St Catherine’s College Oxford – RIBA pix

St Catherine’s College: 1961-66. Arne Jacobsen – Grade I Listed

Podium and all buildings upon it. GV I College buildings, raised on a podium, including dining hall, common room blocks; two residential blocks; library; Bernard Sunley Lecture Theatre; bell tower; piers and covering to walkways to east and west of library and east and west of hall; bridge adjoining west side of podium; brick walls enclosing canal and patio areas on western edge of podium; brick walls to patio areas to eastern edge of podium; twenty five short stretches of garden wall all running east-west, some incorporating seats; paving to podium surface and steps to east and south sides.

Historic England

The dining hall seen from the east 1970 – Roy Herman Kantorowic

The dining hall 1963 – Edwin Smith

The Fellows’ dining table with ‘Oxford’ chairs designed by Arne Jacobsen at the south end of the dining hall 1964 – Eric de Mare.

The cruciform-section columns which carry the precast beams of the dining hall 1964 – Bill Toomey.

The south elevation of the Master’s house 1964 – Bill Toomey

The music room located in the south-west corner of the campus 1964 – Bill Toomey.

Close-up of the fenestration of a residential block overlooking the quadrangle 1964 – Bill Toomey.

A student room with fitted bookcase 1964 – Eric de Mare.

The bell tower and library block seen from the north-west 1964 – Gilbert Davies.

Library block 1963 – Eric de Mare

The library seen from the gallery 1964 – Eric de Mare.

The library 1964 – Colin Westwood.

The bicycle store 1964 – Colin Westwood.

The small lecture room in the auditorium block furnished with ‘Pot’ chairs designed by Arne Jacobsen 1971 – Johnathan Moor.

The quadrangle seen from the junior common room with the gable of a residential block on the left and the dining hall on the right 1964 – Bill Toomey.

The east elevation of the Master’s house 1964 – Eric de Mare.

The living room with connecting dining room in the Master’s house 1964 – Eric de Mare.

Close-up of the covered way to the dining hall from the west residential block 1964 – Bill Toomey.

Tthe junior common room furnished with ‘Swan’ armchairs by Arne Jacobsen 1964 – Bill Toomey.

The main auditorium of the lecture-room block with raked seating of swivel ‘Series 7’ chairs by Arne Jacobsen 1964 – Bill Toomey.

All images from RIBA pix.

Florey Building – Oxford Queens College

Florey Building, a residential student block.

RIBA pix 1977 Alastair Hunter

Designed by James Stirling and Partners in 1966-1967 for Queen’s College, Oxford, and built 1968-1971, with Roy Cameron as associate, and Frank Newby of F J Samuely and Partners as engineer.

RIBA pix 2005 Jeremy Harrison

Listed at Grade II* for the following principal reasons:


* as a highly significant work by Sir James Stirling, one of Britain’s foremost post-war architects; 


* as the last of a triumvirate of university buildings that are without doubt amongst Stirling’s most significant works in England; 


* as a highly creative re-working of a familiar formal language, executed with masterful handling of form and colour, characteristic of Stirling’s style;


* for the high degree of survival of the original plan form, fixtures and fittings, which have been little altered since the building’s completion, including but not limited to the bedrooms, porter’s lodge, and breakfast room;


* as a distinctive and popular piece of post-war university architecture.

Historic England

On the day of my visit the building was secured and in a state of semi-dereliction, mothballed by the owners The Queens College Oxford.

There have been plans and a competition for refurbishment:

Perhaps the most charismatic of James Stirling’s surviving buildings; the Florey Building is hugely admired worldwide for its boldness and heroism.

Despite some practical and infamous failings, the Florey has a cult presence in Oxford: a modernist’s riposte to a city defined by traditional architectural masterworks.

The Queen’s College Fellows seek a dedicated team who are inspired by Stirling’s exhilarating vision. The challenge: to use advances in technology to update the building, provide modern facilities and achieve exemplary energy design.

The competition has now concluded — 27th February 2014

The Queen’s College, Oxford is delighted to announce that the team led by Avanti Architects has won the design competition to update the Grade II listed Florey building, widely regarded as an emblem of modernism. Avanti will now work to develop their scheme for the project and determine construction priorities.

The plans however were poorly received:

Alas the proposal for Florey lets down the practice, the college and most importantly Jim Stirling and the Modernist corpus, with a design that all but wrecks the essence of this unique building.

Alan Berman – founding partner at Berman Guedes Stretton

These proposals must be thrown out and consigned with distaste to the dustbin as a gross violation of Stirling’s intentions.

If permitted, they would constitute the comprehensive betrayal, by alteration, of one of the internationally most important buildings of the 20th century.

Thomas Muirhead – Stirling’s friend and former colleague.

Architects Journal

Furthermore there has been a history of criticism of the building:

At the official opening in 1971, the Queen Mother was rumoured to have said it was the ugliest building she had ever seen.

College bursar AA Williams described it as – a structure revolting and inhuman in its hideousness and defective in practically every aspect of its functioning.

Just a year later, students were complaining that it leaked, was noisy, too hot in summer, too cold in winter, they couldn’t stand up straight in the showers, and there were no baths.

Lord Florey, the pioneer of penicillin after whom the building is named put up the money, and was almost the architect’s sole supporter in the college.

This culminated in a legal battle, an intense dislike of the building throughout the college, a reluctance to spend anything but the minimum on maintenance, and decades later, to the possibility of demolition.

Oxford Mail.

So with little institutional love and a soupçon of general loathing, we are left with a Listed building in limbo.

Happily Leicester University are taking care to care for their Stirling building.

University of York – RIBA pix

Following my previous visits to the University of York, recording the history and the Fred Millett Reliefs, I have searched the RIBA pix archives to find further images.

They mainly illustrate the Derwent and Langwith Colleges – both built using the CLASP system of construction.

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Derwent College: one of the two covered walkways linking the college buildings with sculptural relief by Fred Millett at the far end.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Derwent College: a concrete panel sculptured by Fred Millett.

Derwent College.

Photographs 1965 Keith Gibson.

JB Morrell Library.

Derwent College: a covered walkway over the lake.

Central Hall.

Photograph 1972 Bill Toomey.

Vanbrugh College: stepped roof to the covered way leading down to the lake.

Photograph 1972 Peter Bairstow.

Derwent College and Heslington Hall.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Langwith College, seen from the lake.

Langwith College.

Photographs 1965 Bill Toomey.

David Brown Laboratories: the flue stack.

David Brown laboratories: the water tower.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Derwent College.

Derwent College.

Langwith College: close-up of the oriel windows.

Photographs 1965 Bill Toomey.

Derwent College: a concrete sculptured screen flanking a covered way.

Derwent College: a concrete sculptured screen flanking a covered way.

One of several concrete link bridges.

Another of the several concrete link bridges.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

David Brown laboratories: seen from one of the link bridges.

David Brown Laboratories: the flue stack and water tower rising above the laboratory blocks.

J. B. Morrell Library: the central staircase and lift tower.

Photographs 1965 Keith Gibson.

Central Hall.

JB Morrell Library, University of York, seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright

JB Morrell Library: the covered pedestrian bridge linking the library to the southern side of the campus.

JB Morrell Library.

JB Morrell Library: the main entrance and terrace.

JB Morrell Library: the issue counter seen from the second floor.

JB Morrell Library: viewpoint from the fourth floor.

The covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Langwith and Derwent Colleges.

Derwent College and Heslington Hall.

Photograph 1965 Henk Snoek.

The Chapel of St John the Evangelist – York St John University

This is one of many George Pace Churches I have visited – St Marks Broomhill – William Temple – St Leonard and St Jude – Keele University Chapel – St Saviours – Church of St Mark.

I am grateful to Natalie Ainscough for directing me here to York.

The chapel was closed on a Saturday so we wandered around outside, peering curiously through the windows. Surrounded by mature planting, the bare brick and glazing is more than somewhat softened, the planting however does inhibit the intrepid photographer.

Designed 1965, built 1966-7; architect George Gaze Pace, executant assistant Ronald Sims.

Reinforced concrete frame, partly left exposed, clad in pale brick. Monopitched roofs. Low flat roofs to entrances and between the three main elements with thick board-marked eaves. Central space flanked by angled transepts, with organ loft to (liturgical) west end and wing of offices behind. Long narrow flat-headed windows between brick mullions, timber doors. Attached walls and steel gate lead to inner garden, intended for contemplation.

Interior with exposed concrete frame, including piers and thick ring beam at gallery level, with brick infill. Boarded timber ceiling to main space; board-marked ceilings to low side aisles. Choir gallery with organ, designed by Pace, set behind timber lattice screen also to his designs, and reached via narrow spiral stair. Ceramic piece to balcony front 1999 by Helen Batty. Some pews, brought from the college’s former chapel of 1858 remodelled by Pace in the 1950s.

Hanging pendant light-fittings to Pace’s designs. Altar, lectern and altar seating all by Pace; pulpit designed 1998. Windows – internally the concrete of the mullions is exposed, all originally clear leaded lights, but now stained glass is being incorporated, most notably ‘The Water of Life’ by Cathy Nutkins, a 1990 graduate, in right-hand transept.

Chapel of Christ the Teacher to rear, by foyer, refurbished 1994 by Helen Turner, textile artist. The building is well-suited to the incorporation of student works of art, some temporary, some permanent, and additions are continually being made to the collection.

Grade II Listed

Photo: © Richard Burrows 2022

There is a full and thorough analysis of the building here at York C20

And an audio tour right here.

Wyndham Court Southampton – Again

I had spent the day in Southampton in May, the first area I explored was Wyndham Court.

At the end of a long day I found myself there again, with an hour to spare before my train back to Bournemouth.

The sky was no longer blue, the sun was now occluded.

The photographs were almost monotone, so with a small tweak I made them monochrome.

Designed by Lyons Israel Ellis for Southampton City Council in 1966, ED Lyons being the partner in charge and architects Frank Linden and Aubrey Hume also assigned to the job.

The structural engineers were Hajnal-Konyi and Myers and the firm of builders was G Minter.

The building is Grade II Listed.

Lyons Israel Ellis, though well known as a finishing school for the famed likes of Stirling, Gowan, Colquhoun et al, were the sort of Brutalists that didn’t get Yale scholarships, shiny monographs or late careers in pomo. They are found more often designing local authority housing, comprehensive schools and other unsexy things – most of them robust enough to be extant and in good nick. From their Old Vic extension through to the London School of Engineering, they were giants of big, chunky, angular neo-constructivist architecture rife with skylines, cantilevers and complex geometries, all in satisfyingly raw, tactile concrete. As Colquhoun later put it, this was architecture for those who had nothing but contempt for ‘the Englishness of English art’ and other consolatory narratives.

Their masterpiece, Wyndham Court, ought to be as well-known as the Brunswick Centre or the Barbican, and isn’t largely because of where it is. It is a monumental, civic housing project on the grandest scale. As a building, it shows more than a hint of rhetoric creeping into LIE’s usually astringent aesthetic. Placed just outside Southampton Central Station with a fine view of the docks, its service tower skyline and long, streamlined volumes have more than a hint of the ocean liner about them. Here they arc around a square, with shops on the ground floor, high-density-city centre living for council tenants rather than as an aspirational loft-living lifestyle. A magnificent vote of confidence in a city which has built little of note since, it’s also, for me, the building that announces that I’m ‘home’ far less depressingly than BDP’s repugnant West Quay shopping centre on the other side of the railway line – a massive concrete statement that another city was and still is possible.

Owen Hatherley

Wigan Civic Centre 2026

Over ten years ago I visited Wigan Civic Centre.

It looked a lot like this:

The current Pevsner Guide remarks:

1971 built of a pre-cast concrete panel system, dour, on an awkwardly sloping site.

I beg to differ – what’s the opposite of dour?

So says the online Thesaurus – and I heartily concur, for the whole building has had a makeover and a half.

Civic is a super energy-efficient workspace in the centre of Wigan town centre. The BREEAM Excellent building has space for business of all sizes, from desks for solo start-ups, all the way to big open plan offices with their own front door.

The brutalist beast has been lovingly restored by Capital&Centric to celebrate its architecture, with original waffle ceilings, corduroy concrete and stunning feature windows that flood the space with light.

Capital&Centric

The redevelopment was supported by cash from the UK Shared Prosperity Fund – UKSPF.

Dave Molyneux, the leader of Wigan Council, said:

I had an office in here for quite a while and it had that 1970s retro, concrete building style but this is something special. 

For businesses, we’re probably the best located local authority in Greater Manchester because of the West Coast Main Line and the M6 motorway.

BBC

It was great to visit and tour Wigan Civic Centre on Millgate, to see the inspiring work being done to create sustainable workspaces and amenities in the centre of our town. This development, alongside others taking place and planned across the North West, will help to revitalise our public spaces

Lisa Nandy MP

The refit was handled by shedkm.

With students, start-ups and professionals situating themselves elsewhere in Greater Manchester, Wigan town had been missing out on the economic and cultural vitality that high quality workspace brings. Civic’s transformation represents not just the overhaul of a tired concrete building, but a wider renewal of place and opportunity for Wigan.

Main interior contractors were Workspace Design & Build.

Working with Wigan Council and Capital & Centric, we completed the refurbishment of the 50,000 sq ft building that is Wigan Civic Centre. Delivering aspirational office accommodation to stimulate economic growth with the goal to create a lasting social impact in Wigan. In addition to exemplar market-leading workspace, amenities include a rooftop terrace, mini cinema, gym studio and co-working/coffee shop space.

Here’s the exterior.

Many thanks to the Cotton Café Bar for kindly allowing us in after hours.

Diners image Canning O’Neill – spaces to let.

Ultimately, civic stands as a symbol of optimism for Wigan, proving that intelligent commercial design can catalyse economic renewal, secure a sustainable future, and truly lift a town’s spirits, without erasing its history. It is a gold standard for the adaptive reuse of 20th-century landmarks.

Judge, BCO Awards 2026

Open for business bob along pronto.

Barclays House – Poole

Barclays House 1 Wimborne Road 

Photo 2012 – Peter Holmes

Barclays House was constructed by Barclays bank from 1972 to 1975 as part of a move to decentralise its offices from London.

The structure, was designed in the Brutalist style by architects Wilson, Mason and Partners. It consists of three main wings, each octagonal in plan, and dominates the town centre skyline.

Barclays first occupied the office in January 1976. The building’s basement is below sea level and is often flooded or damp, which prevented its use by the bank for storage. The structure has also sunk over time due to its significant mass

Barclays left the site in January 2022 and put the structure up for sale by sealed bid auction. The highest bidder was Bournemouth, Christchurch and Poole Council but they withdrew from the purchase in September 2022.

BCP offered £17 million, almost three times more than the next highest bidder, thought to be Fortitudo at £6.5 million, who wanted to demolish the structure and build three apartment towers.

In February 2023, boarding was put up around the building and the Bournemouth Daily Echo reported that a new buyer had been found. In November 2023, proposals for redevelopment to residential use were announced, 362 flats are proposed for the building.

Wikipedia

The main reception 28th January 1976.

Historic England

Photos 26th March 2025 – AD Coastalmedia

Town hall planner Gareth Ball has given the go-ahead for VCRE Four Poole Limited to convert the historic building into a 362-bedroom apartment block. 

No parking spaces will be available for the future residents, as noted by BCP case officer Mr Ball as being in accordance with the council’s rules. Instead, the development will come with 488 cycle spaces – or one space for every resident. The scheme will feature a gym, communal workspace, squash courts, a games room with table tennis, pool, video games, surfboard storage and a rooftop garden.

Barclays House was bought last year for £5.3 million, according to documents. 

Bournemouth Echo

Here are the photographs I took in May 2026 – incorporating the multi storey car park.

But what of the future?

This recent ARC project involves transforming the former Barclays building in Poole into 362 modern residential flats while preserving the existing building’s façade. This project focuses on revitalising a heritage landmark by repurposing it with innovative designs that offer easy access to public transport, exceed space standards for comfort and practicality, and create a strong sense of community through shared internal and external amenities.

Avenue Road Car Park – Bournemouth

Avenue Road Bournemouth BH2 5SL

After twenty years, the waterproofing on the top deck of the busy Avenue Road council car park in Bournemouth was failing. Water was penetrating the structure and dripping onto users’ cars on the lower levels and also into a tenant’s offices situated below. More importantly, this was affecting the structural integrity of the car park.

Being close to the sea, the car park is subjected to highly corrosive moisture and salt levels, which if left unprotected could cause long term structural damage. And indeed, further investigation by the contractors Concrete Repairs Ltd. and Triflex’s Technical Team revealed that part of the concrete substrate was cracking and failing causing potential health and safety issues.

As a result, the council needed to refurbish the car park and have a reliable waterproofing solution that would extend the car park’s service life. In addition, this work needed to be finished before the start of the busy summer tourist period.

Concrete Repairs Ltd. and the Triflex Technical Team visited the site to complete an extensive site survey. Testing was also conducted to determine the suitability and compatibility of the substrate and the requirements for its preparation. Triflex DeckFloor was specified for the decks with DeckFloor Ramp System to provide a more aggressive aggregate was to the ramps and inclined areas of the car park. The ramp system incorporates emery aggregate which provides additional traction for those harder wearing areas.

Triflex

Consequently when I arrived at the car park’s higher level, the surfaces were crisp and clear, providing an angular geometry for this eager snapper.

The third car park of a four day stay here on the South Coast, having previously visited both Bournemouth’s Glen Fern and Shoppers in Poole.

So having ascended the California screen block lined stairway, I wandered the wide open spaces, alone with my thoughts and camera.

Shoppers Car Park – Poole

Serpentine Lane Poole BH15 United Kingdom

Always a pleasure to walk the spiral ramp of a multi-storey car park, with the extra added pleasure of a passing motorist enquiring after my well being.

“Are You Lost?”

“No I’m taking pictures, but thanks anyway, if I ever am lost I’ll certainly know who to ask.”

Glen Fern Car Park – Bournemouth

5 Glen Fern Road Bournemouth BH1 2LZ

Something of an anomaly, combining accommodation with a leisure facility.

The Outlook is ideally suited to students looking for quality, self catering, en suite accommodation in central Bournemouth, just a minute’s walk from the town’s excellent amenities.

The student accommodation has recently completed a comprehensive refurbishment, the work which included considerable redesign, new furnishings and decoration.

Why don’t you take a look at the accommodation and find out more about our excellent location.

The Outlook

Excitingly close to Oasis Fun Bournemouth’s No.1 indoor fun centre.

Want to keep the kids entertained?

Then why not visit Oasis Fun today for a fun-filled experience for the whole family. We have an amazing bowling alley with six lanes, an indoor soft play centre, large Adventure Golf course, arcades and pool tables. Oh, and we have a café serving snacks and a fully licensed bar.

Oasis Fun

Though ARC Architecture have other plans for the site.

As of May 2026 the car park and Outlook were still very much in use.

Hamtun Street Mural – Southampton

The large and colourful mural in Hamtun Street in Southampton’s Old Town charts the history of the city from Roman Clausentum and Saxon Hamwic, to the modern docks and football.

Created in 1978 by influential artists Henry and Joyce Collins,

The mural was commissioned by Sainsbury’s to decorate the façade of their supermarket in Lordshill, Southampton.

The 19m long and 3m high mural consists of thirty seven concrete and glass mosaic panels depicting landmark buildings and iconicevents from Southampton’s history. 

Thanks to a grant from the Heritage Lottery Fund, the mural was cleaned and restored by ceramic artist Oliver Budd.

Artist and conservator Oliver Budd creates and restores mosaics for public and private commissions. Budd Mosaics was set up in 1960 by Kenneth Budd, a contemporary of Henry and Joyce Collins. Kenneth invented the technique of prefabricating mosaics in the studio on aluminium mesh panels.

By July 2011 it was installed at Hamtun Street in the heart of the Old Town.

Tudor House and Garden

Here it is with Castle House in the background.

Southampton Mural 2013.

A cross-section of the local community helped create a new mural depicting contemporary Southampton. The design was inspired by ideas from young people at Prince’s Trust, residents of Ironside Court, parents from St. John’s School and local people who attended mosaic workshops led by artist Joanna Dewfall.

Joanna Dewfall’s design captures the city’s iconic buildings, maritime industry and present-day life. The border, made during mosaic workshops, contains themes from past and present celebrating Southampton’s cultural diversity.

The new mural is located on Castle Way, round the corner from the Hamtun Street Mural.

My first encounter with the work of Henry and Joyce Collins, was on the side of the former BHS in Stockport.

I have subsequently visited their work in Bexhill on Sea.

Newcastle upon Tyne

And Cwmbran.

Castle House – Southampton

A view from the Balcony of Castle House, Castle Way Southampton in the very early 70’s, St Michael’s Church and one of the liners are clearly visible.

Photo – John Fahy

Under construction.

Photo – Kim Herdman

Taken in 1963

Photo – Lutek Fitulek

April 22nd2016.

Photo – Richard Czuprynski

Entrance 1985

Photo – Miles Glendinning.

Following our visit to Wyndham Court let’s take a look at Castle House.

One thirteen -storey block containing seventy two dwellings – 1960 Eric Lyons

Wyndham Court – Southampton

Wyndham Court is a block of social housing in Southampton which opened in 1970.

It was designed by Lyons Israel Ellis for Southampton City Council in 1966, ED Lyons being the partner in charge and architects Frank Linden and Aubrey Hume also assigned to the job. The structural engineers were Hajnal-Konyi and Myers and the firm of builders was G Minter.

It is located near Southampton Central station and the Mayflower Theatre. Wyndham Court includes 184 flats, three cafes or restaurants and 13 shops, and was completed in 1969.

It is built from reinforced concrete and finished with white board-marked concrete, with narrow bands painted horizontally between windows and the partition walls that separate the apartments’ balconies. Because it is built on a hill, the building has six storeys at its northern end and seven at the southern. There is an underground car park which was constructed from the basements of previous buildings on the site

Wikipedia

This was my very first visit on my day out in Southampton having also taken a look around Nelsons Gate.

Walking around the building I was quickly engaged by two residents, emerging from their concrete clad home. Assuming that I was from the Council, I was given a lurid account of rodent infestation, faulty locks, open doors and all manner of ills. Having explained my unfortunate lack of municipal affiliation, we parted amicably as we went our respective ways.

A single bed apartment will cost you £600 PCM.

The flat itself is situated within this large purpose built block, benefits with this particular block include secure entrance system and lift access to each floor. This particular flat is found on the 4th floor and offers a private front door, as you enter the hallway leads round to a large living room which has plenty of space for dining as well, the kitchen is separate but has been cleverly designed to include an large opening hatch that creates the feeling of open plan to this area. The kitchen is clean and tidy and is supplied with the white goods including a brand new washing machine.

The main living space has lovely big windows that not only offers lots of natural light but also offers a stunning viewing, where you can see glimpses of the Cruise liners docking. The bedroom is accessible by multiple doors either from the living room or hallway, the bedroom is a great size and also features nice big windows, along with plenty of storage. Back into the hallway there are two useful storage cupboards and last but not least a fully tiled bathroom with shower and bath. Further benefits with the flat include electric heating and external storage cupboard next to the front door, the block also boosts a communal garden which is a nice place to sit and enjoy some fresh air.

The building is Grade II Listed.

Wyndham Court, ought to be as well-known as the Brunswick Centre or the Barbican, and isn’t largely because of where it is. It is a monumental, civic housing project on the grandest scale.

Owen Hatherley

Nelson Gate – Southampton

On arriving a Southampton Central there it is looming over Blechynden Terrace.

A big brute of a building Nelson Gate, comprised of sixteen-storey Norwich House, seven-storey Frobisher House and five-storey Grenville House.

Though it seems that for some time there are those which wish to tame the brute.

Plans for a multimillion-pound development including a hotel, homes, offices and shops in Southampton city centre have been revealed.

The Nelson Gate scheme, proposed by developer FI Real Estate Management, would also see Norwich House and Frobisher House revamped.

A public square would be created by the city’s central railway station, as well as a new pedestrian route.

A full planning application is expected be submitted later in the summer.

Chris Hammond, leader of Southampton City Council, said: “Nelson Gate is one of the gateways into the city from the station, so to see a brand new development is fantastic. It really showcases what the city has to offer for those coming in.”

BBC 2018

Fast forward to 2025

Ellis Williams was appointed to develop designs and achieve planning permission for the redevelopment of Nelson Gate in Southampton, transforming the existing 1970’s office accommodation into an iconic residential and public space. Through positive and extensive engagement with Southampton Council, the site has been re-imaged as an arrival gateway into the city from the Central Railway Station.

The existing office buildings and car park will be transformed into 247 residential apartments, 42,000 sq ft Grade A office space, a 224 bed hotel with extensive dry leisure and 14,000sf commercial / food and beverage space fronting onto a new public realm and urban park.

Aligned with other significant investment into Southampton, Nelson Gate will create a truly unique place for people to live, work and socialise.

EWA

The scheme is expected to be delivered in two phases. The first phase, focusing on the existing buildings and their immediate surroundings, is projected for completion by September 2026. However, it is important to note that this timeline is a challenging target.

Southampton Gov

As of Tuesday May 5th 2026, all is as was.

Though there is a new mural.

It’s 2023 and Nelson Gate, renamed The Bulb, will sport the UK’s largest clean air mural, it was designed by French street artist Nerone.


Here’s what I did photograph.

Barnsley Co-op

Having previously visited Barnsley to construct a Barnsley Walk, I returned to take the Modernists on the walk.

Previously puzzled by this mosaic clad Festival of Britain facade.

Subsequent observation and research revealed it to be an extension to a group of Barnsley Co-operative buildings.

I should have noted that the building of 1910, was the work of architect Arthur Walshingham, the terracotta and green faience, very much in the style of Northmoor Road.

And also his work here in Pendleton.

According to author Lynn Pearson:

The building housed grocery and footwear shops, an elegant marble floored entrance hall, a restaurant and assembly room. Its original shopfronts were mahogany with metal sills on a granite base, the windows were divided by columns with green faience shafts.

England’s Cooperative movement – an Architectural History.

The Barnsley building is loaded with decorative details.

Sadly the columns mentioned above were replaced, the mosaic from the later extension extended to give a misplaced sense of cohesion to the pairing.

The extension has a charm of its own – with an upper tier terrace bordered by a metal fence.

A concrete relief to the side.

The adjacent buildings were the 1885 central offices of the Barnsley British Cooperative Society.

The building is Grade II Listed.

In 2016 the Barnsley British Co-operative building, sited opposite the existing buildings, suffered a large fire and unfortunately had to be demolished due to safety concerns.

For more than a century it had been considered the place to shop in town. Many will recall it as the Co-op’s toy department where, every year, excited children would queue with mums and dads to meet Santa in his grotto at Christmas.

It closed in the 1980s.

In 1993 the plan was to turn the imposing Victorian Grade II listed building into a ’high class’ venue which it was anticipated would be aimed at a clientele in the 25-plus age group.

Barnsley Chronicle.

Concrete Chalets Scarborough 2026

Here we are again, following visits in 2020 and 2023.

There has been some low level maintenance undertaken to almost secure the site, and someone from the Corporation has given the walls a coat of paint, subsequently undone by the local scrawlers.

Who knows what fate awaits them?

I shall endeavour to keep you posted with further posts.

William Mitchell Liverpool

Walking the streets of Liverpool?

Time on your hands wondering what to do?

Take a look at the work of William Mitchell!

Sculptor and designer, born in London 1925, where he continued to live. Studied at Southern College of Art in Portsmouth, at Royal College of Art and at British School in Rome; was an Abbey Award-winner. Went on to lecture widely and was a member of the design advisory board, Hammersmith College of Art and Trent Polytechnic. Also did work for Concrete Society and completed a frieze for Swiss Cottage Library.

artuk.org

First stop is 29 Hope street – where we have been before – william-mitchell-liverpool.

Federation House – 1965-66 Gilling Dodd & Partners

Originally home to the National Federation of Building Employees Investments.

Now how in part to The Shandon Bells – named for the chimes of St. Anne’s Church in Cork.

The church is noted for its eight bells, immortalised in the song The Bells of Shandon by Francis Sylvester Mahony. The largest weighs a little over one and a half tons and was originally cast by Abel Rudhall of Gloucester.

They first rang on 7 December 1752.

Church of_St_Anne Shandon

Curiously for an Irish themed pseudo-pub the exterior fascia is modelled on the Design Research Unit’s Watneys identity.

Here are some interiors of the then Coffee Moose from 2022

Next we’re off to liverpool-metropolitan-cathedral-of-christ-the-king.

The cathedral’s architect, Frederick Gibberd, was the winner of a worldwide design competition.

Construction began in 1962 and was completed in 1967.

William Mitchell designed the concrete relief below the bell, two front and two side doors.

Before the fire.

A woman has been charged with arson following a fire at a cathedral.

The blaze damaged doors and the gallery at Liverpool Metropolitan Cathedral on Mount Pleasant in the early hours of 29 May 2022.

A 35-year-old woman was charged with arson and possession of a controlled drug and remanded in custody, Merseyside Police said. 

The blaze did not enter the main part of the cathedral but caused smoke damage inside the building. 

There were no injuries in the fire.

BBC

Mount Pleasant Car Park – Liverpool

38 Mount Pleasant Liverpool L3 5TB

Excellent price – max £4 for whole day. Awkward to exit on foot, it needs more signage, but worth a bit of faffing around for the very reasonable cost. Really easy to pay by phone, although it costs an extra 20p to do this. As other have said, it closes at 8pm, but great for daytime adventures!

2017

Open 24 hours, no lifts but cheap. Always managed to find a space.

2023

Parkopedia

Crosville buses DVG279 and ENL826 head out of Liverpool past the multi-storey car park and AUEW offices in Mount Pleasant.

One of Liverpool’s traditional “Freddie Boswell” street sweepers is going down the hill with his dustcart.

Photo 1985 Chris Palmer

On my way somewhere else, took a left off Lime Street to walk around and about this monumental concrete car park.

I was on my way to see Ed Ruscha amongst other things.

Volare Digital Camera

I think he would have admired the view.

No fancy cladding and a limited pedestrian access, should you happen to be sans auto.

Attached to the car park is the 051 Complex – made for the Liverpool dialling code.

Club 051, ofiveone, The 05’…

Whatever you wish to call it, this iconic venue has touched the hearts of literally hundreds of thousands of clubbers spanning its illustrious history. Those infamous stairs down to the dance floor are truly part of clubbing folklore for those who have walked them, and now because of a team of people who dared to dream, you can once again enjoy the spine chilling ofiveone experience! 

Because dreams can come true 

Are You 051 Enough?

Cardiff University

Sir Martin Evans and Tower Buildings

Lead architect Ivan Dale Owen of Sir Percy Thomas & Partners also responsible for the site’s 1960 masterplanning.

He then spent over a year working for Walter Gropius’s practice, The Architects Collaborative, in Cambridge, Massachusetts.He returned to Britain, where he became a senior architect/planner with William Holford & Partners in London, where he worked on plans for the reconstruction of London after the war.

He returned to Wales with health problems and in 1958 was hired by Percy Thomas & Son as an associate in their Cardiff office. By 1964, Percy Thomas & Son had become Sir Percy Thomas & Partners and Owen had become a partner. He changed the philosophy of the practice, transforming it with a contemporary modernist style.

Wikipedia

1970 Internet Archive

We have previously encountered his work at both Aberystwyth, Bangor and Swansea Universities.

Rio Architects worked with Cardiff University designing visually attractive, innovative and cost-effective buildings. The Rio team are enthusiastic and dedicated, taking time to meet the client Departments at all stages of the project to ensure that an informed and good working relationship is developed and maintained the innovative design of the new podium development for the School of Bioscience incorporates hexagonal shaped glass panels was developed in conjunction with Solaglas.

Ian Lomer

Director of Estates Development, Cardiff University

Arts and Social Studies Library designed by Faulkner-Brown Hendy Watkinson Stonor 1976

RIBA pix Josephine Reid

Music Department 1971 Alex Gordon Partnership.

RIBA pix Stanley Travers

Three Obliques – Walk In is a 1968 sculpture by Barbara Hepworth. Three casts exist; two are in private collections and a third is displayed outside the Cardiff University School of Music.

It is cast in bronze on a monumental scale.

Wikipedia

Water Tower – York

Exploring the University of York campus the first point of interest which we encountered was the Water Tower.

Siward’s Howe, sometimes written Siwards How and also known as Heslington Hill or Bunny Hill is a terminal moraine located to the south-east of the city of York.

The howe is situated north west of the Morrell Library building of the University of York. The southern side of the howe is part of Alcuin College of the University of York.

Its imposing water tower is visible from many parts of the nearby suburbs of Tang Hall and Osbaldwick.

Siward’s Howe is named for Siward, Earl of Northumbria, the 11th century Danish warrior.

Siward died at York during 1055 and is rumoured to have been buried beneath the tumuli at the wooded summit.

Wikipedia

The Death of Earl Siward 1861 by James Smetham

Built in 1955 the water tower contained one million gallons of water – the largest in England at the time.

It’s still operational, and provides water to Dunnington and Elvington.

The shape of the tank and supporting structure on plan takes the form of a large central square portion, each corner of which is eclipsed by an octagonal tower seven faces of which are revealed.

The central tank is fifteen feet deep and is eighty three feet and six inches square.

Structural Engineer.

Wikipedia

The University Chemistry Department water tower was constructed in 1965 and demolished in 2002 due to deterioration in its concrete construction.

Cconstruction in March 1965. Photo: © Borthwick Institute for Archives

The Tower comprised of an inverted twenty one metre diameter conical tank which was made up of thirty two pre cast concrete petals each weighing eight and a half tonnes. The Overall Height of the Tower was approximately twenty eight metres, the central core stem being two point three metres diameter .

Photo Steve Collins 2011

Photo RIBA pix

The landmark, built in 1965 to hold fifty thousand gallons of water for the chemistry department, is crumbling away due to carbonation and has been covered in a protective net to stop pieces hitting passers-by.

Bill Burns, building maintenance surveyor for the university, said many concrete structures of the 1960s and 1970s were suffering the same fate as the speed of building often meant salt got into the aggregate used in the concrete mix.

York Press

There was a degree of uncertainty surrounding the demolition of the pre-cast structure of the Tower as it had been subject to deterioration since erection. At Tender stage, the thirty two petals forming the bowl of the water tank were described as each individually being restrained by wire ropes to the central core. Upon opening up the works, it was found that the stated thirty two restraining Ropes had only been used during the construction of the bowl and had been removed, therefore the petals of the tank were gaining support from the ring beams.

Connell Brothers