single site. His vision was to become the first university campus in the UK.

By 1960 a large-scale development programme was underway that would see the construction of new halls of residence, the Maths and Science Tower, and College House – later renamed Fulton House. The 1960s also saw the development of the “finite element method” by Professor Olek Zienkiewicz. His technique revolutionised the design and engineering of manufactured products, and Swansea was starting to stake its claim as an institution that demanded to be taken seriously.

Work began on the student village at Hendrefoelan in 1971, the South Wales Miners’ Library was established in 1973 and the Taliesin Arts Centre opened on campus in 1984. The Regional Schools of Nursing transferred to Swansea in 1992, and the College of Medicine opened in 2001. Technium Digital was completed in 2005 and, barely two years later, the University opened its Institute of Life Science, which commercialises the results of research undertaken in the Swansea University Medical School. Work commenced on a second Institute of Life Science in 2009.

In 2012 we began an ambitious campus expansion and development project, including the opening of our Bay Campus in 2015; which is home to the College of Engineering and the School of Management. In 2018 we opened the doors to two further projects, The College; Swansea University’s joint venture with Navitas (The International College Wales Swansea, ICWS) and the Computational Foundry; the home of the College of Science’s departments of Computer Science and Mathematics. 

Swansea.ac.uk

Before we get to the academic buildings here’s the Finance Building.

Formerly the School of Social Studies Building – Architects: Percy Thomas & Son 1960

RIBApix

Having been gifted the Singleton Abbey – the 1937 Library was the first new build on the site.

A competition was held in 1934 to find an architect to design a new library building.

The winner was Verner Owen Rees, a London architect with Welsh heritage. The Library opened in the autumn of 1937 and was known as the ‘New Library’, and has later become known as the ‘1937’ or ‘Law’ Library.  Miss Olive Busby, who had been the University’s librarian since 1920, moved to this new building and was famous for patrolling it for the next twenty years, ensuring everyone was being quiet!

Swansea.ac.uk

RIBApix

Around the corner is the building is The Mosque.

Next we encounter the Library and Information Building – Architects: Sir Percy Thomas & Son 1963

RIBApix

Onward to the Talbot Building

Then a swift right into the lea of the Faraday Building.

Walking beneath the Faraday Tower and looking back.

To our right Fulton House – This was built 1958-62 by Sir Percy Thomas & Son – design partner Norman Thomas. The decorative scheme in the main hall is by Misha Black; the panels of The Rape of Europa by Ceri Richards are an addition of 1970.

Fulton House, which was called College House from when it first opened in 1961 until 1986, is one of the most historically significant buildings on the Singleton Campus. Throughout the early 1950s, extensive plans were put in place to expand the Singleton site. At the core of this vision was a large building that could act as a meeting place, and a social and academic hub. This is what it became after 1961. The building contained common rooms, a music room, a coffee lounge, an extra library, a book shop and a barber’s shop.

Swansea.ac.uk

Photo: John Maltby

The building has a fine array of stairways.

And decorative details.

A recent addition Lifelines by Glyn Jones 1979.

This large wall hanging measuring H305cm x W620cm hangs on the wall opposite the Ceri Richards paintings. The hangings were very dusty and the nails holding the piece up were rusty. We were able to interview the artist to find out more about how the hanging was made. Glyn Jones used a blow torch to apply pitch and PVA medium to canvas and skrim fabric that he then attached to a geometric rope structure. Gouache paint was used and a solvent fixative spray allowed the colours to become imbibed into the PVA film. The hanging was made in six panels and then the horizontal rope ends glued together on site. These glued attachments had failed several times in the past and Jones had fixed them. With his permission we decided to come up with a new approach to these fixings. After cleaning the panels, we adhered magnets into the ends of the ropes so that they would click together easily. We reinforced the vertical ropes between the sections with nylon thread. Strong polyester was attached to the back of the top edge allowing a new hanging system where the strips were screwed into the wooden fixing battens. The hanging now looks much brighter and more colourful and detaching rope problem has been permanently resolved.

International Fine Art Conservation Studios

This generously spaced mural in the form of three splendid green, red, and blue shields in glazed plastic material and black cording is a creation in which the artist, Mr Glyn Jones symbolically portrays the Holy Trinity 

The centre shield, in green, represents God the Father as creator and sustainer.

On the right of the centre shield, that is on the right hand of God the Father, is the red shield which represents our Lord and Saviour.

On the left of the centre shield, that is, on the left hand of God the Father, is the blue shield which represents the Holy Spirit.

In other ways the mural is modern in its abstract technique. Its basic symbolism is simple: a shield is for protection and green fertility sustains all life. Mr Glyn Jones is to be congratulated on a study which appealingly and joyfully presents the Holy Trinity as a protective and creative life-force that is yet associated with the Cross. His is a new and attractive achievement in the artistic tradition of Celtic Christianity.

Steve Williams

Cutting back to the Digital Technium

Controversially plans for a £30 million Student Activity Centre at Swansea University’s Singleton campus have been revealed.

Bosses say the centre will form part of a new Student Precinct and, subject to planning permission, will replace the former Digital Technium building which was built in 2003 at a cost of £9.5million.

The scheme will replace the existing Digital Technium building and will be linked to the adjacent Grade II listed Fulton House, which will also be refurbished. Together, they will form the core of the new Student Precinct. Designs to resolve the surrounding streetscape and provide new access routes across the campus are also included.

Stridetreglown

Next to the Taliesin Arts Centre Architects: The Peter Moro Partnership 1984

Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German émigré who had worked with Berthold Lubetkin’s famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain’s finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, schools, and council housing, collaborating with leading talents such as the designer Robin Day.

docomomo

Also notably the Gulbenkian Theatre at the University of Hull

Set in the heart of Swansea University’s Singleton campus we exist to enrich the cultural lives of individuals and communities across the region,  presenting arts experiences for audiences in our spaces and on the streets of Swansea.

Recently reshaped internally by Rio Architects.

Carl Cozier aka Holy Moly has added decorative details to the site.

Next door the Keir Hardie Building and its Neighbour the James Callaghan Building.

Heading back on ourselves toward the Wallace Building.

Percy Thomas was commissioned to design new buildings for science and engineering, but these plans were thwarted by cost constraints. However, following the appointment of John Fulton as principal in 1947, Thomas was re-engaged to prepare a new development plan.

British Listed Buildings

Of particular note are the cast panels forming a horizontal band along the elevation.

The entrance porch has a fine ceiling.

Along with etched glass window detailing.

Echoed in the stairway’s glass infill.

Opposite we find the Grove Building.

Alongside the Glyndŵr Building.

Heading now to the student residences the rear of Fulton House to the right

Swansea University Alumni Network

The earliest halls can be seen at the centre of this postcard.

Also to the left of this later postcard.

This card shows the Singleton campus of Swansea University. Top right, the abbey which was the university’s original building; beyond that the houses around St Helens – the sports ground where in August 1968 Sir Gary Sobers scored six sixes in an over for Nottinghamshire against Glamorgan.

wonkhe

Charlestown Towers

We have previously taken a look at Deepdale Court.

I returned last week to look at the remaining blocks.

Cartmel, Rusland and Somerton are all social housing.

Kentmere and Whitebeck have been adapted for senior citizens managed by Northwards Housing.

Freshfields formerly Grisedale is owned by private developers LPC Living and converted into a block of one, two and three bedroom homes.

Now, they boast floor-to-ceiling windows in the living spaces, modern fitted kitchens, and light wood-effect floors. Some also come with balconies.

A penthouse apartment, sold for £135,000 in 2008, even has a wrap-around outdoor terrace.

Manchester Evening News

The circular tiles within Grisedale’s entrance have been covered or removed.

Tower Block – 1987

Tunstall Court and Skelton Court have been demolished.

Let’s take a look back at the building of Victoria Avenue East – seen here in 1922.

The demands of an expanding industrial base and population created the need for new roads and housing.

There was subsequent development of inter-war semi-detached homes.

The urgent post-war need for temporary accommodation – was met by prefabricated structures.

Manchester City Council agreed to use the Phoenix model for their prefab estates.

A total of 43,206 Phoenix prefabs were built across the country, each one designed by the John Laing Group.

The Phoenix, designed by Laing and built by themselves as well as partners McAlpine and Henry Boot, looked much like an AIROH with a central front door. It was a two-bedroom in-situ preform design with steel frame, asbestos clad walls and an innovative roof of tubular steel poles with steel panels attached. Like all designs, it came pre-painted in magnolia, with green highlights on frames and skirting.

Phoenix prefabs cost £1,200 each constructed onsite, while the specially insulated version designed for use on the Isle of Lewis in the Hebrides cost £2,000.

Wikipedia

The prefabs were eventually demolished and along came the tower blocks – Architect J Austen Bent, whose work we have seen on the Wythenshawe Walk

In the distance Chadderton Power Station – demolished in 1986.

Photographs – Local Image Collection

Here are the blocks prior to and during the current renovation programme.

Kentmere

Cartmel

Somerton

Rusland

Here are the group as of February 2023.

I was thrilled to find that each of the blocks had variants within the typology of handmade tiles.

Kentmere

Somerton

Cartmel

Rusland

There seems to be no record of attribution for these tiles – happily they are still extant.

Go and take a look.

Prifysgol Aberystwyth University

Prifysgol Aberystwyth University – Penglais Campus SY23 3AH

Led by London Welshman Hugh Owen, a small group of patriots sought from the 1850s onwards to raise enough money by public and private subscription to establish a college of university status in Wales. A project of enormous ambition, the University opened its doors in 1872 initially with a handful of teachers and just twenty five students in what was then a half-finished hotel building – the Old College on the seafront. 

The first decade presented many challenges for the University’s survival. The generosity of a few individual benefactors and organised appeals for support from the ordinary people of Wales kept the University in being, and, perhaps more importantly, deeply rooted it in the minds and the affection of the Welsh people. A matter of considerable pride is that the University has made a significant contribution to the education of women, being one of the first institutions to admit female students. 

Since those early days, Aberystwyth University has gone from strength to strength and now has more than 6,000 students and 2,000 staff. As the institution grew, its main campus moved from Old College on the seafront to Penglais Hill. This finely landscaped site enjoys spectacular views over the historic market town of Aberystwyth and the Cardigan Bay coastline. New buildings, including major arts and science developments, halls of residence, a magnificent Arts Centre and sports facilities are located here.

aber.ac

1947 and the site is developing behind the National Library of Wales.

In 2023 we closely encounter – the Visualisation Centre Mathematics and Physics Department

Opened in 2007 – designed by Boyes Rees Architects.

Sadly a Welsh architecture practice which has ceased trading under the burden of late payments, leading to the loss of forty jobs.

BBC

Its near neighbour is the Cledwyn Building – Architect: Sir Percy Thomas 1883-1969.

It has recently been Grade II listed.

In 1935 Percy Thomas prepared a plan for the layout of a new campus, and was appointed as architect for the first three buildings to be constructed – Cledwyn, Pantycelyn and the swimming bath.  This marked the beginning of the move away from the college by the sea to the college on the hill. 

Built in a simple Georgian modern style, faced with Forest of Dean stonework, the building’s main entrance features a broad architrave adorned with low reliefs of agricultural scenes, and there are decorative circular stonework emblems in between the windows of the upper floor.

The carved stone work is by David Evans.

A Manchester-born sculptor who attended the Manchester School of Art, and won a scholarship to the Royal College of Art. After active service in the World War I, he resumed his studies at the Royal Academy, where he was instructed by Francis Derwent Wood. In 1922, he won the Landseer Prize and later went to work in the British School at Rome. He had been exhibiting at the Royal Academy since 1921. His works from the 1920’s are mainly highly stylised religious and mythological themes. 

During his stay in the United States, he executed some significant work for public buildings in New York. The locations there included Rockefeller Center, Radio City, Brooklyn Post Office, a bank on Wall Street, St Thomas’s Church on Fifth Avenue.

Here are the four decorative panels placed higher on the building.

Liss Llewellyn

Next to the Llandinam Building

Seen here under construction in 1963

On completion in deep winter.

Tucked away at the back is this decorative concrete relief lacking attribution but gaining an ashtray.

Backtracking now to the Physical Sciences Building completed in 1962 and opened in 1963 – Sir Percy Thomas Partnership

August 1st 1962: Arthur Chater

Immortalised in this elegant educational stamp set – designed by Mr Nicholas Jenkins of the Royal College of Art 

To the right of the entrance this striking mosaic – action is ossified in the manner of a semi-permanent Pollock.

Aberystwyth Arts Centre is one of a number of campus buildings designed by Dale Owen of Percy Thomas Partnership, and completed in 1970-1972.

Built to a strongly horizontal design using grey granite aggregrate, the facade is essentially an overhanging rectangle framing of glass with an off-centre overhang. The position of the building providing unobstructed panoramic views over the main piazza style concourse and the sea beyond.

Coflein

Ribapix: Stewart Bale 1970

Let’s take a look inside the Arts Centre – to the right an exceptional collection of ceramics.

At its inception the reception area – an exemplary example of integrated interior design and architecture.

Ribapix: John Maltby 1970

David Tinker’s striking cast aluminium relief.

David began lecturing at Cardiff College of Art, later teaching and holding administrative posts at University College of Wales in Aberystwyth, retiring in 1988 as director of the department of visual art.

ARTUK

David Tinker was prominent in so many aspects of the visual arts in Wales throughout the second half of the 20th Century as a painter, sculptor, teacher, and stage designer. 

Tinker is perhaps best known as one of three originators of the 56 Group with Eric Malthouse and Michael Edmonds, the new generation of young artists in Wales who were interested in modernism and keen to ally themselves to the international art world. 

The 56 Group had no manifesto and for the most part they acted as an exhibiting co-operative; not all were abstract painters and their work was stylistically very different from one another, but all shared radical ideals. Their orderly revolt against the establishment was unique in the history of art in Wales. 

They championed abstraction and allied themselves to European and American modernism, at a time when painters in Wales were being commended for recording the urban, rural and industrial face of Wales and its inhabitants. 

As might be expected, the art establishment more readily accepted 56 Group avant garde works, and those artists who had been achieving some success as painters of the contemporary scene suddenly found themselves side-stepped, and labelled parochial. 

The period 1966-1974 saw in his paintings a move toward hard-edged abstraction in which Tinker employed geometry-based structures, simple arithmetical problems, colour mixed from a restricted palette, and gentle tonal gradation. 

Free Library

Deepdale Court – Blackley

Deepdale Court Northwold Drive Manchester M9 7HX

On the way betwixt somewhere and there I took time to come here.

A tower block on high ground on the edge of Blackley.

One of nine seventeen-storey blocks containing eight hundred and forty six dwellings.

Committee approval date: 1967

Building contractor: Direct Municipal Labour

The two blocks that were demolished were Tunstall Court and Skelton Court.


Freshfields as listed is the new name for Grisedale Court as was sold by council and now private flats.

There are 16 floors in each block, 15 on one side and 16 on the other side

This area is known as the Charlestown Towers.

Tower Block

1987 – Grisedale Court with circular tiles in the entrance.

Over time the balconies have been boxed in and more recently the glazing replaced.

I was particularly interested in the hand made tiles inside the entrance – very much in the style of William Mitchell.

The Ark Royal – Harpurhey

Lathbury Road Harpurhey M9 5SY

Looks to me as though the pub was launched in the 1960’s along with the surrounding houses and shops.

In 1910 Lathbury Road looked like this.

In 1968 the area was part of the Manchester slum clearance programme.

Photo: Tommy Brooks

The real Ark Royal was built by Cammel Laird at Birkenhead, completed in November 1938.

Torpedoed and subsequently sunk on 10th November 1941.

The pub closed in 2007 – here it is in 1992.

Photo: Alan Winfield

Another great looking estate pub that was on the same estate as the Hipp which it was also fairly close to.


There was the usual two rooms inside, I had a drink in the bar room which was quite busy on my Friday afternoon visit, there was also a more comfortable lounge.


The pub was a Robinsons tied house, there were two real ales on, I had a drink of Robinsons Bitter which was a nice drink, there was also Robinsons Mild on.


Another pub that was was well pleased to do.

Never Ending Pub Crawl

Here its is in 2007.

Photo: Mikey

The pub currently trades as the Pathfinder Church.

We are committed to the growth and development of individual, our local and international communities. In the interim may I use this medium to invite you to be part of the move of God in our church, the Pathfinder.

The Lord bless your richly as you navigate through in Jesus name.

Chorley Walk

I arrived at Chorley Railway Station.

The current railway station is a modern version from the 1980s that was built on top of the original station. The level of the old platforms can be seen under the existing station’s two platforms which are connected by underpass. The initial station was opened on 22 December 1841 by the Bolton and Preston Railway – which later became part of the Lancashire and Yorkshire Railway and was subsequently served by the Lancashire Union Railway between St Helens, Wigan North Western and Blackburn from 1869.

Passenger trains over this route between Blackburn & Wigan were however withdrawn in January 1960. Further work was done in 2016 and 2017 in connection with the electrification of the line between Euxton Junction and Manchester.

Wikipedia

Crossed over to the Interchange – which was formerly a humble bus station, opened in February 2003 replacing the previous structure.

Across the way a stand of shops with distinctive faience fascias.

Further along the Shepherds’ Victoria Hall – once home to the Jubilee of the Ancient Order of Shepherds’ Friendly Society which was quite prominent in Chorley in the late 1800’s and early 1900’s

Down the way a ways a Baptist Chapel of 1845 on Chapel Street – currently trading as Malcolm’s Musicland.

Next door the Chorley Town Cafe with some excellent stained glass.

Hang a sharp right to the Market – where there is this newish piece of public art Pattern of Life a bronze relief by Diane Gorvin and mosaic work by Tracey Cartledge

This piece involves an innovative combination of cast bronze and ceramic mosaic. Two bronze relief panels display female figures holding out rolls of fabric, each decorated with patterns and images that are particular to the town of Chorley. Payphones, for example were invented and manufactured in Chorley, the crested newt is protected here and you might also notice the famous Chorley Cakes. As the fabrics tumble down, the designs are translated from bronze relief on the wall surface into 2D mosaic in the pavement.

Looking down Fazakerley Street to where Fine Fare once was.

We’ll return to such matters in a moment – we have to get to the Post Office – which is no longer a Post Office.

Architect Charles Wilkinson.

It was a Post Office in 1935 – it also has a later extension.

The local list declares that the post office dates from 1935. This is almost certainly erroneous since the contract documents date from 1924, and from contract to completion the average construction and fitting-out time was about 18 months.

British Post Office Buildings

Happily, the Library is still a library.

Plans supplied by the Architects Messrs. Cheers & Smith of Blackburn which were approved by the Education Committee on the 18th August 1904design proposals for the new Technical School entitled Light and Air.

The considerable task of erecting the school was given to the local builder Mr. William Hampson of Pall Mall.

Surely the envy of his trade, the total contract was worth a mouth- watering £10,041 15s. 9d. – approx. £720,000 today.

The building was officially opened by the 16th Earl of Derby on September 24th 1906.

Chorley History Society

Heading to the Council Offices.

Over the road the town’s newest retail development Market Walk – the work of AEW Architects.

Chorley Council bought the shopping centre from Orchard Street Investments for £23m in 2013 and commenced a large-scale regeneration scheme in 2018 involving a £15m, 79,000 sq ft retail and leisure extension led by main contractor Eric Wright Group and designed by AEW Architects. Here, Conrad Heald of Chorley Council tells his interviewer, AEW director Phil Hepworth, how the scheme came to fruition and has rejuvenated the town centre.

Place North West

The memorial re-sited in 2018 commemorates the Chorley Pals.

In less than 20 minutes, 235 of the 720 men from the 11th East Lancs. were killed. Another 350 were wounded, of which 17 would eventually succumb to their wounds. Many of the Battalion died where they fell, in No Man’s Land.

As a result of the attack on the morning of the 1st July, the Chorley Pals – Y Company, had 31 men killed and three died within a month of their wounds received on that day. 21 have no known graves and their names are transcribed on the Thiepval memorial to the Missing on the Somme battlefield. A further 59 were wounded, making a total of 93 casualties out of approximately 175 men from Chorley who went over the top that morning.

Landscaping of the public realm by CW Studio.

Reversing now to the former Barclays Bank – which closed earlier in 2022.

We return now to the former Fine Fare.

The company began as one single supermarket in Welwyn Garden City in 1951, as an offshoot of the Welwyn Department Store, owned by Howardsgate Holdings, the company of Ebenezer Howard, the founder of the garden city movement.

Wikipedia

Now here’s a thing a bank which is a bank NatWest not gone west.

Next to the former Woolworths, opened in Chorley in 1930 on Market Street, with its pale Deco faience fascia.

They traded from this building for sixty five years, before closing in March 1995 in order to move to a new store on Market Walk – it became an Argos, then it didn’t.

Woolies Buildings

Here we are now at a Post Office that is a Post Office but was an RBS Bank.

The new location is at the former Royal Bank of Scotland on Market Street in the town centre.

Since the Post Office that was based at WH Smith on New Market Street came to an end, when that store closed in January, it relocated to a temporary unit in Market Walk until a permanent solution could be found.

The unit, which had been provided by the postmaster from Burscough Bridge Post Office, closed on Tuesday.

Kenny Lamont, Post Office Network Provision Manager, said a Post Office is important to a community.

Lancashire Post

This had been a Methodist Church – then, it became the HQ of the Lancashire Electric Power Company.

The Lancashire Electric Power Company was one of the largest private electricity companies in the UK. It was established in 1900 and generated and supplied electricity to 1,200 squares miles of Lancashire from 1905 until its abolition under nationalisation in 1948.

Wikipedia

Time to back track to the Cop Shop – the work of County Architect Roger Booth and crew.

The Magistrates’ Courts are closed and up for sale.

Next door the White Hart once upon a time the Snooty Fox, a pub with an up and down trajectory – currently open and described online as plush.

Down the road a pub no longer a pub but an Urban Spa.

We offer you a full range of professional treatments tailored to your own personal needs. We treat every client as an individual and offer an extensive range of treatments and professional products making your visit one to remember.

Let’s go to the theatre – The Empire tucked away at the back of town.

The Empire Electric Theatre opened, as the town’s first purpose-built cinema, on 3rd September 1910. In 1912 Archie Hooley began his connection with the cinema business at the Empire Electric Theatre. By 1927 it had been re-named Empire Cinema and by 1930 it was equipped with a Western Electricsound system and was operated by the Perfecto Filmograph Co. Ltd. By 1939 it was operated by the Snape & Ward chain. According to the Kine Year Books, in 1940 the seating was for 800, while by 1952 it had been reduced to 679 – still a far cry from today’s 236 seats. 3D films were shown in the early-1950’s. Archie had died in 1944; his son Selwyn closed the cinema in 1957, apparently “because of the taxes”.

1959

Wrestling took over for a while before Chorley Amateur Dramatic and Operatic Society – CADOS acquired the building and renamed it the Chorley Little Theatre. Since 1960 CADOS have been putting on high-quality productions, presenting at least six productions per season – from September to July. It is also the home of the award-winning Chorley Youth Theatre who meet every Saturday, putting on shows throughout the year; and Chorley Empire Community Cinema who present the cinema experience on their 21ft wide screen with 8-Speaker Surround Sound. Run entirely by volunteers the theatre has state-of-the-art sound systems and a full range of lighting equipment. There are two spacious dressing rooms, space for costumes and props and the Empire Bar. The building has disabled access throughout the public area, including a toilet, and the auditorium is fitted with a hearing loop. There are three spaces for wheelchairs in the auditorium. It was re-named Chorley Empire Cinema at Chorley Theatre in October 2019 and films are still part of the programming.

Cinema Treasures

Spare a thought for the town’s lost cinemas:

The Odeon Market Street was built for and operated by Oscar Deutsch’s Odeon Theatres Ltd. chain, it opened on 21st February 1938 with Jack Buchanan in The Sky’s the Limit.

Architect Harry Weedon was assisted by PJ Price.

It was closed by the Rank Organisation on 6th February 1971 with George Lazenby in “On Her Majesty’s Secret Service”. After laying closed and un-used for over two years it was sold to an independent bingo operator and re-opened on 9th August 1973 as a Tudor Bingo Club. It later became a Gala Bingo Club which was renamed Buzz Bingo Club in June 2018. It was closed on March 21, 2020 due to the Covid-19 Pandemic. On 15th July 2020 it was announced that the closure would be permanent.

The building was handed over to Chorley Council who decided that asbestos removal would be too costly and the building was demolished in August 2021.

Located on Salisbury Street, off Cunliffe Street, built in 1888 as a military warehouse, it was converted into a roller skating rink around 1909. It opened as the Pavilion Picture Palace on 14th September 1911, operated by George Testo Sante, a music hall strong man, who also operated the Grand Theatre as a cinema. By 1915, music hall acts were also part of the programme. After the end of World War I, the flat floor of the cinema was raked, allowing for better viewing of the screen. The proscenium was 30ft wide, the stage was 16 feet deep and there were two dressing rooms.

The Pavilion Cinema was the first in town to screen ‘talkies, when an Electrochord sound system was installed in 1929. It was taken over by the J.F. Emery Circuit in 1932 and they operated it until the end of 1933. The sound system was upgraded to a British Talking Pictures sound system. In 1954 it was the first cinema in town to be fitted with CinemaScope and the proscenium was widened to 36 feet.

The Pavilion Cinema was closed by 1962 and converted into a bingo club. In 1972 it was re-opened as a cinema again, but due to Star Cinemas chain barring it from showing first run features – they operated the Plaza Cinema, it was closed after 5 months of operation. It was later demolished and the area was redeveloped for housing.

Cinema Treasures

No trace of The Hippodrome Theatre on Gillibrand Street, which was built and opened in 1909, or the Theatre Royal, opened on 30th September 1911, It was demolished in 1959.

A supermarket was built on the site which later became a McDonalds, which is now a Pizza Hut.

Last but not least – located on the Flat Iron Parade, aka Cattle Market, The Grand Theatre was a wooden building built in 1885, which presented melodramas and plays. In June 1909 it was taken over by George Testo Santo, who had been a music hall strongman, and his family. It went over to operating as a Picture Palace for a short season.

By 1914 it was operating as a full time cinema, but was destroyed by fire in 1914.

Chorley Theatre Cinema History Map

This was a splendid day out – there is much more to see, these have been some of the less obvious landmarks.

Go see for y’self!

Middleton Walk

Middleton has not the gloom of so many South Lancashire towns its size. It benefits from its position close to the hills, but it has also the advantage of a large medieval church on a hill and of a number of buildings by one of England’s most original architects of the period around 1900.

Nikolaus Pevsner – The Buildings of England

He refers to Edgar Wood 1860-1935

He was the most advanced English architect of his generation, stylistically moving through through art nouveau, vernacular, expressionist and finally art deco phases a decade or more before other designers. He became England’s uncontested pioneer of flat roofed modern buildings. He worked more like an artist than an architect, designing buildings, furniture, stained glass, sculpture, metal and plaster work.  His buildings are mostly clustered in the towns of Middleton, Rochdale, Oldham, Huddersfield and Hale.  Influenced by the writings of William Morris, he saw himself as an artisan serving the people of these localities.

We begin our tour at the Queen’s Jubilee Free Library of 1889 located on Long Street.

Sixty-seven sets of designs for the proposed free library at Middleton were received by the Corporation of that borough in response to their advertisement; and a joint committee comprising of six members of the Corporation and six non-members has awarded the premium to Mr Lawrence Booth, architect of this city.

Curiously, we encounter an anchor.

Around 10pm that evening when weather conditions deteriorated to near hurricane-force gales, with the Sirene making little headway despite tacking.

Losing her helm, her sails in tatters and within sight of the Great Orme, the gales drove her back through the night towards the Lancashire coast. Eventually, and with great difficulty, Captain Gjertsen and his crew managed to manoeuvre the stricken vessel between the Central and North Piers. Becoming increasingly unmanageable, and swept in by the rushing tide and gale force winds, the Sirene looked a doomed vessel. She was helpless in the close shore currents, and unable to drop anchor she was at the mercy of the waves. She was carried alongside the North Pier, tearing off a section of the pier superstructure and part of her own keel.

Thousands of people lined the Promenade to witness the spectacle as she came in on the south side of the pier; many more stood on the pier itself, but there was a mad rush for safety when the ship collided against the structure.

Heritage Blackpool

The captain and crew survived, including the ship’s cat, many offers were made for the cat, but the captain refused them.

Onwards through Jubilee Park opened in 1889 to commemorate the Golden Jubilee of Queen Victoria.

In 1906 Alderman Thomas Broadbent Wood commissioned his son, Edgar, to design a flight of steps to lead up to a contemplation spot in the park – the inscription reads:

Who works not for his fellows starves his soul.

His thoughts grow poor and dwindle and his heart grudges each beat, as misers do a dole.

Nearby we find a memorial to the Middleton Flood – following torrential rain, the canal embankment at Mills Hill broke, flooding the already swollen River Irk, subsequently deluging the town.

Up the hill to Grade 1 Listed Parish Church of St Leonard.

Much of the present building was erected in 1412 by Thomas Langley – born in Middleton in 1363, who was Bishop of Durham and Lord Chancellor of England. He re-used the Norman doorway from an earlier structure to create the tower arch. Also distinctive in this region is the weather-boarded top stage to the tower.

The church of St Leonard was enlarged in 1524 by Sir Richard Assheton, in celebration of the knighthood granted to him by Henry VIII of England for his part in the Battle of Flodden in 1513. The Flodden Window, in the sanctuary, is thought to be the oldest war memorial in the UK. It commemorates on it the names of the Middleton archers who fought at Flodden. The church also has one of the finest collections of monumental brasses in the north of England, including the only brass in the UK depicting an English Civil War officer in full armour, Major-General Ralph Assheton.  

George Pace designed a war memorial and, in 1958, added a choir vestry and installed new lighting.

Wikipedia

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Middleton Old Cemetery once the Thornham and Middleton Burial Ground, which became the local authority cemetery in 1862.

Retrace to the Library – adjacent is the Parish School 1842

Across the road the Old Boar’s Head

Part of the timber framing to the right of the front door has recently been tree-ring dated and confirms a building date of 1622. The first tenant was Isaac Walkden, son of Middleton schoolmaster, Robert Walkden. Isaac died during a typhus epidemic in the summer of 1623. His will, preserved at Lancashire Archives, includes an inventory of all his possessions listed on a room by room basis. There were a total of 9 beds and 20 chairs or stools in the 6 rooms. This, together with barrels, brewing vessels, pots, glasses, etc, strongly suggest the building was an inn. The Walkden family went on to run the Boar’s Head until the end of the 17th century. They also farmed nearby land including what is now Jubilee library and park.

In 1888, the fledgling Middleton Corporation purchased the building from the church with the intention of demolishing it to build a town hall. Discussions were held in 1914 but, thankfully, the plan was abandoned due to an outcry from the public spearheaded by architect Edgar Wood.

Down the road is Wood’s Methodist Church and School Rooms 1897.

Tucked away is the Durnford Street Clinic.

Further down Long Street to the Assheton Arms Hotel.

Then around the corner to the Manchester & Salford Bank again by Edgar Wood

Next door the former Market Place Bank latterly RBS.

Plans to convert a long-vacant town centre bank into a nightclub have been revived despite previously being rejected over anti-social behaviour concerns.

An application to change the use of the former Royal Bank of Scotland, in Middleton, was refused by Rochdale council’s planning committee eighteen months ago, with members citing a history of alcohol-fuelled trouble in the area.

Rochdale Online

Further up Market Place the faience fronted Bricklayers Arms formerly a Bents and Gartsides boozer – delicensed in 2012 and Converted to a takeaway.

Moving along Wood’s much altered Guardian Buildings 1889.

The Guardian Buildings, were commissioned by Fred Bagot, the proprietor of the Middleton Guardian newspaper and a man with a reputation at the time for keeping a tight control of finances. In consequence, Guardian Buildings were one of Edgar Wood’s low budget buildings, of which there are several in and around Middleton. The building housed the operations of the newspaper with the cellar containing the printing machines and the tall ground floor housing a shop, office and more machines. The whole of the first floor, with its pair of oriel windows, was taken up by the composing room.

Time has not been kind to the Grade II Listed United Reformed Church 1860.

28 Days Later

It fell into disrepair after the church moved to smaller premises in Alkrington in the 1960s.

The building collapsed in July 2012, when it was hit by a fire.

On Townley Street Lodge Mill built in1839 beside the River Irk battling on despite recent setbacks.

In August 2019, Martin Cove and Paula Hickey opened a small ice cream shop on the ground floor of the mill – named the Ice Cream Shop at Lodge – selling locally-made ice cream from Birch Farm, Heywood.

Across the way the magnificent Sub Station and Electrical Department Offices.

Then taking a turn around the banks of the Irk down Sharp Street onto Lance Corporal Joel Halliwell VC Way, where we find the Middleton ArenaBDP 2009

Then over the road to Oldham Road and Grade II Listed Warwick Mill 1907 G. Stott of J. Stott and Sons.

The mill recently changed ownership and new owner, Kam Lei Fong (UK) Ltd, has been working with Rochdale Borough Council over the past nine months on proposals to redevelop the site.

The plans will form the cornerstone of a new masterplan for Middleton town centre focusing on delivering new homes, business space, highway and environmental improvements, new walking and cycle routes to pave the way for the planned extension of the Metrolink into Middleton Town Centre.

The Business Desk

In 2005, the new Middleton Bus Station was opened – Jefferson Sheard Architects.

The station, with 13 stands, cost £4.5 million and replaced the previous station which dated to the 1970s.

The Middleton Arndale Centre commenced trading in 1971, although it was officially opened by Her Royal Highness the Duchess of Kent in March 1972.

Once home to The Breadman designed by Rochdale’s town artist of the time, Michael Dames.

Photo: Local Image Collection – Touchstones

Now trading as the Middleton Shopping Centre

The brick reliefs illustrating the town’s history are by Fred Evans of Dunstable, who completed the work in one week during May 1972 using a high powered sandblasting blaster.

Thanks to Phil Machen for the top tip.

At the centre of the public domain the Middleton Moonraker 2001 by Terry Eaton

According to folklore, the legend has several different interpretations. One version is that a traveller came upon a drunken yokel trying to rake a reflection of the moon in a village pond, convinced it was cheese.

This version conveys the notion that the men were drunk and acting foolishly.

However, an alternative narrative – and perceived to be the most reliable version – tells a different story and dates back to the time when smuggling was a significant industry in rural England.

It appears that many residents wish to rid themselves of the Moon Raker moniker and presumably become Middletonians.

There’s so much more to Middleton’s history than the Moonraker. Why did they spend all that money on a fairytale?

There were 3,000 Lancaster bombers built in Middleton during World War Two, a magnificent contribution to the effort to beat Hitler.

The bulbs inside the moon which light it up at night haven’t worked for five years.

Bernard Wynne

Along Long Street the Cooperative store what was – next door the long gone Palace Cinema demolished in 2001.

More Edgar Wood – three shops 1908.

Tim RushtonMiddleton Gateway

Middleton celebrates its history and rightly so – now is the time to take stock and plan for the future.

More green space, public transport, pedestrians and cyclists prioritised to meet the Green Agenda.

Mixed development for housing, retail and leisure in the town centre.

Take some time to explore and dream.

View the Masterplan click here

For more information on Edgar Wood click here